Relevant bibliographies by topics / Nawrūz (Festival) in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nawrūz (Festival) in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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Journal articles on the topic "Nawrūz (Festival) in literature"

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Selkani, Ikrame. "Festival Attractiveness Literature Review." International Journal of World Policy and Development Studies, no. 9 (November 3, 2018): 89–97. http://dx.doi.org/10.32861/ijwpds.49.89.97.

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Kwok-keung, Chung, and May Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.1353/wlt.2021.0005.

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Kwok-keung and Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.7588/worllitetoda.95.3.0021.

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Grzegorz Wróblewski and Piotr Gwiazda. "Spring Festival." Antioch Review 76, no. 2 (2018): 312. http://dx.doi.org/10.7723/antiochreview.76.2.0312.

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Chang, Jennifer, and Lawrence-Minh Bùi Davis. "From the Asian American Literature Festival." New England Review 41, no. 1 (2020): 102. http://dx.doi.org/10.1353/ner.2020.0015.

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Mohanti, Prafulla. "Ilkley Literature Festival: A personal impression." New Community 13, no. 2 (1986): 291–93. http://dx.doi.org/10.1080/1369183x.1986.9975980.

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Arratia, Euridice. "Teatro Festival: The Latino Festival Theatre." TDR (1988-) 35, no. 2 (1991): 176. http://dx.doi.org/10.2307/1146095.

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Cahnmann, Melisa. "Festival Cervantino." Anthropology Humanism 31, no. 1 (2006): 83–84. http://dx.doi.org/10.1525/ahu.2006.31.1.83b.

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Cahnmann, Melisa. "Festival Cervantino." Anthropology and Humanism 31, no. 1 (2006): 83–84. http://dx.doi.org/10.1525/anhu.2006.31.1.83b.

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Toscano, Alberto. "The Tragic Festival." Nineteenth-Century French Studies 49, no. 3-4 (2021): 657–81. http://dx.doi.org/10.1353/ncf.2021.0031.

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Dissertations / Theses on the topic "Nawrūz (Festival) in literature"

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Roberts, Parker Kathryn. "Music and Festival Culture in Shakespearean Comedy." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23379.

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This thesis argues that Saturnalian festival practice is central to the representation of both vernacular and rhetorical forms of music in Elizabethan and Jacobean dramatic texts. Since the early twentieth century, scholarly attention has largely focused on the representation of elaborate and rhetorical courtly styles of music in early modern theatre. As such, there has yet to be a study of music in stage drama where vernacular culture is the primary focus. This thesis examines the influence of vernacular music that arises from Saturnalian festival culture in six comedies written by Shakespeare, performed by the Lord Chamberlain’s Men and the King’s Men between the years 1594 and 1611. I have developed a cross-disciplinary methodology for examining music in early modern playtexts using a combination of literary and linguistic analysis, musicology and historically-informed performance practice. I present close readings of six Shakespearean comedies with the aim of developing a new form of musical dramaturgy, that challenges our current assumptions about literary and musical forms represented in stage drama. Each of the chapters explore the meanings and dramaturgical purposes of music in each play which have currently been overlooked due to a lack of an appropriate level of focus on vernacular music culture in the study of early modern dramatic texts. By placing the musical styles of early modern festivals at the centre of my readings of each play, I hope to challenge assumptions that have been made in the past about Elizabethan and Jacobean theatre music and move toward a more diverse consideration of musical influence in dramatic works at the turn of the seventeenth century.
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Asagba, O. A. "Festival drama : Aspects of continuity and change in contemporary Nigerian theatre." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372955.

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Ananisarab, Soudabeh. "George Bernard Shaw and the Malvern Festival." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/35979/.

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The Malvern Festival was established by Sir Barry Jackson in association with the lessee of the Malvern Theatre, Roy Limbert, in 1929. The Festival continued for ten seasons as an annual event until the outbreak of World War II in 1939, and then returned for one final season in 1949. The Festival was initially dedicated to the works of George Bernard Shaw with the repertoire of the first season wholly composed of the plays of this playwright. While during its twelve seasons the Festival fluctuated in the extent of its association with Shaw, in total the Festival presented two world premieres of Shaw’s plays and four British premieres. Furthermore, in addition to its dramatic productions, the Festival also featured other activities such as talks and exhibitions and attracted an impressive list of visitors and speakers including Allardyce Nicoll and Gabriel Pascal as well as performers such as Cedric Hardwicke and Stephen Murray. This thesis explores the development of the Malvern Festival, an event which has thus far given rise to scant academic scholarship. I argue that rediscovering the Malvern Festival has the potential to reorientate common critical understanding of early twentieth-century English theatre and its key locations. While much of the British theatre scholarship of this period has been concerned with drama in the capital, this study of Malvern demonstrates that regional theatres at this time had the capability of offering experimental drama which often failed to attract the attention of theatre managers in London. As the high prices of rent in the metropolis limited the financial risk accepted by many theatre managers in the early twentieth century, individuals such as Shaw and Jackson amongst others turned their attention away from London to the regions for new opportunities in staging a more experimental repertoire. This study of the Malvern Festival demonstrates that while Jackson and Shaw initially considered the Festival as the solution to their troubles with playhouses in London’s West End, the Festival soon became entangled with those familiar debates of venue and repertoire, and ultimately failed after twelve seasons. In the organisation of the Festival, there were a number of damaging contradictions, some of which were also evident in the ventures preceding the Festival such as the movement for building a National Theatre in England and the Vedrenne-Barker seasons at the Court Theatre. The Festival had simultaneous links with both the non-metropolitan, as a result of its location in Malvern, and the urban, through its target audience of the metropolitan elite. Thus while the Festival was held in Malvern, as a result of Jackson’s guiding philosophy much of the local population in Malvern were excluded from the activities included in the Festival. Additionally, the identity of the Festival was intertwined with both a sense of nostalgia for the past and an outlook towards the future. While Jackson emphasised less well-known classics in the repertoire of the Festival, he also flew critics into Malvern, and Limbert extended the activities of the Festival by presenting modern talkies. Other contradictions included Jackson’s pursuit of critical praise for the Festival’s productions and his desire to experiment away from theatrical norms, in addition to the lack of certainty surrounding the focus of the Festival which fluctuated between an emphasis on a star playwright, Shaw, and Jackson’s aim to celebrate the literary canon. Moreover, some of these clashes were then exacerbated by the Shavian drama performed as part of the Festival. It was the difficulties in reconciling such contradictions which resulted in the Festival’s failure to remain as an annual event. However, in this thesis I argue that regardless of the Festival’s lack of financial and popular success, the Malvern Festival allowed Shaw the creative space to write some of his most experimental work, which was then explored in production as part of the Festival on the stage of the Malvern Theatre.
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Wilson, Clayton Shane. "A handbook for hosting a district-wide festival for literature and the arts." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1932.

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Sahney, Puja. "Cultural Analysis of the Indian Women's Festival of Karvachauth." DigitalCommons@USU, 2006. https://digitalcommons.usu.edu/etd/7343.

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The festival of Karvachauth is celebrated by upper class married women of North India and occurs in the month of October or early November. On this day married women fast to ensure the long lives of their husbands. They wake up before dawn and eat a meal. After sunrise they do not drink water or eat any food until they see the moon at night. The moon is watched through a sieve and prayed to before breaking the fast. An important part of Karvachauth is a ritual that is performed by women in the afternoon. This ritual is hosted by a woman of the neighborhood and other women assemble in the house where they form a circle. The narration of a folktale of a princess named Veeravati forms the center of the ritual. Women also dress up in festive bright saris and lots of jewelry for the ritual. Some part of the day is spent in putting intricate designs of henna on their hands and feet. Although women's act of fasting for their husbands might appear as a sign of subjugation, in my thesis I argue that it is not. Rather, festivals like Karvachauth temporarily liberate women from daily restrictions and give them a licensed freedom to break away from customs that confine them to the threshold of their households. I argue that Karvachauth gives women a chance to move out of their confined private worlds into the public world, dominated by men, and out of their reach in daily life. I do acknowledge that women must satisfy the serious aspects of the ritual first if they wish to enjoy the liberties. But once they are able to do so, the freedoms are easily manipulated by women to empower them, albeit temporarily, in various ways.
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Rappold, Adam Christopher. "The Shadow of the Polis: A Synchronic and Diachronic Examination of the Skira Festival in Athens." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437388862.

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Sumsion, Ann Elizabeth. "The Search for the Sacred in Gabrielle Roy." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3252.pdf.

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Brook, Madeleine E. "Popular history and fiction : the myth of August the Strong in German literature, art, and media." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.

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This thesis concerns the function of fiction in the creation of an historical myth and the uses that that myth is put to in a number of periods and differing régimes. Its case study is the popular myth of August the Strong (1670-1733), Elector of Saxony and King of Poland, as a man of extraordinary sexual prowess and the ruler over a magnificent, but frivolous, court in Dresden. It examines the origins of this myth in the late seventeenth and early eighteenth century, and its development up to the twenty-first century in German history writing, fiction, art, and media. The image August created for himself in the art, literature, and festivities of his court as an ideal ruler of extremely broad cultural and intellectual interests and high political ambitions and abilities linked him closely with eighteenth-century notions of galanterie. This narrowed the scope of his image later, especially as nineteenth-century historians selected fictional sources and interpreted them as historical sources to present August as an immoral political failure. Although nineteenth-century popular writers exhibited a more varied response to August’s historical role, the negative historiography continued to resonate in later history writing. Ironically, the myth of August the Strong represented an opportunity in the GDR in creating and fostering a sense of identity, first as a socialist state with historical and cultural links to the east, and then by examining Prusso-Saxon history as a uniquely (East) German issue. Finally, the thesis examines the practice of historical re-enactment as it is currently employed in a number of variations on German TV and in literature, and its impact on historical knowledge. The thesis concludes that, while narrative forms are necessary to history and fiction, and fiction is a necessary part of presenting history, inconsistent combinations of the two can undermine the projects of both.
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Mikutavičiūtė, Judita. "Kultūrų tapatybių reprezentacija organizacijos ir žiniasklaidos informacijos perdavimo procesuose: Tarptautinio Berlyno literatūros festivalio atvejis." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110218_085802-61533.

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Darbo tema išryškėja žvelgiant ir tarpusavyje kombinuojant tris skirtingas perspektyvas – organizacijos, žiniasklaidos ir visuomenės. Šio darbo tyrimo objektas - Tarptautinio Berlyno literatūros festivalio viešosios komunikacijos ypatumai. Empirinėje darbo dalyje, aprašant kultūros organizacijos komunikacijos ypatumus ir analizuojant Tarptautinio Berlyno literatūros festivalio bei žiniasklaidos teminio diskurso skirtumus teoriniu darbo pagrindu tapo vokiečių autorių darbai. Darbo tikslas – išanalizuoti kultūros organizacijos ir žiniasklaidos viešajame diskurse išryškėjančius turinio ir tematinius skirtumus, atskleidžiant kuo skiriasi skirtingas kultūras reprezentuojantys pranešimai. Šiam tikslui pasiekti išsikelti tokie darbo uždaviniai: parengti kultūros organizacijos išorinės komunikacijos instrumentus; aprašyti masinės komunikacijos procesus ir jų dalyvius bei apibrėžti kultūrinės reprezentacijos kriterijus viešajame diskurse; pagal kultūrinės reprezentacijos kriterijus ištirti informacijos perdavimo procesų metu siunčiamų pranešimų turinį ištirti festivalio organizatorių viešąją komunikaciją; atskleisti kultūros organizacijos ir žiniasklaidos komunikacinių pranešimų ypatumus ir skirtumus tarptautiniame festivalyje: ištirti žiniasklaidos diskursą; palyginti festivalio organizatorių komunikaciją bei žiniasklaidos diskursą. Darbe naudojami mokslinės literatūros bei kiekybinių ir kokybinių duomenų analizė. Atlikus mokslinės literatūros analizę paaiškėjo kokie yra pagrindiniai... [toliau žr. visą tekstą]<br>The object of this research - public communication features of International Berlin literature festival. Aim of this thesis - to analyze culture organization and media content and thematic differences in public discourse, by revealing how different cultures representing communication differs.<br>Das Thema der Arbeit entsteht, wenn man drei verschiedene Ansichten kombiniert – Organisationen, Medien und Gesellschaften. Der Gegenstand dieser Arbeit sind die Kommunikationsbesonderheiten des internationalen Literaturfestivals Berlin. Das Forschungsobjekt – in einem empirischen Teil des internationalen Literaturfestivals Berlin wurden die Bücher der Deutschautoren zur Arbeitsgrundlage bei der Beschreibung der Organisationskommunikationsbesonderheiten und bei der Analyse der Unterschiede zwischen dem internationalen Literaturfestival Berlin und den Medien. Das Ziel – die Analyse der Inhalts- und Thematik- Unterschiede zwischen den Organisationen und Medien. Um dieses Ziel zu erreichen, müssen folgende Aufgaben befolgt werden: die öffentlichen Kommunikationswerkzeuge der Organisationen müssen ausgearbeitet werden; die Kommunikationsprozesse und die Mitglieder sollen beschrieben werden deren kulturellen Repräsentationskriterien in einem öffentlichen Diskurs definierten werden; Inhalt von Nachrichten, öffentliche Kommunikation der Organisatoren erforschen; Besonderheiten und Unterschiede der Kulturorganisation und Medien beim internationalen Literaturfestival: den Diskurs der Medien ausarbeiten; die Kommunikation der Organisatoren mit einem Diskurs der Medien vergleichen. Für diese Arbeit wird wissenschaftliche Literatur und die Analyse der Angaben verwendet. Nach einer Analyse der wissenschaftlichen Literatur konnten die Besonderheiten der Festivalkommunikation und die... [der volle Text, siehe weiter]
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Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
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Books on the topic "Nawrūz (Festival) in literature"

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Ḣasaniĭ, Maḣmud. Khislatu khosii︠a︡tli Navrŭzim. "Khazina", 1994.

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Nazir, Usmon. Shukūḣi taʺrikhu tamaddun: (nigoḣe ba sunnatḣo, rasmu oĭinu idḣoi toislomī; jashni navrūz; Umari Khaĭëm va "Navrūznoma"-i ū). Shujoiën, 2011.

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Rājala, Akabara kā navaroja diyo chuṛāya. Tīrtha Pailesa Prakāśana, 2012.

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Bahārīyahʹhā: Nawrūzʹkhvānān va khunyāʹgarān-i bahār : bih inz̤imām-i bahārīyahʹhā-yi maḥallī, Haftʹsīn, Afghānī va kūdakān. Ātinā, 2009.

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Navrūzi olamafrūz va digar idhoi sunnatii sol. Er-Graf, 2012.

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Gürel, Zeki. Türkistan yazıları. Berikan Yayınevi, 2004.

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Happy Nowruz: Cooking with children to celebrate the Persian New Year. Mage Publishers, 2008.

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Zana, Farqînî, ed. Xanî û Newroz. Weşanên Enstîtuya Kurdî ya Stenbolê, 2009.

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Zameen, E. S. No Rouz: Our Persian new year. Kudakon Pub., 2008.

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Nawrūz-i bāstānī. Intishārāt-i Shalfīn, 2009.

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Book chapters on the topic "Nawrūz (Festival) in literature"

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Wiles, Ellen. "The Hay Festival: The Remote Welsh Field That Stages the Global Publishing Industry." In Live Literature. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50385-7_3.

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Abbe, Josephine Ebiuwa. "The cultural aesthetics of Benin traditional festival performances." In The Literature and Arts of the Niger Delta. Routledge, 2021. http://dx.doi.org/10.4324/9781003136750-7.

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Sommer, Bettina. "The Pre-Christian Jól: Not a Cult of the Dead, but the Norse New Year Festival." In Supernatural Encounters in Old Norse Literature and Tradition. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.bbl-eb.5.116079.

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Skoultsos, Sofoklis, Vasiliki Georgoula, and Eleni Temponera. "Exploring “Sense of Community” in the Festival Tourism Experience: Review of the Relative Literature." In Cultural and Tourism Innovation in the Digital Era. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36342-0_5.

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Scheibler, Ingrid. "Art as Festival: Transcending the Self Through the Work of Art." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_14.

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Picaud, Myrtille, Jérôme Pacouret, and Gisèle Sapiro. "Mapping the Public of a Literature Festival with MCA: Overall Cultural Capital vs. Specific Literary Capital." In Empirical Investigations of Social Space. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15387-8_14.

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Giulea, Dragoş-Andrei. "Seeking To See Him At The Festival Of Pascha: Glory-Soteriology In Early Christian Paschal Materials And Rabbinic Literature." In The Theophaneia School, edited by Andrei Orlov. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216313-008.

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"The festival of Nawrūz: a world turned upside down." In Popular Culture in Medieval Cairo. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511524004.007.

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Janzen, Marike. "Berlin’s International Literature Festival:." In Cultural Topographies of the New Berlin. Berghahn Books, 2017. http://dx.doi.org/10.2307/j.ctvw04c4q.15.

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Janzen, Marike. "11. Berlin’s International Literature Festival." In Cultural Topographies of the New Berlin. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781785337215-013.

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Conference papers on the topic "Nawrūz (Festival) in literature"

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Tsai, Cheng-Hui, and Chuan-Po Wang. "STUDY ON THE DIGITALIZATION OF FESTIVAL CULTURE IN TAIWAN’S ABORIGINAL LITERATURE." In 2nd Eurasian Conference on Educational Innovation 2019. International Institute of Knowledge Innovation and Invention Private Limited, 2019. http://dx.doi.org/10.35745/ecei2019v2.098.

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Wang, Chuan-Po, and Cheng-Hui Tsai. "Application of virtual reality to the study of festival culture in aboriginal literature." In the 2nd International Conference. ACM Press, 2019. http://dx.doi.org/10.1145/3313950.3313975.

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Savitri, Kania, and Mohammad Bahri. "Exploring Visitor’s Responses to an Indonesia’s Japanese Festival through Instagram Comment Section." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311267.

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Pudjastawa, Astrid Wangsagirindra, Siti Nur Zumrotun Niswah, and Mulyana. "Development of Mini Ludruk Festival Learning Model to Embed Social Care Values of Class XII Students in SMKN 3 Malang." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.012.

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Travica, Bob. "Information Politics and Information Culture: Case of a Festival Organization." In InSITE 2005: Informing Science + IT Education Conference. Informing Science Institute, 2005. http://dx.doi.org/10.28945/2928.

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This article introduces the concepts of information politics and information culture and presents a case study that explores these concepts. The literature from the areas of IS theory and organization theory that provides a backdrop to these concepts is discussed. A case of an organization that has characteristics of both small business and voluntary organization is presented as initial validation of the concepts of information politics and information culture. The case draws on a longitudinal interpretivist study and tracks a trajectory of organizational design, information politics, information culture, management and organizational performance over 25 months. The primary finding is that the organization studied exhibited two distinct information politics and information cultures, each related to different development phases—the era of clan and the era of teams. The article also discusses particular aspects of information politics and information culture and how these relate to organizational performance. Derived are implications for further research on information politics and information culture as well as for a broader parent framework called Information View of Organization.
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Wardani, Ria Kusuma. "Creativity and Innovation in Cultural Heritage Management in Plunturan Village, Pulung District, Ponorogo Regency, East Java Province of Indonesia towards Tourism Village." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-31.

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Indonesia is the largest country in the world. One of the legendary areas is Ponorogo Regency. Focused on Plunturan Village which has cultural diversity which is trying to become a tourist village. Researchers are interested in taking this research because Plunturan Village relies more on customs and has a unique cultural heritage. Data collection techniques used are interviews, observation and literature study. The research method used is descriptive qualitative. The creativity and innovation in the management of cultural heritage include the art of Reyog Ponorogo in various versions and generations, Gajah-Gajahan and Keling, Orek-Orek and Tledekan, Bumbung Suloyo, Karawitan, Oncor Obor, and the Selawenan Festival. Indonesia adalah negara terbesar di dunia. Salah satu wilayah yang melegenda adalah Kabupaten Ponorogo. Difokuskan pada Desa Plunturan yang memiliki keberagaman budaya yang sedang mengupayakan menjadi desa wisata. Peneliti tertarik untuk mengambil penelitian ini karena Desa Plunturan lebih mengandalkan adat istiadat dan memiliki keunikan pada warisan budayanya. Teknik pengambilan data yang digunakan yaitu wawancara, observasi dan studi literatur. Metode penelitian yang digunakan adalah deskriptif kualitatif. Adapun bentuk-bentuk kreativitas dan inovasi dalam pengelolaan warisan budaya antara lain kesenian Reyog Ponorogo dalam berbagai versi dan generasi, Gajah-Gajahan dan Keling, Orek-Orek dan Tledekan, Bumbung Suloyo, Karawitan, Oncor Obor, dan Festival Selawenan.
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Semkina, Valeriya, and Galina Semenova. "Problems and Prospects for the Development of the Ethno-Sports Movement in the Sverdlovsk Region." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-79.

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In order to identify existing problems and prospects for the development of the ethno-sports movement in order to further expand the sphere of physical culture and sports in the region, the article analyses the formation and development of ethnic sports in the Sverdlovsk region. The study has been conducted for several years with the employement of such methods as questionnaires and social surveys, the analysis of literature and official documents, the projection method. The survey questions concerned the awareness of students of the Institute of Physical Education regarding the development of ethno-sports in the country and in the region. A low level of awareness of the development of the ethno-sports field among Bachelors of Physical Education was identified, which is a main problem of the subject matter. As a result of the deep research into problems of the promotion of ethnic sports, it was decided to elaborate and implement the pilot project ‘ETHNIC Festival’ aimed at the popularisation of ethnic sports in the city of Yekaterinburg. An analysis of official documents has shown that the region is now actively developing federations for traditional Russian sports, however, they are not very popular among the population. The current activities in the field of ethno-sports are not sufficient to attract the general public to the process. The obtained data indicated the urgency of the popularisation and cultivation of national sport disciplines and competitions. A sociological survey of EthnoFestival participants showed that one of the ways to revive national games and sports is to hold mass events to popularise ethno-culture.
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8

Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

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The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced and consumed. The convergence of media made porous the boundaries between what are conventionally called video, cinema, theater and performance. The platformization process permanently changed the traditional model of audiovisual distribution, staffing and curation of festivals - which undergo a hybridization operation that allows the potential use of interactive resources and online delivery of movies, plays and performances to audiences all around the globe. To understand the potential of transformations, the study investigates in depth the experience of MixBrasil Festival, largest LGBTQIA+ cultural event in Latin America, created in 1993, showcasing multiple formats and techniques (cinema, theater, music, literature). With digital content being programmed since 2018, in 2020 it expanded its online exhibition to four different digital platforms. The study is carried out concurrently with the monitoring of MixBrasil and other film festivals held in Brazil, considering what strategies are being adopted and how they will stand out as innovative - or just replications of the traditional movie theater model. It also aims to identify processes, paths and perspectives for the sector considering that the old template for launching films used since the 1950´s might no longer be applicable to the current state of the industry. Facts and trends that are forcing these events to face a crisis of identity and questioning the viability of a (still) prestigious circuit. Platformization implies the adoption of online functionalities integrated at economic and infrastructure levels which fully affects the organization strategies of festivals. Therefore, a change in the way of thinking the place of film festivals in the industry chain is in progress: as a possible space for capturing data from the public to support future curatorships and permanent actions which would make them more dynamic and relevant. Associated with this process is the notion of attention economy and the reorientation of users as active producers of culture, in the way they can affect the hybrid future of festivals. Metrics recurrently used like engagement, geolocation, retention and abandon rates are necessary to identify obstacles and potentialities that the new scenario presents. The research is raising additional questions about the behavior and expectations of different age groups, the motivations of audiences for attending festivals. It also investigates why although movie theaters are closing, distributors keep restrictions on festival theatrical screenings. This is a unique opportunity to reflect on perspectives for audiovisual festivals in order to capture viewers' attention, reposition their relevance to society, get the (re)cognition of different audiences and forge new experiences.
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