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Relevant bibliographies by topics / Nazi, national socialism, pagan / Dissertations / Theses

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Dissertations / Theses on the topic 'Nazi, national socialism, pagan'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Maxwell, Rachel Elizabeth. "Aeschylus and National Socialism: Lothar Müthel's Orestie as Nazi Propaganda." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6020.

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This thesis analyzes the text, stage design, and historical context of Lothar Müthel's production of Aeschylus's Oresteia trilogy in 1936, which was sponsored by the National Socialist government during a broader publicity campaign during the Summer Olympics of 1936. The third play, Eumenides (Die Versöhnung in German) has democratic undertones, and therefore seems incompatible with Nazi ideology at first glance. There are three ways in which the Nazis made Müthel's adaptation of Die Versöhnung compatible. First, in the context of the Olympics, the Nazis attempted to draw a connection or relat

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2

Bent, George R. "Austrian National Socialism and the Anschluss." Oberlin College Honors Theses / OhioLINK, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1357673930.

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3

Sycher, Alexander. "The Nazi Soldier in German Cinema, 1933-1945." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428959799.

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4

Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init

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5

White, David Robert. "Upper-middle-class complicity in the National Socialist phenomenon in Germany." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/7528.

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The original research element of this thesis consists of the study of an emerging· professional association of senior managerial employees in business and industry in Weimar Germany. This association which went by the name of VELA, Vereinigung der leitenden Angestellten, or the Organisation of Leading Salaried Employees, was founded in December 1918, and continued in existence until December 1934. Utilising a complete collection of VELA's bi-monthly members' periodical, the development of a coherent ideology of elitism is traced from 1919 to 1933, with the emphasis upon the crystallisation of

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6

Ihrig, Stefan. "Nazi perceptions of the new Turkey, 1919-1945." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610471.

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7

Steinback, Athahn. "Thinking Beyond The Führer: The Ideological and Structural Evolution of National Socialism, 1919-1934." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/949.

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Much of the discussion of German National Socialism has historically focused on of Adolf Hitler as the architect of the Nazi state. While recognizing Hitler’s central role in the development of National Socialism, this thesis contends that he was not a lone actor. Much of the ideological and structural development National Socialism was driven by senior individuals within the party who were able to leverage their influence to institutionalize personal variants of National Socialism within broader party ideology. To explore the role of other ideologues in the development of Nazi ideology, this

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8

Skiles, William Stewart. "Preaching to Nazi Germany| The Confessing Church on National Socialism, the Jews, and the Question of Opposition." Thesis, University of California, San Diego, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10009352.

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<p>This dissertation examines sermons delivered by Confessing Church pastors in the Nazi dictatorship. The approach of most historians has focused on the history of the Christian institutions, its leaders, and its persecution by the Nazi regime, leaving the most elemental task of the pastor ? that is, preaching ? largely unexamined. The question left unaddressed is how well did Confessing pastors fare in articulating their views of the Nazi regime and the persecution of the Jews through their sermons? To answer this question, I analyzed 910 sermons by Confessing Church pastors, all delivere

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9

Link, Stefan. "Transnational Fordism. Ford Motor Company, Nazi Germany, and the Soviet Union in the Interwar Years." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10393.

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This historical dissertation investigates the international proliferation of Fordism in politically illiberal settings during the 1920s and 1930s. Based on American, German, and Soviet primary sources, it is the first archive-based study of this process. The dissertation's main finding is that the implementation of Ford's ideas and practices was a key component of illiberal modernization drives - that is, projects of state-led economic growth which explicitly fashioned themselves as alternatives to Western liberal capitalism. This point of view is a departure from previous accounts of the glob

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10

Reinert, Kathy Carol. "Music and the Nazi Party Congresses, its role in spectacle, festival and ritual." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22740.pdf.

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11

Halpin, Ross William. "A history of concern: The ethical dilemma of using Nazi medical research data in contemporary medical and scientific research." Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/4010.

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12

Halpin, Ross William. "A history of concern the ethical dilemma of using Nazi medical research data in contemporary medical and scientific research /." University of Sydney, 2008. http://hdl.handle.net/2123/4010.

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13

French, Rebecca S. C. "The devil in disguise : a comparative study of Thomas Mann's "Doktor Faustus" (1947 and Klaus Mann's "Mephisto" (1936, focussing on the role of art as an allegory of the rise and fall of Nazi Germany /." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1634/.

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14

Inksetter, Hamish. "Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31917.

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This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creat

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15

Ulrich, Axel. "Politischer Widerstand gegen das "Dritte Reich" im Rhein-Main-Gebiet /." Wiesbaden : Thrun-Verlag, 2005. http://www.loc.gov/catdir/toc/fy0604/2006374651.html.

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16

Taylor, James Leigh. "From Weimar to Nuremberg a historical case study of twenty-two Einsatzgruppen officers /." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1161968385.

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17

van, Leeuwen Wilhelmus Roelof. "Dreamers of the Dark: Kerry Bolton and the Order of the Left Hand Path, a Case-study of a Satanic/Neo-Nazi Synthesis." The University of Waikato, 2008. http://hdl.handle.net/10289/2446.

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In 1990 a small self-published journal/magazine called The Watcher was distributed among New Zealand's occult underground. The Watcher described itself as 'the New Zealand Voice of the Left Hand Path', and was published as the journal of the Order of the Left Hand Path. The Watcher and the Order directed its attentions towards those occultists who identified themselves as Satanists and, as such, the journal articulated a distinctly Satanic philosophy and perspective. However, as the journal evolved and developed, renaming itself as The Heretic and The Nexus in later years, there arose along

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18

Marlow, Sergio Luiz. "Confessionalidade a toda prova: o sínodo evangélico luterano do Brasil e a questão do germanismo e do nacional-socialismo alemão durante o governo de Getúlio Vargas no Brasil." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-31102013-103854/.

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A tese objetiva analisar a forma como o Sínodo Evangélico Luterano do Brasil (hoje Igreja Evangélica Luterana do Brasil), proveniente do Sínodo de Missouri dos Estados Unidos, se posicionou em relação a assuntos em evidência da década de 1940 no Brasil, como questões envolvendo o Germanismo e o Nacional Socialismo Alemão presentes entre teuto-brasileiros. Além disso, o Sínodo necessitou adaptar-se às novas imposições da Campanha de Nacionalização do Governo de Getúlio Vargas, que visava o abrasileiramento de todos os imigrantes e seus descendentes residentes em solo brasileiro. A análise dos p

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19

Gallo, David. "La politique de formation idéologique de la SS (1933-1945) : Institutions, discours, pratiques, acteurs et impact de la Weltanschauliche Schulung." Electronic Thesis or Diss., Paris 4, 2014. http://www.theses.fr/2014PA040158.

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La présente recherche doctorale retrace l’histoire de la politique de « formation idéologique » (weltanchauliche Schulung ou weltanschauliche Erziehung) mise en oeuvre entre 1933 et 1945 par la SS (Schutzstaffel), organisation qui se voulait l’élite du nazisme. Elle s’attache à croiser quatre approches : L’histoire du réseau des institutions chargées de l’elaboration et de l’application de cette politique, au centre duquel se trouvait l’ « office de l’instruction » (Schulungsamt) de la SS, qui supervisait le travail d’un « appareil d’instruction » (Schulungsapparat) de plus d’un milliers d’ins

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20

Gallo, David. "La politique de formation idéologique de la SS (1933-1945) : Institutions, discours, pratiques, acteurs et impact de la Weltanschauliche Schulung." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040158.

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La présente recherche doctorale retrace l’histoire de la politique de « formation idéologique » (weltanchauliche Schulung ou weltanschauliche Erziehung) mise en oeuvre entre 1933 et 1945 par la SS (Schutzstaffel), organisation qui se voulait l’élite du nazisme. Elle s’attache à croiser quatre approches : L’histoire du réseau des institutions chargées de l’elaboration et de l’application de cette politique, au centre duquel se trouvait l’ « office de l’instruction » (Schulungsamt) de la SS, qui supervisait le travail d’un « appareil d’instruction » (Schulungsapparat) de plus d’un milliers d’ins

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21

Gamoran, Jesse. "“I had this dream, this desire, this vision of 35 years – to see it all once more...”The Munich Visiting Program, 1960-1972." Oberlin College Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1483517620887328.

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22

Malenfant, Émilie. "Vieillesse sous l’Allemagne nazie (1933-1945) : représentations, assistance et vie quotidienne." Electronic Thesis or Diss., Sorbonne université, 2021. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2021SORUL099.pdf.

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Cette thèse se trouve au confluent de deux historiographies, celle du Troisième Reich et celle de la vieillesse, qui se sont jusqu’ici peu croisées. Face aux terrains inexplorés que révèle cette intersection d’ombre, elle emprunte trois voies d’exploration, celle des représentations, celle des discours et celle de l’expérience. L’objectif est d’insister sur l’âge avancé comme facteur de différenciation des expériences et des réalités dans l’Allemagne des années 1930 et 1940, d’observer le statut de la vieillesse et ses représentations au sein d’une société « de la jeunesse » marquée par un vie

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23

Amundsen, Allan D. "American progressive journals and the rise of Nazi Germany 1932-1933 /." 2007. http://www.consuls.org/record=b2858557.

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Thesis (M.A.) -- Central Connecticut State University, 2007.<br>Thesis advisor: Dr. Biskupski. "... in partial fulfillment of the requirements for the degree of Master of Arts in History." Includes bibliographical references.

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24

Gregory, William. "Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939." 2011. http://hdl.handle.net/10222/14153.

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The emulation of Hollywood by German films studios in the 1930s caused significant problems from an ideological perspective. “Germanized” Hollywood productions incorporated the exciting elements that made American films so popular in the Third Reich in an effort to displace them. However, a glorification of consumer capitalism and political individualism accompanied Californian style assembly-line filmmaking, even in Nazi Germany. In particular, Hollywood style stardom, western films and remakes introduced potentially dissonant ideas and messages into Germany’s public sphere. These films broke

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25

Lee, Jennifer Lisa. "Selling the Nazi dream : the promotion of films in the Third Reich." 2004. http://hdl.handle.net/1828/504.

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26

Sandler, Willeke. ""Colonizers are born, not made": Creating a Colonialist Identity in Nazi Germany, 1933-1945." Diss., 2012. http://hdl.handle.net/10161/5543.

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<p>After the First World War, Germany lost its overseas territories, becoming Europe's first post-colonial nation. After 1919, and especially between 1933 and 1945, however, German colonialists advocated for the return of these colonies and for their central importance to Germany. This dissertation tells the paradoxical story of these colonialists' construction of a German national character driven by overseas imperialism despite the absence of a colonial reality to support this identity. In contrast to views of colonialism as marginal in Germany after the First World War or the colonialist or

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27

McFarland, Theresa Larine. "Study of images in German films: deconstructing the Nazi body aesthetic." Thesis, 2007. http://hdl.handle.net/1828/2269.

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Films and their images function to disperse representations of the body that encourage viewers to adopt or reject certain represented appearances and actions. Using this proposition, this thesis explores how notions of the body are visualized in filmic images, such as film posters and photographs used for promotional purposes. In particular, this thesis focuses on how German identities from the end of the Weimar Republic through to the early years of the Third Reich were represented in filmic images. This paper questions whether the introduction of Nazi ideals and the establishment of a state

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