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1

Acharyya, Bhaswati. "Literature Festival." Annals of Pediatric Gastroenterology and Hepatology ISPGHAN 5, no. 3 (2023): 59. http://dx.doi.org/10.5005/jp-journals-11009-0136.

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Selkani, Ikrame. "Festival Attractiveness Literature Review." International Journal of World Policy and Development Studies, no. 9 (November 3, 2018): 89–97. http://dx.doi.org/10.32861/ijwpds.49.89.97.

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Kwok-keung, Chung, and May Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.1353/wlt.2021.0005.

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Kwok-keung and Huang. "Festival." World Literature Today 95, no. 3 (2021): 21. http://dx.doi.org/10.7588/worllitetoda.95.3.0021.

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Dr., Vanathy Pahirathan. "Puthupunal Vizha in Sangam Literature." Maayan International Journal of Tamil Research (MIJTR) 2, no. 4 (2022): 281–90. https://doi.org/10.5281/zenodo.7446855.

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In Sangam literature, the phrase “vilavu” denotes the word vizhakkal. The word vilavu exemplifies vizha or festival. These vizhakkal were ritualistic and recreational. These vizhakkal were entertaining and everyone from the community such as kings, men, women, elders, and children participated.  Though the Sangam literature mentions about various vizhakkal they were stated through short phrases and metaphors. The arrival of puthuppunal is celebrated as a grand festival. The information related to puthuppunal was elaborately described. In addition, it was celebrated as a resour
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Grzegorz Wróblewski and Piotr Gwiazda. "Spring Festival." Antioch Review 76, no. 2 (2018): 312. http://dx.doi.org/10.7723/antiochreview.76.2.0312.

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Arratia, Euridice. "Teatro Festival: The Latino Festival Theatre." TDR (1988-) 35, no. 2 (1991): 176. http://dx.doi.org/10.2307/1146095.

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8

Chang, Jennifer, and Lawrence-Minh Bùi Davis. "From the Asian American Literature Festival." New England Review 41, no. 1 (2020): 102. http://dx.doi.org/10.1353/ner.2020.0015.

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9

Mohanti, Prafulla. "Ilkley Literature Festival: A personal impression." New Community 13, no. 2 (1986): 291–93. http://dx.doi.org/10.1080/1369183x.1986.9975980.

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10

Syromyatnikova, Sof’ja S. "Samara Literary Festival." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2015): 124–26. http://dx.doi.org/10.25281/0869-608x-2015-0-4-124-126.

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Let’s start with the following statement: there is literature, writers and active readers in Samara. And it’s not only and not so much about libraries, bookstores, and professional literary critics, not about the sensational arrival of Frederic Beigbeder or relatively regular visits of metropolitan poets. It’s about the fact that in Samara, as in any other place in Russia, there is a lot of writing and reading people. Among them, there are a number of people creating interesting literary projects, because people, having serious and great interest in literature, sooner or later, reach the other
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Al-Azzam, Mu'ath Hesham, Ahmad Edwin Mohamed, and Khong Chiu Lim. "THE RELATIONSHIP BETWEEN FESTIVAL ATTACHMENT AND ARAB TOURISTS' REVISIT INTENTION: A CONCEPTUAL MODEL." Journal of Tourism, Hospitality and Environment Management 7, no. 27 (2022): 19–38. http://dx.doi.org/10.35631/jthem.727002.

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While there is a large body of literature on revisit intention to festivals, there is surprisingly little knowledge about it in the context of the Arab world. This research aims to develop a conceptual framework that focuses on the relationship between festival attachment and revisit intentions to festivals. The concept of festival attachment in the current research is borrowed from the concept of place attachment, referring to the same bonds that form between tourists and a tourist place that can also be developed or forged between tourists and a festival. Tourists have an opportunity to deve
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12

Cahnmann, Melisa. "Festival Cervantino." Anthropology Humanism 31, no. 1 (2006): 83–84. http://dx.doi.org/10.1525/ahu.2006.31.1.83b.

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Cahnmann, Melisa. "Festival Cervantino." Anthropology and Humanism 31, no. 1 (2006): 83–84. http://dx.doi.org/10.1525/anhu.2006.31.1.83b.

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14

S.V, Selvam. "Ceremonies Showing in Classical Literature." International Research Journal of Tamil 4, no. 3 (2022): 231–35. http://dx.doi.org/10.34256/irjt22333.

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In primitive times, humans who wandered independently in their habitats without worrying about shelters needed to adapt their lifestyles to protect themselves from other life forms and to obtain the factors they needed to survive. People who had been living separately came together and started living in ethnic groups. The ceremony was a tool for the man who was destined to live like this out of fear of survival and to associate himself with his ethnic groups. And this festival was a factor in the evolution of this ethnic group into a society. Used as a tool in the early stages, the festival la
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Santos, Ma. Sahlee. "Cultural Vibrancy in Motion: The Significance of Sang-At Festival in Valencia, Bohol." International Multidisciplinary Journal of Research for Innovation, Sustainability and Excellence (IMJRISE) 2, no. 4 (2025): 65–78. https://doi.org/10.5281/zenodo.15201779.

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<strong>Abstract </strong> &nbsp; This study aims to assess the distinct historical and cultural elements of the Sang-at Festival, analyze the social interactions and community engagement it fosters, and evaluate its economic benefits for the local community. Furthermore, the study focuses on constructing a comprehensive dance literature that explicates the essence of the festival. This ethnographic research delves into the historical context and cultural significance of the Sang-at Festival within Valencia, Bohol community. The dance literature developed through this study covers substantial
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Toscano, Alberto. "The Tragic Festival." Nineteenth-Century French Studies 49, no. 3-4 (2021): 657–81. http://dx.doi.org/10.1353/ncf.2021.0031.

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17

Vinnicombe, Thea, and Pek U. Joey Sou. "Socialization or genre appreciation: the motives of music festival participants." International Journal of Event and Festival Management 8, no. 3 (2017): 274–91. http://dx.doi.org/10.1108/ijefm-05-2016-0034.

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Purpose Academic studies have sought to understand the motivations of festival and event attendees usually through single-event case studies. This approach has failed to generate a generalizable set of motivation items. In addition, there is increasing criticism in the literature of the common methodological framework used in festival motivation studies, due to a perceived over-reliance on motivations derived from the broader tourism and travel research, with too little attention to event-specific factors. The purpose of this paper is to address these issues by analyzing a sub-category of moti
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Kang, Soo, Jeffrey Miller, and Jaeseok Lee. "The cannabis festival: quality, satisfaction, and intention to return." International Journal of Event and Festival Management 10, no. 3 (2019): 267–83. http://dx.doi.org/10.1108/ijefm-04-2019-0029.

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Purpose The purpose of this paper is to understand how festival quality, satisfaction and intention to return among cannabis festival attendees were interrelated by using the 2018 Mile High 420 Cannabis Festival in Denver, Colorado, USA. Design/methodology/approach This study employed an online survey with festival attendees to the 2018 Mile High 420 Festival. A total of 664 attendees participated in the survey. Findings Findings of the study revealed the demographic profile of cannabis festival attendees (i.e. relatively young, single and evenly distributed in terms of gender and residency) a
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Galewicz, Cezary, and Venugopal Panicker. "Degraded Gods on Parade: Reading Temple Festivals in Early Malayalam Literature." Numen 71, no. 5-6 (2024): 519–47. http://dx.doi.org/10.1163/15685276-20240016.

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Abstract This article concerns a representation of a temple festival in Tiruniḻalmāla, a major literary work in early Malayalam. The work in question focuses on a high-order Brahmanic temple of Āṟanmuḷa in the moment of a grave ritual and operational crisis. It emphasizes the restorative role of rather lowly rites of exorcism and purification including elements of dance, song, and drama. The article pays close attention to the structure of its textual matter and the literary strategies deployed by its author in meeting the performative exigencies of the genre. The festival itself seems today t
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McKague, Cathleen. "The Stratford Festival." Cahiers Élisabéthains: A Journal of English Renaissance Studies 95, no. 1 (2018): 80–90. http://dx.doi.org/10.1177/0184767817750526.

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21

Ståhlberg, Per. "The Jaipur Literature Festival and Its Critics." Anthropology and Humanism 44, no. 1 (2019): 54–69. http://dx.doi.org/10.1111/anhu.12228.

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22

Phong, Winter. "Enrich Festival." Theatre Journal 73, no. 2 (2021): 242–45. http://dx.doi.org/10.1353/tj.2021.0063.

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23

Lust, Annette. "Pantomimenzirkus Festival." Theatre Journal 42, no. 2 (1990): 255. http://dx.doi.org/10.2307/3207768.

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24

Kristina Putri, Komang Shintiya Nita, Ida Ayu Karina Putri, I. Putu Tiana Raditya, and Putu Guntur Pramana Putra. "Contribution of Penglipuran Village Festival as A Form of Development of Contemporary Tourism Products in Penglipuran Bangli Village, Bali." Jurnal Manajemen Pelayanan Hotel 6, no. 2 (2022): 566. http://dx.doi.org/10.37484/jmph.060224.

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Penglipuran Village Festival is one of the festivals located in Penglipuran Tourism Village, Bangli Regency, Bali. This festival has been running for 9 years. Through this festival a fhas been provided local community forum in order to innovate the products offered from this village, besides that through the existence of this contemporary festival it can also help to promote the Penglipuran Tourism Village. This research used a qualitative approach with data collection methods through literature studies, observations, interviews and documentation. The Penglipuran Village Festival has a space f
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25

Wang, Yan, Wenqian Liang, and Xiaoming Yang. "Study on the Local Origin of the Yunxi Qixi Festival." Asian Social Science 21, no. 1 (2025): 79. https://doi.org/10.5539/ass.v21n1p79.

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Based on the literature of the Yunxi Qixi Festival, this paper studied on its local origin in order to clarify the pseudo-propositional characteristics of origin place of the Qixi Festival and the true propositional characteristics of the national popularity of the Qixi Festival. By means of a literature study, a hypothesis was raised that the Qixi Festival and the legend of Cowherd and Weaver Girl were developed separately at first, and then the two merged, and finally formed today&amp;#39;s form.The materials of the Yunxi Qixi Festival were untrue, and they were constructed by today&amp;#39;
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26

Desnithalia, Farisa Alyani, Bambang Suharto, and Karin Sufi Permatasari. "Potensi Pengembangan Sustainable Festival sebagai Penunjang Citra Kota Kreatif: Tinjauan Literatur tentang Event-event Festival di Yogyakarta." Altasia Jurnal Pariwisata Indonesia 6, no. 2 (2024): 194–203. https://doi.org/10.37253/altasia.v6i2.9318.

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Festival di Yogyakarta memberikan banyak manfaat bagi masyarakat sekitar dengan berbagai kegiatan budaya, seni, dan kreativitas. Festival-festival ini memberikan pengalaman yang unik bagi pengunjung, serta mendorong kesadaran akan pentingnya keberlanjutan dan tanggung jawab lingkungan. Penelitian ini menggunakan systematic literature review untuk menganalisis potensi pengembangan festival di Yogyakarta dari berbagai sumber seperti jurnal akademis, artikel, berita, dan sumber lainnya. Penelitian ini bertujuan untuk menjelaskan lebih lanjut mengenai potensi pengembangan festival berkelanjutan se
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27

Robles, Fanny. "The Darwin Festival." Cahiers victoriens et édouardiens, no. 71 Printemps (June 18, 2010): 545. http://dx.doi.org/10.4000/cve.3134.

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28

Persson, Magnus. "Litteraturfestivalen som offentlighet." Tidskrift för litteraturvetenskap 49, no. 4 (2019): 79–87. http://dx.doi.org/10.54797/tfl.v49i4.6547.

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The Literature Festival as a Public Sphere&#x0D; Literary festivals are becoming increasingly popular. They can, for instance, be dedicated to regional or world literature, a single author or a genre, literature in general or a specific theme. Despite their growing importance as public spheres, where an intense production and distribution of literary value take place, little scholarly attention has been paid to them. A common denominator for many festivals is that they have strong connections to the market, the state, and the broader cultural sphere of society. In this article I approach liter
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Laksmi, Luh Putu Gita, Qatrunnada Lestari, Moh Ali, Ahmad Masrur Maulidy, and Bambang Suharto. "Denpasar Festival: A Sustainable Cultural Festival as a Reflection of Denpasar as a Creative City." Lingual: Journal of Language and Culture 16, no. 2 (2023): 57. http://dx.doi.org/10.24843/ljlc.2023.v16.i02.p07.

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A program called "Sightseeing Denpasar" was formed to accommodate various arts and cultural activities, and also to develop tourism in the city of Denpasar. One of its signature activities is called Denpasar Festival. This article focused on examining the role of Denpasar Festival as a sustainable cultural festival to reflect Denpasar as a creative city. The method used is a literature study using journals related to Denpasar festival, sustainable festival and creative city.The results of this study showed that Denpasar Festival plays a significant role in the development and preservation of c
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Ivanova, Olena. "Development of Volyn Competition-Festival Movement: Search for Cultural Identity." Artistic Culture Topical Issues, no. 18(1) (May 31, 2022): 26–31. http://dx.doi.org/10.31500/1992-5514.18(1).2022.260386.

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The paper studies Volyn competition-festival movement. The aim is to reveal the features of formation of this movement in the aspect of the search for cultural identity. The hypothesis of this study was that Volyn competition-festival movement is an important form of developing the cultural identity for the Volyn community. The research was conducted on the basis of academic papers, dissertations, and monographs. The main stages of the formation of Volyn competition-festival movement were observed, as well as the organization of various competitions and festivals. Analysis of the selected lite
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Levine, David M. "A Festival of Parrots." Antioch Review 46, no. 1 (1988): 49. http://dx.doi.org/10.2307/4611820.

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32

Martino, Andrew. "The Festival of Insignificance." World Literature Today 90, no. 2 (2016): 79–80. http://dx.doi.org/10.1353/wlt.2016.0076.

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Hernandez, Laura. "The Brooklyn Book Festival." World Literature Today 90, no. 6 (2016): 96. http://dx.doi.org/10.1353/wlt.2016.0024.

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Wilson, Violet. "The Port Eliot Festival." World Literature Today 90, no. 1 (2016): 80. http://dx.doi.org/10.1353/wlt.2016.0288.

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Acker, Robert, and Jürgen Theobaldy. "Das Festival im Hof." World Literature Today 61, no. 1 (1987): 94. http://dx.doi.org/10.2307/40142536.

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Li, Yuanzhen, Sixuan Li, and Guohui Rao. "Inheritance, Protection and Innovation of Festival Culture in the Perspective of Intangible Cultural Heritage—The Case of Zigong Lantern Festival." World Journal of Educational Research 11, no. 2 (2024): p139. http://dx.doi.org/10.22158/wjer.v11n2p139.

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The Zigong Lantern Festival is a traditional folk cultural activity in the Zigong area of Sichuan Province, and is an important component of Chinese lantern festival culture and festival culture. The Lantern Festival has a long history and distinctive characteristics, becoming one of the most unique branches of Chinese lantern culture with its distinct cultural connotations and artistic features. This article will use analogy and literature analysis to study the cultural origin, folk content, forms of expression, unique charm, protection and inheritance of the Zigong Lantern Festival. It will
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Lee, Daisy, Peggy M. L. Ng, and Tai Ming Wut. "Virtual Reality in Festivals: A Systematic Literature Review and Implications for Consumer Research." Emerging Science Journal 6, no. 5 (2022): 1153–66. http://dx.doi.org/10.28991/esj-2022-06-05-016.

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Technological advancements in virtual reality have influenced festivalgoers, performers, and festival organizers. Due to the COVID-19 pandemic, organizers of cultural and tourism festivals have sought to deliver festivals online using virtual reality to provide an immersive experience from home. However, despite growing interest in virtual reality for festivals, there is no current systematic review to synthesize knowledge from academic papers within the festival context. This paper aims to provide a structured understanding of extant virtual reality research regarding festivals by using a sys
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Lee, Hoon, Heejeong Hwang, and Changsup Shim. "Experiential festival attributes, perceived value, satisfaction, and behavioral intention for Korean festivalgoers." Tourism and Hospitality Research 19, no. 2 (2017): 199–212. http://dx.doi.org/10.1177/1467358417738308.

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Based on an extensive literature review of the festival experience, this study proposes that the experiences of festivalgoers can be classified into five main attributes, namely Escape, Playfulness, Togetherness, Sacredness, and Placeness. A survey of 450 South Koreans who had participated in some type of domestic festival in the past year statistically validated these attributes and explored the impact of each on the perceived value, satisfaction, and behavioral intentions of festivalgoers. The study shows that those Koreans who experienced Playfulness, Sacredness, and Placeness at a festival
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Toai, Doan Ba. "A Study on the Differences of Spring Festival Culture between China and Vietnam." Journal of Education and Culture Studies 8, no. 3 (2024): p1. http://dx.doi.org/10.22158/jecs.v8n3p1.

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For a long time, China and Vietnam have always had a deep friendship. The development of Vietnam in etiquette, customs and literature is closely related to the historical origins of China and Vietnam. Especially in the Spring Festival culture, Vietnam has retained many characteristics of China. This paper conducts a differentiated study on the Spring Festival culture of China and Vietnam from the aspects of Spring Festival etiquette, Spring Festival activities, cultural concepts, cultural exchanges, and cultural nature, so as to deepen the understanding of the cultural characteristics of the S
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Catanzaro, Michelle, and Elissa James. "Multiple place/s: exploring the link between urban politics and rural festival environments." Journal of Place Management and Development 11, no. 3 (2018): 315–34. http://dx.doi.org/10.1108/jpmd-07-2017-0069.

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Purpose This paper aims to explore how the entertainment economy excludes individuals and facilitates private investment, the problematic shift towards a “creative economy” and increased regulations within Sydney’s entertainment sector. It also examines how a grass-roots, rural festival can be regarded as an extension of the urban context. It discusses the alternative counterculture(s) that exist despite (or perhaps because of) increasing inaccessibility and regulation, using as a case study an activist collective created in this climate, the Marrickville Warehouse Alliance, focusing specifica
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SEFFRIN, GEORGIA. "The OUT OF THE BOX Festival of Early Childhood: Fashioning the Boutique Festival for Children." Theatre Research International 30, no. 3 (2005): 252–61. http://dx.doi.org/10.1017/s0307883305001501.

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In recent years the construct of the festival form has shifted considerably, engaging with contemporary debates regarding issues of community and identity. One manifestation of this engagement is the model of the boutique festival, which focuses on a particular audience, and which positions that audience to substantially produce its own festival experience, in a manner far more rigorous than more conventional festival models.The OUT OF THE BOX Festival of Early Childhood, produced by the Queensland Performing Arts Centre in Australia, is a potent example of a boutique festival, in which key el
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I Nyoman Siryayasa, Sudarmi, and Dharma Kuba. "Local Festival and Visitor Experience: Festival Innovation Design as an Attractive Regional Tourism Destination." Journal of Economic Education and Entrepreneurship Studies 5, no. 3 (2024): 369–82. http://dx.doi.org/10.62794/je3s.v5i3.3740.

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This study examines visitors' experiences of the Salo Karajae Festival, a local festival in Pare-pare City, South Sulawesi. It focuses on festival design innovations and the tourism experiences perceived by visitors. Data were collected through in-depth interviews with visitors, local governmen tofficials, organizers, and stakeholders. The analysis method used was a qualitative-interpretative approach. The results show that the Salo Karajae Festival has adopted various innovations in event design, particularly in response to the COVID-19 pandemic. Stringent health protocols were implemented to
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Olive, Sarah. "Digital Asian Shakespeare Festival, 11th World Shakespeare Congress, Singapore, 18–24 July 2021." Cahiers Élisabéthains: A Journal of English Renaissance Studies 106, no. 1 (2021): 75–83. http://dx.doi.org/10.1177/01847678211044095.

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The 2021 Digital Asian Shakespeare Festival nested within the 11th World Shakespeare Congress in Singapore, ‘where communities of Shakespeare scholars, teachers and practitioners in over 40 countries’ gathered online. Lee Hyon-u, the Festival Director, arranged an astonishing array of Asian performances. Lee wrote of the festival as offering ‘rare opportunities for delegates to enjoy the diversity and depth of Asian Shakespeare while breaking through the barrier of the Covid pandemic’. This article argues that recent Asian Shakespeare productions included in the festival offer inspiration for
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Aswoyo, Joko, and Sularso Sularso. "The Concept of Panutan in Governance Festival Lima Gunung in Magelang Central Java Indonesia." Harmonia: Journal of Arts Research and Education 20, no. 1 (2020): 1–9. http://dx.doi.org/10.15294/harmonia.v20i1.24818.

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This research is based on fieldwork at a Five Mountain Festival held in Magelang, Central Java, Indonesia. This festival presents performing arts in the regions of Mount Merapi, Merbabu, Andong, Menoreh, and Mount Sumbing. This study intends to explain the concept of panutan in festival governance. Modeling is a significant factor in keeping the Five Mountain Festival alive and sustainable. This study suspects that panutan are one of the guardians of the existence of the Five Mountain Festival. Issues discussed are related to how the panutan concept works, as well as knowing how the implicatio
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Hinek, Mátyás, and Árpád Papp-Váry. "Topic modelling of festival-visitors' opinions: A case study of Sziget Festival." European Journal of Tourism Research 37 (April 12, 2024): 3703. http://dx.doi.org/10.54055/ejtr.v37i.3037.

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The Sziget Festival is one of Europe’s biggest music events, held every August on the Óbuda Island in Budapest. The elements of festival experiences were analysed through social media opinions of Sziget Festival attendees published between 1 January 2014 and 31 July 2022, using structural topic model (STM) computer algorithm and latent Dirichlet allocation (LDA). Our findings support existing literature, showing that festival experiences are cognitive-affective in nature with key elements of socialisation, environment, and festival value, some of which are inter-connected. Although this kind o
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Saayman, M., A. Saayman, and E. Slabbert. "Who spends and who does not: Clustering visitors at a national arts festival." South African Journal of Business Management 42, no. 1 (2011): 9–16. http://dx.doi.org/10.4102/sajbm.v42i1.485.

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The Grahamstown National Arts Festival is the oldest National Arts Festival in South Africa and was founded in 1974. This celebration of the arts takes place over a period of eleven days with the main festival running over eight days, which also makes it the longest (in terms of number of days) arts festival in the country. The literature review revealed that high spenders at arts festivals are also the visitors who buy the most show tickets. The success of these events is determined by ticket sales and not necessarily by the number of visitors. Therefore, the purpose of this paper is to deter
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Duran, Erol, Bahattin Hamarat, and Emrah Özkul. "A sustainable festival management model: the case of International Troia festival." International Journal of Culture, Tourism and Hospitality Research 8, no. 2 (2014): 173–93. http://dx.doi.org/10.1108/ijcthr-04-2013-0017.

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Purpose – The purpose of this study is to propose a sustainable festival management model (SFMM) drawing on data from the International Troia Festival, Çanakkale, Turkey. Design/methodology/approach – Three research techniques were used in the study. Survey data examined six motivational dimensions whose importance were tested using the logistic regression analysis. In-depth interviews and observations were analyzed using content analysis. The study sample comprised festival event attendees, members of public and private businesses and NGOs. Findings – The field research indicated that, cultur
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Bilal, Mushtaq. "Pakistani Literature Festivals and a Scopaesthesiac Consciousness." Journal of World Literature 7, no. 3 (2022): 348–68. http://dx.doi.org/10.1163/24056480-00703004.

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Abstract This paper seeks to understand and theorize Pakistani literature festivals. In order to do so, I study the programs and schedules of the Karachi Literature Festival from 2010–2020 and the Lahore Literary Festival from 2013–2020. Using Andrew Shryock’s idea of Other-consciousness and building on Ammara Maqsood’s anthropological work done in urban Pakistan, I argue that the conception, programming, and execution of festivals like the Karachi and the Lahore festivals are governed by a “scopaesthesiac consciousness” – a consciousness of being observed and judged by an imagined outsider. A
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Vick, Susan. "The Edinburgh Festival." Theatre Journal 41, no. 2 (1989): 240. http://dx.doi.org/10.2307/3207867.

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Harris, Claudia W., and Samuel Beckett. "The Beckett Festival." Theatre Journal 44, no. 3 (1992): 405. http://dx.doi.org/10.2307/3208563.

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