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Journal articles on the topic 'Ndongo-Bidyogo'

Author: Grafiati
Published: 12 October 2024
Last updated: 31 July 2025

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1

Celaya, Beatriz. "De victorias o derrotas: El metro, de Donato Ndongo-Bidyogo." Romance Quarterly 57, no. 2 (2010): 142–57. http://dx.doi.org/10.1080/08831150903504745.

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2

Koné, Ténon. "EL BARCO COMO CRONOTOPO EN EL METRO DE DONATO NDONGO-BIDYOGO." Perífrasis. Revista de Literatura, Teoría y Crítica 6, no. 11 (2015): 37–51. http://dx.doi.org/10.25025/perifrasis201561103.

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3

DÍAZ-SZMIDT, RENATA. "ZRANIONA PAMIĘĆ I HISTORYCZNA TRAUMA W LITERATURZE GWINEI RÓWNIKOWEJ. TWÓRCZOŚĆ DONATA NDONGO BIDYOGI." AFRYKA 50, no. 50 (2020): 81–98. http://dx.doi.org/10.32690/afr50.4.

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Wounded Memory and Historical Trauma in the Literature of Equatorial Guinea. Donato Ndongo Bidyogo’s Works The article, based on the example of Donato Ndongo Bidyogo’s works, presents two aspects of Equatorial Guinean literature, namely memory and trauma. They are crucial for the understanding of this still young literature, written in Spanish. The consideration of selected issues developed by contemporary Equatoguinean writers gives the country’s literature a specifi c character. A refl ection on the dramatic past and the diffi cult present is its recurring motif. The article is divided into
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4

Arbeláez, Olga. "GEOGRAFÍAS IMPOSIBLES: HOGAR Y NACIÓN EN LAS NOVELAS DE DONATO NDONGO-BIDYOGO." Revista Iberoamericana, no. 248-9 (December 9, 2014): 1041–56. http://dx.doi.org/10.5195/reviberoamer.2014.7216.

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5

Phaf-Rheinberger, Ineke. "DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017." Nueva revista del Pacífico, no. 70 (June 2019): 164–66. http://dx.doi.org/10.4067/s0719-51762019000100164.

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6

Rizo, Elisa. "Una conversación entre guineoecuatorianos: Donato Ndongo Bidyogo y Juan Tomás Ávila Laurel." Journal of Spanish Cultural Studies 7, no. 3 (2006): 259–70. http://dx.doi.org/10.1080/14636200601084063.

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7

Hyoyoung Park. "The Dictatorship of Equatorial Guinea and the Postcolonial Writing of Donato Ndongo Bidyogo." Journal of Mediterranean Area Studies 18, no. 2 (2016): 63–83. http://dx.doi.org/10.18218/jmas.2016.18.2.63.

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8

Borst, Julia. "(Im)mobilities and migration in the work of César Mba Abogo and Donato Ndongo-Bidyogo." Tydskrif vir Letterkunde 56, no. 1 (2019): 113–26. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i1.6277.

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Many literary texts written by authors of African origin in the Spanish language engage with the experience of migration and of living in a European society that marginalizes and homogenizes migrants as the ‘African Other.’ Rather than reproduce stereotypical images of African migrants, these texts challenge a biased debate on migration to Europe, offering an alternative vision of a complex phenomenon. In these texts, migrants are individuals whose mobility is restricted because they are subjected to processes of Othering, which confine them to the margins of Spanish society, raising issues of
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9

Clarence Mengue. "Lectura del espacio en Los poderes de la tempestad de Donato Ndongo Bidyogo." Arizona Journal of Hispanic Cultural Studies 8, no. 1 (2004): 185–95. http://dx.doi.org/10.1353/hcs.2011.0349.

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10

Otabela Mewolo, Joseph-Désiré. "La figura del dictador: Macías Nguema y Rafael Trujillo en Los poderes de la tempestad de Donato Ndongo Bidyogo y en La fiesta del chivo de Mario Vargas Llosa." Connotas. Revista de crítica y teoría literarias, no. 02 (June 1, 2004): 27–46. http://dx.doi.org/10.36798/critlit.v0i02.271.

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El artículo se propone estudiar la figura del dictador en dos novelas relativamente recientes comparando el tratamiento del tema en un autor y un contexto histórico latinoamericanos (el tirano dominicano Rafael Leónidas Trujillo en La fiesta del Chivo de Mario Vargas Llosa) y en un representante de la joven y poco conocida literatura hispanófona de la Guinea Ecuatorial (el retrato de Macías Nguema Biyogo Ñegue Ndong en Los poderes de la tempestad de Donato Ndongo Bidyogo). Se presta particular atención a tres aspectos del dictador: a) el culto a la personalidad que va hasta la divinización, b)
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11

Díaz-Szmidt, Renata. "O lugar do silêncio nas literaturas africanas. O não-dizível como o esquecimento pós-traumático nos textos de Angola e da Guinée Equatorial." Studia Romanica Posnaniensia 50, no. 2 (2023): 3–15. http://dx.doi.org/10.14746/strop.2023.50.2.1.

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The article analyses the space of literary silence as a specific, metaphorical and intelectual space, an idea derived from Pierre Nora’s concept of “space of memory” (1984). In the context of sociocriticism and geopoetics reflexions, we analyse the silence in the literature of Angola and Equatorial Guinea searching the difference between the unspoken due to political and ideological reasons, prohibitions or taboos and the unspoken related to the impossibility to speak about the traumatic experiences suffered by African colective and cultural subject (Edmond Cros). We focus on the unspoken as p
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12

Panford, Moses E. "Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo, by Joseph-Désiré Otabela and Sosthène Onomo-Abena." Research in African Literatures 40, no. 4 (2009): 195–96. http://dx.doi.org/10.2979/ral.2009.40.4.195.

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13

King, Stewart. "Donato Ndongo-Bidyogo y Mbaré Ngom,Literatura de Guinea Ecuatorial (Antologéa), Madrid: Casa de África, 2000. 473 pp." Journal of Iberian and Latin American Research 7, no. 1 (2001): 173–76. http://dx.doi.org/10.1080/13260219.2001.10429611.

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14

Otabel Mewolo, Joseph-Désiré. "Literatura de Guinea Ecuatorial : sujeto cultural y dictadura : el personaje del abogado en "Los poderes de la tempestad" de Donato Ndongo Bidyogo." Epos : Revista de filología, no. 19 (September 5, 2013): 119. http://dx.doi.org/10.5944/epos.19.2003.10398.

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15

Kone, Ténon. "El migrante negroafricano ante el mito de los grandes relatos en El metro de Donato Ndongo y Nativas de Vi-Makomè / The Black African migrant faced with the myth of the great stories in Donato Ndongo’s The Metro and Nativas by Vi-Makomè." Pacha. Revista de Estudios Contemporáneos del Sur Global 1, no. 2 (2020): 97–107. http://dx.doi.org/10.46652/pacha.v1i2.25.

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Las migraciones hoy en día se han convertido en un gran desafío de la vida política, social e imaginaria del Tout-Monde. Por lo mismo, hay una innegable acentuación de las migraciones intraafricanas, transafricanas y transcontinentales. A las migraciones Sur-Sur, se añaden las migraciones hacia Europa que siguen captando más la atención de los medios de comunicación. Si la migración masiva está bien difundida en el mundo, despierta recuerdos dolorosos en el caso particular del migrante negro africano postcolonial. El objetivo general que se pretende aquí es poner en tensión, a través de las do
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16

Bituga Nchma, Pedro Beyeme. "La narrativa del exilio en la literatura ecuatoguineana: un análisis desde la novela Los poderes de la tempestad (1997) de Donato Ndongo-Bidyogo." Lingüística y Literatura 46, no. 88 (2025). https://doi.org/10.17533/udea.lyl.n88a06.

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El presente artículo se centra en el estudio de la narrativa del exilio en la literatura ecuatoguineana, tomando como referencia la obra Los poderes de la tempestad de Donato Ndongo-Bidyogo. En esta novela el autor pone de manifiesto los avatares ocurridos en Guinea Ecuatorial después de su independencia el 12 de octubre de 1968. Se recoge con realismo y por medio de la narración, el exilio al que tuvieron que enfrentarse varios escritores para no ser detenidos por el régimen dictatorial de este período que había iniciado una caza de intelectuales, convirtiendo a cualquier escritor en enemigo
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17

Hendel, Mischa G. "Donato Ndongo-Bidyogo. Escritor, historiador y periodista de Guinea Ecuatorial (Murcia, España)." Iberoromania 73-74, no. 1 (2012). http://dx.doi.org/10.1515/ibero-2011-0001.

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18

Phaf-Rheinberger, Ineke. "‘Barco’ y ‘modernidad’ en las rutas transatlánticas – Donato Ndongo-Bidyogo y José Eduardo Agualusa." Iberoromania 73-74, no. 1 (2012). http://dx.doi.org/10.1515/ibero-2011-0004.

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19

KONE, Ténon. "De la inversión de los roles tradicionales o el declive de un mito familiar africano en Las tinieblas de tu memoria Negra de Donato Ndongo-Bidyogo." Dialogos 39 (November 29, 2022). http://dx.doi.org/10.24818/dlg/2022/39/02.

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This article analyzes, from the novel (colonial) Las tinieblas de tu memoria negra by Donato Ndongo-Bidyogo, the reversal of traditional roles or the decline of an African family myth from a postcolonial perspective. The novel is about an innominate child who is forced to become one of the best defenders of vernacular customs of his people to the detriment of the Judeo-Christian religion chosen by his father. The central problem of the work to study is the difficult attempt to preserve the African tradition in a world that has changed after the arrival of the Spanish colonizers in Equatorial G
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20

Crocoll, Natacha. "La crisis identitaria en las técnicas narrativas de Los poderes de la tempestad de Donato Ndongo-Bidyogo." Journal of the African Literature Association, September 12, 2024, 1–16. http://dx.doi.org/10.1080/21674736.2024.2384251.

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21

Mester, Anna. "Remnants of carcerality and fascism in contemporary literature from Equatorial Guinea." Punishment & Society, October 30, 2022, 146247452211303. http://dx.doi.org/10.1177/14624745221130367.

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From 1939 to 1968, the Spanish territory in the Gulf of Guinea suffered from a double, imperial and fascist oppression under the Franco regime. While colonialism officially ended in 1968, the promise of independence perished as newly elected Francisco Macías Nguema —inspired by Francoism—became increasingly violent and repressive of political dissent. Colonial Black Beach prison became the site for incarceration, torture, and executions as Macías ruthlessly retaliated against political dissent. I analyze two contemporary novels, Poderes de la tempested (2004) by Donato Ndongo Bidyogo and Autor
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22

"L’émancipation et le développement de l’Afrique en question dans l’oeuvre littéraire de la diaspora africaine: le cas de El metro de Donato Ndongo-Bidyogo." Intercambio/Échange, 2016. http://dx.doi.org/10.21001/ie.2016.1.08.

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23

Chiodaroli, Sara. "Metrópolis y espacios urbanos en los textos de la ‘literatura de la inmigración’ en España. El metro de Donato Ndongo-Bidyogo, Calella sen saída de Víctor Ombgá y Ciudad sonámbula de Lilián Pallares." Iberoromania 73-74, no. 1 (2012). http://dx.doi.org/10.1515/ibero-2011-0013.

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