Relevant bibliographies by topics / Needlework

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Needlework'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Needlework"

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Oakes, Elizabeth. "Needlework." Women's Studies 29, no. 5 (January 2000): 681–82. http://dx.doi.org/10.1080/00497878.2000.9979338.

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Frankel, Felice. "Needlework." American Scientist 94, no. 1 (2006): 66. http://dx.doi.org/10.1511/2006.57.3477.

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Frankel, Felice. "Needlework." American Scientist 94, no. 1 (2006): 66. http://dx.doi.org/10.1511/2006.57.66.

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Chin, Elizabeth. "Needlework." Feminist Anthropology 1, no. 1 (April 9, 2020): 7–13. http://dx.doi.org/10.1002/fea2.12009.

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Liu, He. "Study on the Artistic Features of Folk Needlework." Advanced Materials Research 796 (September 2013): 523–26. http://dx.doi.org/10.4028/www.scientific.net/amr.796.523.

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The needlework is the exclusive arts of women in folk, It is the great manual skill, shown unique artistic features, The needlework has been included in the non-material cultural heritage. Beginning of the article is the overview of folk needlework,Used the method of Compare to analysis, Discussion on the artistic features of the distinct from the other arts ,study on the Constitute forms of needlework patterns, Special Technology, Color features and Cultural characteristics,The Needlework with its unique language, form a unique artistic style. On this basis, thinking on the needlework of the feasibility of inheritance and protection.in the current situation.
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Fountain, Daniel. "Queering Needlework?" Art History 45, no. 1 (February 2022): 204–7. http://dx.doi.org/10.1111/1467-8365.12625.

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Huanhuan, Lv, and Wang Lili. "The Inheritance and Development of Traditional Chinese Needlework under the "the Belt and Road Initiative"." Communications in Humanities Research 22, no. 1 (December 7, 2023): 150–55. http://dx.doi.org/10.54254/2753-7064/22/20231662.

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As an important part of the intangible cultural heritage, traditional Chinese women's needlework is facing the challenge of inheritance and development. The cultural connotations embodied in Chinese women's needlework art are concentrated in three aspects: the natural view of the unity of man and nature, the primitive folk view, and the artistic view of auspiciousness. It still has high social and cultural value in contemporary society. Therefore, in response to the impact of large-scale mechanized production, women's needlework culture urgently needs to innovate and develop through new designs, new techniques, new media, new ideas, and new models. At the same time, under the background of the "Belt and Road" construction, Chinese women's needlework, as a characteristic cultural business card, plays a role in international exchange and cooperation, cultural output, and China's image building. Providing constructive suggestions for its development and inheritance is conducive to promoting Chinese women's needlework to compose a new chapter of the Silk Road in the contemporary international arena.
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Foley, Katrina. "Sewing and needlework." Practical Pre-School 2000, no. 23 (September 2000): 31–32. http://dx.doi.org/10.12968/prps.2000.1.23.40955.

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Rusnock, K. Andrea. "All the Folk Art News Fit to Print." Experiment 25, no. 1 (September 30, 2019): 244–57. http://dx.doi.org/10.1163/2211730x-12341341.

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Abstract Neo-nationalism was concerned with a new aesthetic, not just in the fine arts but also in the crafts, particularly needlework. One way that this aesthetic was disseminated for needle art was through publications—magazines, pattern books, how-to-manuals, guides for schools, and the like. Publications on needlework were produced throughout the nineteenth century, and their output increased toward the end of the 1800s, with many portraying peasant imagery and patterns associated with this new style of Neo-nationalism. This article explores how needlework publications propagated Neo-nationalist art to a broad audience and the key role they played in shaping the cultural milieu of the Russian late Imperial period.
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Kamali, Fattaneh Jalal, and Batool Hassani Sa'di. "Role of Iranian Traditional Needlework in People's Social and Family Life: A Study of Pateh Embroidery in Kerman." Modern Applied Science 11, no. 1 (December 15, 2016): 253. http://dx.doi.org/10.5539/mas.v11n1p253.

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The aim of this study is to investigate the role of Iranian traditional needlework in people's family and social life with an emphasis on the art of Pateh embroidery. In this article, the history of textile industry, the history of clothes, different sewing styles and how they have been influenced by each other, are studied. According to the "History of Iranian Textile Industry", a book written by Mehdi Beheshtipour, textile industry in Iran dates back to 7000 years ago.Tabari book of history states that this industry goes back to 4000 years ago. Excavations in Shoosh show that burlap weaving, silk weaving and embroidery were forms of art at the time of JamsheedPishdadi. Herodotus says that Xerxes wore embroidered clothes. Marco Polo refers to the art of Kerman's Pateh embroidery in his travelogue. Qajar era is called the renaissance of Iranian needlework. Different styles of needlework have been investigated in previous practical studies with reference to the regionswhere they are common and how they are used. Pateh embroidery is considered as a traditional art in Kerman. This form of needlework has been paid attention to since 1906 from economic, social and cultural perspectives and studied as a profession that can meet people's financial and aesthetic needs.
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Dissertations / Theses on the topic "Needlework"

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Teglund, Carl-Mikael. "Needlework education and the consumer society." Thesis, Uppsala universitet, Ekonomisk-historiska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-213378.

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The principal purpose of this essay is to research how the development of needlework education interacts and interconnects with consumption patterns. Iceland has been used as a case for this study but any country would be applicable. The point of departure is the assumption that when a society develops more and more into being a consumer society, the needlework education also will change – in drastic forms. And that tracing a development towards consumerism can be traced in the curricula regarding this specific subject. People’s changing attitude towards spending, wasting, and an extravagant living is an important feature which explains the shift between non-consumer societies to a consumer society. Society’s outlook on these features is best reflected by that policy the institutions society uses to form its citizens’ desirable (consumer) behavior. In understanding the development from a non-consumerist society to a consumer society the study on the Icelandic syllabi for needlework and textile education plays a prominent part. A presentation on Gross Domestic Product (GDP) for the period of time in question has also been used in order to see the general increase of the standard of living and rise of consumerism in Iceland. Also numbers on trade and unemployment have been enclosed in order to give a more telling picture of the development and the results. The spatial imprint of the development of the Icelandic educational system and the development of syllabi for the textile handicraft subject show that an established consumer society firstly can be found in Iceland somewhere between 1960 and 1977, thus slightly ensuing the most immediate period after the World War II. A society that educates its young ones to darn, mend, and knit with the explicit motive to help deprived homes and states that this is a necessary virtue for future housewives cannot rightly be called a consumer society. It is also worth mentioning that the subject was after this breakthrough also available for boys. Furthermore, this seems to coincide with the so called “haftatímanum”, the restriction era, which lasted from 1930 to 1960. During this time the Icelandic government controlled the market having an especially harsh policy on the import of consumer goods, with product rationing as a result. Both of these two matters - the syllabi for the textile handicraft subject and the haftatímanum - had an anaesthetized impact on the development of the Icelandic consumer society.
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Robinson, Elizabeth. "Women and needlework in Britain, 1920-1970." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/47fc4d88-eea0-e510-6d8f-0bfcc950f7cc/7/.

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This thesis addresses needlework between 1920 and 1970 as a window into women's broader experiences, and also asserts it as a valid topic of historical analysis in its own right. Needlecraft was a ubiquitous part of women's lives which has until recently been largely neglected by historians. The growing historiography of needlework has relied heavily on fashion and design history perspectives, focusing on the products of needlework and examples of creative needlewomen. Moving beyond this model, this thesis establishes the importance of process as well as product in studying needlework, revealing the meanings women found in, attached to, and created through the ephemeral moment of making. Searching for the ordinary and typical, it eschews previous preoccupations with creation, affirming re-creation and recreation as more central to amateur needlework. Drawing upon diverse sources including oral history research, objects, Mass Observation archives, and specialist needlework magazines, this thesis examines five key aspects of women's engagement with needlework: definitions of ‘leisure' and ‘work'; motivations of thrift in peacetime and war; emotions; the modern and the traditional and finally, the gendering of needlework. It explores needlework through three central themes of identity, obligation and pleasure. Whilst asserting the validity and importance of needlework as a subject of research in its own right, it also contributes to larger debates within women's history. It sheds light on the chronology and significance of domestic thrift, the meanings of feminised activities, the emotional context of home front life, women's engagement with modern design and concepts of ‘leisure' and ‘work' within women's history.
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Long, Bridget. "Anonymous needlework : uncovering British patchwork, 1680-1820." Thesis, University of Hertfordshire, 2014. http://hdl.handle.net/2299/15367.

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During the eighteen century there was a significant growth in patchwork materially and linguistically. It was the century when patchwork was stitched at all levels of society and has been identified as the time when patchwork moved out from the small domestic world of decorative sewing into the wider public sphere, leaving behind other needlework as it became embedded in the language and writing of the period. This research examines the social and cultural contexts relating to the making of patchwork in the long eighteenth century and in doing so contributes to the story of women and their material lives in the period. Noted for its longevity, surviving as a widespread practice across the century, patchwork was a democratic needlework that was practiced by any woman capable of stitching a variety of fabric pieces together to make a larger whole. A widespread understanding of the term and familiarity with the practice enabled it to be employed successfully in the literal and figurative language of the period. Patchwork was heralded as a fashionable activity in the early eighteenth century, but was later used to represent the ideal of the moral and capable housewife, devoted to her sewing skills and thrifty in her practice. The figurative style of the period allowed the simultaneous use of the word in differing ways so that patchwork was used both positively and negatively in literature, drama, critical review, political debate and theoretical discourse.
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Johnson, Joyce Starr. "Motivational factors among contemporary female needlework producers /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9998489.

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Taylor, Avril. "Needlework : the career of the female intravenous drug user." Thesis, University of Glasgow, 1991. http://theses.gla.ac.uk/2116/.

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This thesis provides an account of the lives and experiences of a group of female intravenous drug users in Glasgow. Based on fifteen months' participant observation of the women in their own setting and in-depth interviews carried out at the end of this period, it is the first full ethnographic account of the lifestyle of female drug users. It charts their entry into drugs, the various ways in which they provide for their drug use, their relationships with friends, partners, family members and children as well as attitudes towards professionals such as Social Workers with whom they come into contact by virtue of their status as drug using mothers. Finally, the efforts the women make to give up their use of drugs are examined along with the reasons which make these endeavours difficult. The evidence suggests that, ironically, the lifestyle which evolves around their use of drugs offers an arena in which the women are able to find a degree of independence and purpose otherwise lacking in their lives and which makes their drug using lifestyle attractive even when disadvantages become apparent.
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Cesare, Carla. "Sewing the self : needlework, femininity and domesticity in interwar Britain." Thesis, Northumbria University, 2012. http://nrl.northumbria.ac.uk/14736/.

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This thesis looks at design practice as a method of investigating the relationship between design and identity in interwar Britain; in particular it considers design from the perspective of practice, not solely as the final object or the story of the maker. For it is in the process of making that the varied aspects of design as it is practiced are configured to create the greatest impact on everyday life. This research proposes that the quest to construct one’s identity, in particular a feminine identity, can be demonstrated by the making of goods and objects through the traditionally feminine practice of sewing and needlework, specifically those made at home. It argues that home sewing, as an understudied everyday practice, was intrinsically bound up with ideas of who women were, how they imagined themselves, and how their feminine identities were represented. Between the wars, home-sewing was an integral daily practice for middle-class women that left indelible memories of not only the items made, but of specific types of sewing and design practice, who it was made for and how it was used. It also explores these specific practices during a period of enormous change- culturally, technologically and politically – and particularly important for this study are the themes of femininity and domesticity, as well as the boundaries of private and public life in relation to modernity. Methodologically it focuses on sewing practices by utilizing mass media, specific objects and oral histories to elucidate this. This thesis considers the breadth and extent of home sewing as an everyday practice aligning individual narratives, original source material and theoretical analysis.
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Bailey, Shannon Kyle Tedder. "Spatial ability and experts of needlework crafts an exploratory study." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/7.

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In the Surface Development Test, self-perceived Sewing Expertise was significant in predicting participants' test scores. For the Paper Folding Test, Knitting and Crocheting Expertise were significant, suggesting expertise may mitigate age effects.; Spatial ability has been a topic of much research and debate over the past few decades. Yet, there are gaps in the current literature. Spatial ability refers to the aptitude of an individual to mentally rotate objects, visualize spaces, and recognize patterns (Linn & Petersen, 1985). A highly spatial task that is not addressed in research literature is crafting. Crafting may refer to knitting, crocheting, sewing, and other hobbies that include manipulations of materials. These crafts are spatially oriented, because they necessitate mental rotation, pattern recognition, and 3-D visualization to create an object. While research tends to favor males on certain spatial tests (Voyer, Voyer, & Bryden, 1995), research on the relationship between expertise and spatial ability has concentrated on traditionally male dominated domains, such as architecture and video games (Salthouse & Mitchell, 1990; Sims & Mayer, 2002). The traditionally female domain of needlework crafting expertise has not been studied empirically. First, a literature review is presented to give an overview of previous spatial ability research. The paper then describes the needlework crafts of sewing, knitting, and crocheting, including their historical significance and the spatial processes involved. A study was conducted to test the hypothesis that more expertise in needlework crafts will correlate with better performance on spatial ability tests. Three hundred and four adult women (ages 18-77) completed the study. Participant experience level was determined by self-perceived level of crafting expertise. Participants performed three spatial ability tests from the ETS Factor Reference Kit (Ekstrom et al., 1976): Paper Folding, Surface Development, and Card Rotations. Results indicated that age was correlated negatively with performance in all spatial tests. Only age was significant in the Card Rotations Test.
ID: 030645652; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Accepted in partial fulfillment of the requirements for honors in the major in Psychology.; Thesis (B.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 31-35)
B.S.
Bachelors
Sciences
Psychology
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Newell, Aimee E. "A Stitch In Time: The Needlework of Aging Women in Antebellum America." Amherst, Mass. : University of Massachusetts Amherst, 2010. http://scholarworks.umass.edu/open_access_dissertations/181/.

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Harwell, Jane B. "Changing Her Habit: Women Writers and Needlework in Early Eighteenth-Century England." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5878.

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This thesis attends to the appearance of needlework within early eighteenth-century British women's writing. The central goal of this work is to complicate the seemingly oppositional relationship between the needle and the quill, as applied to women surrendering needlework for written work. Popular representations of needlework within early novels demonstrate an elision between text and textile. Further, both female-authored work and the lack of surviving embroideries elucidate the ephemerality of what is broadly defined as "Women's Work." I focus on texts between 1700-1750, however the material examples of embroidery were created as early as 1570. This timeline helps illuminate the tradition of needlework in which women workers interact. In addition to gender, this thesis scrutinizes the impact of class- and cultural-others within the nascent British imperialistic patriarchal marketplace.
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Chambers, Jacqueline M. "The needle and the pen : needlework and women writers' professionalism in the nineteenth century /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9999278.

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Books on the topic "Needlework"

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Bryson, Agnes F. Ayrshire needlework. London: B.T. Batsford, 1989.

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Vicky, Lugg, Tucker Dorothy, and Embroiderers' Guild. Practical Study Group., eds. Needlework school. Sydney: Peter Anthill-Rose, 1989.

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Tim, Hill, ed. Decorative Victorian needlework. New York: C. Potter Publishers, 1990.

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Ann-Marie, Bakewell, and Sanders Jennifer, eds. Australian heritage needlework. Port Melbourne, Vic: Lothian, 1993.

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Charlene, Bradley, and Sanders Jennifer, eds. Australian heritage needlework. Melbourne, Vic: Lothian, 1993.

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Charlene, Bradley, and Sanders Jennifer, eds. Australian heritage needlework. Port Melbourne, Vic: Lothian, 1993.

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Dillmont, Therese de. Encyclopedia of needlework. New York: Crescent Books, 1987.

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R, Sawyer Alan. Early Nasca needlework. London: Laurence King in association with Alan Marcuson, 1997.

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Mark, Vernon-Jones, and Wormleighton Alison, eds. Early Nasca needlework. London: Lawrence King in association with Alan Marcuson, 1997.

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Nadia, Mackenzie, ed. Needlework antique flowers. London: Ebury Press, 1993.

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Book chapters on the topic "Needlework"

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Tubbs, Carol Crellin, and Margaret Drake. "Needlework." In Crafts and Creative Media in Therapy, 171–87. 5th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003523369-14.

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Cai, Ellen Xiang-Yu. "Christianity and Needlework Industry in Chaoshan." In Christianizing South China, 81–103. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72266-5_5.

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Makovicky, Nicolette. "‘Erotic Needlework’: Vernacular Designs on the 21st Century Market." In Design Anthropology, 155–68. Vienna: Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0234-3_12.

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Van Remoortel, Marianne. "Threads of Life: Matilda Marian Pullan and Needlework Instruction." In Women, Work and the Victorian Periodical, 50–70. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435996_4.

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Beaudry, Mary C. "Stitching Women’s Lives: Interpreting the Artifacts of Sewing and Needlework." In Interpreting the Early Modern World, 143–58. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-70759-4_7.

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Stark, Eija. "Forced into Trade Out of Necessity: Working-Class Narratives on Petty Trade." In Encounters and Practices of Petty Trade in Northern Europe, 1820–1960, 277–96. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98080-1_12.

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AbstractThe chapter approaches petty trade as a form of livelihood among working-class people and as the visible sign of consumerism as represented in personal narratives. Using written autobiographies of peasant Finns, the chapter points to the strategies of petty trade for coping with poverty, and its social consequences, during the rise and formation of the modern welfare state. Although industrialization, economic growth, and consumption rose gradually from 1900 onward, most Finns earned their scanty living from a combination of various livelihoods, such as farming, wood industry works, and small-scale trade of food products, pastries, and needlework.
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Morrissey, Joseph. "Needlework in Charlotte Smith’s The Old Manor House and Jane Austen’s Mansfield Park." In Women’s Domestic Activity in the Romantic-Period Novel, 1770-1820, 17–74. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70356-5_2.

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Turner, Mark W. "Oscar Wilde, Anglo-Irish Networks of Print and the Cultural Politics of Needlework." In Media Connections between Britain and Ireland, 2–15. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003052500-2.

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Laptander, Roza. "The tundra Nenets' fire rites, or what is hidden inside of the Nenets female needlework bag tutsya ?" In The Siberian World, 96–109. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429354663-7.

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Lamb, Mary. "“On Needlework,” The Lady's Magazine or Entertaining Companion for the Fair Sex, Appropriated Solely to Their Use and Amusement." In Women’s Economic Writing in the Nineteenth Century, 3–7. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429321504-2.

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Conference papers on the topic "Needlework"

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Searle, Kristin A., and Yasmin B. Kafai. "Boys' Needlework." In ICER '15: International Computing Education Research Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2787622.2787724.

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Jorrín-Abellán, Iván M., Robert E. Stake, and Alejandra Martínez-Moné. "The needlework in evaluating a CSCL system." In the 9th international conference. Morristown, NJ, USA: Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1600053.1600063.

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Liu, Wenting. "Modernity Problems of Sandu Shui Nationality Needlework." In 3rd International Symposium on Social Science (ISSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/isss-17.2017.33.

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Camp, Annabelle, and Kris Cnossen. "DYES, PAINTS, AND INKS: AN OVERVIEW OF VISUAL COMPENSATION TECHNIQUES IN TEXTILE CONSERVATION." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13521.

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Currently there is no single resource summarizing the different visual compensation methods used in textile conservation. Many techniques are shared through spoken communication, and there is a lack of literature documenting accepted options. The goal of this paper is to introduce common techniques, such as the use of dyes and paints, as well as a less common method, digital printing. The authors discuss when each option is appropriate,addressing their respective color-matching capabilities, workability, appearance when dry,and time and material requirements. Numerous case studies illustrating the use of thesemethods, with an emphasis on painted fills, are presented. The case studies representa range of textile types, such as costume, needlework, historic and modern printed textiles,as well as a range of materials, including silk, cotton, and wool. Case studies includeexamples of visual compensation in areas of stains, patterns, and non-woven structures.The successes and limitations of each method are discussed.
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Reports on the topic "Needlework"

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Earnest, Tyshaia Z. J., and Catherine Amoroso Leslie. The Pussy Hat: An intersection between needlework, feminism, and identity. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1816.

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