Relevant bibliographies by topics / Nazi propaganda

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Nazi propaganda'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Nazi propaganda.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Nazi propaganda"

1

LeMahieu, D. L., and David Welch. "Nazi Propaganda." History Teacher 18, no. 2 (February 1985): 309. http://dx.doi.org/10.2307/493960.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Führer, Karl Christian. "CONTRADICTING NAZI PROPAGANDA." Media History 18, no. 1 (February 2012): 65–76. http://dx.doi.org/10.1080/13688804.2011.632200.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

D'souza, Eugene J. "Nazi Propaganda in India." Social Scientist 28, no. 5/6 (May 2000): 77. http://dx.doi.org/10.2307/3518181.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stepens, Ojārs. "MANIFESTATIONS OF LEFTISM IN LATVIA DURING THE NAZI OCCUPATION: 1941–1945." Culture Crossroads 8 (November 13, 2022): 38–44. http://dx.doi.org/10.55877/cc.vol8.158.

Full text
Abstract:
During the Nazi occupation (1941–1945), Latvia was subject to nazification. In the course of this process, the left wing elements of the Nazi ideology were actively introduced into Latvia. The process manifested itself in two ways: firstly, in the propaganda of the postulates of the Nazi ideology and, secondly, in a series of practical political activities. The main themes of the Nazi left wing propaganda were as follows: propaganda of the so-called German socialism and its achievements; criticism of the soviet socialism and the political system of the USSR; propaganda of the formation of classless society; propaganda of eradicating social injustice; singing praise to the prevalence of the workers in the social organism and introducing the left wing Nazi traditions into the occupied Latvia. However, the propaganda of the Nazi ideology in Latvia was introduced un- evenly and ambiguously. Several phases of its implementation can be singled out: the Hot Phase (1941), the Transitional Phase (1941–1942), the Pragmatic Phase (1943–1944) and the Disintegration Phase (1944–1945). The general trend was from propagating the ideas which maximally complied with the Nazi ideology towards gradual mitigation of the propaganda in order to achieve support from the local population for the occupation power and their involvement in the war. In practice, the Nazi occupation power, according to the common position of the left wing Nazi ideology, carried out the nationalisation of all the sectors of the economy of Latvia. This policy reached its peak in the autumn of 1941, when the German state took control of the great part of the Latvian enterprises. In 1942–1944, as the war developed unfavourably for Germany, re-privatisation of the property was permitted in order to achieve the support of the population and their active involvement in the war.
APA, Harvard, Vancouver, ISO, and other styles
5

KARABİBER, Halide, and Nilgün DOĞRUSÖZ DİŞİAÇIK. "THE VIOLIN AS A PROPAGANDA IN NAZI GERMANY: GOEBBELS' STRADIVARIUS." Yegah Müzikoloji Dergisi 6, no. 3 (December 31, 2023): 511–28. http://dx.doi.org/10.51576/ymd.1400548.

Full text
Abstract:
ÖZ Yüzyıllar boyunca siyasi liderler eylemlerini halk gözünde meşru kılmak ve toplumun gönüllü desteğini almak amacıyla propagandayı kullanmışlardır. II. Dünya Savaşı (1939-1945) bu durumun önemli örneklerini barındırır. Sanatın bir propaganda aracı olarak kullanılması ise sürecin en bilinen özelliklerinden birisidir. Pek çok sanatsal üretimin “kullanışlı” bir propaganda malzemesine dönüştüğü bu süreçte, keman yapımcılığı da bir propaganda unsuru haline getirilmiştir. Üçüncü Reich döneminde (1933-1945) Reich Kültür Odasının lideri propaganda bakanı Joseph Goebbels (1897-1945), Japon keman sanatçısı Nejiko Suwa’ya (1920- 2012), Antonio Stradivari (1644-1737) tarafından yapıldığı iddia edilen bir keman hediye eder. Böylelikle Stradivari ve kemanı bir “üstün ırk” imgesine dönüşür. Bu kesişme alanın hem bugününde etkili olmuş hem de kemana farklı simgesel anlamlar kazandırmıştır. Bu makale, “Stradivari yapımı” bir kemanın Goebbels tarafından bir propaganda aracı olarak kullanmasını “üstün ırk” kavramı üzerinden inceleyen disiplinlerarası bir çalışmadır. Çalışma sonucunda Yahudi ırkının kültürel kimliğinin önemli bir parçası olan kemanın bu süreç itibariyle çoklu bir simgesel anlam kazandığı, kemanın bugün hala “üstün insan” idealizminin izlerini taşırken bir yandan da Yahudi ırkı açısından kültür hatırlatıcı bir imge olarak yeni bir projenin propaganda nesnesi haline geldiği, öte yandan çalgının dünya pazarındaki yerinin şekillenmesinde ve “el yapımı keman”ın değerliliği algısının yerleşiminde “üstün insan” imgeleminin başka birçok nedenle birlikte etkili olduğu sonucuna varılmıştır.
APA, Harvard, Vancouver, ISO, and other styles
6

Vahrenkamp, Richard. "Automobile Tourism and Nazi Propaganda." Journal of Transport History 27, no. 2 (September 2006): 21–38. http://dx.doi.org/10.7227/tjth.27.2.5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Buscemi, Francesco. "The Aryan Race of Animals." American Journal of Semiotics 37, no. 3 (2021): 329–50. http://dx.doi.org/10.5840/ajs20223775.

Full text
Abstract:
This article analyses the role of colour in the representation of animals in Nazi propaganda. It demonstrates that colour, as applied to animals, was a communicational strategy of paramount relevance in setting boundaries and creating differences between the Nazis and their enemies. Drawing on propaganda studies, colour studies, and representational zoosemiotics, it semiotically investigates visual items published from 1923 to 1945. The results show that Nazi propaganda created an Aryan race of animals via colours. In fact, white animals always supported the regime’s ideologies; dark animals, conversely, very often symbolised the enemy (the Soviet Union, the Jews, and others). Semiotically, Nazi propaganda represented these animals as symbols, even though the links between signifier and signified were not shared within a community but only within the racist ideology of the Nazis..
APA, Harvard, Vancouver, ISO, and other styles
8

Remmert, Volker R. "In the Service of the Reich: Aspects of Copernicus and Galileo in Nazi Germany’s Historiographical and Political Discourse." Science in Context 14, no. 3 (September 2001): 333–59. http://dx.doi.org/10.1017/s0269889701000126.

Full text
Abstract:
ArgumentFocus of this paper is on the historiographical fate of Nicholas Copernicus and Galileo Galilei in Nazi Germany. Both played interesting roles in Nazi propaganda and the legitimization of Nazi political goals. In the “Third Reich,” efforts to claim Copernicus as a German astronomer were closely linked to revisionist policies in Eastern Europe culminating in the war-time expansion. The example of Galileo’s condemnation by the Catholic Church in 1633 became a symbol of its unjustified opposition to new “scientific” results, namely Nazi racial theory. After Catholic opposition against Nazi racial theory had reached a peak in 1937, the Galileo affair was turned into an instrument of Nazi propaganda against the Catholic Church.Auch der Historiker steht in der Zeit, nicht über ihr.Das Ewigkeitspostament hat er verloren.Siegfried Giedion
APA, Harvard, Vancouver, ISO, and other styles
9

Moore, Paul. "‘And What Concentration Camps Those Were!’: Foreign Concentration Camps in Nazi Propaganda, 1933-9." Journal of Contemporary History 45, no. 3 (July 2010): 649–74. http://dx.doi.org/10.1177/0022009410366557.

Full text
Abstract:
This article examines nazi propaganda on non-German ‘concentration camps’ in the years 1933—9. It shows how the regime publicized internment facilities in Austria, the Soviet Union and South Africa during the Boer War for rhetorical effect. This examination is placed within the context of extensive nazi propaganda concerning Germany’s own camps, demonstrating that the two propaganda strands worked not contrary to each other, but rather in a mutually reinforcing manner. In addition, the article will explore the legacy of this propaganda material in shaping popular attitudes with the onset of war and genocide.
APA, Harvard, Vancouver, ISO, and other styles
10

Kallis, Aristotle. "Nazi propaganda decision-making: the hybrid of modernity and neo-feudalism in Nazi wartime propaganda." Portugese Journal of Social Sciences 8, no. 1 (June 1, 2009): 61–84. http://dx.doi.org/10.1386/pjss.8.1.61_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Nazi propaganda"

1

Inksetter, Hamish. "Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31917.

Full text
Abstract:
This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil. Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level. In addition to demonstrating the subjectivity of moral perspective during a tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest.
APA, Harvard, Vancouver, ISO, and other styles
2

Wright, Melanie. "Metaphors of health and disease in Nazi film propaganda." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/1602.

Full text
Abstract:
This study examines how propaganda imagery was used to reveal metaphors of health and disease in Nazi Germany from 1933 to 1945. Specifically, it explores how German medical and political authorities of this period entrenched biological explanations for social ills through medico-political discourses of disease, criminality and deviancy, in their efforts to exterminate particular populations. This propaganda was conversed with the idealised and beautified German Volk who, in turn, were graphically elevated to the realms of a supreme master race. I use a methodology composed of compositional and discourse analysis, and a theoretical framework that develops the work of Erving Goffman. These frameworks were applied to a range of images from a sample of propagandist movies, published within the time-frame, in order to illuminate how the German medical establishment sought to realise the juxtaposition of both promoting life and administering death. Findings suggest that the biological categorising and subjective measuring of individuals was a modernistic philosophy. Extensive use of metaphors resulted in a widening range of stigmas which needed medical intervention to maintain normality and social order whilst purifying and cleansing the body politic. The study advances the understanding of the relationship between the discourses of health and disease with an in-depth sociopolitical study of imagery, asking why it was used to legitimate and nationalise social inequality in the context of Nazi Germany. It further offers a new socio-filmic model for future use when analysing moving imagery in the sociohistorical field. These two advances therefore provide novel contributions to the sociology of public health and social methods.
APA, Harvard, Vancouver, ISO, and other styles
3

Lambert, James K. "REEL NAZIS a propaganda history." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4954/.

Full text
Abstract:
This thesis film is an overview of Nazi Germany, primarily told through the use of their own propaganda images, and structured in such a way as to make the viewer question what they think they know about the past, present, and future. This paper is a discussion of the process that went into making the film and some of the ideas connected to it that could not be brought out in the documentary.
APA, Harvard, Vancouver, ISO, and other styles
4

Maxwell, Rachel Elizabeth. "Aeschylus and National Socialism: Lothar Müthel's Orestie as Nazi Propaganda." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6020.

Full text
Abstract:
This thesis analyzes the text, stage design, and historical context of Lothar Müthel's production of Aeschylus's Oresteia trilogy in 1936, which was sponsored by the National Socialist government during a broader publicity campaign during the Summer Olympics of 1936. The third play, Eumenides (Die Versöhnung in German) has democratic undertones, and therefore seems incompatible with Nazi ideology at first glance. There are three ways in which the Nazis made Müthel's adaptation of Die Versöhnung compatible. First, in the context of the Olympics, the Nazis attempted to draw a connection or relationship between modern German and ancient Greek culture, implying themselves to be successors to ancient Greece. Second, through Ulrich von Wilamowitz-Moellendorff's interpretations of the Greek word δίκη (justice), a central concept in the Oresteia, the Nazis were able to emphasize the progression of a state from a savage, chaotic period to a new, better civilization, an idea that particularly appeals to Nazi narrative owing to their own recent history with the Weimar Republic. Third, the Nazis shifted focus from the institution of the Areopagus to the role of Athena and interpreted her to be a Germanic goddess. Müthel's adaptation is a good case study in how, through appropriation, a political movement can interpret a text to fit their ideology.
APA, Harvard, Vancouver, ISO, and other styles
5

Smith, Cecilia Angela Ann. "On the National Socialist organisation NSV : 'NS-People's Welfare', propaganda and influence from 1933-1945." Thesis, University of Edinburgh, 1986. http://hdl.handle.net/1842/20195.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pereira, Wagner Pinheiro. "O império das imagens de Hitler: o projeto de expansão internacional do modelo de cinema nazi-fascista na Europa e na América Latina (1933-1955)." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29092008-172531/.

Full text
Abstract:
O propósito principal desta tese de doutorado é desenvolver um estudo de histórias conectadas sobre a expansão internacional do modelo de cinema nazista na Europa e na América Latina, durante as décadas de 1930 e 1950. A influência da Alemanha nazista sobre as indústrias de cinema e as produções cinematográficas da Itália fascista, de Portugal salazarista, da Espanha franquista, do Brasil varguista e da Argentina peronista, representou a tentativa de Berlim tornar-se a Nova Hollywood Mundial e teve importantes implicações políticas, culturais e econômicas em todos esses regimes políticos de massas, que nos propomos analisar. A tese analisa também três instituições político-culturais privilegiadas do III Reich: 1) O Ministério Nacional para Esclarecimento Público e Propaganda (Reichsministerium für Volksaufklärung und Propaganda - RMVP), através do qual o ministro da propaganda nazista, Dr. Joseph Goebbels, empenhou-se na conquista do controle total dos meios de comunicação de massa, na reestruturação forçada das indústrias cinematográficas e na padronização das sessões de cinema, impondo uma produção obrigatória, planejada para aumentar o potencial propagandístico do cinema; 2) A Câmara Internacional de Cinema (Internationale Filmkammer IFK), uma organização internacional de representantes da indústria cinematografia de vinte e duas nações, fundada em 1935 para estabelecer o controle hegemônico da Alemanha nazista sobre um espaço europeu econômico e cultural integrado, que pudesse rivalizar com os modelos de cinema dos Estados Unidos da América e da União Soviética e; 3) A Hispano-Film-Produktion (HFP), através da qual o cinema nazista tentou conquistar os mercados hispânicos (Espanha e América Latina). Em termos gerais, a análise das políticas governamentais, dos principais temas políticos apresentados nos filmes, da influência da censura e de outros aspectos relacionados à produção cinematográfica, tais como legislação, políticas de crédito e sistemas de co-produções entre esses regimes políticos de massas, pretende mostrar como o cinema mundial foi influenciado e controlado pela Alemanha nazista, mas apresentou especificidades que procuramos mostrar neste trabalho.
The main purpose of this PhD Thesis is to develop a connected histories study on the international expansion of Nazi Cinemas model in Europe and Latin America, during the 1930s and 1950s. The Nazi Germanys influence over the film industries and cinematographs productions of Mussolinis Italy, Salazars Portugal, Francos Spain, Vargas Brazil, and Perons Argentine, represented the Berlins ruthless attempts at becoming the New World-Wide Hollywood, and also had important political, cultural and economical implications in all these mass political regimes, that we proposed to analyze. The thesis also analyzes three privileged political-cultural institutions of the III Reich: 1) The Reich Ministry for Popular Enlightenment and Propaganda (Reichsministerium für Volksaufklärung und Propaganda - RMVP), through which the Nazi propaganda minister, Dr. Joseph Goebbels, sought to achieve total control of the mass media communications, forced restructuring of national film industries, and standardized film screening by imposing a compulsory production, designed to enhance films propagandistic potential; 2) The International Film Chamber (Internationale Filmkammer IFK), a international organization of national film industry representatives from twenty-two nations, founded in 1935 to establish a Nazi Germany hegemonic control over an integrated European economic and cultural space that could rival the United States of America and the Soviet Union cinemas models, and; 3) The Hispano-Film-Produktion (HFP), through which Nazi cinema tried to conquer Spanish markets (Spain and Latin America). In general terms, the analysis of the governmental policies, the main politics themes presented on the films, the influence of censorship, and others aspects related to the cinematograph productions, such as legislation, credit policies, and co-productions system between these mass political regimes, present how the world cinema was influenced and controlled by Nazi Germany, but presented specificities that we intend to point out in these PhD thesis.
APA, Harvard, Vancouver, ISO, and other styles
7

Mendez, Alexa J. "People as Propaganda: Personifications of Homeland in Nazi German and Soviet Russian Cinema." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439280003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Usbeck, Frank. "Representing the Indian, Imagining the Volksgemeinschaft. Indianthusiasm and Nazi Propaganda in German Print Media." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-197936.

Full text
Abstract:
The German fascination with Native Americans has been a tradition of several centuries, beginning with the first reports about the New World and its peoples. The main features of German Indian imagery have evolved since the early nineteenth century and have evoked the phenomenon of mass euphoria for Indians in the late 1800s, a euphoria which lasted for more than one hundred years. This fascination has been a source of curiosity for both Native peoples and scholars.
APA, Harvard, Vancouver, ISO, and other styles
9

Usbeck, Frank. "Representing the Indian, Imagining the Volksgemeinschaft. Indianthusiasm and Nazi Propaganda in German Print Media." Institut für Ethnologie der Universität Hamburg, 2013. https://tud.qucosa.de/id/qucosa%3A29261.

Full text
Abstract:
The German fascination with Native Americans has been a tradition of several centuries, beginning with the first reports about the New World and its peoples. The main features of German Indian imagery have evolved since the early nineteenth century and have evoked the phenomenon of mass euphoria for Indians in the late 1800s, a euphoria which lasted for more than one hundred years. This fascination has been a source of curiosity for both Native peoples and scholars.
APA, Harvard, Vancouver, ISO, and other styles
10

Barton, Matthew. "The Cathedral of Ice: Terministic Screens, Tyrannizing Images, Visual Rhetoric, and Nazi Propaganda Strategies." Thesis, Louisiana Scholars' College, 1999. http://hdl.handle.net/10919/71573.

Full text
Abstract:
Many aspects of the Nazis’ methods of persuasion, especially the rhetoric and psychology of printed propaganda and the speeches of Adolf Hitler and Joseph Goebbels have been the subjects of intensive study. Oddly, the subject of technology applied as an instrument or supplement to propaganda, or the rhetorical contributions of technological devices, has very little representation in Nazi studies, despite the significance it played in their rise to power. This thesis attempts to fill that gap. Specifically, I will be treating lights and lighting, sound and music, the Nuremberg Party Rallies, radio, and cinema from a rhetorical perspective. The rhetorical framework I have constructed to analyze these elements relies on a synthesis of Richard Weaver’s Tyrannizing Image and Kenneth Burke’s Terministic Screen concepts. Burke provides an important connection to visual rhetoric while Weaver provides links to culture, myth, and history.The ultimate goal of this thesis is to show how the rhetorical theories of Kenneth Burke and Richard Weaver can be used to explain the Nazis’ persuasion tactics. Aristotle demanded that rhetors “know all available means of persuasion,” and obviously, technological devices have rhetorical value. To prove this, I have relied as much as possible on primary sources, especially the autobiographies of former Nazis and Hitler’s Mein Kampf, but the Hitler biographers (Joachim Fest, Robert Waite, and John Toland) have also proved their usefulness. While this thesis is not an exhaustive treatment of the subject, it at least sows the field with seeds of thought. I do not address either the printed propaganda of Nazism or the speeches of Hitler or Goebbels. I examine instead the rhetorical devices and methods used by the Nazis to reinforce these types of persuasion.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Nazi propaganda"

1

Torres, Norberto Corella. Propaganda Nazi. [Mexicali, México]: Universidad Autónoma de Baja California, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Torres, Norberto Corella. Propaganda nazi. México: Universidad Autónoma de Baja California / Grupo Editorial Miguel Angel Porrúa, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Christopher, Webster. Photography in the Third Reich: Art, physiognomy and propaganda. Cambridge, UK: Open Book Publishers, 2020.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Długoborski, Wacław. Propaganda strachu i nienawiści w hitlerowskich Niemczech i byłej Jugosławii. [Poland]: Znak, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kallis, Aristotle A. Nazi Propaganda and the Second World War. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Luckert, Steven, and Susan Bachrach. State of deception: The power of Nazi propaganda. Washington, DC: United States Holocaust Memorial Museum, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

E, Lotz Rainer, ed. Hitler's airwaves: The inside story of Nazi radio broadcasting and propaganda swing. New Haven: Yale University Press, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kaspars, Zellis. Ilūziju un baiļu mašinērija: Propaganda nacistu okupētajā Latvijā : vara, mediji un sabiedriba (1941-1945). Rīgā: Mansards, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mukhin, I︠U︡riĭ. Sredstva massovoĭ brekhni. Moskva: Algoritm, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Siemon-Netto, Uwe. The fabricated Luther: Refuting Nazi propaganda and modern myths. St. Louis, MO: Concordia Pub. House, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Nazi propaganda"

1

Walker, Mark. "Physics and Propaganda." In Nazi Science, 123–51. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4899-6074-0_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Peters, Silke. "Nazi-Propaganda 2.0." In NS-Propaganda im 21. Jahrhundert, 193–206. Köln: Böhlau Verlag, 2014. http://dx.doi.org/10.7788/boehlau.9783412217631.193.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kirk, Tim. "Culture, Leisure and Propaganda." In Nazi Germany, 113–31. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-21274-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Welch, David. "Nazi Wartime Newsreel Propaganda." In Film & Radio Propaganda in World War II, 201–19. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003208457-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Roy, Baijayanti. "Hakenkreuz, Swastika and Crescent: The Religious Factor in Nazi Cultural Politics Regarding India." In Palgrave Series in Asian German Studies, 253–82. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_11.

Full text
Abstract:
AbstractThis chapter examines, on the basis of under-utilized archival materials, the uses of different religions in Nazi cultural politics aimed at India between 1933 and 1939. The goal of such politics was to generate respect for Nazi Germany and project it as sympathetic to the aspirations of various groups of Indians. Nazi propaganda used different tropes for the diverse politico-religious organizations it addressed. Aryanism was an effective vehicle of propaganda for Hindu nationalists and Hindu revivalists, as well as some Buddhists, whereas purported parallels between Islam and Nazism formed the core of the overtures towards Islamists. The chapter traces the dissemination of such propaganda through a cobweb-like Nazi network that existed in the Indian subcontinent, comprising Germans as well as Indians. The chapter demonstrates how Nazi cultural politics in India, which was inconsistent in the beginning, gradually became more coherent as it began to follow the dictates of Nazi foreign policy. As the war approached, religion-based propaganda gave way to strategic support for the secular anti-colonial movement led by the Indian National Congress.
APA, Harvard, Vancouver, ISO, and other styles
6

Somerville, Keith. "Nazi Radio Propaganda — Setting the Agenda for Hatred." In Radio Propaganda and the Broadcasting of Hatred, 87–151. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284150_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kallis, Aristotle A. "Introduction: ‘Totalitarianism’, Propaganda, War and the Third Reich." In Nazi Propaganda and the Second World War, 1–15. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kallis, Aristotle A. "Conclusions: Legitimising the Impossible?" In Nazi Propaganda and the Second World War, 218–23. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kallis, Aristotle A. "Propaganda, ‘Co-ordination’ and ‘Centralisation’: The Goebbels Network in Search of a Total Empire." In Nazi Propaganda and the Second World War, 16–39. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kallis, Aristotle A. "‘Polyocracy’ versus ‘Centralisation’: The Multiple ‘Networks’ of NS Propaganda." In Nazi Propaganda and the Second World War, 40–62. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Nazi propaganda"

1

Siegal, Nina. "Echoes of Nazi Propaganda in a Collaborator Diary: The Case of Dutch Police Investigator Douwe Bakker." In AHM Conference 2022: ‘Witnessing, Memory, and Crisis’. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557578/ahm.2022.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Curta, Florin. "Slavii timpurii şi etnogeneza lor în arheologia sovietică și post-sovietică." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-14-30.

Full text
Abstract:
Despite its beginnings in the 19th century, Slavic archaeology developed relatively late in the Soviet Union because of the generally hostile attitude of the Bolshevik regime towards Slavic Studies, in general, which were perceived as a tool of imperialist (and tsarist) propaganda. The attitude changed in the 1930s, when Stalin revived the idea in order to use Slavic Studies against the Nazi propaganda and its claims about the civilizational inferiority of the Slavs. The paper traces the explosion of interest in the Slavic ethnogenesis and the archaeology of the early Slavs between 1950 and 1991. Several key personalities of Soviet archaeology (Iurii Kukharenko, Irina Rusanova, Valentin Sedov and Volodymyr Baran) are highlighted, but the main focus is on the tensions between migrationist and autochtonist models for explaining the emergence and early developments of the Slavs on the territory of the Soviet Union. After Ukraine’s declaration of independence and the collapse of the Soviet Union (1991), migrationism was discarded in both Ukraine and Russia in studies concerned with the Slavic Urheimat, but adopted in those concerned with the presence of the Slavs as far into the forest belt as northwestern Russia and as far east as the Middle Volga region. The article ends with an examination of the political implications of the research on the early Slavs in northwestern Russia and in Tatarstan.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Nazi propaganda"

1

Титаренко, Д. М. Геноцид єврейського населення на Донеччині під час нацистської окупації: деякі дискусійні аспекти проблеми. ДонНУ, 2008. http://dx.doi.org/10.31812/123456789/6496.

Full text
Abstract:
В статье освещены дискуссионные аспекты уничтожения еврейского населения на территории Донецкой области в период нацистской оккупации. Исследование базируется на материалах украинских и российских государственных архивов, архива управления Службы безопасности Украины в Донецкой области, федеральных архивов Германии, воспоминаниях очевидцев. В работе рассматриваются проблемы статистики числа жертв, ответственности вермахта за геноцид, основания и функционирования гетто в Сталино (Юзовке), реакции местного населения на геноцид, содержания антисемитской пропаганды. The article is aimed at characterizing the peculiarities, the most controversial aspects of the destruction of the Jews in the Donets’k oblast during the Nazi occupation. The investigation is based on the materials of the Ukrainian central and oblast’s state archives, the archives of the Security Service of Ukraine (SBU) in Donets’k oblast, the Federal archives of Germany, the state archives of Russian Federation as well as the recollections by eyewitnesses. The problems of the statistics of the sacrifices, the responsibility of the Wehrmacht for the genocide, the conditions of the establishment and functioning of ghetto in Stalino (Iuzivka), the reaction of the local population to the genocide, the essence of the anti-Semitic propaganda are emphasized.
APA, Harvard, Vancouver, ISO, and other styles
2

Stelmakh, Marta. RUSSIA’S GENOCIDAL WAR AGAINST UKRAINE: THE QUESTION OF QUALIFICATION (BASED ON TIMOTHY SNYDER’S WORKS). Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12157.

Full text
Abstract:
The article analyses the topic of the genocidal policy and actions of the Russian Federation on the territory of Ukraine in the works of Timothy Snyder. The subject of the research is the genocidal component of the Russian-Ukrainian war, as well as the reasons and evidence of the genocidal intentions of the Russian authorities in Timothy Snyder’s reasoning. The objective of the study is to establish the specifics of the elucidation of the reasons and evidence of the genocidal component in Russia’s policy against Ukraine in the scientist’s writings. The following methods were used in the process of scientific research: systematic, comparative, content analysis, historical, and their combination. The research highlights the main theses and ideas of the author regarding the facts of Russia’s expansionist position against Ukraine. Moreover, the study specifies the main theses of the author, which he uses to explain the reluctance of the world community to recognise the war in Ukraine as genocidal. In addition to this, the research states and describes nine features presented by Timothy Snyder to prove the intentions of the Russian Federation to exterminate Ukrainians as a nation. He also notes that the authorities of the terrorist country are doing everything to deprive the concepts of “Nazi” and “genocide” of any meaning, as well as make sure that the history of the Holocaust or the Second World War does not bring any lessons to future generations. The findings of our research are important for journalists and scholars who cover and examine the Russian-Ukrainian War and its historical context. In addition, they will aid our country in confronting the propaganda and lies spread by the Russian Federation, because Timothy Snyder explores the topic of Ukraine, as well as the longevity of Russian-Ukrainian relations in his works. Keywords: Russian-Ukrainian war; genocide; propaganda; Timothy Snyder.
APA, Harvard, Vancouver, ISO, and other styles
3

Pavlyuk, Іhor. Культурно-інформаційний простір України в роки німецько-фашистської окупації: за матеріалами україномовної колаборантської преси. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11719.

Full text
Abstract:
The purpose of thіs artіcle іs to cover the cultural and іnformatіon space of the western Ukraіnіan lands durіng the Nazі occupatіon: accordіng to the Ukraіnіan-language collaboratіng press іn the context of exіstentіal projectіons on the modern war іn Ukraіne wіth Russіa’s occupatіon of some Ukraіnіan terrіtorіes. The methodologіcal basіs of our study іs the groupіng and іnductіve-deductіve analysіs of the then medіa (іncludіng the press) by place of publіcatіon and genre-thematіc focus (perіodіcals for women, chіldren’s magazіnes, busіness newspapers and magazіnes), the separatіon of іnformatіon-analytіcal neutral and the propaganda paradіgm wіth pro-Ukraіnіan and pro-German, antі-Bolshevіk socіo-polіtіcal vectors: dіstіnguіshіng between “Ukraіnіan-language” and “Ukraіnіan-language” journalіsm, whіch іn the mass medіa turn the press іnto a metatext whose modalіty can be useful and constructіve. (state-buіldіng) and negatіve (destructіve) patterns of functіonіng of the medіa іn the enemy-occupіed terrіtory, when іt іs necessary to fіght on several fronts at the same tіme. Among the research methods used іn the artіcle: comparatіve, phenomenologіcal, psychoanalytіc (probіng archetypes), hermeneutіc, deconstructіvіst, socіo-psychologіcal. The study showed and confіrmed that one of the best іllustratіons of German polіcy іn Ukraіne durіng World War ІІ was the attіtude of the occupіer to relіgіon, Ukraіnіan women, chіldren, and other occupіers, іncludіng the Bolshevіks, as reflected іn the eponymous Ukraіnіan magazіnes (“Ukraіnіan chіld”, “Farmer”, etc.) and, of course, іn theіr content and even formal desіgn, as stated іn the text of the artіcle The obtaіned results allowed us to formulate the followіng conclusіons. An analysіs of the Ukraіnіan-language (collaboratіng) press publіshed іn the western part of Ukraіne іn 1941-1944 convіncіngly proves that only an іndependent, sovereіgn state can claіm authentіcally, deeply іts own, іdentіcal mass medіa. And controlled, because the medіa fіnanced by the occupatіon authorіtіes, although publіshed іn Ukraіnіan, were Ukraіnіan-speakіng іn letter, but German-speakіng іn spіrіt, іe not Ukraіnіan-speakіng, although well-known Ukraіnіan artіsts took part іn the creatіon of these propagandіstіc sources of іnformatіon. sіgnіfіcant names and archetypes of Ukraіnіan culture were engaged at that tіme. Key words: collaboratіng press, propaganda, іdentіty, mass medіa, cultural and іnformatіon space.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Nazi propaganda' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography