Relevant bibliographies by topics / Nawrūz (Festival) in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nawrūz (Festival) in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Nawrūz (Festival) in literature"

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Acharyya, Bhaswati. "Literature Festival." Annals of Pediatric Gastroenterology and Hepatology ISPGHAN 5, no. 3 (2023): 59. http://dx.doi.org/10.5005/jp-journals-11009-0136.

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Selkani, Ikrame. "Festival Attractiveness Literature Review." International Journal of World Policy and Development Studies, no. 9 (November 3, 2018): 89–97. http://dx.doi.org/10.32861/ijwpds.49.89.97.

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Kwok-keung, Chung, and May Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.1353/wlt.2021.0005.

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Kwok-keung and Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.7588/worllitetoda.95.3.0021.

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Dr., Vanathy Pahirathan. "Puthupunal Vizha in Sangam Literature." Maayan International Journal of Tamil Research (MIJTR) 2, no. 4 (2022): 281–90. https://doi.org/10.5281/zenodo.7446855.

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In Sangam literature, the phrase “vilavu” denotes the word vizhakkal. The word vilavu exemplifies vizha or festival. These vizhakkal were ritualistic and recreational. These vizhakkal were entertaining and everyone from the community such as kings, men, women, elders, and children participated.  Though the Sangam literature mentions about various vizhakkal they were stated through short phrases and metaphors. The arrival of puthuppunal is celebrated as a grand festival. The information related to puthuppunal was elaborately described. In addition, it was celebrated as a resour
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Grzegorz Wróblewski and Piotr Gwiazda. "Spring Festival." Antioch Review 76, no. 2 (2018): 312. http://dx.doi.org/10.7723/antiochreview.76.2.0312.

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Arratia, Euridice. "Teatro Festival: The Latino Festival Theatre." TDR (1988-) 35, no. 2 (1991): 176. http://dx.doi.org/10.2307/1146095.

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Chang, Jennifer, and Lawrence-Minh Bùi Davis. "From the Asian American Literature Festival." New England Review 41, no. 1 (2020): 102. http://dx.doi.org/10.1353/ner.2020.0015.

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Mohanti, Prafulla. "Ilkley Literature Festival: A personal impression." New Community 13, no. 2 (1986): 291–93. http://dx.doi.org/10.1080/1369183x.1986.9975980.

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Syromyatnikova, Sof’ja S. "Samara Literary Festival." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2015): 124–26. http://dx.doi.org/10.25281/0869-608x-2015-0-4-124-126.

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Let’s start with the following statement: there is literature, writers and active readers in Samara. And it’s not only and not so much about libraries, bookstores, and professional literary critics, not about the sensational arrival of Frederic Beigbeder or relatively regular visits of metropolitan poets. It’s about the fact that in Samara, as in any other place in Russia, there is a lot of writing and reading people. Among them, there are a number of people creating interesting literary projects, because people, having serious and great interest in literature, sooner or later, reach the other
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Dissertations / Theses on the topic "Nawrūz (Festival) in literature"

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Roberts, Parker Kathryn. "Music and Festival Culture in Shakespearean Comedy." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23379.

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This thesis argues that Saturnalian festival practice is central to the representation of both vernacular and rhetorical forms of music in Elizabethan and Jacobean dramatic texts. Since the early twentieth century, scholarly attention has largely focused on the representation of elaborate and rhetorical courtly styles of music in early modern theatre. As such, there has yet to be a study of music in stage drama where vernacular culture is the primary focus. This thesis examines the influence of vernacular music that arises from Saturnalian festival culture in six comedies written by Shakespear
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Asagba, O. A. "Festival drama : Aspects of continuity and change in contemporary Nigerian theatre." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372955.

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Ananisarab, Soudabeh. "George Bernard Shaw and the Malvern Festival." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/35979/.

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The Malvern Festival was established by Sir Barry Jackson in association with the lessee of the Malvern Theatre, Roy Limbert, in 1929. The Festival continued for ten seasons as an annual event until the outbreak of World War II in 1939, and then returned for one final season in 1949. The Festival was initially dedicated to the works of George Bernard Shaw with the repertoire of the first season wholly composed of the plays of this playwright. While during its twelve seasons the Festival fluctuated in the extent of its association with Shaw, in total the Festival presented two world premieres o
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Wilson, Clayton Shane. "A handbook for hosting a district-wide festival for literature and the arts." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1932.

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Sahney, Puja. "Cultural Analysis of the Indian Women's Festival of Karvachauth." DigitalCommons@USU, 2006. https://digitalcommons.usu.edu/etd/7343.

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The festival of Karvachauth is celebrated by upper class married women of North India and occurs in the month of October or early November. On this day married women fast to ensure the long lives of their husbands. They wake up before dawn and eat a meal. After sunrise they do not drink water or eat any food until they see the moon at night. The moon is watched through a sieve and prayed to before breaking the fast. An important part of Karvachauth is a ritual that is performed by women in the afternoon. This ritual is hosted by a woman of the neighborhood and other women assemble in the house
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Rappold, Adam Christopher. "The Shadow of the Polis: A Synchronic and Diachronic Examination of the Skira Festival in Athens." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437388862.

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Sumsion, Ann Elizabeth. "The Search for the Sacred in Gabrielle Roy." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3252.pdf.

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Brook, Madeleine E. "Popular history and fiction : the myth of August the Strong in German literature, art, and media." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.

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This thesis concerns the function of fiction in the creation of an historical myth and the uses that that myth is put to in a number of periods and differing régimes. Its case study is the popular myth of August the Strong (1670-1733), Elector of Saxony and King of Poland, as a man of extraordinary sexual prowess and the ruler over a magnificent, but frivolous, court in Dresden. It examines the origins of this myth in the late seventeenth and early eighteenth century, and its development up to the twenty-first century in German history writing, fiction, art, and media. The image August created
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Mikutavičiūtė, Judita. "Kultūrų tapatybių reprezentacija organizacijos ir žiniasklaidos informacijos perdavimo procesuose: Tarptautinio Berlyno literatūros festivalio atvejis." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110218_085802-61533.

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Darbo tema išryškėja žvelgiant ir tarpusavyje kombinuojant tris skirtingas perspektyvas – organizacijos, žiniasklaidos ir visuomenės. Šio darbo tyrimo objektas - Tarptautinio Berlyno literatūros festivalio viešosios komunikacijos ypatumai. Empirinėje darbo dalyje, aprašant kultūros organizacijos komunikacijos ypatumus ir analizuojant Tarptautinio Berlyno literatūros festivalio bei žiniasklaidos teminio diskurso skirtumus teoriniu darbo pagrindu tapo vokiečių autorių darbai. Darbo tikslas – išanalizuoti kultūros organizacijos ir žiniasklaidos viešajame diskurse išryškėjančius turinio ir tematin
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Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
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Books on the topic "Nawrūz (Festival) in literature"

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Ḣasaniĭ, Maḣmud. Khislatu khosii︠a︡tli Navrŭzim. "Khazina", 1994.

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Nazir, Usmon. Shukūḣi taʺrikhu tamaddun: (nigoḣe ba sunnatḣo, rasmu oĭinu idḣoi toislomī; jashni navrūz; Umari Khaĭëm va "Navrūznoma"-i ū). Shujoiën, 2011.

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Gürel, Zeki. Türkistan yazıları. Berikan Yayınevi, 2004.

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Zameen, E. S. No Rouz: Our Persian new year. Kudakon Pub., 2008.

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Afghonov, Muḣammadalī. Gulchini Navrūzī: Az osori adiboni tojiku fors baroi muassisaḣoi taʺlimī. "Sifat", 2011.

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Saʻīd, Javād Barūmand. Nawrūz-i Jamshīd: Pizhūhishī nuvīn az paydāyī-i Nawrūz. Tūs, 1999.

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Aksoy, Gürdal. Bir söylence, bir tarih Newroz. Yurt Kitap-Yayın, 1998.

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Zavvārah, Jamāl Hādiyān Ṭabāʼī. Nawrūznāmah: Nawrūz va āyīnʹhā-yi ān hamrāh bā yakʹṣad va panjāh matn-i tabrīk-i Nawrūzī. Nashr-i Yak, 2007.

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Akademii͡ai ilmḣoi Jumḣurii Tojikiston. Instituti Sharqshinosī va Merosi Khattī, ed. Boztobi masoili navrūz dar adabiët: (majmuai maqolot). Akademii︠a︡i ilmḣoi jumḣurii Tojiston, 2016.

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Iran) Hamāyish-i Nawrūz (1st 1999 Tehran. Majmūʻah-i maqālāt-i nukhustīn hamāyish-i Nawrūz. Sāzmān-i Mīrās̲-i Farhangī-i Kishvar, Pizhūhishkadah-i Mardumʹshināsī, 2000.

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Book chapters on the topic "Nawrūz (Festival) in literature"

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Wiles, Ellen. "The Hay Festival: The Remote Welsh Field That Stages the Global Publishing Industry." In Live Literature. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50385-7_3.

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Abbe, Josephine Ebiuwa. "The cultural aesthetics of Benin traditional festival performances." In The Literature and Arts of the Niger Delta. Routledge, 2021. http://dx.doi.org/10.4324/9781003136750-7.

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Qin, Jian. "Los referentes culturales en el refranero chino." In IVITRA Research in Linguistics and Literature. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/ivitra.43.09qin.

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Los refranes son las unidades lingüísticas que conllevan la sabiduría popular acumulada a lo largo de los siglos de una sociedad. Representan la filosofía de la vida, la conceptualización de los valores, del pensamiento moral y de los hábitos de una determinada sociedad. Se consideran una de las unidades lingüísticas más características de un país o nación. Muchos de ellos plantean problemas a los traductores en el proceso traductológico por sus elementos específico-culturales, comúnmente llamados referentes culturales o culturemas. Esta investigación se centra en analizar los referentes cultu
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Sommer, Bettina. "The Pre-Christian Jól: Not a Cult of the Dead, but the Norse New Year Festival." In Supernatural Encounters in Old Norse Literature and Tradition. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.bbl-eb.5.116079.

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Scheibler, Ingrid. "Art as Festival: Transcending the Self Through the Work of Art." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_14.

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Skoultsos, Sofoklis, Vasiliki Georgoula, and Eleni Temponera. "Exploring “Sense of Community” in the Festival Tourism Experience: Review of the Relative Literature." In Cultural and Tourism Innovation in the Digital Era. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36342-0_5.

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Lu, Danqi, Tianyue Tang, Jade Jue Yu Phua, Ruiqi Ren, and Jack Allen. "Family-Nation Narrative: Representations of the Family Unit in China Central Television (CCTV) Spring Festival Gala’s Comedy Sketches, 1983–2022." In The Asian Family in Literature and Film. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2500-7_17.

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Picaud, Myrtille, Jérôme Pacouret, and Gisèle Sapiro. "Mapping the Public of a Literature Festival with MCA: Overall Cultural Capital vs. Specific Literary Capital." In Empirical Investigations of Social Space. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15387-8_14.

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Giulea, Dragoş-Andrei. "Seeking To See Him At The Festival Of Pascha: Glory-Soteriology In Early Christian Paschal Materials And Rabbinic Literature." In The Theophaneia School, edited by Andrei Orlov. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216313-008.

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Spithoven, Remco, and Jelle Brands. "Feeling Safe While Having Fun? Review of Experienced Safety and Fear of Crime at Events and Festivals." In Smart Urban Safety and Security. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2196-2_5.

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AbstractEvents and festivals are big business. Despite differences, the overall goal of providing visitors with a positive experience and making a profit for the organization of the event or festival is the same. As clear liminal settings, events and festivals trigger the experience of freedom among visitors, but research also indicates that this comes at a price of heightened risk of, for example, ‘(...) pickpockets, sexual assault, and terrorist attacks (...)’ (Hoover et al., The Canadian Geographer/Le Géographe canadien 66:202, 2022). At the same time, there is little research attention for
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Conference papers on the topic "Nawrūz (Festival) in literature"

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Tsai, Cheng-Hui, and Chuan-Po Wang. "STUDY ON THE DIGITALIZATION OF FESTIVAL CULTURE IN TAIWAN’S ABORIGINAL LITERATURE." In 2nd Eurasian Conference on Educational Innovation 2019. International Institute of Knowledge Innovation and Invention Private Limited, 2019. http://dx.doi.org/10.35745/ecei2019v2.098.

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Wang, Chuan-Po, and Cheng-Hui Tsai. "Application of virtual reality to the study of festival culture in aboriginal literature." In the 2nd International Conference. ACM Press, 2019. http://dx.doi.org/10.1145/3313950.3313975.

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VÎLCU, Marcela. "The festival as a form of organizing didactic activities." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p74-78.

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In contemporary times, festivals have burgeoned into one of the most prevalent mechanisms for orchestrating cultural and artistic events. Music festivals, theatre festivals, film festivals, dance festivals, folklore festivals, and an array of other genres are organized both on the international and national stage. Notably, festivals have also found their place within the realm of education, with cultural and artistic occasions frequently serving as platforms for students to exhibit their creative proficiencies. Concurrently, modern pedagogical practices, rooted in the constructivist educationa
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Savitri, Kania, and Mohammad Bahri. "Exploring Visitor’s Responses to an Indonesia’s Japanese Festival through Instagram Comment Section." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311267.

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Pudjastawa, Astrid Wangsagirindra, Siti Nur Zumrotun Niswah, and Mulyana. "Development of Mini Ludruk Festival Learning Model to Embed Social Care Values of Class XII Students in SMKN 3 Malang." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.012.

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Travica, Bob. "Information Politics and Information Culture: Case of a Festival Organization." In InSITE 2005: Informing Science + IT Education Conference. Informing Science Institute, 2005. http://dx.doi.org/10.28945/2928.

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This article introduces the concepts of information politics and information culture and presents a case study that explores these concepts. The literature from the areas of IS theory and organization theory that provides a backdrop to these concepts is discussed. A case of an organization that has characteristics of both small business and voluntary organization is presented as initial validation of the concepts of information politics and information culture. The case draws on a longitudinal interpretivist study and tracks a trajectory of organizational design, information politics, informat
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Wardani, Ria Kusuma. "Creativity and Innovation in Cultural Heritage Management in Plunturan Village, Pulung District, Ponorogo Regency, East Java Province of Indonesia towards Tourism Village." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-31.

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Indonesia is the largest country in the world. One of the legendary areas is Ponorogo Regency. Focused on Plunturan Village which has cultural diversity which is trying to become a tourist village. Researchers are interested in taking this research because Plunturan Village relies more on customs and has a unique cultural heritage. Data collection techniques used are interviews, observation and literature study. The research method used is descriptive qualitative. The creativity and innovation in the management of cultural heritage include the art of Reyog Ponorogo in various versions and gene
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Semkina, Valeriya, and Galina Semenova. "Problems and Prospects for the Development of the Ethno-Sports Movement in the Sverdlovsk Region." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-79.

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In order to identify existing problems and prospects for the development of the ethno-sports movement in order to further expand the sphere of physical culture and sports in the region, the article analyses the formation and development of ethnic sports in the Sverdlovsk region. The study has been conducted for several years with the employement of such methods as questionnaires and social surveys, the analysis of literature and official documents, the projection method. The survey questions concerned the awareness of students of the Institute of Physical Education regarding the development of
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Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

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The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced
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