Relevant bibliographies by topics / Nazi concentration camp theater

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nazi concentration camp theater'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Nazi concentration camp theater"

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Kift, Roy. "Comedy in the Holocaust: the Theresienstadt Cabaret." New Theatre Quarterly 12, no. 48 (1996): 299–308. http://dx.doi.org/10.1017/s0266464x00010496.

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The concentration camp in Theresienstadt in the Czech Republic was unique, in that it was used by the Nazis as a ‘flagship’ ghetto to deceive the world about the real fate of the Jews. It contained an extraordinarily high proportion of VIPs – so-called Prominenten, well-known international personalities from the worlds of academia, medicine, politics, and the military, as well as leading composers, musicians, opera singers, actors, and cabarettists, most of whom were eventually murdered in Auschwitz. The author, Roy Kift, who first presented this paper at a conference on ‘The Shoah and Perform
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Kaynar-Kissinger, Gad. "Shylock in Buchenwald." European Judaism 51, no. 2 (2018): 165–74. http://dx.doi.org/10.3167/ej.2018.510223.

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Abstract Can The Merchant of Venice be performed in Germany after the Holocaust, and if so, how? Is the claim that the play is a touchstone for German-Jewish relations, with a philosemitic tradition – and therefore eligible to be performed today – verifiable? The article begins by briefly surveying this tradition from the Jewish emancipation in the mideighteenth century, which, with a few relapses, continued – especially in productions directed by Jews and/or with Jewish actors in the role of Shylock – until the rise of the Nazi regime, to be resumed after the Second World War. The main part a
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Kaynar-Kissinger, Gad. "Shylock in Buchenwald." European Judaism 51, no. 2 (2018): 165–74. http://dx.doi.org/10.3167/ej.2017.510223.

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Can The Merchant of Venice be performed in Germany after the Holocaust, and if so, how? Is the claim that the play is a touchstone for German-Jewish relations, with a philosemitic tradition – and therefore eligible to be performed today – verifiable? The article begins by briefly surveying this tradition from the Jewish emancipation in the mid-eighteenth century, which, with a few relapses, continued – especially in productions directed by Jews and/or with Jewish actors in the role of Shylock – until the rise of the Nazi regime, to be resumed after the Second World War. The main part analyses
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Stahrenberg, Carolin. "‘Meine Heimat ist der Wagen’: Negotiation of mobility and settledness in two German post-war musicals." Studies in Musical Theatre 16, no. 3 (2022): 237–43. http://dx.doi.org/10.1386/smt_00106_1.

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Persecution and expulsion due to Nazi terror and the Second World War led to massive population shifts within Europe. First was the mass exodus from the German Reich, as a result of racist and political persecution. Then, after the end of the war, millions of German refugees and up to 12 million displaced persons – former forced labourers and foreign concentration camp prisoners – had to find new homes or be repatriated. These movements led to the discursive negotiation of wandering, mobility and settledness in German language musical theatre of the 1950s. This article analyses such relations
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Chen, Chien-Cheng. "Post-Auschwitz Dramaturgy: Toward the Later Edward Bond." Modern Drama 65, no. 3 (2022): 429–48. http://dx.doi.org/10.3138/md-65-3-1121.

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Although British playwright Edward Bond is well known for his early plays during the 1960s–80s, his later works, from the late 1990s onward, have been relatively overlooked and underexplored. In this article, I aim to bridge these two phases and propose a theoretical framework to approach Bond’s evolution as a playwright. I will first examine Bond’s critical engagement with Brecht, and then I will proceed to analyse Bond’s evolving dramaturgy of the Holocaust, which will help to demonstrate how Bond has developed what we might call his post-Auschwitz dramaturgy. While criticizing Brecht’s thea
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Przewoźnik, Sylwia. "Korespondencja więźniów z obozu w Auschwitz w świetle akt Sądu Grodzkiego w Krakowie z lat 1946–1950." Czasopismo Prawno-Historyczne 70, no. 1 (2018): 335–44. http://dx.doi.org/10.14746/cph.2018.1.12.

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The Auschwitz concentration camp was established in 1940. It was the largest Nazi concentration camp situated on the territory of the occupied Poland. It was also an extermination camp of the prisoners incarcerated there. The Jews and the Poles were the largest national groups which were confined to the Nazi camp in Auschwitz. In January of 1945, the Auschwitz camp was liberated by the Red Army. The following article is based on the archives of Cracow Magistrate’s Court from 1946 until 1950 which are accompanied by the prisoner correspondence from the Nazi death camp in Auschwitz.
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Pukhovskaya, Natalia E. "Nazi Concentration Camps: Harsh Everyday Life and Survival Strategies." IZVESTIYA VUZOV SEVERO-KAVKAZSKII REGION SOCIAL SCIENCE, no. 4 (December 27, 2023): 109–18. http://dx.doi.org/10.18522/2687-0770-2023-4-109-118.

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The article is devoted to the study of psychological aspects of survival in Nazi concentration camps. An analysis of camp everyday life practices, as well as behavioral and psychological strategies of both prisoners and camp management, is presented. Particular attention is focused on the phenomenon of depersonalization, and emotional reactions of people entrapped in extremely harsh life in the camp. As sources for the analyses there were taken the memoirs of famous psychiatrists Viktor Frankl and Bruno Bettelheim, which were based on their personal experiences, psychological observations and
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Kogan, Ilany. "“PLAYING WITH REALITY” IN A NAZI CONCENTRATION CAMP." American Journal of Psychoanalysis 82, no. 1 (2022): 144–54. http://dx.doi.org/10.1057/s11231-022-09337-y.

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Williams, Robert L., Jack H. Medalie, Stephen J. Zyzanski, Susan A. Flocke, Shlomit Yaari, and Uri Goldbourt. "Long term mortality of NAZI concentration camp survivors." Journal of Clinical Epidemiology 46, no. 6 (1993): 573–75. http://dx.doi.org/10.1016/0895-4356(93)90130-s.

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B. Oster, Sharon. "The Female Muselmann in Nazi Concentration Camp Discourse." Journal of Holocaust Research 34, no. 3 (2020): 198–219. http://dx.doi.org/10.1080/25785648.2020.1779502.

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Dissertations / Theses on the topic "Nazi concentration camp theater"

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Jeff, List. "“From Hidden to (Over-)Exposed”: The Grotesque and Performing Bodies of World War II Nazi Concentration Camp Prisoners." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1191601326.

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List, Jeff. ""From hidden to (over-)exposed" the grotesque and performing bodies of World War II Nazi concentration camp prisoners /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1191601326.

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Penet, Eric. "Architecture concentrationnaire et idéologie national-socialiste." Thesis, Lille 3, 2012. http://www.theses.fr/2012LIL30043.

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Ce travail part d'une interrogation : comment expliquer ce qu'est un camp de concentration nazi sans prendre en compte un de ces constituants, la pierre. Sans oublier pour cela l'Homme, la présente recherche s'est attachée à définir le camp de concentration comme espace architectural à travers l'étude de six camps : Dachau, Sachsenhausen, Buchenwald, Mauthausen, Auschwitz I et le camp de Natzweiler. Trois axes d'analyses furent choisis : le lieu, les formes et les matériaux employés dans le but de mettre en lumière une éventuelle continuité architecturale. A partir du constat qu'il existait bi
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Alloy, Phillip C. "The Role of Jewish Women as Primary Organizers of the Minsk Ghetto Resistance During the World War II German Occupation." University of Toledo / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1372291273.

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Metje, Heather. "The Stories They Told - German Language Theater in Buchenwald Concentration Camp." 2017. https://ul.qucosa.de/id/qucosa%3A17211.

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NOSKOVÁ, Miloslava. "Ztvárnění tématu války v české próze let 1948 - 1956." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-153457.

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The diploma thesis is The Theme of the War in Czech Prose Published in 1948-56. Following significant changes after the 1948 war, several thematic forms of Czech prose that are analyzed. After the 1948 war began to be interpreted as a precursor to a future socialist revolution, which had to be the "correct" stories - there were used books M. Pujmanové - Život proti smrti (1952) and B. Březovského - Lidé v květnu (1954). They were compares with dilogií A. Brandalda, Severní nádraží (1949) and Lazaretní vlak (1950). Another section is devoted to prose since 1954, when the artistic treatment of t
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Books on the topic "Nazi concentration camp theater"

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Catherine, Temerson, ed. The Sonderberg case: A novel. Alfred A. Knopf, 2010.

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Petrovskai︠a︡ akademii︠a︡ nauk i iskusstv. and Komi (Russia). Ministerstvo obrazovanii︠a︡ i vyssheĭ shkoly., eds. Khudozhestvennoe voploshchenie temy GULAGa v russkoĭ literature Respubliki Komi vtoroĭ poloviny XX veka. Izd-vo "Ėskom", 2006.

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Saldinger, Anne Grenn. Life in a Nazi concentration camp. Lucent Books, 2001.

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Roozeboom, Ton. De nazi moordfabrieken: Chelmno - Belzec - Treblinka - Sobibor. De Lantaarn, 2017.

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Friedrich-Ebert-Stiftung, Historisches Forschungszentrum der, ed. Rettende Augenblicke: Überleben im Nazi-KZ. Friedrich-Ebert-Stiftung, Historisches Forschungszentrum, 2007.

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Vree, Frank, Hetty Berg, and David Duindam, eds. Site of Deportation, Site of Memory. Translated by Vivien Collingwood. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462985575.

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The Hollandsche Schouwburg is a former theatre in Amsterdam where, during the Nazi occupation of the Netherlands, tens of thousands of Jews were assembled before being deported to transit and concentration camps. Before the war, the theatre had been an example of Jewish integration in the Netherlands, and after the war it became a memorial for the Jewish victims of Nazi persecution. This book is the first international publication to address all the historical aspects of the site, putting it in a broader European and historical context.
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1958-, Mussmann Olaf, and KZ-Gedenkstätte Mittelbau-Dora, eds. Homosexuelle in Konzentrationslagern: Vorträge : wissenschaftliche Tagung, 12./13. September 1997, KZ-Gedenkstätte Mittelbau-Dora, Nordhausen. Westkreuz, 2000.

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8

MacLean, French L. The camp men: The SS officers who ran the Nazi concentration camp system. Schiffer Pub., 1999.

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9

Ralph, Mandel, ed. Chelmno: A small village in Europe : the first Nazi mass extermination camp. Yad Vashem, 2009.

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Wetterwald, François. Les morts inutiles: Un chirurgien français en camp nazi. L'Harmattan, 2009.

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Book chapters on the topic "Nazi concentration camp theater"

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Berner, Margit. "Nazi anthropology and the taking of face masks." In From Clinic to Concentration Camp. Routledge, 2017. http://dx.doi.org/10.4324/9781315583310-6.

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Peschel, Lisa. "Laughter in the Ghetto: Cabarets from a Concentration Camp." In Theater unter NS-Herrschaft. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737006422.271.

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Sommer, Robert. "Camp Brothels: Forced Sex Labour in Nazi Concentration Camps." In Brutality and Desire. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234291_7.

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Schmaltz, Florian. "Chemical Weapons Research on Soldiers and Concentration Camp Inmates in Nazi Germany." In One Hundred Years of Chemical Warfare: Research, Deployment, Consequences. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51664-6_13.

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Tippner, Anja. "Worlds Apart? Cross-mapping Camp Literature from the Gulag and Nazi Concentration Camps." In Narratives of Annihilation, Confinement, and Survival, edited by Anja Tippner and Anna Artwińska. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110631135-003.

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Briant, Michael. "3. Of Dark Materials and their Weaving." In Troubled People, Troubled World. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0416.03.

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Fairbairn believed that it is this process of splitting and projection that accounts for the phenomena that Freud had attempted to explain with the Death Instinct. Psychoanalytic thinking was central to the concerns of the Institute for the Study of Collective Psychopathology and Norman Cohn, its director, invited professor Henry Dicks, then deputy director of the Tavistock Clinic, to participate in its activities. Dicks had earlier been commissioned by the War office to interview Nazi prisoners of war and develop a psychological profile of them - of the ‘High F’, or, as it is more commonly ca
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Kramer, Alan. "Other Concentration Camps in the Second World War." In Concentration Camps. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780192520906.003.0015.

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Abstract The chapter argues that the Nazi regime had no monopoly on concentration camps. They were common to fascist warfare—Italy and Japan both used them in their empires. Vichy France took over the (already miserable) internment camps of the Republic, using them for political repression and as transit camps to deport Jews to the Reich. Captured French colonial soldiers in German-run POW camps in France were treated surprisingly well, and most survived. Mainland Italy’s concentration camps interned domestic and foreign political prisoners, and foreign Jews. They were not sites of dehumanizat
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"The Nazi Concentration Camp." In Immigrants on the Threshold. Routledge, 2017. http://dx.doi.org/10.4324/9780203789063-8.

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"Prostitution in Nazi Germany." In The Concentration Camp Brothel. Fordham University Press, 2025. https://doi.org/10.2307/jj.27111097.7.

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"The concentration camp personnel." In Concentration Camps in Nazi Germany. Routledge, 2009. http://dx.doi.org/10.4324/9780203865200-8.

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Conference papers on the topic "Nazi concentration camp theater"

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Wilk-Słomka, Beata, and Agnieszka Szymanowska-Gwiżdż. "RESEARCH ON OBJECTS WITHIN COOPERATION WITH THE AUSCHWITZ-BIRKENAU MUSEUM, FORMER GERMAN NAZI CONCENTRATION AND EXTERMINATION CAMP." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1208.

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Turpin, Joe. "Uncovering the History of the Nazi Holocaust in Senegal Through Artistic and Historical Research." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35899.

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This paper describes the author’s residency in Dakar, Senegal, where he created artworks in response to the history of anti-Semitic laws and the Sébikhotane concentration camp, established by the Vichy French Colonial Regime in West Africa. The artworks aim to inform audiences about this littleknown history and use symbolism that Senegalese people can relate to. The paper discusses the research conducted, the positive reception of the artworks, and the author’s role as an artist, researcher, and performer. The paper also provides descriptions and explanations of some of the artworks created du
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