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Books on the topic 'Nazi Collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

New images of Nazi Germany: A photographic collection. McFarland & Co., 2012.

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2

Non-Sectarian Anti-Nazi League to Champion Human Rights (New York, N.Y.). Columbia University Library, New York: The Non-Sectarian Anti-Nazi League to Champion Human Rights Papers, the Non-Sectarian Anti-Nazi League Pamphlet Collection. Garland Pub., 1990.

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3

Hermann Göring and the Nazi art collection: The looting of Europe's art treasures and their dispersal after World War II. McFarland & Company, Inc., Publishers, 2012.

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4

German intellectuals and the Nazi past. Cambridge University Press, 2007.

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5

Gregor, Neil. Haunted city: Nuremberg and the Nazi past. Yale University Press, 2009.

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6

Alford, Kenneth D. Sacking Aladdin's Cave: Plundering Hermann Goering's Nazi war trophies. Schiffer Publishing Ltd, 2013.

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7

Sulaiman, Abdullahi. Naci damben kuturu II: Kissar Hassan dan Mutanen Basra. Dan Kwanki, 1998.

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8

Shifting memories: The Nazi past in the new Germany. University of Michigan Press, 2000.

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9

veneziano, Museo del Settecento. Le porcellane di Marino Nani Mocenigo. Scripta edizioni, 2014.

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10

Macdonald, Sharon. Difficult heritage: Negotiating the Nazi past in Nuremberg and beyond. Routledge, 2008.

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11

Monika, Tatzkow, ed. The story of Street scene: Restitution on Nazi looted art : case and controversy. Proprietas, 2008.

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12

Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. Allen Lane, 2000.

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13

Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. Oxford University Press, 2000.

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14

Kokuhō Jingoji Sanzō to wa nani ka. Kabushiki Kaisha Kadokawa Gakugei Shuppan, 2012.

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15

Pong-jin, Kim, and Ou Jian-ying, eds. Higashi Ajia no nashonarizumu to kindai: Naze tairitsusuru no ka. Ōsaka Daigaku Shuppankai, 2011.

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16

Pong-jin, Kim, and Ou Jian-ying, eds. Higashi Ajia no nashonarizumu to kindai: Naze tairitsusuru no ka. Ōsaka Daigaku Shuppankai, 2011.

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17

Jung on war, politics, and Nazi Germany: Exploring the theory of archetypes and the collective unconscious. Karnac Books, 2009.

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18

Memory matters: Generational responses to Germany's Nazi past in recent women's literature. W. de Gruyter, 2008.

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19

Müller, Melissa. Lost lives, lost art: Jewish collectors, Nazi art theft, and the quest for justice. Vendome Press, 2010.

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20

Müller, Melissa. Lost lives, lost art: Jewish collectors, Nazi art theft, and the quest for justice. Vendome Press, 2010.

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21

Imhoff, Roland. The dynamics of collective guilt three generations after the Holocaust: Young Germans' emotional responses to the Nazi past. Kovač, 2010.

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22

Richard, Lionel. Suites et séquelles de l'Allemagne nazie. Syllepse, 2005.

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23

Suites et séquelles de l'Allemagne nazie. Syllepse, 2005.

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24

Kupovetsky, Mark, and Vladimir Kuzelenkov, eds. Nazi-Looted Jewish Archives in Moscow: A guide to Jewish historical and cultural collections in the Russian State Military Archive. University of Scranton Press, 2010.

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25

Cinquegrani, Alessandro, Francesca Pangallo, and Federico Rigamonti. Romance e Shoah Pratiche di narrazione sulla tragedia indicibile. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-492-9.

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Over the last 70 years, Holocaust representations increased significantly as cultural objects distributed on a large scale: fictional books, museum sites, artworks, documentaries, and films are only a few samples of those echoes the Holocaust produced in contemporary Western culture. There are some specific patterns in the way the Holocaust has been represented that, however, contrast with the survivors’ account of the same event: for example, the dichotomy between bad and good characters so essential within Holocaust-based media – especially on television and film - does not really match with the testimony’s experience. While storytelling strategies may help to involve the public by emotionally engaging with the story, the risks of altering the real meaning of the Holocaust are quite high: what we often label as a “story” is actually been an outrageous, documented mass-genocide. Furthermore, as the age gap between the present and the past generation progresses, also the collective awareness of Nazi crimes as a real fact gets compromised. This volume explores selected Holocaust narrations by contextualizing the historical, literary, and social influences those texts had in their unique points of view. Starting with some recent examples of Holocaust exploitation through social media, the first chapter explores the paradigm shift when the Holocaust became a cultural, fictional trend rather than a historical massacre. In the second chapter, the analysis examines postmodern representations of Holocaust and Nazi semantics through relevant examples taken from both American and European literature. The third chapter analyses Europe Central by William T. Vollman, as all the narratological and cultural issues considered in the previous two chapters are well outlined in this articulated novel, where the relationship between reality and its representation after the postmodernist period is largely investigated. In chapter four, an account is given of the connections and differences between the narratological category romance, as understood by Northrop Frye, and Holocaust narration features. In chapter five, those elements are used to consider the work of Italian Holocaust survivor and Jewish writer Primo Levi, as his narration around Auschwitz adopts some fictional tools and still refuses undemanding storytelling mechanisms. The sixth and final chapter examines the relevant novel Les Benviellants by Jonathan Littell, considering its Nazi genocide account through the antagonist’s perspective.
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26

Wells, K. F., and Ken Eldridge. Plant genetic resources in the Pacific: Towards regional cooperation in conservation and management : a report based on an ACIAR-NARI workshop, Lae, Papua New Guinea, 30-31 March 1999. Australian Centre for International Agricultural Research, 2001.

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27

Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". P. Lang, 2007.

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28

Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". P. Lang, 2007.

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29

Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". P. Lang, 2007.

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30

Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". P. Lang, 2007.

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31

The Furies. St Martin's Paperbacks, 2009.

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32

Baigent, Michael. Secret Germany: Claus von Stauffenberg and the mystical crusade against Hitler. Penguin, 1995.

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33

Baigent, Michael. Secret Germany: Stauffenberg and the true story of Operation Valkyrie. Skyhorse Pub., 2008.

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34

Vasilʹchenko, A. V. Ariĭskiĭ realizm: Izobrazitelʹnoe iskusstvo Tretʹego reĭkha. Veche, 2009.

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35

Markin, I︠U︡ P. Iskusstvo Tretʹego reĭkha: Arkhitektura, skulʹptura, zhivopisʹ. Izdatelʹskiĭ dom "RIP-kholding", 2012.

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36

Roland, März, ed. Hermann Göring und sein Agent Josef Angerer: Annexion und Verkauf "Entarteter Kunst" aus deutschem Museumsbesitz 1938. Fink, 2014.

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37

Gypsies under the Swastika (Interface Collection). 2nd ed. University Of Hertfordshire Press, 1995.

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38

La deportation, le systeme concentrationnaire nazi (Collection des publications de la BDIC). Diffusion, Decouverte/SODIS, 1995.

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39

Bénédicte, Mathey, ed. Propaganda: Histoire de se souvenir, la collection de Tomi Ungerer = Sammeln gegen das Vergessen, aus dem Fundus von Tomi Ungerer. La Nuée bleue, 2007.

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40

Malham, Joseph M. By Fire into Light: Four Catholic Martyrs of the Nazi Camps (The Fiery Arrow Collection, 4) (The Fiery Arrow Collection, 4). Peeters Publishing, 2002.

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41

The Emil J. Gumbel collection: Political papers of an anti-Nazi scholar in Weimar and exile, 1914-1966. Univeristy Publications of America, 1990.

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42

Reflections by Jewish survivors from Mannheim: A collection of memoirs by Jewish survivors of Nazi persecution from Mannheim, Germany. Mannheim Reunion Committee, 1990.

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43

Kennedy, Grimsted Patricia, Hoogewoud F. J, and Ketelaar F. C. J, eds. Returned from Russia: Nazi archival plunder in Western Europe and recent restitution issues. Institute of Art and Law, 2007.

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44

Museum, Imperial War, and Thames Television, eds. Life in Nazi Germany: Extracts from the Imperial War Museum's collection of recorded interviews and from Thames Television's 'The world at war'. Imperial War Museum, 1992.

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45

Jane, Caplan, ed. Nazi Germany. Oxford University Press, 2008.

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46

Nazi Germany. Oxford University Press, 2019.

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47

Weller, Matthias, Nicolai B. Kemle, and Thomas Dreier, eds. Handel - Provenienz - Restitution. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748905608.

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Under the topic of “Trade – Provenance – Restitution”, this collection of the contributions to the 12th “Heidelberger Kunstrechtstag” deals with fundamental issues of restitution law, the protection of cultural property, art law and art procedural law, as well as provenance research: “The secret provenance: the Heidelberg Trübner case and the interpretation of § 40 KGSG [Act to Protect Cultural Property]”, “Richard Wagner and painting – encounters”, “Art law as the object of art”, “New perspec-tives on the protection of cultural property in a colonial context”, “The unfinished history of art looted by the Nazis”: on the 20th anniversary of the Washington Principles on Nazi-confiscated Art”, “Civil law implications of the KGSG: import bans and transparency obligations”, “From "art and law" to "image and law" – notes on the regulation of the visual”. With contributions by Prof. Dr. Dr. h.c. mult. Erik Jayme, LL.M. (Berkeley), Dr. Markus Kiesel, Univ.-Prof. Dr. Gerte Reichelt, Prof. James Bindenagel, Prof. Dr. Haimo Schack, LL.M. (Berkeley), Prof. Dr. Thomas Dreier, M.C.J. (New York)
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48

Persecution and mass murder of the Roma in Ukraine during the World War II: Collection of documents, testimonies and related materials (in Ukrainian): Original title: Переслідування та вбивства ромів на теренах України у часи Другої світової війни: Збірник документів, матеріалів та спогадів / Авт.-упор. Михайло Тяглий. – К.: Український центр вивчення історії Голокосту, 2013. – 208 с.; іл. Ukrainian Center for Holocaust Studies (Kiev, Ukraine), 2013.

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49

1949-, Kleinschmidt Harald, ed. Nazi Germany. Ashgate, 2007.

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50

Weller, Matthias, Nicolai B. Kemle, Thomas Dreier, and Karolina Kuprecht, eds. Raubkunst und Restitution – Zwischen Kolonialzeit und Washington Principles. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748911579.

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The collection of the contributions of the 13th Heidelberger Kunstrechtstag deals under the general theme „Looted Art and Restitution“ with fundamental issues of restitution law, the protection of cultural property, art law and art procedural law as well as provenance research. Topics of this year: The art collector and the art law; Provenance – History and perspectives of a new paradigm in humanities and cultural studies; Works of art in the crosshair of the persecution of the Jews in the National Socialism; Why a “Restatement of Restitiution for Nazi-Confiscated Art?“ on the example of escape goods; Intellectual property for traditional knowledge, traditional cultural forms of expressions and indigenous resources between post- and neocolonialism; Intellectual property and traditional art; Cultural assets from colonial times and restitution; The Bangwa Queen – Artifact or heritage? With contributions by Prof. Dr. Dr. h.c. mult. Erik Jayme, LL.M. (Berkeley); Prof. Dr. Christoph Zuschlag; Jun.-Prof. Dr. des. Ulrike Saß; Prof. Dr. Matthias Weller, Mag.rer.publ. und Anne Dewey; Prof. Dr. Thomas Dreier, M.C.J. (New York), Prof. Dr. Andreas Rahmatian; Dr. Karolina Kuprecht and Prof. Dr. Evelien Campfens
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