Dissertations / Theses on the topic 'Ndebele (African people) – Civilization'

In 1969 het Leonard Thompson met reg beweer dat Suid-Afrikaanse historici hulle tot op hede hoofsaaklik besig gehou het met die doen en late van 'n Blanke gemeenskap wat die land sedert 1652 oorheers het. Die Swartman was die "forgotten factor" in die geskiedenis van Suider-Afrika. Waar die Swartman die onderwerp van wetenskaplike studie was, is dit aan argeoloë, linguiste, etnoloë en fisiese en sosiale antropoloë oorgelaat. Tereg het Thompson kort hierna opgemerk: "We need to know much more about the complex process by which African chiefdoms became incorporated in white controlled politics in the late nineteenth century. Only when monographs have been written on several individual cases, shall we be in a position to reach definite conclusions about the process as a whole ". Sedert hierdie uitspraak van Thompson het verskeie historici hulle op die terrein van die "forgotten factor" begewe. Omvangryke publikasies oor onder andere die Zulu, Pedi, Sotho asook die Swazi's het sedertdien die lig gesien, terwyl 'n werk oor die Tswana van Wes-Transvaal pas verskyn het. Hierteenoor het heelwat van die kleiner en minder invloedryke swart groeperinge tot op hede steeds agterweë gebly. Wat Noordoos Transvaal betref - meer spesifiek die gebied tussen die Elandsrivier, die Lebomboberg en die Krokodilrivier wat die Ohrigstadse Volksraad in 1846 van Mswati gekoop het, was daar behalwe die Pedi verskeie ander groepe aanwesig wat almal gedurende die loop van die negentiende eeu onder Blanke gesag gekom het. Hieronder het getel die Ndzundza, die Kopa, Tau, Kwena, Ntwane, Koni, Rôka, Kutswe , Pai en Pulana, waarvan die Ndzundza en Kopa die belangrikste was. Ten spyte van die feit dat daar heelwat argivale bronne oor hierdie groepe bestaan, het geen navorser dit tot op hede nog ontgin nie. Oor die onderwerping van hierdie stamme aan Blanke gesag gedurende die negentiende eeu, is daar weinig bekend. Wat die Ndzundza-geskiedenis betref, geld Thompson se opmerking nog steeds dat historici wetenskaplike studie oor die Swartes tradisioneel aan navorsers uit ander dissiplines oorgelaat het. Dit blyk duidelik uit 'n ontleding van sekondêre materiaal wat oor die Ndzundza bestaan. Verskeie studies van volkekundige aard is oor die verskillende kulturele fasette en pre-koloniale geskiedenis van die Transvaalse Ndebele, waarvan die Ndzundza deel uitmaak, gedoen. In die meeste van hierdie studies word die pre-Blanke geskiedenis van die Ndzundza as inleiding aangebied, terwyl daar in sommige gevalle ook na die historiese tydperk verwys word. Op hierdie wyse is die herkomsgeskiedenis van die Ndzundza met behulp van mondelinge tradisies redelik volledig opgeteken. As gevolg van die feit dat geen argivale bronne geraadpleeg is nie, is die volkekundige werke wat die historiese tydperk betref, deurspek met spekulasies, onjuisthede en valse aannames. Met enkele uitsonderings berus verwysings deur die enkele historici wat die Ndzundza-geskiedenis behandel, veral met betrekking tot die tydperk voor 1882, grootliks op die uitsprake van volkekundiges. Dit het meegebring dat die huidige beeld en feitelikhede omtrent die negentiende eeuse Ndzundza-geskiedenis onjuis is, veral soos dit in algemene geskiedenisse opgeteken staan. Hierteenoor het verskeie historici die Mapoch-oorlog van 1882- 1883, waartydens die Ndzundza hul onafhanklikheid verloor het, behandel. In sy biografie oor genl P. J. Joubert het J. A. Mouton die oorlog tot 'n enkele hoofstuk beperk. Vir Mouton gaan dit egter om Joubert se persoonlike aandeel en gee hy gevolglik nie veel aandag aan die belangrikste aspek van die oorlog, naamlik die oorsake, nie. H. P. van Coller het in 1941 'n MA-verhandeling die lig laat sien waarin die oorsake en verloop van die Mapoch-oorlog beskryf word. Van Coller se uiteensetting omtrent die oorsake van die oorlog is egter ontoereikend aangesien dit heelwat onjuisthede bevat, geweldig subjektief is en nie ontkom aan naïewe aannames en uitsprake nie. Die belangrikste oorsaak van die oorlog, naamlik gronddispute, word deur Van Coller geignoreer. Voorts behandel hy die oorlog as 'n gevolg van die moord op Sekhukhune, sodat die Ndzundza "toevallig" betrek word. Ander historici se verwysings na die oorlog is ook ontoereikend omdat dit in die meeste gevalle beperk bly tot enkele bladsye en paragrawe. Tot op hede is die negentiende eeuse Ndzundza-geskiedenis dus nog of onvolledig, of onjuis opgeteken. Met hierdie studie word gepoog om 'n bydrae in hierdie verband te maak. Omdat die historisiese feite omtrent die verloop van die 1882-1883 oorlog grootliks bekend is, val die klem op die tydperk daarvóór. Voorts moet dit gemeld word dat dit in hierdie studie hoofsaaklik gaan om die faktore wat die verhoudinge tussen die Ndzundza en die Blankes bepaal het, te elimineer. Ander aspekte wat ter sprake kom is onder andere die uitwerking wat die Blanke besetting van Noordoos-Transvaal op die Ndzundza gehad het, gronddispute, arbeidsaangeleenthede, Swazi- en die Pedi-deelname in die Blankes se pogings om die Ndzundza te onderwerp van die asook die uiteindelike vernietiging en verlies onafhanklikheid van die Ndzundza. Die spelwyse van sekere name en benaminge wat in hierdie verhandeling voorkom, het in sommige gevalle probleme opgelewer. Die meerderheid Ndebele name is gespel volgens die voorskrifte van die Suid-Ndebele taalraad. Waar die korrekte moderne spelling van Swartes se name nie vasgestel kon word nie, is dit in aanhalingstekens weergegee soos dit in die dokument voorkom. AIle amptelike benamings soos staatspresident of koloniale sekretaris is in die teks met 'n kleinlettertjie gespel maar in die voetnotas met 'n hoofletter. Die motivering hiervoor is die Afrikaanse gebruik om amptelike benamings binne Westerse staatsverband met 'n hoofletter te spel maar benamings in tradisionele verband soos kaptein, opperhoof of hoofman met 'n kleinlettertjie, wat myns insiens op diskriminasie neerkom. Wat die spel van die woord swart betref: Waar dit as byvoeglike naamwoord gebruik word (bv. swart kindertjies), is deurgaans van kleinletters gebruik gemaak. Hoofletters is gebruik wanneer dit as selfstandige naamwoord gebruik word, bv. Die Swartes. Die terme kaffer en meid is waar moontlik, vermy. Die aangehaalde stukke waarin dit weI voorkom, moet nie as beledigend beskou word nie maar as verteenwoordigend van die terminolgoie van 'n bepaalde tyd in die geskiedenis. Die bedoeling was geensins om enigiemand te na te kom nie. wat ter sprake kom.

Aspects of customary land tenure may survive even where formal rules in a society supersede custom. This thesis is about persisting custom for Maori Freehold land (MFL) in New Zealand, and the Communal Areas (CAs) of Zimbabwe. Three questions are addressed: what unwritten land tenure custom still persists for Ngai Tahu, Shona and Ndebele, what key historical processes and events in New Zealand and Zimbabwe shaped the relationship between people and land into the form it displays today, and how do we explain differences between surviving customary tenure practices in the two countries? The research was based on in-depth interviews. A key difference between the two countries was found to lie in the type and degree of security available over the years to Maori and Shona/Ndebele. Roots of security were found in the substance of the founding treaties and concessions, and thereafter in a variety of other factors including the help (or lack of it) offered by the law in redressing grievances, the level of intermarriage between settler and autochthon, the differing security of land rights offered in urban centres in the respective countries, demographic factors and the availability of state benefits. This research finds that greater security was offered to Maori than to Shona and Ndebele, and that this has reduced the centrality of customary practices with regard to land. The research found that, in Zimbabwe, tenure security in the CAs is still underwritten by communities and that significant investment is still made in both living and dead members of those communities. Another finding is that land custom has adapted dynamically to meet new challenges, such as urban land and CA land sales. In New Zealand, investment in groups that jointly hold rights in MFL has, to some extent been eclipsed by the payment of rates and the availability of services (e.g. state-maintained boundary records and law enforcement mechanisms) and of benefits (e.g. superannuation, disability and unemployment). Land and community are not as closely linked to survival as they were in the past and, for many, they have come to hold largely symbolic value and less practical significance. Overall, it is the pursuit of security and �belonging� that have been the greatest influences on customary land tenure practices in the long term.

The amaNdzundza are a South African abaNtu people. This thesis sets forth to determine the role of their world (in the Heideggerian sense) as it impacts on their Architecture. First the evolutionary process of the amaNdzundza architecture is established. An infinite series of memes (much like genes) that function both on an intra- and inter-cultural level govern this process. Next, the cultural interaction of the amaNdzundza over a period of half a millenium are mapped (and a space-time matrix drawn up: ch.3), as to find the sources of introduction on an intercultural level. Finally, the architecture of the amaNdzundza milieu, both of their settlements and of the cultures with which they shared their environment, is analyzed and a sample of memes identified, which best illustrate the meme-exchange and evolution. This is done in a structure comprising the analysis of selected religious spatial incentives, and some aspects and elements of the settlement, the dwelling and the mural. A summary is given of the memes involved in the amaNdzundza architecture, and their evolutionary dynamics and origins. The researcher thus concludes that, rather than a singular factor such as the patronage of apartheid, the cultural 'memes' in the amaNdebele ya amaNdzundza milieu played the predominant role in the shaping of their existential, spatial and structural dwelling, through a process of 'loci meme' evolution.

In Zimbabwe, translation studies is yet to be recognized as a discipline worthy of study in its own right, hence, not much research has been carried out into the theory and practice of translation. Furthermore, there is no tertiary institution that offers professional translation courses. In light of this information most translations are carried out by untrained/partially trained translators with only a few translators who have gained experience over time. The aim of this study was to investigate strategies used by Ndebele translators in the translation of specialized terms and cultural taboos in selected HIV/AIDS texts, as well as factors that can be used to improve the translation situation of Zimbabwe. Three main theoretical approaches were used in a complementary fashion, namely Descriptive Translation Studies (DTS), Cultural Studies and Corpus-based Translation Studies (CTS). DTS provided the researcher with a theory to understand the Ndebele translations in their wider environment; Cultural Studies provided the researcher with the means by which to understand Ndebele culture and taboos; Corpus-based Translation Studies (CTS) provided the researcher with the methodological tools and analytical techniques to analyse the corpus of texts. An English-Ndebele Parallel Corpus (ENPC) was created using fourteen English source texts and their corresponding Ndebele translations. The ENPC was interrogated by means of ParaConc, a parallel concordancing program. The study found that when translating specialised terms, Ndebele translators used strategies such as a general or neutral word, cultural substitution, paraphrasing and omission. The strategy of omission was misused in most cases because Ndebele translators omitted valuable information which did not reach the target readers. With regards to translation strategies that contributed to term creation, it was found that Ndebele translators relied on external as well as internal resources. The translators used strategies such as pure loan words; pure loan words preceeded by an explanation and indigenised loan words. From the Ndebele language itself, the translators resorted to semantic shift, compounding, coinage and paraphrasing, among others. From the ENPC it is clear that Ndebele translators did manage to transfer the message from English to Ndebele to an extent. However, the ENPC has to be used with caution by other researchers since the translations included in the corpus are full of errors such as misinterpretations of the source texts, mistranslations, incorrect terms and incorrect orthography. This factor points to a dire need to establish translation as an academic discipline and profession in Zimbabwe so as to elevate the quality of translations and offer better translation services to all users.

The thesis presents ethnographic data and musical analysis (in the form of transcriptions) of Haul music which is the music style performed by Bedouin societies in Trab el Bidan region (Mauritania, Western Sahara, northern Mali, southern Algeria and northern Morocco). It is based on field research undertaken in Algeria in 2004-05 in the refugee camps of Tindouf, Algeria, where Saharaui people (a Bedouin society)live in exile. This research is unique and original as Haul has not, until now, been explored in depth by any scholar. My research on Haul reveals that the changes in Saharaui music in the refugee camps of Tindouf reflect changes in the musical traditions of Bedouin societies as whole; changes that can be traced to the revolution which occurred in Western Sahara in 1975, and changes that are a result of the migrations and life in exile that followed. I argue that these changes occurred due to the transnational experiences undergone by Saharaui people in their forced exile (caused by the Moroccan state) from their homeland in Western Sahara to Algeria. Further, I assert that the invocation of memory in Bedouin musical styles is evidence of past musical practices being retained in contemporary Haul performance, although other musical changes are similarly in progress.

This study investigates the role of initiation schools in the identity formation of Southern Ndebele adolescent boys. The subsequent influence of initiation schools on scholastic achievement was also researched. A qualitative research method was used to give a scientific support to the findings made in literature. Interviewing and interview schedules were employed as data-collecting techniques. Interviews were conducted with 10 initiates from the Ndzundza and the Manala initiation schools. The positive outcomes of this research can, however, not be generalised, but rather indicate possible tendencies that initiation schools play a significant role in the identity formation of Southern Ndebele adolescent boys.<br>Psychology of Education<br>M. Ed. (Psychology of Education)

Submitted in fulfilment of the requirements for the Doctor of Philosophy in the Department of Isizulu naMagugu at the University of Zululand, 2006.<br>This study is an attempt at making a classiflcatory scrutiny of the art performed by the Ndebele people of South Africa. It sets out to identify and define Ndebele beadwork by looking very closely to its origin, how it survived the dark days of waging wars and made its way into the modern times. In its classification a clear distinction is drawn between the various periods of development and the characteristics of each period are described well. Several attempts have already been made by a number of scholars on the classification and analyses of Ndebele beadwork. In most analyses we find that very brought and general descriptions have been given. One hardly finds any definite patterns and methods used by a Ndebele bead worker. This study has attempted to describe Ndebele beadwork from the moment of planning to the next step when the first grain of bead is worked through the needle and cotton up to where a real shape is formed. It attempts to explain how the intricate Ndebele shapes are formed and coordinated. The use of the various colours is explained in detail. The wrong impression conceived by a big bulk of people that the Ndebele people use colours indiscriminately is corrected. An explanation is given on how some of the popular colours are linked to speech and how these colours are generally interpreted when used on a piece of beadwork article. It further rounds up the typical shapes popular with the Ndebele bead worker. It describes how each shape is formed and used. It also discusses the cultural beliefs and stereotypes attached to the usage of beads and the restrictions accompanying them. The future of Ndebele beadwork is looked into. Recommendations on how the beadwork trade can be turned into a giant industry are made. Postulatxons are made on what route can be followed that can lead small beadwork handlers into some of the world's greatest.

D.Litt. et Phil.<br>Approaches to folklore/oral forms have evolved from an interest in things (texts are included here) to an interest in process, of which performance studies is a prime example. A performance orientation seeks to restore an activity (or a text as part of an activity) to its proper place - not as an extracted, reified entity, but as discourse created by performers in particular circumstances. These circumstances, or context, are detail-rich and have influences on a text, and, in turn, a text is a detail that influences other aspects of the total performance. These theoretical issues are dealt with in chapter I. Ndebele praise poetry manifests itself in many situations as it forms part of a larger oral culture, as can be seen in many regular and ad hoc Ndebele ceremonies. The extent of the oral culture is illustrated in chapter 2. Gunner and Gwala (1991: 7) have remarked that praise poetry 'has been and still is extremely open to appropriation by those who had or wished to have access to political power and influence'. This was particularly evident in the way praise poetry was performed during 1988 at political campaigns. This year was part of the period of political unrest in Ndebele history which started in 1985 when central government announced that Moutse would be incorporated into the former Kw'aNdebele and that KwaNdebele would become independent on 11 December 1986. At the 6 political meetings, during which the anti-independent royalists campaigned against independence, praise poetry was utilised extensively. This background is dealt with in chapter 3. At these meetings praise poetry functioned not only to amuse the crowd, but to introduce speakers, underscore their legitimacy and to lend authority to what speakers were saying. Needless to say, while some iimbongo were 'context ready', others were recontextualised to have something to say about the issues prevailing at the time. The praises that grew from contemporary circumstances were those of the `ama-radicals', as they were called, namely, the princes, sons of Mabhoko, the Ndzundza-Ndebele chief (Ingwenyama) at that time. The praises of Mabhoko himself were largely those of Mabhoko I, who lived between 1800 and 1865. But although these iimbongo originated at that time, they were highly relevant to the circumstances prevailing at the time so that the process of recontextualisation was quite natural. Contextual issues such as these are described in chapter 4. The value of the performance approach is that, while a text is seen as part of a process, it is also recognised as language on display, language presented for enjoyment and as a display of communicative competence. Bauman and Briggs (1990) refer to this process as entextualisation. Language as display, or artistic language use, is characterised by numerous devices. In the Ndebele praise poems the metaphor can be seen to be the privileged trope, occurring more frequently than any other device. Contemporary Ndebele praise poets operate at a time when orality is being replaced by literacy. Very often praise poets document their own poetry, thus allowing for others to learn these praises through the medium of the written word. How does this affect creativity? These issues are addressed in chapter 5. Jimbongo as instances of 'master creative discourse' are meant to influence listeners and achieve practical ends in a time when there are so many other contending types of discourse and means of communication. The study concludes by briefly considering the role of this oral art form in contemporary Ndebele society.

Submitted in fulfillment of the requirements of the degree of Doctor of Philosophy, Public Management (Peacebuilding), Durban University of Technology, Durban, South Africa, 2016.<br>Despite all the public pretences of projecting a united country, Zimbabwe is a divided country and this has made genuine peace and unity very difficult to attain. The bruised and polarised relationship between the Shona and Ndebele ethnic groups is deeply rooted in the annals of history, which makes it a protracted social conflict. The Gukurahundi campaign between 1982 and 1987 was part of a chain of catastrophic events, which have emanated from a well-established culture of violence and intolerance between Shona and Ndebele. Efforts to address this culture using a top-down approach under the auspices of the 22 December 1987 Unity Accord did little to curb hostilities. Even though these efforts were commendable, they were not sufficient to make any significant inroads into the polarised relationship of mistrust between the two groups. This thesis applied an Action Research design and specifically used the Transcend dialogue method to explore the possibilities of building mutual respect and understanding among a small sample of young Shona and Ndebele participants. The research found that creating intentional platforms for interaction could have a positive transformative effect on relationships. It is not too late to create more spaces and transformational platforms for people to dialogue, to listen to each other, to share stories, and carry out projects together. Engagement using dialogue can create new synergies, which can make a worthwhile difference to the long journey towards (re) building broken bridges and building new bridges.<br>D

The study explored cultural perspectives of the Zimbabwean Ndebele on alternative modes of childbirth. A qualitative generic, exploratory and descriptive design guided the study. The problem is that alternative modes of birthing are not acceptable to the Zimbabwean Ndebele. Women who give birth through alternative modes of birthing, which include caesarean section (CS) instrumental deliveries (ID) and any other unnatural modes are stigmatised. Data were collected from purposively selected samples of women who had given birth through alternative modes of birthing, spouses, mothers-in-law, community elders, sangomas (traditional healers) and traditional birth attendants (TBAs) using individual unstructured in-depth interviews, structured interviews and focus group interviews (FGIs). Data were analysed through use of qualitative content analysis which involved verbatim transcripts. Interpretations of narrations of data and script reviewing were done while simultaneously listening to audio-tapes which were transcribed in the IsiNdebele the language that was used to collect data. Data were then translated into English to accommodate all readers. Accounts of all the informants that were interviewed point to effects of supernatural ancestral powers, infidelity and use of traditional and herbal medicines as cause for “tiedness” (labour complications), a concept that showed a strong thread throughout the study. Study findings illuminated that traditional practices are culture-bound and the desire is to perpetuate the valued culture. Recommendations made from the study are; cultural orientation of local and foreign health workers, cultural consultation and collaboration with sangomas (traditional healers) and particular recognition of the significance of the study as a cultural heritage of the Zimbabwean Ndebele society. Further research on how women and their spouses cope with the grieving process after experiencing the crisis and grief following CS is recommended. With all the recommended areas addressed, Zimbabwean Ndebele would find alternative modes of birthing acceptable.<br>Health Studies<br>D. Lit. et Phil. (Health Studies)

The study examined and explored the psychological significance of shaving hair as a ritual during mourning within the Ndebele culture in Mamelodi, Pretoria. The focus was on rituals performed or conducted during the mourning process that will be useful in an attempt to reach a state of healing and restoration. The study explored what meaning the participants attach to the rituals. Through this exploration; a deeper understanding of the value of rituals was developed. The qualitative research method, particularly Interpretative Phenomenological Analysis was used. Snowball sampling was used to identify participants who had lost their loved and who had gone through mourning for more than six months. In total, ten participants were interviewed for this study. Semi-structured interviews were conducted in the mother tongue of the participants in order to allow them to express themselves in the most ultimate way they know and understand. Thematic content analysis was used to extract themes that were dominant across participants. The study was useful as it could be incorporated into the study of psychology specifically from the African epistemological standpoint. Even though the rituals might be practiced amongst the black African community, there is not much literature that focuses mainly on the specific rituals and their significance. This study could also be useful in terms of exposing this knowledge to persons who might not be exposed to this specific ritual of shaving hair due to cultural differences.<br>Psychology<br>M.A. (Clinical Psychology)

Text has abstracts in English and isiNdebele languages<br>This study focused on the naming and praises of amasokana (initiates) among the South African amaNdebele during and after the initiation process. An explanation is offered as to why amasokana of amaNdebele use Sepedi names instead of isiNdebele names during their transition from boyhood to manhood. Using critical language awareness, this study examined names and praises based on the cultural and traditional poetic forms recited by the amasokana during their homecoming ceremonies when they are introduced to their community by their post-initiation names. This is a case study that made use of interviews and observations as instruments to acquire data about the naming practices and praises of the amasokana of the amaNdebele. The research aims to make a meaningful contribution to the recording and preservation of the indigenous names of amasokana and their praises for posterity and to sustain cultural identity and the quintessential elements of humanity.<br>Irhubhululo leli linqophe ekuthiyweni kwamabizo kanye neembongweni zamasokana wamaNdebele eSewula Afrika ngesikhathi nangemva kwengoma. Isendlalelo siqale khulu ekutheni kubayini amasokana wamaNdebele asebenzisa amabizo weSepedi esikhundleni samabizo wesiNdebele ngesikhathi lokha nakasuka ebusaneni aya ebudodeni. Kilelirhubhululo, kuhlolwe amabizo kanye neembongo ngokuqalisa eendleleni ezibukondlo zangokwesiko kanye nomkhuba wokubonga kwamasokana nakagodukako lokha nakazazisa ngamabizo wabo wobusokana. Ngalokho- ke amabizo wendabuko wamasokana kanye neembongo kufanele kurekhodwe, kubulungwe ukuze kubulungwe ubunjalo besiko kanye neengcenye eziqakathekileko zobuntu.<br>African Languages<br>M.A. (African Languages)

This study attempts to discuss the transmission of oral tradition in religious and domestic contexts among the Indian Tamil Hindu people of South Africa. In chapter one, the focus of this study, as well as some reasons for choosing the Tamil group are discussed. The focus of this essay is to highlight the transmission of oral tradition in communities that have been physically separated from the original homes of those particular communities. Thereafter, in chapter two, examples of surviving domestic rituals are analysed. Life cycle rituals and calendrical rituals that are performed in the home are discussed with examples. Examples of surviving public rituals are considered in chapter three. An account of the rituals that are performed in the temple [either calendrical or of a personal nature] is given. In chapter four Tamil Hindu mythology which has survived in this country is given consideration. Lord Siva, in particular, is discussed to a greater extent. An overview of how some of the tradition has survived concludes this essay.<br>Thesis (M.A.) - University of Natal, Durban. 1993.

This thesis is an exploration of tabooed literary creations that it terms carnival literature. To achieve the objective of establishing the effectiveness of posting material on Facebook walls of the selected group and individual accounts to escape censorship, the thesis compared traditional graffiti, particularly latrinalia, to ‗cyber‘ graffiti (social media) with Facebook as a case study. Lev Vygotsky‘s Activity Theory helped the study link graffiti, vulgarities, humour and Facebook to the Ndebele society‘s response to tabooing of carnival literature. The thesis argued that participating in traditional graffiti production and coming up with posts on a Facebook wall is a deliberate effort with a target audience just as other genres of literature have. However, society tends to condemn carnival literature as a rebellious genre that deserves exclusion from ‗normal‘ interaction. Carnival literature is therefore censored through tabooing its themes and language. The term carnival literature is derived from medieval performances that were named the ‗carnivalesque‘ by Bakhtin and have equivalents in Africa as a continent and in Zimbabwe as a nation. The characteristics of carnivality are found in both traditional graffiti and ‗cyber‘ graffiti. These, among others, include sex and sexuality as themes, obscenities, vulgarities, and all language that is considered offensive. Interestingly, these elements of carnivality evoke laughter of one kind or another. Latrinalia from selected public toilets from the city of Bulawayo was photographed and subjected to Critical Discourse Analysis with attention being paid to carnivality, Bakhtinian dialogism and humour and its impact on the interaction process. Posts on walls of the selected Facebook group and individual accounts were subjected to the same treatment that was given traditional graffiti. The thesis argues that social media can perform a similar function to that of traditional graffiti with added advantages. Social media has created world communities that are brought together by common interests and platforms where they meet and share ideas. The study also established that messages have layers of meaning, making it unreasonable to ban certain messages since they serve a particular purpose. Social media, particularly Facebook, provides pockets of privacy for candid and unfettered interaction that service specific audiences among the Ndebele; hence can function as the escape route for carnival literature from cultural censorship in Zimbabwe.<br>African Languages<br>D. Phil. (African Languages)

Children’s games and game songs are part of the traditional literature that was handed down from generation to generation by a word of mouth. The study focuses on the functions of children’s games and game songs as reflected by the young adults. The research study was conducted amongst the Southern amaNdebele in Gauteng and Mpumalanga provinces. The researcher chose two municipalities in Mpumalanga province, which is Dr JS Moroka and Thembisile Hani. In Gauteng, the research was conducted in the three townships, which are Soshanguve, Mamelodi and Atteridgeville. The researcher used both quantitative and qualitative methods to collect and analyse data. Data was collected by using interviews, questionnaires, observation and other related books and documents. The coding schemes i.e. open coding and axial coding were used to collect and interpret data. Open coding helped the researcher to identify different types of games and game songs performed by children. Axial coding assisted the researcher to regroup games and game songs with similar skills and attributes together for further analysis. Lastly, the axial coding provided the researcher with the broader functions of games and game songs. To achieve the aim of the study the researcher collected children’s games and game songs, identified different types of games and game songs and provided a detailed analysis of their functions. The functions of games and game songs were outlined as follows: physical, social, emotional, psychological, moral, and fun or entertainment, mental development and to while away time. Additionally, the researcher discovered that games and game songs help in the cleaning of the environment. She further established that some games and game songs were carried forward by word of mouth from generation to generation without any changes and that neighbouring languages have influenced some. The researcher asserts that children in schools perform most games and game songs and they learn them from their peers and from the environment in which they grow up. The researcher recommended that some games and game songs could be integrated in the formal programs of teaching and learning. Furthermore, the games and game songs that have been collected should be preserved for future use.<br>African Languages<br>D. Litt. et Phil. (African Languages)

his dissertation examines representations of the Zulu in a variety of discourses. It also examines the role of black nationalisms in the construction of Zuluist discourse. The production of images of the Zulu began with the first Anglo-Zulu encounter in the nineteenth century. In 1879, the Anglo-Zulu War set a trend for image-making which was developed further in the twentieth century. The appearance of The Washing of the Spears and Zulu, initiated a chapter in the study of the Zulu which gave rise to publications that created startling mages of the Zulu. Despite the publication of the James Stuart Archive, as well as serious studies of the Zulu, authors continued to use the same popular interpretations of the Zulu. During the early twentieth century, the 'native question' dominated South African politics, while in the 1990s, political protest, conceptualised as aggressive marches by 'warriors' and tourism have been the major representations.<br>History<br>M.A. (History)

The study of the Church of Christ’s ‘Identity- and Mission-Continuity’ in the Zimbabwean context explores how the Christian faith should be interpreted and contextualised in Africa. The Church of Christ in Zimbabe (COCZ) is a Christian movement claiming to be representative of the ethos of the Church that was founded by Jesus Christ on the day of Pentcost. The thesis raises critical questions of Christian identity and transformation in missionary founded churches like the COCZ in an attempt to contribute towards a locally based study of the Church. Consciousness to being a Church founded by Jesus Christ has implications for Christian unity (oneness) and ecumenism in the COCZ, and its wider Christian networks1. Use of its theological tenets, which are indeed congruent with its projected identity, to explore its history when it came to Zimbabwe in relationship to its founding charism helped because of scarcity of literature on the history of Christian denominations in Zimbabwe. This thesis has followed four objectives that are related to the four stages of experiences by the Church Jesus Christ founded, namely, the (1) early Church, (2) reformation evangelism, (3) missionary enterprise and, (4) contemporary (African) expressions of the faith. This study has investigated the origin and reasons for the formation of the Church in the midst of others; and why its missionaries chose Zimbabwe where there were other denominations. Local experiences of the Church after the departure of white missionaries motivated this study with questions on how the process of inculturating the gospel in the COCZ raised, especially the tension between continuity and discontinuity, linking and delinking, similarity and dissimilarity as well as diversity and diference. Creative synthesis on what Jesus intended; what missionaries brought; and what the God of history is doing in the contemporary life and efforts of the Church were implied and/or explicated. Using a two-pronged approach to the study, the thesis has, first, unearthed (primary) documents like minutes from church board meetings by Europeans (with misionary thinking that developed from these origins), to contextual (secondary) documents (on how local theologians in the context have engaged the different Christian doctrines in the Zimbabwean context). Secondly, an empirical method was used to interview and distribute questionnaires to a number of individuals, inclusive of those who were in the COCZ leadership and ordinary members. Data collection tools were semi-structured, giving respondents freedom to express themselves and/or their views on what the COCZ was doing and what they believe must be done. Data from interviews and questionnaires were correlated with views expressed in the written sources. The data was interpreted heuristically, in order to give light to new knowledge that was being formed in the process. As an interpretive tool, hermeneutics (the phenomenological approach using Atlas.ti 8 (SPSS, Nvivo 8) - for verbatim transcription) was made key in looking into the context, culture and religion of the COCZ. The thesis attempted to create a dialogue by relating identity, communal ontology and epistemology to the empirical study findings, literature and the methodology. Ecology and gender were some of the indispensable aspects of theology, crucial for human survival, harmony and peace that were discussed because they were neglected in the COCZ. The thesis also revisted differences and similitudes found in the gospel in relationship to the intended and unintended 1 Unity and oneness expressed in John 17 [“Et Unum Sint” – That they may be one], emphasise the sociality of the Godhood through the doctrine of perichoresis, which is unity of the Godhead in the economy (our) of salvation. xiii cultural contributions of the Ndebele and Shona so far, with the purpose of repositioning the COCZ within its own transformative framework. This helps the Church with a strategy of how to model its theology in an African context and how to learn from its past with the view to transform itself for the 21st century Zimbabwe. The study is not exhaustive on the nature, history and mission of the COCZ, and many avenues like hermeneutics, church polity, public theology, conflict studies and church doctrine can be carried out using the COCZ as a case study. In all, the study has laid a foundation for the contextualization, evangelization, inculturation and incarnation of the gospel of Jesus Christ through the COCZ in a postmodernist society.<br>Philosophy, Practical and Systematic Theology

The study sought to investigate how the symbiotic relationship between amaXhosa and amaNdebele impacted on IsiXhosa language and amaXhosa culture in Mbembesi area in Zimbabwe. The study was conducted where two ethnic groups of amaXhosa and amaNdebele coexist. Language policies in the past have disadvantaged amaXhosa by treating the language as a minority language which led to its marginalisation at school and in public life. Dynamic Social Impact Theory was used to explain the concept of the evolution of language. Language contact, language change, and bilingualism are the main terms that were discussed in relation to what happened to the two languages of study. The case study was descriptive in nature. The participants were purposefully selected according to what the researcher desired to achieve. The data were collected through interviews with heads of schools in Mbembesi, teachers, elders and youths of the community. Document analysis was also employed when the Indigenous Languages syllabus and teachers’ schemes were observed. The pupils were given a topic on which to write a short composition in IsiXhosa and IsiNdebele to ascertain if indeed IsiNdebele had impacted on IsiXhosa. A comparison between IsiXhosa of Mbembesi and that of South Africa was made as a way of verifying if there has been a change from the original IsiXhosa that is spoken in South Africa. The two ethnic groups’ cultural activities were also studied as a way of investigating the level of impact in their way of life. After administering the research instruments, the findings revealed that there is a level of impact on IsiXhosa language and amaXhosa culture through their contact with amaNdebele. The terminology in the two languages has overlapped as well as their cultural lives. The Zimbabwean 2013 Constitution has tried to raise the status of IsiXhosa by making it officially recognised but it seems to be still functioning at community level as before. IsiXhosa is still not learned at school although it was introduced in 2013 in the two pilot schools but which discontinued in 2016 reverting to IsiNdebele citing lack of teaching and learning materials. The recommendations from the study include: that the teachers should be trained in IsiXhosa at institutions of higher learning; that amaXhosa educated personnel should spear-head the writing of teaching and learning materials and that the language should be used in public life so that its speakers maintain their identity.<br>Linguistics and Modern Languages<br>Ph. D. (Languages, Linguistics and Literature)