Relevant bibliographies by topics / Naturalism in literature. German drama

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Naturalism in literature. German drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Naturalism in literature. German drama"

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Vogel, Juliane. "Sonnenpartituren." Poetica 51, no. 1-2 (2020): 148–69. http://dx.doi.org/10.30965/25890530-05101004.

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Abstract The article describes forms of solar orientation in dramas of German Naturalism. Starting from Ibsen’s Gengangere and Hauptmann’s Vor Sonnenaufgang, it claims that the crisis of drama is reflected in the ways in which the sun is related to the dramatic process and involved in dramatic finalization. By staging and addressing the sun, Naturalist dramatists discuss problems of temporal organization and energetical maintenance of a form in dissolution. In an array of dramas and in a densely woven network of intertextual references, they experiment with evocations of negative solarity. The
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Leydecker, Karl, and Raleigh Whitinger. "Johannes Schlaf and German Naturalist Drama." Modern Language Review 94, no. 4 (1999): 1150. http://dx.doi.org/10.2307/3737311.

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Lewis, Ward B., and Raleigh Whitinger. "Johannes Schlaf and German Naturalist Drama." German Quarterly 71, no. 2 (1998): 190. http://dx.doi.org/10.2307/407880.

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Sperberg-McQueen, M. R., and Judith Popovich Aikin. "German Baroque Drama." MLN 100, no. 3 (1985): 665. http://dx.doi.org/10.2307/2905537.

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Skrine, Peter, and Judith Popovich Aikin. "German Baroque Drama." Modern Language Review 80, no. 1 (1985): 210. http://dx.doi.org/10.2307/3729450.

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Lee, David, Kim Vivian, Richard H. Lawson, and Frank Tobin. "Survey of German Literature. Vol. II: Classicism to Naturalism." Die Unterrichtspraxis / Teaching German 22, no. 2 (1989): 207. http://dx.doi.org/10.2307/3530207.

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van Cleve, John, Kim Vivian, Frank Tobin, and Richard Lawson. "Survey of German Literature: Volume Two: Classicism to Naturalism." German Quarterly 61, no. 4 (1988): 565. http://dx.doi.org/10.2307/406267.

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Keith-Smith, Brian, and Peter Hutchinson. "Landmarks in German Drama." Modern Language Review 99, no. 2 (2004): 550. http://dx.doi.org/10.2307/3738843.

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Blackadder, Neil. "Dr. Kastan, the Freie Bühne, and Audience Resistance to Naturalism." New Theatre Quarterly 14, no. 56 (1998): 357–65. http://dx.doi.org/10.1017/s0266464x00012434.

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An acknowledged feature of the late nineteenth-century reinvigoration of theatre is the frequency with which new styles of writing – and, more often, innovative themes – affronted the public, both in print and performance. Yet the turbulent initial audience reactions to taboo- and ground-breaking plays have often been represented as self-evident confrontations between progressive creative artists and philistine theatregoers. By closely examining one apparently typical case of resistance to the new drama – the uproar at the 1889 premiere in Berlin of Gerhart Hauptmann's Before Sunrise – Neil Bl
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Leydecker, K. "Unmarried Mothers in German Society and German-Language Drama Around 1900." Forum for Modern Language Studies 38, no. 1 (2002): 37–48. http://dx.doi.org/10.1093/fmls/38.1.37.

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Dissertations / Theses on the topic "Naturalism in literature. German drama"

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Mastag, Horst Dieter. "The transformations of Job in modern German literature." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or
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Regele, Hildegard C. "Kunstkrankheiten und Heilkünste : kathartische Dynamiken durch Samuel Hahnemanns Homöopathie und Bertolt Brechts episches Theater = [Art(ificial) illnesses and healing arts : cathartic dynamics through Samuel Hahnemann's homeopathy and Bertolt Brecth's epic theater] /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190541.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 518-539). Also available for download via the World Wide Web; free to University of Oregon users.
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Thomsen, Frank. "Von der Taktik zur Tugend Wandlung des Ethikkonzepts in Brechts marxistischen Dramen von 1929-1945 /." Frankfurt : Lang, 2008. http://catalog.hathitrust.org/api/volumes/oclc/272561135.html.

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Ebert, Reika D. "Vom Barbaren zum aufgeklärten Herrscher : zur Entwicklung des Türkenbildes im deutschsprachigen Drama des 17. Jahrhunderts /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9943.

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Loehrmann, Jared. "Die Moderne Frau und ihr Drama: Marie Eugenie delle Grazies Drama Der Schatten (1901); ein Schlüsseltext zur Wiener Moderne." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1552.

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Marie Eugenie delle Grazies Drama Der Schatten wurde am 28. September 1901 im Wiener Hofburgtheater, einer der bedeutendsten Bühnen Europas, uraufgeführt, jedoch nach nur vier Vorstellungen abgesetzt. Das mit dem Bauernfeld-Preis ausgezeichnete Stück bildet den Zenit von delle Grazies literarischem Schaffen und beinhaltet Diskurse von hohem damaligem Stellenwert, die uns einen tieferen Einblick, vom Standpunkt der modernen Frau, ins Fin-de-Siècle Wien geben können. Das Drama und seine Dichterin wurden im Wien der Jahrhundertwende sowohl gefeiert als auch gerügt. Delle Grazie hatte mit Vorurtei
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Kuhn, T. "Literary form and politics in German exile drama 1933 to 1939 : A study of Ferdinand Bruckner's 'Die Rassen', Theodor Fanta's 'Die Kinder des unbekannten Soldaten', and Bertolt Brecht's 'Furcht und Elend des Dritten Reiches'." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371683.

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Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni
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Firaza, Joanna. "Die Ästhetik des Dramenwerks von Rainer Werner Fassbinder : die Struktur der Doppelheit /." Frankfurt am Main [u.a.] : Lang, 2002. http://www.gbv.de/dms/bs/toc/342126318.pdf.

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vom, Schemm A. (Axel). "Dichter am Ball:untersuchungen zur Poetik des Sports am Beispiel deutschsprachiger „Fußball-Literatur”." Doctoral thesis, University of Oulu, 2006. http://urn.fi/urn:isbn:9514283023.

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Abstract In view of numerous texts from completely different genres the study shows to what extent and degree of differentiation the topic soccer is covered in German-language literature and allows general conclusions on a poetics of sport. Here solely German-language literary sources are considered. The work is divided into a theoretical and a text-related part. In the former section the approaches to the topic – on one hand via German studies and on the other hand via interdisciplinary sport science – is made clear by means of basic considerations on the questions “what is literature?” and “
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Sabzevari, Hanif. "Varför tiger du? : Expositionen i sju enaktare av August Strindberg." Doctoral thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9415.

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This is a study of how expository information is presented in the metatext (title, subtitle, prefaces, dedications, the dramatis personae, announcements of act and scene, stage directions etc.) and the dialogue in seven one-act plays by August Strindberg: The Stronger (1889), Pariah (1889), Simoom (1889), Debit and Credit (1892), The First Warning (1892), Facing Death (1892), and Motherly Love (1892). Exposition in this study is defined as a semiotic temporal-structural element that: (1) is not restricted to any specific part of the drama; (2) is present in both the metatext and the dialogue;
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Books on the topic "Naturalism in literature. German drama"

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Whitinger, Raleigh. Johannes Schlaf and German naturalist drama. Camden House, 1997.

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Whitinger, Raleigh. Johannes Schlaf and German naturalist drama. Camden House, 1997.

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Hoefert, Sigfrid. Das Drama des Naturalismus. 4th ed. Metzler, 1993.

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1938-, Osborne John, ed. Gerhart Hauptmann and the naturalist drama. 2nd ed. Harwood Academic Publishers, 1998.

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Gerhart Hauptmann and the naturalist drama. Harwood Academic, 1998.

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Bernhardt, Rüdiger. Henrik Ibsen und die Deutschen. Henschelverlag Kunst und Gesellschaft, 1989.

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7

The theatre of naturalism: Disappearing act. Peter Lang, 2011.

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Demastes, William W. Beyond naturalism: A new realism in American theatre. Greenwood Press, 1988.

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9

The vast and terrible drama: American literary naturalism in the late nineteenth century. University of Alabama Press, 2004.

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10

Andreach, Robert J. The war against naturalism in the contemporary American theatre. University Press of America, 2008.

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Book chapters on the topic "Naturalism in literature. German drama"

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Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.

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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.
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"Naturalism." In Encyclopedia of German Literature. Routledge, 2015. http://dx.doi.org/10.4324/9781315062471-77.

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Bithell, Jethro. "Naturalism." In Modern German Literature 1880–1950. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-1.

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Bithell, Jethro. "The Dramatists of Naturalism." In Modern German Literature 1880–1950. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-2.

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Tymms, Ralph. "The Drama In The Romantic Period." In German Romantic Literature. Routledge, 2020. http://dx.doi.org/10.4324/9781003005131-8.

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Bithell, Jethro. "The Novel of Naturalism and Decadence." In Modern German Literature 1880–1950. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-4.

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Bithell, Jethro. "The Drama of Expressionism." In Modern German Literature 1880–1950. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-18.

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Robertson, Ritchie. "From Naturalism to National Socialism (1890–1945)." In The Cambridge History of German Literature. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521434171.008.

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"Italian Epic, Spanish Drama, and German Poetry." In A History of Western Literature. Routledge, 2017. http://dx.doi.org/10.4324/9781315083445-9.

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"Melancholy Titans and suffering women in Storm and Stress drama." In The German Tradition of Psychology in Literature and Thought, 1700–1840. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511485725.004.

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