Academic literature on the topic 'Nazis'

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Journal articles on the topic "Nazis"

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Wells, Bronte. "Nightmarish Romanticism: The Third Reich and the Appropriation of Romanticism." Constellations 9, no. 1 (January 11, 2018): 1–10. http://dx.doi.org/10.29173/cons29341.

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Attempting to trace the intellectual history of any political movement is, at best,problematic. Humans construct political movements and the intellectual, philosophical underpinnings of those movements, and, in general, it is not one person who is doing the creating, but rather a multitude of people are involved; the circumstance of how politics is created is a web, which makes it difficult for researchers to trace the historical roots of movements. Nazi Germany has been the focus of numerous research projects to understand the intellectual roots of Nazism and the how and why they were successful in gaining and consolidating power. In line with popular theories in Sociology and History, earlier researchers have traced the intellectual roots of the Nazis in order to situate Nazi Germany as anti-modern, which by extension would situate their crimes against humanityand fascism in the same camp. In particular, Romanticism has been the movement that some historians have cited as a possible root for Nazism. The primary goal of this paper will be to disrupt the historical continuation argument, deconstruct the main parts of each of the camps, and provide support for the appropriation argument. This goal is designed to connect to the much larger debate of the state of anti-modern/modern of Nazism, and aid in showing Nazism as a modern movement. It is through researching and analyzingthe how and why the Nazis appropriated Romanticism that allows academics to study the influences from the past in the development of National Socialism, while accounting for the frame that the Nazis used to read the Romantics and the purpose for the way that Romantic literature was framed within Nazi-Germany.
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Bernhard, Patrick. "Colonial crossovers: Nazi Germany and its entanglements with other empires." Journal of Global History 12, no. 2 (June 8, 2017): 206–27. http://dx.doi.org/10.1017/s1740022817000055.

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Abstract Nazi Germany’s place in the wider world is a controversial topic in historiography. While scholars such as Ian Kershaw argue that Hitler’s dictatorship must be understood as a unique national phenomenon, others analyse Nazism within comparative frameworks. Mark Mazower, for example, argues that the international concept of ‘empire’ is useful for comprehending the German occupation of Europe. Using an approach native to transnational cultural studies, my contribution goes a step further: I analyse how the Nazis themselves positioned their regime in a wider international context, and thus gave meaning to it. My main thesis is that, while the Nazis took a broad look at international colonialism, they differentiated considerably between the various national experiences. French and British empire-building, for instance, did not receive the same attention as Japanese and Italian colonial projects. Based on new archival evidence, I show that the act of referring in particular to the Italian example was crucial for the Nazis. On the one hand, drawing strong parallels between Italian colonialism and the German rule of eastern Europe allowed Hitler to recruit support for his own visions of imperial conquest. On the other hand, Italian colonialism served as a blueprint for the Nazis’ plans for racial segregation. The article thus shows the importance of transnational exchange for understanding ideological dynamics within the Nazi regime.
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Lantink, Frans Willem. "De Hohenzollern in de beklaagdenbank. De verloren zaak van de Pruisische dynastie na 1918." Virtus | Journal of Nobility Studies 30 (December 31, 2023): 182–85. http://dx.doi.org/10.21827/virtus.30.182-185.

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Review of: Stephan Malinowski, Die Hohenzollern und die Nazis. Geschichte einer Kollaboration (Berlin: Propyläen/Ullstein, 2021, 752 pp, ill., reg.); Stephan Malinowski, De adel en de nazi’s. De collaboratie van de Duitse keizerlijke familie, vert. Gerrit Bussink en Izaak Hilhorst, met een voorwoord door Beatrice de Graaf (Amsterdam: Nieuw Amsterdam, 2022, 624 pp., ill. reg.).
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Starbuck, Kathryn. "Nazis." Sewanee Review 121, no. 1 (2013): 136–44. http://dx.doi.org/10.1353/sew.2013.0012.

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Weston, Nathaniel. "Crew, Hitler And The Nazis - A History In Documents." Teaching History: A Journal of Methods 33, no. 1 (April 1, 2008): 49–50. http://dx.doi.org/10.33043/th.33.1.49-50.

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Crew brings his expertise in modern German history to bear on this didactic and considerately arranged text aimed at secondary students, but useful even to introductory college courses in world, European, German, or comparative history. Crew does not immediately begin with the question of "Hitler and the Nazis," but rather by asking "What is a document?" By presenting Hitler and Nazism as "documents," the author successfully introduces a redemptive dimension to the at times horrible events recounted in them.
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Khanova, Irina E. "INTERNATIONAL SCIENTIFIC AND PRACTICAL STUDENT CONFERENCE “MILITARY TRIBUNALS; COMBATING NAZISM AND ITS FOLLOWERS, CRIMES AGAINST PEACE AND HUMANITY” AS AN EXAMPLE OF SCIENTIFIC AND EDUCATIONAL COOPERATION BETWEEN UNIVERSITIES OF RUSSIA, THE REPUBLIC OF BELARUS AND THE KYRGYZ REPUBLIC." RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, no. 4 (2023): 121–33. http://dx.doi.org/10.28995/2686-7648-2023-4-121-133.

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By example of the student international scientific-practical conference the article considers issues of the current state and prospects for the study of university students in the Eurasian space of the crimes of the Nazis and their accomplices against the peaceful population of the USSR during the Great Patriotic War. The author focuses on the Conference “Military Tribunals; Combating Nazism and its followers, Crimes against Peace and Humanity”, held by the Institute of Eurasian and Interregional Studies of the Russian State University for the Humanities on April 22, 2023. The Conference was attended by students of the Russian State University for the Humanities, students of the Belarusian-Russian University (Republic of Belarus) and the K. Karasaev Bishkek State University (Republic of Kyrgyzstan). In their speeches, the participants emphasized not only the history of crimes committed by the Nazis and their accomplices in the occupied territories of the Soviet Union and the issue of prosecution and condemnation, but also the issues of the falsification of the Great Patriotic War history and the rehabilitation of Nazis and collaborators, which are particularly relevant today. In addition, the organizers and participants of the conference discussed the aspects of patriotic education of young people in higher education institutions, integration of events on the Great Patriotic War commemoration into the educational process, and especially multi-format interaction between partner universities in that area.
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Brunssen, Pavel. "Hitler's American Countermodel." German Politics and Society 41, no. 3 (September 1, 2023): 1–21. http://dx.doi.org/10.3167/gps.2023.410301.

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Abstract The fact that the Nazis looked to the United States for inspiration has led some to claim that the US served Nazi thinkers as a “model.” This article argues instead that Nazis looked to America as a countermodel for how not to deal with the “Jewish question.” Through an intertextual analysis of visual and textual primary sources, this article demonstrates how the Nazis used America as a projection screen for developing their vision of empire and “redemptive antisemitism.” The Nazis admired the United States’ racist laws and technological development but despised Americans for ignoring the “Jewish threat.” By showing how the Nazis used the United States as a mirror for developing Nazi ideology, this article reintroduces the category of antisemitic ideology to the Historikerstreit 2.0 debate.
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Brothers, Eric. "Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin." European Judaism 33, no. 2 (September 1, 2000): 45–50. http://dx.doi.org/10.3167/ej.2000.330206.

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The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.
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Leuschner, Wolfgang. "Rock’n’kill. Le pouvoir meurtrier de la «nazi-musik»." Revue de psychothérapie psychanalytique de groupe 24, no. 1 (1995): 185–93. http://dx.doi.org/10.3406/rppg.1995.1289.

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Définis injustement comme marginaux, des groupes de rock nazis, tel «Stökraft», obtiennent une certaine notoriété par leur musique de vociférations et de violence. Ils doivent être reconnus comme dangereux. Avec leurs tirades de persécution et de haine, ils jouent en effet un rôle central lors des sauvages orgies de rock qui visent, dans les ressorts d'une psychologie collective, à briser le tabou du meurtre. Dans une tradition nazie ininterrompue, il se reconstitue une «avant-garde du racisme qui se prépare à agir... et qui agit déjà».
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Kapczynski, J. "Nazi Film Melodrama * Screen Nazis: Cinema, History and Democracy." Screen 56, no. 2 (June 1, 2015): 289–93. http://dx.doi.org/10.1093/screen/hjv026.

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Dissertations / Theses on the topic "Nazis"

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Rubin, Arielle. "Ideology of Euthanasia in Nazi Germany and the Roles of Psychiatry." The University of Arizona, 2018. http://hdl.handle.net/10150/626593.

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Lambert, James K. "REEL NAZIS a propaganda history." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4954/.

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This thesis film is an overview of Nazi Germany, primarily told through the use of their own propaganda images, and structured in such a way as to make the viewer question what they think they know about the past, present, and future. This paper is a discussion of the process that went into making the film and some of the ideas connected to it that could not be brought out in the documentary.
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Ellis, Erin. "The "German" and "Nazi" in Chaplin's The great dictator, Capra's The Nazis strike and Hitchcock's Lifeboat." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1241211595.

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Century, Rachel. "Dictating the Holocaust : female administrators of the Third Reich." Thesis, Royal Holloway, University of London, 2013. http://repository.royalholloway.ac.uk/items/365470eb-d3db-4c3b-91b0-7c590d50e344/1/.

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This thesis investigates the background, activities, and motivations of German women who provided administrative support for Nazi institutions and agencies of the Third Reich. It compares women who specifically chose to serve the Nazi cause in voluntary roles with those who took on such work as a progression of established careers. Using a variety of sources, including post-war testimony in criminal cases, it shows how much they knew about the repressive and genocidal aspects of the regime and evaluates the role that ideology, as against other factors, played in their loyalty to their employers. Secretaries, SS-Helferinnen (SS female auxiliaries) and Nachrichtenhelferinnen des Heeres (female communication auxiliaries of the army) held similar jobs: taking dictation, answering telephones, and sending telegrams. Yet their backgrounds differed markedly. While secretaries were habitually recruited on the basis of their prior experience and competencies, the Helferinnen predominantly volunteered, sometimes motivated by ideology and the opportunity to serve their country, sometimes enticed by the prospect of foreign travel or the lure of the uniform. The thesis sheds light on these women's backgrounds: their social status, education, career patterns. It seeks to explain the situations and motives that propelled them into their positions and explores what they knew about the true nature of their work. These women often had access to information about the administration of genocide and are a relatively untapped resource. Their recollections shed light on the lives and work of their superiors, the mundane tasks that contributed to the displacement, deportation and death of millions of people across Europe, and the extent to which information about these atrocities was communicated and comprehended. Attention is paid to the specific role played by gender amongst perpetrators of the Holocaust. The question of how gender intersected with National Socialism, repression, atrocity and genocide forms the conceptual thread linking the separate chapters on these three groups of women who had varied backgrounds and degrees of initial commitment to Nazi ideology.
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Demleitner, Elisabeth. "Gentlemen und Nazis? nationale Stereotype in deutschen und britischen Printmedien." Doctoral thesis, Würzburg Univ. Würzburg, Lehrstuhl für Dt. Sprachwiss. [u.a.], 2010. http://d-nb.info/1003205844/34.

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Lamquin, Thomas. "Psychanalyse appliquée aux représentations picturales des camps de concentration nazis." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100023/document.

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Ce travail de thèse porte sur la question de l’existence de représentations, sous forme picturale (dessins, peintures…), exécutées par certains sujets pendant leur internement dans les camps de concentration nazis, dans un contexte de traumatisme extrême, considéré comme de l’ordre de l’irreprésentable. A partir d’une étude de cas de trois sujets dessinateurs/trices, et de leur production picturale, abordée selon la méthode de la psychanalyse appliquée au sens d’André Green, une réflexion peut s’amorcer autour de l’hypothèse d’une autoconservation, différenciée, physique et psychique. Afin de la mener à bien sont résumées les représentations historiques après-coup, puis cernées la problématique du traumatisme extrême dans les camps de concentration et la création d’un point de vue psychanalytique avec des auteurs tels que Freud, Férenczi, Winnicott, Roussillon, Green, Bertrand, Zaltzman, Cerf de Duzeele, Waintrater et Cupa. Les résultats amènent à constater l’existence chez ces sujets d’une aire intermédiaire qui leur a permis de conserver une activité représentationnelle particulière. Celle-ci constitue un travail de représentation de la surréalité déréalisante du camp, principalement utilisé dans une autoconservation psychique. Inscrit dans un fil de culture, de filiation et d’historicisation, il participe d’un travail de liaison intrapsychique et intersubjectif ainsi que d’une lutte contre la désintrication pulsionnelle. Des fantasmes omnipotents d’éternité sous-jacents aux dessins vont de pair avec, dans l’activité, une coexcitation libidinale qui ouvre sur la question d’une éventuelle sublimation
This thesis begins with noticing that pictorial representations (e.g. drawings or paintings etc.) in nazi concentration camps have been made by some subjets while imprisonment, in a massive traumatism, usually thinked as a non-representable situation. From a three drawers and drawings study, imcompletely by Andre Green’s applied psychoanalysis method, reflexion can occur with the hypothesis of a dissociated physical and psychic self-preservation in that context. To achieve this goal, historical nazi camps differed representations, massive traumatism and creation, are detailed in a psychoanalytic viewpoint with Freud, Ferenczi, Winnicott, Roussillon, Green, Bertrand, Zaltzman, Cerf de Duzeele, Waintrater and Cupa as main authors. Results show the existence of an intermediate space that enabled these subjets to keep a specific representational activity. It’s mainly a representation work of the camp overreality in a psychic self-preservation way. This work is an internal and external connection work, in a culture and filiation link, that struggles against drive defusion. Eternity and omnipotent fantasy, libidinal coexcitation underly drawings and pictorial activity. They interrogate about a possible sublimation
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Audhuy, Claire. "Le théâtre dans les camps nazis : réalités, enjeux et postérité." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC029.

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Cette thèse de doctorat est le fruit de trois années de recherches sur le théâtre dans les camps nazis. Ce travail traite principalement des camps en Allemagne, tout en y adjoignant trois exceptions : le ghetto de Theresienstadt, le camp de transit de Westerbork, ainsi que le camp d’Auschwitz-Birkenau. Selon la spécificité de chaque camp, les créations furent officielles ou clandestines, servirent à la propagande nazie ou au contraire œuvrèrent à mener une lutte contre le national-socialisme ou pour la survie des prisonniers. Ces différences de conditions permettent de comprendre pourquoi la création artistique a pu être plus prolifique dans certains lieux. C’est dans ces camps que les prisonniers et déportés, hommes et femmes, appartenant ou non au monde du spectacle, choisirent le théâtre pour s’exprimer, depuis le spectacle Cirkus Conzentrazani donné en août 1933 jusqu’au Kazet Théâtre ou à Zebra, deux troupes concentrationnaires donnant des pièces dans les camps dans les jours suivant la Libération, en 1945. Le travail s’appuie sur de très nombreux témoignages (une trentaine d’interviews réalisées expressément pour cette thèse), des archives (une vingtaine de pièces inédites et traduites pour ce doctorat) et des fonds privés (correspondances, manuscrits). Nous souhaitons tenter de dresser le portrait de ces créations théâtrales, qu’elles aient été imaginées, écrites, jouées, qu’elles soient parties en tournées ou non. L’initiative fut parfois si éloignée de nos attentes classiques du théâtre qu’il est délicat de parler de création théâtrale ou même de théâtre tout simplement. Nous nous intéresserons aux réalités, aux enjeux et à la postérité de ces initiatives créées dans un environnement extrême qui remet en question la possibilité d’existence d’un quelconque théâtre mais aussi la survie même de l’homme. Une initiative de l’extrême qui n’aurait pas dû être
This PhD is the result of 3 years of research on theater in the nazi camps. It deals mainly with the plays performed and written in the German camps, and three other camps: the Therensienstadt ghetto, the Westerbork transit camp, and the Auschwitz-Birkenau camp. Depending on the specificity of each camp, the creations were official or clandestine, and either served the nazi propaganda or contributed to the prisoners’ survival and resistance to national-socialism. Those differences in the living conditions enable us to understand why artistic creation was more prolific in some places. In those camps, male and female prisoners and deportees who did or did not belong to the world of show business, chose theater as a means to express themselves as early as August 1933 with the Cirkus Conzentrazani, and also after the war, with the Kazet theater or Zebra, two concentrationary theater troupes which performed plays in the camps during the days that followed the Liberation in 1945.This work explores the information contained in many interviews ( about 30 interviews which were conducted especially for this thesis), archives ( about twenty previously unpublished plays translated for this study), and private funds ( letters, manuscripts). We wish to attempt to draw a portrait of these theatrical creations, whether they were imagined, written, performed in the camps or on tour. The initiative the prisoners took was often so remote from our traditional conception of theater that it is delicate to talk about theatrical creation or even theater. We will focus on what happened, what was at stake and the posterity of these initiatives created in an extreme environment which questions the very possibility of doing theater but also man’s survival. It was an extreme experience which should never have been
Die Vorliegende Doktorarbeit ist das Ergebnis dreijähriger Forschung über das Theater in den Konzentrationslagern des Zweiten Weltkriegs.Dabei geht es hier vor allem um Lager in Deutschland, mit drei Ausnahmen: dem Getto Theresienstadt, dem Durchgangslager Westerbork und dem Lager Auschwitz-Birkenau. Je nach Besonderheit des jeweiligen Lagers fand das künstlerische Schaffen offiziell oder im Verborgenen statt, diente der Nazipropaganda oder trug ganz im Gegenteil zum Kampf gegen den Nationalsozialismus oder zum Überleben der Gefangenen bei. Aufgrund dieser unterschiedlichen Bedingungen versteht man, warum das künstlerische Schaffen an manchen Orten ergiebiger war, an anderen sehr viel sporadischer stattfand. Die Gefangenen und Deportierten, Männer und Frauen, unabhängig davon, ob sie aus der Welt der darstellenden Künste kamen oder nicht, machten in den Lagern Theater, um sich zu äußern, von der Vorstellung 'Cirkus Conzentrazani' im August 1933 an bis zum 'Kazet Theater oder Zebra', zwei KZ-Theatertruppen, die 1945 nach der Befreiung im Lager Stücke aufführten. Die Arbeit stützt sich auf zahlreiche Zeugenaussagen (aus etwa dreißig speziell für diese Doktorarbeit geführten Interviews), auf Archivdokumente (ungefähr 20 unveröffentlichte und für diese Doktorarbeit übersetzte Stücke) und private Bestände (Korrespondenz und Manuskripte). Die vorliegende Arbeit möchte ein Bild von diesen Theaterproduktionen zeichnen, ob sie nur ausgedacht, schriftlich fixiert oder gespielt worden waren oder als solche auf Tournee gingen. Vom satirischen Kabarett bis hin zur ätzend-scharfen Revue über Neuinterpretationen von Klassikern oder autobiographische Stücke haben die in den Lagern schaffenden Künstler in vielen Stilrichtungen gearbeitet. Manchmal war das Unterfangen so weit von unseren klassischen Vorstellungen von Theater entfernt, dass es schwierig ist, von Theaterschaffen oder überhaupt von Theater zu reden. In Verbindung mit Lager hat sich das Theater neu erfunden. Das Hauptaugenmerk dieser Arbeit richtet sich auf die Fakten, Probleme und Nachwirkungen dieser Unternehmungen, die in einem extremen Umfeld entstanden sind, das die Möglichkeit von Theater überhaupt, aber auch das Überleben von Menschen generell in Frage stellt. Unternehmungen in einer unglaublichen Extremsituation. Warum sind Menschen in einem Lager schöpferisch tätig – wie und für wen?
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Steinacher, Gerald. "Nazis auf der Flucht : wie Kriegsverbrecher über Italien nach Übersee entkamen /." Innsbruck : Studienverlag, 2007. http://aleph.unisg.ch/hsgscan/hm00241324.pdf.

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Sabben, Julianne. "The persecution of the Catholic church by the Nazis, 1933-1939 /." Title page, contents and introduction only, 1990. http://web4.library.adelaide.edu.au/theses/09AR/09ars114.pdf.

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Ellis, Erin Jean. "The “German” and “Nazi” In Chaplin’s The Great Dictator, Capra’s The Nazis Strike and Hitchcock’s Lifeboat." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1241211595.

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Books on the topic "Nazis"

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1968-, Uklański Piotr, ed. The Nazis. Zurich: Edition Patrick Frey, 1999.

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1964-, Dudley William, ed. The Nazis. San Diego, Calif: Greenhaven Press, 2002.

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Stahl, Daniel. Hunt for Nazis. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985216.

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Hunt for Nazis is the first comprehensive account of the post-1945 efforts to bring Nazi war criminals who had escaped to South America to justice. The author shows that the Nazi hunt -- which resulted in spectacular cases like the kidnapping of Adolf Eichmann -- should not only be understood as part of the afterlife of the Third Reich, but that it also became an integral aspect of dealing with repression at the hands of authoritarian regimes in South America. Dissidents and human rights activists assumed that the escaped Nazi perpetrators and collaborators continued to be involved in violent crimes in the service of these new dictatorships.
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Kollmann, Raúl. Sombras de Hitler: La vida secreta de las bandas neonazis argentinas. Buenos Aires: Editorial Sudamericana, 2001.

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Zuroff, Efraim. Chasseur de nazis. Neuilly-sur-Seine: Michel Lafon, 2008.

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Grover, Warren. Nazis in Newark. New Brunswick, NJ: Transaction Publishers, 2004.

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Zuroff, Efraim. Chasseur de nazis. Neuilly-sur-Seine: Michel Lafon, 2008.

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Fritzsche, Peter. Germans into Nazis. Cambridge, Mass: Harvard University Press, 1998.

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Serra, Alfredo. Nazis en las sombras: Siete historias secretas. Buenos Aires: Atlántida, 2008.

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Jahnel, Stefan. Mythos Neonazi: Abrechnung eines Aussteigers. Mammendorf: Pro Literatur, 2004.

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Book chapters on the topic "Nazis"

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Koc, Alican. "Neon-Nazis." In Mixing Pop and Politics, 204–14. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429284526-18.

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Gensing, Patrick. "Nazis raus! Nazis rein? Vom Umgang mit Aussteigern." In Strategien der extremen Rechten, 197–209. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-01984-6_10.

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Pettitt, Joanne. "Nazis in Society." In Perpetrators in Holocaust Narratives, 15–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52575-4_2.

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Hardtmann, Gertrud. "Children of Nazis." In International Handbook of Multigenerational Legacies of Trauma, 85–95. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4757-5567-1_5.

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Strick, Simon. "1. Nazis weinen." In X-Texte zu Kultur und Gesellschaft, 172–79. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839454954-009.

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Schaffer, Gordon. "Ousting the nazis." In Russian Zone, 56–69. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003408192-4.

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Topor, Lev. "White Supremacy." In Phishing for Nazis, 38–66. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003320265-3.

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Topor, Lev. "Antisemitism on the Dark Web." In Phishing for Nazis, 95–117. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003320265-5.

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Topor, Lev. "Introduction." In Phishing for Nazis, 1–19. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003320265-1.

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Topor, Lev. "Online Radicalization." In Phishing for Nazis, 118–38. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003320265-6.

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Conference papers on the topic "Nazis"

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Southard, Dylan, Elijah Allan-Blitz, Jordan Halsey, Christina Heller, and Artemis Joukowsky. "Defying the Nazis VR." In 2017 IEEE Virtual Reality (VR). IEEE, 2017. http://dx.doi.org/10.1109/vr.2017.7892365.

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Machado, Caroline, and Fernanda Kuroski. "Carl Schmitt and his legal support relationship with Nazism." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-010.

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This study will address the life and work of Carl Schmitt, highlighting his legal theory, his relationship with the Nazi regime and the impact of his ideas on the process of Nazification of German law. Schmitt was a controversial thinker of the 20th century, whose legal reflection was intertwined with his political ideas and the historical context of his time. His theory of decisionism established a direct correlation between Law and Sovereignty, questioning formal normativism and liberalism. Despite being criticized for his affiliation with the Nazi party in 1933, his legal work is considered profound and coherent, deserving scientific study independent of ideologies. During the Weimar Republic, Schmitt feared the crisis and fragmentation of the German State and defended exceptional powers for the President of the Reich. The rise of the Nazis to power surprised him, but he tried to realize his constitutional theory of the "Total State", which ended up influencing the Nazification of law. The use of general clauses and vague concepts allowed the interpretation of norms in accordance with the Nazi worldview. Schmitt argued that judges should fill out the content of the clauses in accordance with the Führer's vision, aligning the courts' actions with the interests of the German people. Schmitt's relationship with the Nazi regime was ambiguous, oscillating between moments of support and distrust of Hitler. The work highlights the importance of historical contextualization to understand Schmitt's reflections and the impact of his ideas on the application of law during the Nazi period. The research seeks to offer a critical and independent analysis, aiming to deepen the understanding of the thinker and his legacy, which still resonate in contemporary debates on law and politics.
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Rodriguez, Jorge. "From Nazis to Desegregation: Exploring the Complicated History of a California College Town." In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2018958.

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Ковалева, О. В., and А. В. Ткаченко. "DESTRUCTION OF THE KORSUN-SHEVCHENKO GROUP OF THE WEHRMACHT (JANUARY 24 — FEBRUARY 17, 1944)." In Единство фронта и тыла в годы Великой Отечественной войны. Материалы III международной научной конференции 20 мая 2022 года г. Вязьма. Crossref, 2022. http://dx.doi.org/10.54016/svitok.2022.84.88.008.

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В статье рассматривается решающее сражение Великой Отечественной войны: битва за Днепр. Отмечается, что благодаря умелому руководству Красной Армии и героизму советских солдат огромная группировка фашистов перестала существовать. Подчеркивается, что более 55 тысяч немцев было убито и тяжело ранено. Свыше 18 тысяч вражеских солдат и офицеров попало в плен. The article deals with the decisive battle of the Great Patriotic War: the battle for the Dnieper. In which, thanks to the skillful leadership of the Red Army and the heroism of Soviet soldiers, a huge group of Nazis ceased to exist. More than 55,000 Germans were killed and seriously wounded. Over 18 thousand enemy soldiers and officers were captured.
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Тарасенкова, Т. И. "ПРЕСТУПЛЕНИЯ ПРОТИВ ГРАЖДАНСКОГО НАСЕЛЕНИЯ СМОЛЕНСКОЙ ОБЛАСТИ В ГОДЫ ВЕЛИКОЙ ОТЕЧЕСТВЕННОЙ ВОЙНЫ." In Единство фронта и тыла в годы Великой Отечественной войны. Материалы III международной научной конференции 20 мая 2022 года г. Вязьма. Crossref, 2022. http://dx.doi.org/10.54016/svitok.2022.74.85.018.

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В статье рассматриваются документы Государственного архива новейшей истории Смоленской области из фондов Западного штаба партизанского движения и подпольных райкомов ВКП(б), в которых имеется информация о преступлениях нацистов и их пособников против гражданского населения на территории Смоленской области в годы Великой Отечественной войны. The article examines the documents of the State Archive of the Modern History of the Smolensk region from the funds of the Western Headquarters of the Partisan movement and the underground district committees of the CPSU (b), which contain information about the crimes of the Nazis and their accomplices against the civilian population in the Smolensk region during the Great Patriotic War.
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Martynov, Alexey Sergeevich. "Рosition of the orthodox church in Donbass region in terms of the nazis occupation (1941-1943)." In Церковь, государство и общество: исторические, политико-правовые и идеологические аспекты взаимодействия. Межрегиональная общественная организация "Межрегиональная ассоциация теоретиков государства и права", 2020. http://dx.doi.org/10.25839/l9778-5818-9137-q.

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Аксакова, Н. О. "ГУМАНІСТИЧНІ ПІДХОДИ ТА ЕКОЛОГІЗАЦІЯ КУЛЬТУРНО-ІСТОРИЧНОЇ ПАМ'ЯТІ В ПРОЦЕСІ ПІДГОТОВКИ МАЙБУТНІХ ІНЖЕНЕРІВ-ПЕДАГОГІВ НА ПРИКЛАДІ ВИВЧЕННЯ КОНКРЕТНИХ ІСТОРИЧНИХ ФАКТІВ." In Proceedings of the XXV International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25012021/7354.

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The article considers the introduction of a humanistic approach and restoration of cultural and historical memory in the process of training future engineers-teachers to study specific historical examples, namely the Holocaust, which is the cornerstone of the memory of World War II. Awareness of the tragedy of the nation that suffered genocide during World War II is a need to avoid future violations of human rights on racial, religious, ethnic grounds - one of the main tasks of training a specialist of the future. Holocaust remembrance is essential so that our children are never victims, executioners or indifferent observers. The author cites a specific example of a tragic historical legacy, the Holocaust in Bakhmut, when 3,000 Jews were buried alive in cell alabaster at the champagne factory, as an example of the inhuman policies of the Nazis.
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Ludwig, Ryan. "Of Life and Death: The Interior Atmosphere-Environments of the Greenhouse and the Gas Chamber." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.78.

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This paper considers architecture as the creator of interior atmosphere-environments capable of cultivating spaces conducive to maintaining life through the mediation of variable external stimuli, but equally as possible is the articulation of this potential towards the construction of spaces intent on occasioning death. Architecture conceived with this awareness requires a rethinking of parameters, moving beyond the visual modalities of geometry, composition, icon or style, to instead utilize various qualitative materials like temperature, light intensity, relative humidity, air composition, air pressure, auditory and olfactory stimuli. This understanding is what Reyner Banham has called an “environmentalist” approach. These two oppositional potentials of architecture’s capacity as a creator of atmosphere-environments are considered in this paper first through examining a brief history of the development and design of the greenhouse – beginning as temporary wood structures assembled around planted specimens, to the development of permanent structures incorporating heating and ventilating technologies, to the iconic 19th century greenhouses with their greater use of glass and cast iron structure. In juxtaposition to the greenhouse is an examination of the development and design of the gas chamber – first adopted in the U.S. by the state of Nevada in 1921 pursuant of a more humane method of execution, but later advanced by the Nazis during WWII for the mass execution of Jews, minority groups and political prisoners. The radical potential of these two opposing typologies of interior meteorological construction, although each originating from substantially different moments and circumstances of history, both technologically mediate the external environment towards the explicit creation of an interior atmosphere-environment intent on affecting inhabitants – how this potential is utilized as this paper describes is de¬pendent upon those in a place of power capable of enacting such effects on life.
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Hajdinac, Sara. "Religious identity as the state’s tool in modification of public space and its identity: the Yugoslav concept of the two squares in Maribor." In International conference Religious Conversions and Atheization in 20th Century Central and Eastern Europe. Znanstveno-raziskovalno središče Koper, Annales ZRS, 2024. http://dx.doi.org/10.35469/978-961-7195-39-2_05.

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In 1934, after several years of struggle, the Orthodox community of Maribor was awarded a lot to construct a new sacral object on General Maister Square (then Yugoslavia Square) in Maribor, at the site of the recently removed monument dedicated to vice-admiral Wilhelm Tegetthoff. The square boasts a rich symbolic history, wherein the very names of the square have clearly indicated the identity of the city through time. The new government sought to modify public space in accordance with the new state – these spaces had to be given not only a Slovenian but also a Yugoslav outlook. The first modification was changing the square’s name to Yugoslavia Square, after which a Serbian Orthodox church was built in Serbian national architectural style by the architect Momir Korunović (1883–1969), who designed all three Serbian sacral objects in the province of Dravska Banovina (in Maribor, Ljubljana, and Celje). The Church of St. Lasarus was to be ideologically connected to the monument dedicated to King Aleksandar Karađorđević on Liberty Square, which would provide a clear Yugoslav identity to the city district. However, the construction of said monument was disabled by the beginning of the Second World War, while the church was destroyed by the Nazis in April 1941 and thus erased from local collective memory. Maribor was the northernmost city of Dravska Banovina and indeed the Kingdom of Yugoslavia, yet its public space still failed to reflect a “Yugoslav identity” in the 1930s. Local residents primarily identified as Roman Catholic, while the city was politically predominantly ruled by the Slovenian People’s Party which imposed additional difficulties on the process of selecting the new church’s location. This paper will, accounting for the city’s religious and political climate, present Maribor as a place that obtained one of the biggest and most prominently representative Orthodox sacral objects, despite the fact the Orthodox religion was not dominant in the area. The focus will be on the question of the role and reflection of the unitarian-centralist politics of Belgrade through religion (Orthodox faith) on public space modification, what factors and agents design such space (and memory of such space) and in what way, by analysing commissions and art styles within the context of public spaces of Maister Square and Liberty Square in Maribor.
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Gartman, Makar Vitalevich. "Nazism in Germany: From Yesterday to Today." In International Scientific and Practical Conference for Students, chair Mariia Sergeevna Bazhaikina. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530269.

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Reports on the topic "Nazis"

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Kenes, Bulent. NMR: A Nordic neo-Nazi organization with aims of establishing totalitarian rule across Scandinavia. European Center for Populism Studies (ECPS), April 2021. http://dx.doi.org/10.55271/op0008.

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Right-wing extremism and national socialism (Nazism) are not a new phenomenon in Sweden. White supremacists or neo-Nazis have a long history in the country. Nordic Resistance Movement (Nordiska motståndsrörelsen, NMR) rests on this century-long history of Swedish Nazi and Neonazi activism. Including racism, antisemitism, anti-immigration, and anti-globalisation stances with violent tendencies, NMR which aims to overthrow the democratic order in the Nordic region and establish a national socialist state, has become the primary force of white power in Sweden and other Nordic countries.
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Pryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, December 2022. http://dx.doi.org/10.21248/gups.70888.

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The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological terms, it belongs to cultural diplomacy and adds simultaneously to film history and New Cinema History.
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ERAZO CORTÉS, MARÍA ISABEL. “LA MANO QUE MUEVE LA CUNA ES LA MANO QUE MUEVE AL MUNDO”. IberAm, 2021. http://dx.doi.org/10.33881/ibr0003.

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A la filósofa Sophie Scholl (1940) se le atribuye la frase que titula el presente texto. Ella, fue una mujer alemana, que además de filósofa era bióloga, y encarnó una fuerte resistencia al régimen nacional socialista, razón por la cual fue ejecutada por los nazis en 1943. Fue una mujer activa políticamente en un momento y escenario histórico profundamente sensible, interpeló una estructura dominante, reflexionó sobre ella para poder transformar la realidad imperante, así el costo sobre esta lucha, fuese la muerte.
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Miller, Jennifer. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7033.

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Galofré-Vilà, Gregori, Christopher Meissner, Martin McKee, and David Stuckler. Austerity and the Rise of the Nazi party. Cambridge, MA: National Bureau of Economic Research, December 2017. http://dx.doi.org/10.3386/w24106.

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Brinkman, Gregory, Dominique Bain, Grant Buster, Caroline Draxl, Paritosh Das, Jonathan Ho, Eduardo Ibanez, et al. The North American Renewable Integration Study (NARIS): A Canadian Perspective. Office of Scientific and Technical Information (OSTI), June 2021. http://dx.doi.org/10.2172/1804702.

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Brinkman, Gregory, Dominique Bain, Grant Buster, Caroline Draxl, Paritosh Das, Jonathan Ho, Eduardo Ibanez, et al. The North American Renewable Integration Study (NARIS): A U.S. Perspective. Office of Scientific and Technical Information (OSTI), June 2021. http://dx.doi.org/10.2172/1804701.

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Huber, Kilian, Volker Lindenthal, and Fabian Waldinger. Discrimination, Managers, and Firm Performance: Evidence from “Aryanizations” in Nazi Germany. Cambridge, MA: National Bureau of Economic Research, May 2021. http://dx.doi.org/10.3386/w28766.

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Voigtlaender, Nico, and Hans-Joachim Voth. Persecution Perpetuated: The Medieval Origins of Anti-Semitic Violence in Nazi Germany. Cambridge, MA: National Bureau of Economic Research, June 2011. http://dx.doi.org/10.3386/w17113.

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Satyanath, Shanker, Nico Voigtlaender, and Hans-Joachim Voth. Bowling for Fascism: Social Capital and the Rise of the Nazi Party. Cambridge, MA: National Bureau of Economic Research, July 2013. http://dx.doi.org/10.3386/w19201.

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