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Journal articles on the topic 'Navai'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

BERTELS, E. E. "NAVAI AND ATTAR(part 2)." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 88–101. http://dx.doi.org/10.26739/2181-1490-2021-2-10.

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Corresponding member of the USSR Academy of Sciences, Doctor of Science, prof. E.E. Ber-tels substantiated with many theoretical and factual materials the originality of Alisher Navai’s poetry in his monograph "Navai and Attar", since when this monograph was written, Alisher Navai was considered not a poet, but a translator-imitator of the Persian-classical literature in Western European literature. "Navai and Attar" consists of three parts. The first part substantiates the relativity of the connec-tion between the Turkic literature and the Persian and the fallacy of the widespread opinion reg

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2

Mirzaeva, Zulkhumor Inomovna. "Modern Approaches to Reading "Majolis Un-Nafais" By Alisher Navai." International Journal of Social Science and Human Research 08, no. 01 (2025): 123–28. https://doi.org/10.5281/zenodo.14607736.

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Alisher Navai is considered as a founder of modern Uzbek language and Literature. His miraculous creation have been at the center of secular research conducted by orientalists. Studding his research began in the East since his lifetime while the first research on Navai works started in XVI century in the West. If we look through the history of studding Navai works, in some orientalists research, we can face with subjective views influenced by political and social ideology. For example, 1950s-1980s of the 20th century some foreign scholars tried to prove that Navai was a "tendential creator" by

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3

Rafiddinov, Sayfiddin. "NAVAI AND KALANDARIYA." Theoretical & Applied Science 72, no. 04 (2019): 521–25. http://dx.doi.org/10.15863/tas.2019.04.72.68.

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4

Tojiboeva, Ozoda. "“Tarjebandi Khomisa” as a product of following Alisher Navoi." Golden Scripts 5, no. 1 (2023): 66–78. http://dx.doi.org/10.52773/tsuull.gold.2023.1/tink7424.

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Following the creative heritage of Alisher Navai is one of the traditions that was widely extended in later periods of Uzbek literature.In particular, the literary environment in Khorezm is influenced by all the poet’s poems in lyrical genres. The role of this region is also important in the creative processing and promotion of the epic “Khamsa”. The poets of Khorezm wrote ghazels under the influence of Alisher Navai, and because of the literary influence they went along the path of Tatabbu', Tahmis and Tazmin.The work of the talented poet Awaz Otar “Tarjebandi Khomisa” was written under the i

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5

БЕРТЕЛЬС, Е. Э. "НАВОИЙ ВА АТТОР1". ALISHER NAVOIY INTERNATIONAL JOURNAL 1, № 1 (2021): 67–81. http://dx.doi.org/10.26739/2181-1490-2021-1-8.

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Corresponding member of the USSR Academy of Sciences, Doctor of Science, prof. E.E. Bertels substantiated with many theoretical and factual materials the originality of Alisher Navai’s poetry in his monograph “Navai and Attar”, since when this monograph was written, Alisher Navai was considered not a poet, but a translator-imitator of the Persian-classical literature in Western European literature.

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6

Anikeeva, Tatiana A. "Ali Shir Navai in Turkish Traditional Literature: Themes and Plots." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2022): 227. http://dx.doi.org/10.31857/s086919080019544-5.

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The legasy of Ali Shir Navai has influenced both Turkish and Ottoman literature and Turkish folklore. His poems penetrated into the Ottoman Empire since the 15th century, and in the 16th century became well known to the Ottoman poets. The article is devoted to the works of Navai in the literature and folklore of Turkey in the second half of the 19th - early 20th centuries. After the reforms of the Tanzimat era, Ottoman intellectuals turned not only to European philosophical thought and Western literature, but also to the Turkic literary heritage of Central Asia. In 1872–1873 (1289 AH), in Ista

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7

Salohi, Dilorom. "In the footsteps of the travels of the great genius." Infolib 28, no. 4 (2021): 72–76. http://dx.doi.org/10.47267/2181-8207/2021/4-092.

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The article presents opinions on the arrival in the middle of the ХУ century in the city of Samarkand of the great poet and statesman Alisher Navai. Historical facts concerning the life and work of the poet in this city are analyzed. Samarkand was a city where a religious and philosophical worldview was finally formed, the range of ideas about the Sufism of the young Navai expanded.

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8

Ashurova, Shoira Shodiyevna, and Sarvinoz Ochilovna Ismailova. "CREATIVE LEGACY OF ALISHER NAVAI." ACADEMIC RESEARCH IN MODERN SCIENCE, no. 1 (January 29, 2022): 192–97. https://doi.org/10.5281/zenodo.5918202.

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The pen of the brilliant Uzbek poet, thinker and statesman Alisher Navai owns more than thirty artistic, scientific and journalistic works. Like many other poets of that time, Alisher Navai wrote his works  in two languages. However, the main works of the outstanding poet were written in the Turkic (Old Uzbek) language, and this raised the Uzbek classical literature to an unprecedented height.

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9

Erkinov, Aftondil. "Navoi’s manuscript of the Metropolitan Museum of Art and the question of its composition(905/1499-1500 years, calligrapher - Sultanali Mashhadi)." Golden Scripts 5, no. 1 (2023): 4–20. http://dx.doi.org/10.52773/tsuull.gold.2023.1/izjv1122.

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This article is about the manuscript of the collection of poetry of Alisher Navai, kept in the Metropolitan Museum of Art in New York. This collection was rewritten by the famous calligrapher Sultan Ali Mashkhadi in 905/1499-1500 in the city of Hirat. It is valuable because it is the product of the latest creative collaboration between Navai and Mashkhadi. Textological reasoning about the composition of this collection is given.

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10

Asmatkhanim, Mammadova. "THE MUTUAL COMPARİSON OF THE LANGUAGES AT THE LEVEL OF THE PHİLOLOGİCAL ANALYSİS." Annali d'Italia 45 (July 25, 2023): 51–54. https://doi.org/10.5281/zenodo.8184269.

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Despite being fluent in Arabic and Persian, the brilliant Uzbek poet and thinker Alishir Navai criticized poets who wrote in those languages in accordance with the prevailing norm at the time and vehemently objected to Turkish languages being dominated by other languages. Navai proved that the Turkish language is a language of metaphors, epithets, rhymes, rich verbs and its superiority over the mentioned languages with his creativity. The "Muhakumat-ul Lughateyn" piece by Alishir Navai demonstrated that the Turkish language, like other languages, has limitless creative potential for

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11

Osmanli, Ismikhan. "Magtymguly Faragi and Alishir Navai." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 239–54. http://dx.doi.org/10.29228/edu.155.

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12

Quvonov, Zarif. "UNTIRING RESEARCHER OF ALISHER NAVAI." Theoretical & Applied Science 64, no. 08 (2018): 68–73. http://dx.doi.org/10.15863/tas.2018.08.64.12.

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13

Munira, Karimova. "ARABIC TITLES OF ALISHER NAVAI." ACADEMIC RESEARCH IN MODERN SCIENCE 1, no. 16 (2022): 220–22. https://doi.org/10.5281/zenodo.7571402.

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The article examines the titles of Hazrat Alisher Navoi's works. Special attention is paid to the fact that the great poet used a lot of Arabic words in his titles. Also, the originality of the names of the works and their alternatives in Uzbek language is compared.

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14

Atkinson, Philip W., Mark J. Whittingham, Hector Gomez de Silva Garza, Adam M. Kent, and Ruth T. Maier. "Notes on the ecology, conservation and taxonomic status of Hylorchilus wrens." Bird Conservation International 3, no. 1 (1993): 75–85. http://dx.doi.org/10.1017/s0959270900000794.

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SummaryFieldwork conducted in Veracruz and Chiapas, Mexico, between July and December 1991 indicates that the genus Hylorchilus merits retention and that the two forms, H. (sumichrasti) sumichrasti and H. (s.) navai, are good species, based chiefly on this study's discovery of their very different voices. Both are, however, ground-level feeders on invertebrates gleaned from limestone outcrops under closed-canopy forest, and both are at risk from habitat loss. Despite the very restricted range of H. navai and threats to its habitat the population is partially protected and so it is recommended

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15

Qobilov, Usmon. "Artistic interpretation of the image of Khizr in the poetry of Alisher Navoi." Golden Scripts 4, no. 3 (2022): 4–20. http://dx.doi.org/10.52773/tsuull.gold.2022.3/lxtp6683.

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This scientific article covers some aspects of the artistic interpre-tation of the image of Khizr, widely depicted in the poetry of Alisher Navai. It analyses the poetic tasks performed by the image of Khizr in the poet’s lyrics, and the artistic scenes created in this way. In this case, attention is paid to the artistic details related to the interpretation of the image of Khizr. Khizr is one of the plots and images linking the world of Uzbek and Eas-tern literature in general with the ideological and artistic side. It is evident that the question of depicting this figure in Uzbek literature

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16

Madaliyeva, Oysara. "MANUSCRIPTS OF NAVOI 'S DIVANS KEPT IN THE MAIN FUND OF THE INSTITUTE OF ORIENTAL STUDIES." Golden scripts 1, no. 2 (2019): 12–18. http://dx.doi.org/10.52773/tsuull.gold.2019.2/ezcr2619.

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This article presents to a comparative and typological study of about 160 manuscripts of divans by Alisher Navai, which are stored in the Main Fund of the Abu Rayhan Biruni Institute of Oriental Studies, Uzbekistan Academy of Sciences. By this study, the author demonstrates highly-valued divans were copied for 500 years in various regions of the historical Maverannahr and Khorasan. The magnificent poetry of Navai was patronized by the influential people of their time, and it had many admirers, followers, and fans. The wealthy community of the Islamic East patronized the production of Navoi’s d

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17

Mirzayev, Ataemi. "Predecessors and followers: Navai and Fuzuli." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 144–52. http://dx.doi.org/10.29228/edu.145.

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18

Tanju, SEYHAN. "ART OF WORD UTAGE, WORD PEARL AND PLASE IN ALISHER NAVAI’S WORKS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 36–45. http://dx.doi.org/10.26739/2181-1490-2021-1-4.

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Undoubtedly, the last founding artist in the entire history of Turkish literature is Alisher Navai (1441-1501). Navai, who studied in deep-rooted cultural centers, learned the science, social, religious and artistic sciences of the period from famous teachers, and gained inspiration from Sufis such as Kemal Tevbetî, Ebul-Lays Semerkandî and Abdurrahman Jami, guided the culture, science, civilization and art life of his country. When his verse and prose works are examined in terms of philology, it is indisputable that he is a master of Turkish with all his subtleties and rhetoric, that he has c

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19

Kurbonov, Abdulhamid. "The Poem ―Farhad and Shirin‖ by Alishir Navai: Sufistic Interpretation." International Journal of Psychosocial Rehabilitation 24, no. 4 (2020): 360–7369. http://dx.doi.org/10.37200/ijpr/v24i4/pr2020553.

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20

Erkinov, Aftondil, and Abdumalik Qurbonov. "ALISHER NAVOI AND OTTOMAN TURKISH POETS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 82–91. http://dx.doi.org/10.26739/2181-1490-2021-1-9.

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In the dynasty of the Ottoman sultans (1299–1922), there was a great interest in the personality and heritage of the poet Alisher Navai (1441-1501). This interest, which arose during the poet’s lifetime, still exists today. The article highlights the imitation and follow-up of Ottoman poets to Navai’s poems. We are talking about the influence of Uzbek classical literature and especially the heritage of the Navai on the literature of the Ottoman dynasty. Ottoman poets imitated Nawai’s Hamsa poems and, as a result, created their own versions of the Nawai poems. They wrote poetry in Ottoman and P

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21

Атаниязова, Муборак. "OLIM SHARAFIDDINOV AND ISSSUES OF NAVAI STUDYING." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 137–45. http://dx.doi.org/10.26739/2181-1490-2021-1-14.

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This article is devoted to the study of the history of Navoi studies. It analyzes the scientific views of Olim Sharafiddinov on Navoi studies, the views of the literary scholar on the classics, in particular, the poetics of Alisher Navoi. It also discusses the scholar’s views on Eastern poetics on the example of the poet’s works. At the same time, the contributions of Eastern and Western scholars to the science of Navoi are revealed. Issues related to theoretical and historical poetics are also covered

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22

Bakhadirova, Dildora Azodovna. "Issues of Speech Culture in Navoi's Work." European Journal of Higher Education and Academic Advancement 1, no. 2 (2023): 225–27. http://dx.doi.org/10.61796/ejheaa.v1i2.189.

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In this article, Navai realized that language is a growing and developing necessity that meets the needs of the society. In the work "Muhokamatul-lughatayn" the Arabic language is glorified as a "divine word" and the Persian and Turkish languages are compared.

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23

Ahmedov, Hoshimjon Hakimovich. "Recommendations For The Study Of Alisher Navai’s Work “Nazmul Javohir” At The Levels Of Literary Education." American Journal of Social Science and Education Innovations 2, no. 08 (2020): 151–53. http://dx.doi.org/10.37547/tajssei/volume02issue08-22.

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The article provides guidelines for the study of the work “Nazmul-javohir” by Alisher Navai, a representative of the Uzbek classical literature in the system of literary education. The role of this work in Navai's work and his literary concept is also discussed.

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24

Aliyeva, Samira. "Comparative analysis of Alishir Navai and Fakhri's works." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 59–69. http://dx.doi.org/10.29228/edu.138.

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25

Abdulhakimova, Yulduz. "Compositional Structure of Navai and Fuzuli's Epic Poems." Golden scripts 3, no. 4 (2021): 76–91. http://dx.doi.org/10.52773/tsuull.gold.2021.4/tfsf2926.

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The article discusses the emergence of the legend of Layli and Majnun in the form of epics in Turkish and Persian literature, which was passed from language to language among the Arab peoples. The idea that the Majnun is a historical figure or a fabricated character is supported by the views of scholars. The two great epics in Turkish literature, Alisher Navoi and Muhammad Fuzuli's "Layli and Majnun" are compared. As a result, of our comparisons, opinions and conclusions about the weight, genre, composition, individuality of the protagonist and events of both epics are expressed. The similarit

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26

Vazirakhon, Akhmedova, and Маftuna Ergasheva. "THE IMAGE OF ALISHER NAVAI IN HISTORICAL DRAMA." INTERNATIONAL SCIENCES, EDUCATION AND NEW LEARNING TECHNOLOGIES 1, no. 8 (2024): 21–26. https://doi.org/10.5281/zenodo.12569619.

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<em>In this article, the artistic interpretation of the image of Navoi was analyzed in historical dramas created in Uzbek drama of the independence period. In particular, the writer Muhammad Ali’s "Navai and Bayqaro", dramutrg Sh.Rizaev’s image of Navoi in the dramas" Iskandar " was analyzed and scientifically substantiated by analogy with each other.</em>

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27

Shomusarov, Shorustam, and Madiyor Fatilloev. "Linguopoetic Analysis of Arabic Lexical Unit "Umr" (Life) in Alisher Navai's Epic "Hayrat Ul-Abror"." International Journal of Multicultural and Multireligious Understanding 8, no. 3 (2021): 389. http://dx.doi.org/10.18415/ijmmu.v8i3.2498.

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This article provides a brief overview of linguopoietics and analyzes the word “’umr” (life) found in the poem “Hayrat ul-abror” by Alisher Navai. It has been found that, this word appears seventeen times in the text without any suffixes, and the literal meaning and grammatical role of all cases in the text are determined.

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28

Fatilloev, Madiyor, and Shomusarov Sh. "Linguopoetic Analysis Of The Arabic Lexical Unit "Malak" In The Epic "Hayrat Ul-Abrar" By Alisher Navai." American Journal of Social Science and Education Innovations 2, no. 09 (2020): 493–98. http://dx.doi.org/10.37547/tajssei/volume02issue09-74.

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This article provides a brief overview of linguopoietics and analyzes the word “malak” found in the poem “Hayrat ul-abrar” by Alisher Navai. It has been found that, this word appears eighteen times in the text without any suffixes, and the literal meaning and grammatical role of fifteen cases in the text are determined.

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29

Asgarzadeh, Lutviyya. "Spread areal of the subject “Sheikh Sanan”: Alishir Navai." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 255–69. http://dx.doi.org/10.29228/edu.156.

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30

Khasanov, N. "Alisher Navai about Khoja Ahmad Yassawi and his followers." Journal of Oriental Studies 93, no. 2 (2020): 82–87. http://dx.doi.org/10.26577/jos.2020.v93.i2.10.

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31

Et. al., A. G. Ganiev,. "Exploration Of Alisher Navai’s "Khamsa" With A Mind Map." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 4 (2021): 37–42. http://dx.doi.org/10.17762/turcomat.v12i4.467.

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In this article the principles of developing students' imagination and creative thinking in education are discussed. Special emphasis is placed on the fact that people have different thinking abilities, intellectual abilities. The comments on creative thinking in the article are analyzed on the basis of the epics in the work "Khamsa" by the great thinker of Uzbek classical literature Alisher Navai.

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32

Aftandil, ERKINOV. "SOME INFORMATION ABOUT THE WORLDWIDE MANUSCRIPTS OF THE WORKS OF ALISHER NAVOI: THE RUSSIAN FONDS." International journal of Alisher NAvoi 2, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7302548.

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To study foreign manuscripts of Alisher Navai's works, it is necessary to collect primary material about them. This article mentions upcoming plans in this direction and provides primary and general information in the form of a register of part of the manuscripts from some collections in Russia. In the future, they may take place in the compilation of a catalog of foreign manuscripts of Alisher Navoi's works.

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33

Binnatova, Almaz Ulvi, and Abdulhakimova Yulduz G’ofur Qizi. "THE COMPARISION OF INTRODUCTORY CHAPTERS ALISHER NAVAI AND MUHAMMAD FUZULI EPICS “LAYLI AND MAJNUN”." American Journal Of Philological Sciences 03, no. 04 (2023): 54–59. http://dx.doi.org/10.37547/ajps/volume03issue04-09.

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In the article, the introductory chapters of Alisher Navoi and Muhammad Fuzuli's epics "Layli and Majnun" are analyzed. These chapters were compared based on the similar and different perspectives of the authors.

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34

Ibrokhim, Khakkul. "NOTION “TARK” AND ITS INTERPRETATION IN THE POETRY OF NAVAI." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 47–52. http://dx.doi.org/10.26739/2181-1490-2021-1-5.

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The article concerns a scientific analysis of renunciation notion, playing an important role in the oriental classic literature, and its interpretations in the poetry of Alisher Navoi. There is an elucidation of renunciation state from the viewpoint of generality of Sufism and literary criticism, in the past and the present. Renunciation from the worldly life, renunciation from afterlife and self-renunciation are important statuses in the appeasement of passion,and in the heart soothing.

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35

Kurbanov, Abdulkhamid. "THE POEM “FARHAD AND SHIRIN” BY ALISHIR NAVAI: SUFISTIC INTERPRETATION." Theoretical & Applied Science 72, no. 04 (2019): 277–82. http://dx.doi.org/10.15863/tas.2019.04.72.31.

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36

Abdusalomova, Kumush. "THE SPIRIT OF NAVAI IN THE POETRY OF MATNAZAR ABDULHAKIM." Theoretical & Applied Science 119, no. 03 (2023): 78–80. http://dx.doi.org/10.15863/tas.2023.03.119.15.

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37

Brahma, Shubhranil, and Niladri Hazra. "Additions to the species of Dasyhelea KIEFFER, 1911 (Diptera: Ceratopogonidae) from West Bengal, India." Polish Journal of Entomology 87, no. 4 (2018): 349–69. http://dx.doi.org/10.2478/pjen-2018-0024.

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Abstract Adult males of three new species, Dasyhelea (Prokempia) barbistyla, Dasyhelea (Pseudoculicoides) pseudohama and D. (Sebessia) scalpra are described from India. The Palaearctic species Dasyhelea (Dasyhelea) pallidiventrisis recorded for the first time from India. Dasyhelea (Ps.) deemingi BOORMAN & HARTEN, 2002 is revised, Dasyhelea (Ps.) acuta BRAHMA, SAHA & HAZRA, 2016 is deemed a junior synonym of Dasyhelea similinigrina NAVAI, 1994, and a key to the Indian species of the subgenera Dasyhelea, Prokempia, Pseudoculicoides and Sebessia is provided.

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38

Rostami, Fatemeh. "The Poets Condition of the Timurid Period in Majales-al Nafis." Asian Social Science 12, no. 11 (2016): 29. http://dx.doi.org/10.5539/ass.v12n11p29.

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Timurid era is the era of Persian culture and literature efflorescence. Amirs Timuri’s attention to culture has provided base literature for breeding scholar. In Timurid period, a large number of poetry and literature people were commuting in the court of Timur. Eyewitness of two important literary biographies is as a biography of the poet Samarkandi and more importantly Amir Alishir Navai’s Tazkara Majale-Al Nafis. The importance of the second work is that the author had both Divan and Persian literature expertise. Checking presented poets from Navai in Majales Al Nafis is the most important

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39

Ismoilov, Ilyos, and Abdug'ani Nasriddinov. "The Study of the Work “Iskandarnoma” by Nizami in Uzbek Literature." Uzbekistan: language and culture 1, no. 4 (2019): 41–50. http://dx.doi.org/10.52773/tsuull.uzlc.2019.4/hvdl2540.

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The literature of both the Uzbek and Azerbaijani have a common history. From time immemorial, the literature of these both peoples have evolved is influencing each other. In this regard, the influence of ,,Khamsa’’ by Nizami Ganjavi on Uzbek literature, especially Alisher Navai, is a par-ticular issue. The article refers to the history, features, and perspectives of this issue in Uzbek literature studies. Having researched the investigated works so far in Uzbek literature, the article emphasize the importance of a comparative work.

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40

Majidova, Shahla. "The image of Farhad in the works of Nizami and Navai." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 141–46. http://dx.doi.org/10.29228/edu.165.

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41

Asgarli, Alizade. "Professor Shohret Sirajeddinov – a prominent representative of modern Uzbek Navai studies." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 312–19. http://dx.doi.org/10.29228/edu.171.

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42

Axtamovna, Gulova Anorgul. "The category of being arif per irfani views of alisher navai." ACADEMICIA: AN INTERNATIONAL MULTIDISCIPLINARY RESEARCH JOURNAL 11, no. 1 (2021): 1109–14. http://dx.doi.org/10.5958/2249-7137.2021.00145.2.

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43

Rajabova, Marifat, Hilola Safarova, Zilola Amonova, Mekhrigiyo Shirinova, and Madina Ibotova. "The world of subjects in "Nazm Ul-Javahir" by Alisher Navai." E3S Web of Conferences 538 (2024): 05023. http://dx.doi.org/10.1051/e3sconf/202453805023.

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"Nazm ul-Javahir" is a work of Alisher Navoi's poems. The wise words of Caliph Ali ibn Abu Talib were used as a basis for the poems in it. This article compares the sayings of Grace Ali and the poems of Alisher Navoi. Alisher Navoi's artistic interpretation and creative development of the topics presented in the wisdom during the analysis are studied. The expressions of such topics as modesty, courage, forgiveness, patience, justice, gentleness, generosity, kindness, faithfulness to a covenant, and loyalty to a friend are analyzed in wisdoms and poems.

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44

Ismoilov, Ilyos. "The Mirror Of Iskandar." Golden scripts 1, no. 4 (2019): 68–98. http://dx.doi.org/10.52773/tsuull.gold.2019.4/xgfn3626.

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Alisher Navoi mastered the best literary masterpieces created in his time as a representative of the literary environment of the 15th century, mastered the experience and traditions of artistic creativity, and as a result, developed them successfully, and most importantly, he had a natural talent for artistic creativity. In addition, the historical period required the appearance of a great Turkish writer in Khurasan and Movarounnakhr. These factors united in the creation of a great artist, such as Alisher Navoi, who made an invaluable contribution to the spiritual world of mankind. Navoi studi

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Ismoilov, Ilyos. "The first religious-historical sources of Iskander theme." Golden Scripts 5, no. 1 (2023): 35–52. http://dx.doi.org/10.52773/tsuull.gold.2023.1/llxz9797.

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The genesis of Iskandar theme is related to the distant past, and it has a history of twenty centuries even when compared to the period of Alisher Navai (15th century). The basis of the topic is the life and work of the famous Macedonian ruler Alexander (356-323 BC). Most plot lines, characters, motives, episodes and interpretations are directly or indirect-ly connected with this core. But a group of experts and researchers who have studied the history of the issue believe that the genesis of the topic was even before the birth of Alexander. They hypothesize that a revelation (dream) in the pr

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Suleymanli, Atilla. "Achievements of Fuzuli Hikmet School: Fuzuli in the creativity of Erkin Vahidov The effect." Golden scripts 3, no. 3 (2024): 51–61. https://doi.org/10.52773/tsuull.gold.2024.3/glts7266.

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As I delved into the depths of Erkin Vahidov's creativity, I felt a spirit close to my soul, a poetic echo close to our classical melody. These were lines, couplets, stanzas, a whole treasury of poetry rooted in the air and essence of the poetry spring of the genius Muhammad Fuzuli (1494–1556). In the presented research, the influence of Muhammad Fuzuli in the work of Erkin Vahidov is grouped over several problems - the issue of Fuzuli's influence in the work of Erkin Vahidov - Erkin Vahidov as a student of the Muhammad Fuzuli school; ideological content features of Erkin Vahidov's poem "In fr

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Toshev, Sherzod, and Hamid Obidov. "Features of the chemical composition and colloidal-chemical properties of local clays of Uzbekistan and their comparison with other clays." IOP Conference Series: Earth and Environmental Science 839, no. 4 (2021): 042076. http://dx.doi.org/10.1088/1755-1315/839/4/042076.

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Abstract This article examines the study of the chemical composition and colloidal-chemical properties of local clays of Uzbekistan and their comparison with other clays. As well as the features of the chemical composition and colloidal - chemical properties of local palygorskite clays. The distinctive features of the chemical composition and properties of local palygorskite clays of the Navai deposit (Uzbekistan) in comparison with the Cherkassky palygorskite (Ukraine) have been studied. Palygorskite clays are considered a valuable raw material for the production of special types of drilling

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Allahverdiyeva, Zahra. "View to personality of Nizami Ganjavi in the creativity of Alishir Navai." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 92–98. http://dx.doi.org/10.29228/edu.161.

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Ayvaz Majidova, Shahla. "The image of Saki (wine waiter) in creativity of Nizami and Navai." Nizami Studies - Scientific Works, no. 09 (2023): 88. http://dx.doi.org/10.59849/3006-2403.2023.9.88.

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Bayramli, Zakulla. "The comparative analysis of ghazals with radifs “Dawn” of Navai and Fuzuli." AZERBAIJAN LITERATURE STUDIES, no. 03 (2024): 62. https://doi.org/10.59849/2663-4406.2024.3.62.

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