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Journal articles on the topic 'Nature in literature in literature'

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Published: 4 June 2021
Last updated: 17 February 2022

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1

Silva, Evaldo Sampaio da. "Filosofia é Literatura? Literatura é Filosofia? / Is Philosophy Literature? Is Literature Philosophy?" O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 183. http://dx.doi.org/10.17851/2358-9787.28.3.183-197.

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Resumo: Trata-se aqui de pensar a relação entre Filosofia e Literatura. A partir das aparentes semelhanças e divergências entre ambas, indaga-se se há ou não entre elas uma distinção essencial. Para tanto, retomam-se os argumentos apresentados por Antonio Cicero em Poesia & Filosofia. Assim como as ideias filosóficas, como defende Antonio Cicero, são secundárias para a composição literária, a qual adquire seu valor estético pela maneira como as enuncia, para a Filosofia a escrita não é mais que um instrumento para o pensamento filosófico. Dada tal concepção instrumental do discurso, retoma-se a proposta de Pierre Hadot segundo a qual a Filosofia é primordialmente uma maneira de viver, a qual permite mostrar que a distinção entre a Filosofia e a Literatura precisa ser repensada num nível mais fundamental do que o discursivo. Por esta representação primordial da Filosofia como uma maneira de viver obtém-se que a distinção entre Filosofia e Literatura não se dá pela forma peculiar como cada uma articula os planos de expressão e de conteúdo, mas pela função mesma que o discurso ocupa na constituição de ambas. Disso se seguem também algumas considerações extemporâneas sobre a própria natureza do filósofo e a do escritor ou poeta.Palavras-chave: filosofia; literatura; modo de vida filosófico.Abstract: This article aims to discuss the relation between Philosophy and Literature. Based on supposed similarities and discrepancies, it is investigated if there is an essential distinction concerning them. For such, some arguments elaborated by Antonio Cicero, on his essay Poesia & Filosofia, are analyzed. Antonio Cicero sustains that philosophical ideas are secondary to the literary composition, whose aesthetic value is acquired by the way those ideas are expressed and not by the ideas themselves. Moreover, in Philosophy, the act of writing is no more than an instrument to convey the philosophical thought. This instrumental role of discourse in philosophical works allows us to shed new light into Pierre Hadot’s conception of Philosophy as essentially a way of life. Thus, it will be proposed that the distinction between Philosophy and Literature should be rethought at a level that is deeper than the discursive one, as suggested by Antonio Cicero. The representation of Philosophy as a way of life indicates that the distinction between Philosophy and Literature is not a case of how each one articulates their levels of content and expression. Actually, it concerns the peculiar role of discourse in both of them. Some ultimate considerations on the very nature of the philosopher and of the writer or poet as well follow that existential distinction.Keywords: philosophy; literature; philosophy as a way of life.
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2

Elliot, Norbert. "Literature, Nature, and Other." Environmental Ethics 21, no. 2 (1999): 217–19. http://dx.doi.org/10.5840/enviroethics199921234.

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3

Devi, Asha. "NATURE IN HINDI LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 9SE (September 30, 2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i9se.2015.3264.

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The love of nature of Hindi writers is well known. Poetry has been composed on nature in all times during the ancient, medieval and modern times. The famous cinematic poet Jayashankar Prasadji writes-Let me forget my sailor slowly - where in the uninhabited deep-tinged love story in the ears of Sagar-Lahiri-Ambar - Avni of Taj BabelThe poet has here pointed out the peace of man. Humanity is not noisy, nor does he want such an earth. Nature has loved human as (wave of ocean) and (abar). This is what it is like, why is it, who is destroying the unbreakable relationship between human and nature. What are the conditions that are making the earth persist? A terrible environmental crisis is looming over us all. What should we do now .We all know that in Indian culture, nature is like a necklace in the bracelet, but when the great crisis is showing the destruction of this culture, then our values ​​of life, which teach us to love nature, should be cherished in Vedic era It is happening in the verses of the Vedas that we see the feeling of gratitude towards fire, sun, moon, air, water, earth, sky and clouds. Sanskrit literature is full of beautiful scenes of nature. There nature is companion, friend and its all. हिंदी साहित्यकारों का प्रकृति-प्रेम सर्वविदित है। आदिकाल , मध्यकाल और आधुनिककाल सभी कालों में प्रकृति पर काव्य-रचनाऐं होती रहीं । प्रसिद्ध छायावादी कवि जयशंकरप्रसादजी लिखते हैं-ले चल मुझे भुलावा देकर मेरे नाविक धीरे-धीरे-जहाँ निर्जन में सागर-लहरी-अंबर के कानों में गहरी-निच्छल प्रेमकथा कहती हो--तज कोलाहल की अवनि कवि ने यहाँ मानव की शांतिप्रियता को इंगित किया है ।मानव कोलाहलप्रिय नहीं है, और न ही वह ऐसी धरती चाहता है।( सागर की लहर) और (अबंर) के रूप में प्रकृति ने भी मानव से प्रेम ही किया है ।आज विचारणीय विषय यह है कि फिर ऐसा क्या है, क्यों है, कौन है जो मानव और प्रकृति के अटूट संबंधों को तहस-नहस कर रहा है । वे कौन सी परिस्थितियाँ लगातार बनती रही हैं जो धरती विदीर्ण कर रही हैं । एक भयावह पर्यावरणीय संकट हम सब पर मँडरा रहा है । अब हमें क्या करना चाहिए ।हम सभी जानते हैं कि भारतीय संस्कृति में प्रकृति कंगन में नग की भाँति जडी है पर जब बड़ा संकट इस संस्कृति के विनाश का दिखाई दे रहा है तो ऐंसे में वैदिककाल से सँजोए हमारे जीवन-मूल्य, जो हमें प्रकृति से प्रेम करना सिखाते हैं, समाप्त हो रहे हैं वेदों की ऋचाओं में हमें अग्नि,सूर्य, चंद्र, वायु, जल, पृथ्वी, आकाश और मेघों के प्रति कृतग्यता का भाव दिखाई देता है । संस्कृत-साहित्य तो प्रकृति के मनोहारी दृश्यों से भरा पड़ा है ।वहाँ प्रकृति मानव की सहचरी,सखी और उसका सर्वस्व है ।
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4

Saini, Paridhi, and Shivali Dhameja. "Nature & Effectiveness of Corporate Governance : A Review of Literature." Global Journal For Research Analysis 3, no. 2 (June 15, 2012): 42–44. http://dx.doi.org/10.15373/22778160/february2014/14.

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5

Dunlap, Thomas R. "Nature Literature and Modern Science." Environmental History Review 14, no. 1-2 (1990): 33–44. http://dx.doi.org/10.2307/3984625.

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6

Rothenberg, David. "ESP 569 Literature in Nature." Environmental History Review 16, no. 1 (1992): 165–68. http://dx.doi.org/10.2307/3985033.

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7

KAGA, Yoshie, Yuki ISHIYAMA, Satoko MARUTANI, Li XIAOYE, Megumi NODA, Noriko HATA, and Shinichi FURIHATA. "Literature Introduction: Nature Conservation Education." Environmental Education 23, no. 1 (2013): 1_64–73. http://dx.doi.org/10.5647/jsoee.23.1_64.

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8

Barash, David P. "The human nature of literature." Trends in Ecology & Evolution 21, no. 9 (September 2006): 484–85. http://dx.doi.org/10.1016/j.tree.2006.03.012.

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9

Hassan, Md Mahmudul. "Islamic literature: definition, nature and scope." IIUC Studies 13 (July 29, 2018): 43–52. http://dx.doi.org/10.3329/iiucs.v13i0.37645.

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Literature is a pellucid mirror that reflects the reality of life, society and the universe. It emanates from ideas, emotions, and beliefs of individual or collective personality irrespective of national, linguistic, cultural, religious and stylistic differences. Islamic literature deals with the features of all aspects of Islam. It is not confined in person, group or nation as well as place or time, but represents a clear appeal for the whole humanity forever. The paper aims at studying the definition of Islamic literature and then sheds light on identifying the nature and scope of this literature.IIUC Studies Vol.13 December 2016: 43-52
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10

Singleton, Rivers. "Biology and Literature: Views of Nature." Perspectives in Biology and Medicine 28, no. 2 (1985): 303–13. http://dx.doi.org/10.1353/pbm.1985.0059.

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11

Lamy, Alice. "Defining Nature in Medieval Cosmological Literature." Journal of Medieval and Early Modern Studies 49, no. 3 (September 1, 2019): 457–78. http://dx.doi.org/10.1215/10829636-7724613.

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The medieval Latin West has a long tradition of cosmological writings that stress the difficulty of conceptualizing nature as a single totality. “Nature” is subject to multiple definitions, torn between the sensory and the intelligible. “Nature” involves the universe and its immutable laws, but also the metaphysical principles of living beings, the totality of corruptible things, and creatures from the domain of physis. Engaging with the idea of nature as plastic and multifaceted in its richness, this article shows that contradiction is a dialectical principle necessary to the definition of nature. Whether understood as a broad, vague, and elusive notion, or, on the contrary, as a strong ordering principle, nature supports life and the world. Sometimes it is described as the simple element of matter, sometimes as an entity rivaling God himself. Nature inevitably conjures up the supernatural and therefore also its own supersession.
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12

Kishore., Paridhi. "GOING GREEN IN LITERATURE: AN INSIGHT INTO NATURE AND ECOLOGY THROUGH LITERATURE." International Journal of Advanced Research 5, no. 3 (March 31, 2017): 1324–26. http://dx.doi.org/10.21474/ijar01/3640.

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13

Heister, Carla G. "Books and Literature." Wildlife Society Bulletin 32, no. 1 (March 2004): 303–4. http://dx.doi.org/10.2193/0091-7648(2004)32[303:bal]2.0.co;2.

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Heister, Carla G. "Books and Literature." Wildlife Society Bulletin 33, no. 1 (April 2005): 395–97. http://dx.doi.org/10.2193/0091-7648(2005)33[395:bal]2.0.co;2.

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HEISTER, CARLA G. "Books and Literature." Wildlife Society Bulletin 34, no. 4 (November 2006): 1250–51. http://dx.doi.org/10.2193/0091-7648(2006)34[1250:bal]2.0.co;2.

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HEISTER, CARLA G. "Books and Literature." Wildlife Society Bulletin 34, no. 5 (December 2006): 1490–92. http://dx.doi.org/10.2193/0091-7648(2006)34[1490:bal]2.0.co;2.

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HEISTER, CARLA G. "Books and Literature." Wildlife Society Bulletin 34, no. 2 (June 2006): 504–6. http://dx.doi.org/10.2193/0091-7648(2006)34[504:bal]2.0.co;2.

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18

Rao Nehe, Mangesh. "MUSIC IN ENGLISH LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (January 31, 2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3393.

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Aristotle very aptly remarks that music is the very food of soul. It is undoubtedly true when all pervasive effect of music is taken into account in all realms of life and of nature as well. Without music, we cannot imagine the very existence of Nature. In each and every aspect of nature, there is the invisible and invincible impact of music. In almost all cultures of the world, where music is an integral part of life, music has always held its dominant niche and imparted multiple dimensions and meanings to almost all aspects of life. Literature as one of the arts of expressions too cannot remain away from music as one of the elemental components.
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19

Al-Malki, Mohammed, and Wang Juan. "Leadership Styles and Job Performance: a Literature Review." JOURNAL OF INTERNATIONAL BUSINESS RESEARCH AND MARKETING 3, no. 3 (2018): 40–49. http://dx.doi.org/10.18775/jibrm.1849-8558.2015.33.3004.

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The present research is a literature review of the leadership styles and its effectiveness within the organization team-building. Specifically, this paper tries to review the literature in the sphere of job performance focusing on the leadership styles. Both leadership types and styles had been reviewed in relation to the productivity in the organization along with the role stressors and role ambiguity. Leaders are claimed to have a positive impact on the efficiency of the organization by influencing the team members’ job performance. Additionally, literature review explores the concepts of role stressors such as role ambiguity and role conflict, which are often found as the most important source of job dissatisfaction and poor job performance. Understanding the nature of role stressors and potential sources which may cause them to will help organizations to take control of managing role stressors. Also, it was found that the relationship between job performance and job cooperation was somewhat controversial in the literature. Therefore, it is important to understand the nature of different leadership styles and assess their impact on resolving different organizational problems.
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Changxin Fang, Clara. "Literature as a Means to Understanding Nature." Sustainability: The Journal of Record 7, no. 4 (August 2014): 180–83. http://dx.doi.org/10.1089/sus.2014.9786.

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Turner, Kate, and Bill Freedman. "Nature as a theme in Canadian literature." Environmental Reviews 13, no. 4 (December 1, 2005): 169–97. http://dx.doi.org/10.1139/a05-013.

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The relationships of people with the natural world are expressed in diverse ways, including painting, photographs, sculpture, song, video, and literature. In this document, we review historical and contemporary portrayals of nature as a theme in Canadian literature. Our assessment is intended to explore how Canadians have articulated their feelings about nature through literary expression, and to thereby gain insight into their empathy for natural ecosystems and native species, and their concern about damage caused to those values. We begin with a broad overview of nature as a theme in cultural expression, including overarching ones in Canadian literature, and discuss the influential literary views of Northrop Frye, Margaret Atwood, and their critics. We then examine the expression of nature within seven focal areas: early aboriginal expression, narratives of explorers, stories of settlers, the genre of animal stories, 20th-century poetry, recent aboriginal literature, and environmental ideas in contemporary prose. We identify six dominant themes of the expression of nature in Canadian literature: (1) humans as a part of nature; (2) a bounty of natural resources; (3) fear of an adversarial wilderness; (4) improvement of nature; (5) regret of environmental damage and perhaps despair of the future; and (6) love and respect of species and natural landscapes. Finally, we discuss how nature as a theme embedded in Canadian literature can be harnessed to further the compelling objectives of environmental literacy by providing sympathetic insights into the relationships of people and society with the species and ecosystems with which they share Canada.Key words: nature, literature, culture, Canada, environmental literacy.
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Shuler, John A. "The nature of government information policy literature." Government Information Quarterly 7, no. 1 (January 1990): 95–97. http://dx.doi.org/10.1016/0740-624x(90)90014-f.

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Riddle, Amy. "Nature and the supernatural in African literature." African Identities 18, no. 1-2 (April 2, 2020): 80–94. http://dx.doi.org/10.1080/14725843.2020.1773238.

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Adabpal, Zabihullah. "A Critical Analysis of Nature in Literature." International Journal of Scientific and Research Publications (IJSRP) 9, no. 2 (February 6, 2019): p8620. http://dx.doi.org/10.29322/ijsrp.9.02.2019.p8620.

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Olaru, Ovio. "Nature Aesthetics. Space in Contemporary Scandinavian Literature." Metacritic Journal for Comparative Studies and Theory 6, no. 1 (July 1, 2020): 95–109. http://dx.doi.org/10.24193/mjcst.2020.9.07.

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Erdanova, Sevara Anvarovna. "THE LINGUISTIC NATURE OF SYMBOL IMAGINATIVE LITERATURE." Theoretical & Applied Science 95, no. 03 (March 30, 2021): 156–58. http://dx.doi.org/10.15863/tas.2021.03.95.27.

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Lowinger, Rosa, and Megan Cross Schmitt. "Literature Review." Change Over Time 3, no. 1 (2013): 136–43. http://dx.doi.org/10.1353/cot.2013.0002.

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Tojiboeva, Ozoda Tohirovna. "Translations Of Category Plots Into Uzbek Literature." American Journal of Social Science and Education Innovations 03, no. 04 (April 30, 2021): 307–11. http://dx.doi.org/10.37547/tajssei/volume03issue04-45.

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A series of plot works of a formative nature are common in Eastern literature. The works of Firdavsi, Nizami Ganjavi, Khisrav Dehlavi, Alisher Navoi, consisting of seven works depicting the image of Bahrom, have been published in different versions in oral literature. Such works, which contain many incisive events in one work, were loved and read by the people of their time. In Uzbek literature, such works have been translated and reworked from Persian-Tajik. This article provides information on a prose translation of “Bahrom and Gulandom”. Information is provided on the authors who carried out the translation and on the process of its publication in lithographic printing. The study of works of Uzbek literature, such as “Bahrom and Dilorom”, “Bahrom and Gulandom”, analyzes some aspects of tradition and originality.
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Culajara, Khareen B. "Exploring Representations of Nature in Literature: Ecocritical Themes in the Fiction of Satur Apoyon." International Journal of Languages, Literature and Linguistics 2, no. 4 (December 2016): 156–63. http://dx.doi.org/10.18178/ijlll.2016.2.4.87.

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Stuart-Smith, Sue. "Time in Literature." Group Analysis 36, no. 2 (June 2003): 218–22. http://dx.doi.org/10.1177/0533316403036002006.

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The subject of Time is one of the great themes of Literature. It is intrinsic to so many aspects of what it is to be human - the transience of beauty, loss and mourning, the importance of memory, hopes for the future and the nature of the creative act itself. Within a short space of time, it can only be possible to touch on some aspects of its representation in Western literature and for the most part I will focus on poetry.
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Joshi, Shobhana. "LITERATURE IN PAINTING / PAINTING IN LITERATURE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 5–9. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.899.

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English : The world is pictorial, it is also a movie. "Who is this painter"! Do not know! But a small part of the universe is born in the middle of these pictures and movies, it is time-consuming. One watches these movies during the movement of breaths and stops. This which he sees, passes through the camera of his eyes and is printed in the mind and heart. He is restless. Let me share that print. A hieroglyph of this sharing from the rest. The script rang, the pictures were painted, the colors were unrefined. Manas became fertile, art enriched by imagination. Art grew to vibrancy from the sentiments of human beings progressed by primitive barbarism. The infinite beauty of the parallel vision of creation embodied dance art, singing art with Prabhavishnuta. The instruments were unmodified. When the replica of nature was found to be a sound form, the concrete shape from the soil and stone was found in the form of "sculpture". Hindi : सृष्टि चित्रलिखित सी है, चलचित्र भी है। ''ये कौन चित्रकार है''! पता नहीं! पर सृष्टि का एक क्षुद्र हिस्सा भर मनुष्य इन चित्रों-चलचित्रों के बीच ही जनमता है, काल-कवलित होता है। सांसों के आने-जाने और रूक जाने की अवधि में इन चलचित्रों को देखता है। यह जो वह देखता है, उसकी आँखों के कैमरे से गुजरकर दिल-दिमाग में छपता है। उसे बैचेनी होती है। उस छपे को साझा करूँ। इस साझा करने की बैचेनी से जनमी चित्रलिपि। लिपि की बेल फैली, चित्र रचे चितेरों ने, रंग अविष्कृत हुए। मानस उर्वर हुआ, कल्पना से कला समृद्ध हुई। आदिम बर्बरता से आगे बढ़े मनुष्य के भावों से कला को स्पन्दन मिला। सृष्टि के समानांतर दृष्टि के अपरिमित सौंदर्य ने प्रभविष्णुता के साथ नृत्य कला, गायन कला को मूर्त्त किया। वाद्य अविष्कृत हुए। प्रकृति की प्रतिकृति ध्वनि रूप पा गयी तो मिट्‌टी और पत्थर से ठोस आकार ''मूर्तिकला'' रूप में मिला।
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L, Elanchezhiyan. "Cultural Ecology views in Sangam Literature." International Research Journal of Tamil 2, no. 2 (March 22, 2020): 111–18. http://dx.doi.org/10.34256/irjt20212.

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The human race, a component of nature, has begun to experience the opposite effect as a reaction to the domination of nature. The modern society, which is endangering the dangers of global warming and climate change, has just begun to express its concern for nature. This is why the modern concept of ecology is gaining more attention. The concept of ecology is now a matter of debate, rather than a defence of nature, of human self-defence. It is only by understanding nature and living on it that the human race can establish its presence in this global sphere. "Man is a social animal. He responds directly to the environment through his actions and changes not only his way of life but also the way of life of all living things” In his book Theory of cultural change 1955 by Julian Stewart. Ecology Review is a study that combines scientific theoretical environment and literature with language and biological theories. Nature has a great influence on us as a living substance and when we misuse it, it brings us great danger. All Tamil ancient life in the academy is seen as ecological. The following nattrinai poems describe how the people of the Sangam era had an understanding of nature.
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Buus, Tomáš. "HML and SMB Premiums in the Recent Scholar Literature - Magnitude and Nature." Český finanční a účetní časopis 2008, no. 2 (June 1, 2008): 31–41. http://dx.doi.org/10.18267/j.cfuc.267.

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34

Yeago, David S. "Literature in the Drama of Nature and Grace." Renascence 48, no. 2 (1996): 95–109. http://dx.doi.org/10.5840/renascence199648213.

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35

Makoto, Ooka, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Journal of Japanese Studies 11, no. 2 (1985): 457. http://dx.doi.org/10.2307/132572.

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36

Buckley, Sandra, Kinya Tsuruta, and Theodore Goossen. "Nature and Identity in Canadian and Japanese Literature." Monumenta Nipponica 44, no. 1 (1989): 107. http://dx.doi.org/10.2307/2384703.

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Epp, Robert, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Harvard Journal of Asiatic Studies 45, no. 2 (December 1985): 685. http://dx.doi.org/10.2307/2718977.

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Egonu, Iheanachor. "The Nature and Scope of Traditional Folk Literature." Présence Africaine 144, no. 4 (1987): 109. http://dx.doi.org/10.3917/presa.144.0109.

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김성훈. "The Nature-Nurture Controversy in Ancient Education Literature." Journal of Educational Idea 27, no. 3 (December 2013): 117–35. http://dx.doi.org/10.17283/jkedi.2013.27.3.117.

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40

Gil-wha, Chung. "Nature Imagery and Religious Motif in Ecological Literature." Literature and Religion 25, no. 2 (June 30, 2020): 123–60. http://dx.doi.org/10.14376/lar.2020.25.2.123.

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41

Boyd, Brian. "Jane, Meet Charles: Literature, Evolution, and Human Nature." Philosophy and Literature 22, no. 1 (1998): 1–30. http://dx.doi.org/10.1353/phl.1998.0003.

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Zhang, Chunyan. "Nature as Refuge in Chinese Film and Literature." International Journal of Social Science Studies 8, no. 4 (June 23, 2020): 163. http://dx.doi.org/10.11114/ijsss.v8i4.4908.

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Abstract:
In the period of 1920s and 1930s, traditional Chinese ideas and aesthetics, although embattled and in the process of being superseded by modern and Western aesthetics, did not totally disappear or die out in Chinese film and literature. For example, the image of nature continued to be constructed for its ability to relieve the misery of humanity. This is demonstrated in the films A Poet at the Edge of the Sea (1927) and Sand Washed by Waves (1936). However, because of social turmoil and turbulence of this period, the peaceful inner spirit as conveyed in the traditional culture seemed unattainable. There were more hints of social struggles in the “utopia”, as shown in the films Little Toy (1933) and Return to Nature (1936). The traditional ideas and aesthetics were also continued by some writers, such as Zhou Zuoren, Feng Wenbing, Yu Pingbo and Wang Tongzhao, who still had close spiritual connections with traditional culture. Sometimes the spirit of the “return to nature” was embedded with another mark of this period: the influence of Western culture, as shown by several of Guo Moruo’s poems.
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Lacivita, Alison. "Wild Dublin: nature versus culture in Irish literature." Green Letters 17, no. 1 (February 2013): 27–41. http://dx.doi.org/10.1080/14688417.2012.750843.

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Edney, Sue. "Landscape and literature 1830–1914: nature, text, aura." Green Letters 18, no. 3 (September 2, 2014): 330–32. http://dx.doi.org/10.1080/14688417.2014.966560.

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Smith, Jonathan. "Literary Darwinism: Evolution, Human Nature, and Literature (review)." Victorian Studies 48, no. 3 (2006): 573–74. http://dx.doi.org/10.1353/vic.2006.0138.

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Lutts, Ralph. "Views of nature: The environment, values, and literature." New Directions for Teaching and Learning 1989, no. 38 (1989): 55–64. http://dx.doi.org/10.1002/tl.37219893809.

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Mondal, Samaresh. "Indian Literature: The Polyphonic Nature of Deconstructing Myths." Litinfinite Journal 2, no. 2 (December 2, 2020): 88–107. http://dx.doi.org/10.47365/litinfinite.2.2.2020.88-107.

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Kutsukake, Lynne, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Pacific Affairs 58, no. 2 (1985): 338. http://dx.doi.org/10.2307/2758293.

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Coronado, T. M. "Reclaiming Nostalgia: Longing for Nature in American Literature." Interdisciplinary Studies in Literature and Environment 20, no. 4 (November 24, 2013): 905–6. http://dx.doi.org/10.1093/isle/ist096.

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Beckwith, Carissa. "Nature and the Numinous in Mythopoeic Fantasy Literature." Interdisciplinary Studies in Literature and Environment 22, no. 3 (August 12, 2015): 673–74. http://dx.doi.org/10.1093/isle/isv055.

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