Relevant bibliographies by topics / Nemours

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Nemours'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Nemours"

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McIlvenna, Una. "Word versus Honor: The Case of Françoise de Rohan vs. Jacques de Savoie." Journal of Early Modern History 16, no. 4-5 (2012): 315–34. http://dx.doi.org/10.1163/15700658-12342322.

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Abstract This paper examines one of the most notorious scandals of sixteenth-century France. In 1557, Françoise de Rohan, a lady-in-waiting to Catherine de Medici, launched a legal battle to get the duke of Nemours, Jacques de Savoie, to recognize their orally-agreed marriage contract and formally recognize the child whom he had fathered with her. Central to Rohan’s case were not only the love-letters Nemours had written to her but also the eye-witness testimonies of her servants, who had overheard their marriage vows and had witnessed their love-making. Nemours’s only defense was his word of honor as a gentleman that no marriage had taken place. This paper situates the case of Rohan vs. Nemours within a transitory period in French society as oral and literate cultures competed for precedence, and asks what happens to the concept of honor when the spoken word is no longer to be trusted.
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Dolman, Sarahfaye, Richard Caplan, Mitchell R. Fawcett, Edward Ewen, Joshua Zaritsky, H. Timothy Bunnell, Rubeen Israni, Sidney J. Swanson, and Claudine Jurkovitz. "2381." Journal of Clinical and Translational Science 1, S1 (September 2017): 75–76. http://dx.doi.org/10.1017/cts.2017.267.

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OBJECTIVES/SPECIFIC AIMS: As part of a larger effort to create a longitudinal record of care for patients with chronic kidney disease (CKD) in Delaware, we assessed transitions of care from pediatric to adult care. This study examined the length of time between last pediatric contact and first contact in the adult system in order to determine characteristics associated with delayed transition to adult care. METHODS/STUDY POPULATION: Patients who receive pediatric care at the Nemours/Alfred I. duPont Hospital for Children (Nemours) are transitioned to adult care between the ages of 18 and 21. Our study population consists of all patients seen in the Nephrology unit at Nemours for CKD, hypertension (HTN), or diabetes who turned 21 years old between 2007 and 2013. Records of office visits from Nemours, Christiana Care Health System (CCHS), and Nephrology Associates, P.A. (NAPA) were transformed into the OMOP common data model and merged. Patients who had at least 1 record in the Nemours EHR of pediatric care before age 21 and had at least 1 record in the CCHS or NAPA adult EHRs were considered transitioned. To identify characteristics associated with delayed transition to adult care, we compared gender, race, ethnicity, age, comorbidities, and level of kidney function at the last pediatric visit between patients whose transition gap was less than 1 year and patients whose gap was 1 year or more. Kidney function was estimated by calculating glomerular filtration rate (GFR). Nemours estimates GFR in children using the revised Schwartz equation, which is based on serum creatinine and height. To calculate adult GFR, we used the CKD-Epi equation, which is based on serum creatinine, age, sex, and race and is widely used to derive adult GFR. As kidney function declines, GFR decreases. We used Fisher exact test to compare categorical variables and t-test to compare age and GFR. RESULTS/ANTICIPATED RESULTS: We found only 109 (25%) patients who had records in our adult offices out of the 440 Nemours patients in our data set. Of the 109 transitioned patients, 54 had office visits at CCHS, 37 at NAPA, and 18 at both locations. Examining the office visits of the 109 transitioned patients, 34 (31%) had an overlap in visits defined as an office visit at CCHS or NAPA before the last office visit at Nemours, and 75 (69%) did not have an overlap. The median gap between last pediatric and first adult office visit for the 75 patients without an overlap was 615 days (range 8–3495 d). Only 6 (6%) of the 109 transitioned patients had overlapping GFR measurements from pediatric to adult care, and all of the adult GFR calculations (CKD-Epi) were greater than the pediatric GFR calculations (Schwartz). The difference between child and adult GFR ranged from 8.2 to 87.1 mL/minute per 1.72 m2. DISCUSSION/SIGNIFICANCE OF IMPACT: During the transition from pediatric care to adult care, many young adults with CKD experience declines in health outcomes and comorbidities such as diabetes and HTN complicate self-management. Lack of overlap between pediatric and adult care office visits indicates a delay in executing this transition. In our population of 109 transitioned patients, 69% did not have an overlap in care, and 50% of those without overlap had a gap of more than 615 days (1 y, 8 mo). Our analysis suggests that young adults who are younger at last pediatric office visit are more likely to delay transitioning to adult care. Transitioning from the nurturing environment of pediatric care to adult care is a complex process and could be challenging for young adults with CKD. Transition clinics may be necessary to improve the coordination of care and help these young adults keep their physician appointments.
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Whatmore, Richard. "Dupont de Nemours et la politique révolutionnaire." Revue Française d'Histoire des Idées Politiques 20, no. 2 (2004): 111. http://dx.doi.org/10.3917/rfhip.020.0111.

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Von Essen, Siri, and Chris Hall. "The Artists’ Colony in Grez-par-Nemours 1883." Art in Translation 9, no. 2 (April 3, 2017): 224–29. http://dx.doi.org/10.1080/17561310.2017.1327259.

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Aquino, Jacqueline Y., and Sarah Perszyk. "Hospice Northeast and Nemours Children’s Clinic, Jacksonville, Florida." American Journal of Hospice and Palliative Medicine® 14, no. 5 (September 1997): 248–50. http://dx.doi.org/10.1177/104990919701400512.

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Richards, P. "Jacques de Savoie-Nemours * Schon wie Venus, mutig wie Mars: Anne d'Este, Herzogin von Guise und von Nemours (1531-1607)." French History 24, no. 3 (July 14, 2010): 463–65. http://dx.doi.org/10.1093/fh/crq045.

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Albertone, Manuela. "Dupont de nemours et l'instruction publique pendant la Révolution." Revue Française d'Histoire des Idées Politiques 20, no. 2 (2004): 129. http://dx.doi.org/10.3917/rfhip.020.0129.

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Pizarro, Christian, Christopher D. Derby, and Wolfgang A. Radtke. "Hybrid Procedure for Hypoplastic Left Heart Syndrome: The Nemours Approach." Operative Techniques in Thoracic and Cardiovascular Surgery 14, no. 2 (2009): 86–98. http://dx.doi.org/10.1053/j.optechstcvs.2009.05.002.

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Claus, Jon S. "Chlorimuron-Ethyl (Classic)®: A New Broadleaf Postemergence Herbicide in Soybean." Weed Technology 1, no. 1 (January 1987): 114–15. http://dx.doi.org/10.1017/s0890037x00029250.

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Chlorimuron-ethyl is a highly effective postemergence herbicide for control of economically important broadleaf weeds in soybean. It has been developed by E. I. du Pont de Nemours & Co., Wilmington, DE, under the code DPX-F6025 and is marketed in the United States under the trade name of Classic. Chlorimuron-ethyl is a member of a new class of herbicides called sulfonylureas. It is active at extremely low use rates, and soybeans have good tolerance.
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McCluskey, P. "Renaissance, Dynasticism and Apanage Politics: Jacques de Savoie-Nemours, 1531-1585." French History 27, no. 3 (April 11, 2013): 460. http://dx.doi.org/10.1093/fh/crt036.

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Dissertations / Theses on the topic "Nemours"

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Choi, Hyung-Sun. "L'oeuvre gravé d'Aurélie Nemours /." [Paris (13 rue Poliveau, 75005) : H.-S. Choi], 1996. http://catalogue.bnf.fr/ark:/12148/cb37118114m.

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Abdallah-Lesaffre, Ola. "Aurélie Nemours, peinture et concepts." Paris 8, 2008. http://www.theses.fr/2008PA083082.

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L'œuvre d'Aurélie Nemours s'est développée en marge des modes et des évolutions artistiques du XXe siècle, tout en étant ancrée dans la problématique de son époque : l'abstraction et avec elle la question du sens dans la représentation picturale. Cette thèse intitulée "Aurélie Nemours, peinture et concepts" a pour but de retracer les enjeux historiques, conceptuels et artistiques de la démarche créative singulière d'une artiste jusqu'alors trop méconnue. La première partie de la thèse situe l'œuvre de Nemours dans l'histoire de l'art en suivant son cheminement vers l'abstraction. La seconde analyse les quatre concepts fondamentaux qui structurent sa création artistique, à partir de l'étude de sa production picturale et des entretiens qu'elle a octroyées vers la fin de sa vie. Le Carré comme forme de variation est le concept principal. Il lui permet de travailler la Couleur comme accord, et le Nombre comme structure sous-jacente, pour mieux révéler le Rythme et le Vide comme clé de voûte de son œuvre. Bien que fondée sur des rapports numériques et des accords chromatiques, l'œuvre de Nemours ne peut néanmoins se réduire à une analyse de type formaliste : Nemours a toujours revendiqué une dimension spirituelle qui apporte à l'œuvre sa philosophie. Plus proche de Malewicz ou de Mondrian par sa foi en l'art (qui est une forme d'utopie), considérée comme l'un des acteurs majeurs de l'art concret dans la lignée de Max Bill ou de Josef Albers, Nemours crée une œuvre authentique, qui affirme durablement l'abstraction géométrique comme langage pictural et recèle de vastes potentialités créatives pour les artistes contemporains
Aurelie Nemours' work developed on the sidelines of fashions and artistic evolutions of the 20th century, while being anchored into the problems of her epoch: abstraction and the questioning of meaning in pictorial representation. This thesis, titled "Aurelie Nemours, paintings and concepts" aims at tracing back the historical, conceptual and artistic stakes, involved in the uncommon creative evolution of an artist so far poorly known. The first part of the thesis situates Nemours' work in the context of history of art, by following the artist's progression towards abstraction. The second part analyses the four fundamental concepts structuring Nemours' artistic creation, from the study of her pictorial production and interviews she gave towards the end of her life. The square as form of variation is her main concept. It enables her to work with colour as a harmony and the number as the subjacent structure, so as to better reveal rhythm and void as keystones of her work. Although founded on numerical rapports and chromatic harmonies, Nemours' work cannot however be merely reviewed through a formalist analysis: Nemours herself has always claimed a spiritual dimension which brings philosophy into her work. Closer to Malewicz or to Mondrian for her faith in art (which is a form of utopia), considered to be one of the major characters in concrete art, in Max Bill or Joseph Albers' lineage, Nemours creates an authentic work of art, asserting durably geometrical abstraction as a pictorial language and offering vast creative potentialities for contemporary artists
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Montaudoüin, Evelyne de. "Catalogue raisonné de l'oeuvre d'Aurélie Nemours." Paris 4, 2010. http://www.theses.fr/2010PA040049.

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Aurélie Nemours (Paris, 1910-2005) est, dans sa génération, la figure la plus marquante de l'abstraction dite géométrique en France. Ce catalogue raisonné de son oeuvre répertorie 1180 oeuvres créées de 1948 à 2005, principalement des peintures à l'huile, groupées en 20 familles, y ajoutant les vitraux de Notre Dame de Salagon et les Alignements du XXIe siècle à Rennes. A la lumière des propres commentaires de l'artiste et de son oeuvre poétique, il tente de retracer la logique interne de son parcours et de dégager son originalité. Aurélie Nemours débute dans le sillage du cubisme. Sans connaître les pionniers de l'art abstrait, elle élabore un vocabulaire plastique qui la rapproche de l'art construit, mais elle développe très vite une abstraction toute personnelle. Dans les potentialités d'une figure géométrique - le point et ses déclinaisons en ligne et en plan-, elle cherche à exprimer l'expérience d'une intériorité vécue jusqu'à l'universel, donnant à penser la totalité, l'unité, l'inifité de l'être, dans la multiplicité, la diversité, la diversité, l'individuation du monde. Le plan requérant la couleur, elle le travaille avec une subtilité où rigueur et sensibilité s'équilibrent. L'oeuvre peint est pour l'essentiel conservé dans les collections privées, et pour un cinquième environ dans les collections publiques, majoritairement en France, puis princinpalement en Allemagne et en Suisse
Aurélie Nemours (Paris, 1910-2005) is the most outstanding French figure of the so-called geometrical art in her generation. This descriptive catalogue of her works lists 1180 works created from 1948 to 2005, mostly oil painting, grouped within 20 families, adding stained , glass windows of the Notre Dame de Salagon and the Alignments of the twenty-first century in Rennes. In the light of comments by the artist and of her poetry, the catalogue tries to follow the inner logic of her course and to point out her originality. Aurélie Nemours begins in the wake of cubism. Without knowing the pioneers of abstract art, she develops a formal vocabulary which approximates constructive art, but she rapidly acquires an entirely personal abstraction. In the potential of a geometrical - the point and its versions in line and plane - she seeks to express an inmost experience lived up to the universal, suggesting the totality, the unity, the infinity of the being, in the multiplicity, the diversity, the individuality of the world. The plane requires the colour : Aurelie Nemours works it with subtlety, sensitivity balancing exactitude. Her works are mostly conserved in private collections, 1/5 in public collections, maily in France, and besides in Germany and Switzerland
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Blackman, Susan Amato. "The manuscripts and patronage of Jacques d'Armagnac duke of Nemours, 1433-1477 /." Ann Arbor (Mich.) : UMI Dissertation information service, 1994. http://catalogue.bnf.fr/ark:/12148/cb35732161v.

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Coester, Christiane. "Schön wie Venus, mutig wie Mars Anna d'Este, Herzogin von Guise und von Nemours (1531 - 1607)." München Oldenbourg, 2004. http://deposit.d-nb.de/cgi-bin/dokserv?id=2838593&prov=M&dok_var=1&dok_ext=htm.

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Coester, Christiane. "Schön wie Venus, mutig wie Mars : Anna d'Este, Herzogin von Guise und Von Nemours (1531-1607) /." München : Oldenbourg, 2007. http://www.gbv.de/dms/dhi_paris/phs/516035878.pdf.

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Cerveaux, Augustin. ""From an art to a science" : chimie colloïdale, pigments et recherche fondamentale chez Du Pont de Nemours, 1900-1945." Strasbourg, 2010. http://www.theses.fr/2010STRA6154.

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Cette thèse porte sur la genèse de la chimie colloïdale et étudie en particulier la trajectoire du groupe des colloïdes de la grande compagnie américaine Du Pont de Nemours pendant l’entre-deux guerres. Elle cherche à comprendre l’articulation entre les enjeux scientifiques que les substances « colloïdales » soulèvent, et les enjeux techniques, industriels et économiques des matériaux associés. Le concept de « basculement ontologique des matériaux », élaboré récemment par deux historiens de la chimie, est repris comme cadre interprétatif des bouleversements dans lesquels ces programmes de recherches qualifiés de « fondamentaux » se déploient. Le secteur industriel des peintures et vernis, matériaux en partie considérés comme colloïdaux au cours de cette période, est particulièrement étudié. Le groupe des colloïdes bouleverse l’appréhension des peintures et vernis à travers une focalisation sur les pigments minéraux qui les composent, et concoure ainsi à la domination de Du Pont sur certains pigments comme le lithopone et l’oxyde de titane. D’une manière générale, cet apport scientifique et technique s’inscrit dans une ambition globale de relier systématiquement microstructures et propriétés. Cette nouvelle appréhension des propriétés des substances sur la base de leurs constituants microscopiques devient progressivement un auxiliaire indispensable à la « rationalisation » des procédés et des propriétés des matériaux, ainsi qu’à la stratégie de brevetage de ces produits et procédés. Cette rationalisation des produits et procédés accompagne l’essor de la grande consommation - et la focalisation accrue sur la figure du « consommateur » - sur les peintures et vernis
This dissertation deals with the emergence and growth of colloid chemistry in the early twentieth century, focusing particularly on the history of the colloid group set up at Du Pont, a major American chemical company, during the interwar period. It explores the relationship between the scientific issues raised by “colloidal” substances, and the technical, industrial and economic dimensions of the associated materials. The concept of “ontological shift of materials”, recently forged by two historians of chemistry, is appropriated as an interpretative framework to account for these evolutions in colloid science and technology. The paint and varnish industry, whose materials were then largely considered as colloidal, is taken as a major case study to analyze these relationships and evolutions, and its history is explored since the beginning of the century. The group was propelled by the quantification of the microstructure of these materials, in order to better explain and master their practical properties. The dissertation details why and how this new understanding of the properties of many substances on the basis of their microscopic components became, from the interwar onwards, embedded in the “rationalization” of the properties of materials, the processes to produce them, as well as the associated patents. This rationalization of products and processes is concomitant to the emergence of mass consumption – and the new emphasis on the “consumer” figure within companies – of industrially produced goods, particularly those of the paint and varnish industry
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NDiaye, Pap. "Du nylon et des bombes : les ingénieurs chimistes de Du Pont de Nemours, le marché de l'état, 1910-1960." Paris, EHESS, 1996. http://www.theses.fr/1996EHES0056.

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Cette these a pour objet l'analyse de l'histoire des relations entre une grande entreprise americaine, la firme chimique du pont de nemours, et l'etat federal americain, du debut du siecle a la fin des annees 1950. De preference a une analyse strictement institutionnelle ou economique, ces relations sont considerees sous un angle different et inedit, celui de l'histoire des techniques et de l'histoire des groupes socio-professionnels. Il s'agit precisement des ingenieurs chimistes, passes a la posterite pour avoir developpe dans les annees 1930 le nylon, puis quelques annees plus tard le plutonium qui servit a la fabrication de bombes atomiques. Ce faisant, ils ont contribue a change leur firme, a la rapprocher de la sphere publique tout en repondant a une demande de masse en produits de grande consommation comme le nylon. Trois niveaux d'analyse sont associes: le niveau micro-historique du groupe professionnel; le niveau median de l' organisation, de sa culture technique et politique; et celui, macro-historique, de l'economie politique americaine et de l'emergence de la figure de l'expert comme paradigme politique central de l'amerique d'apres-guerre. Ces echelles d'analyse sont liees entre elles par le fil conducteur des carrieres des ingenieurs chimistes. En etant au carrefour de plusieurs types de consommation, ils occupaient des positions strategiques qui valorisaient leurs carrieres au sein de la firme
This dissertation focuses on the relationship between a large-scale firm, du pont de nemours, and the federal state in the u. S. , from the 1910s to the 1950s. Rather than a purely institutional or economic analysis, ces relationship are analyzed thru the history of a group of chemical engineers. These engineers developed nylon in the 1930s and plutonium for atomic bombs in the 1940s and later. In so doing, they changed their firm, by securing close connections with the state while meeting the demand from civilian consumers, eager to get nylons. Three levels of analysis are interwoven: the microhistorical level (a professional group and its technical work); an intermediate level, that of the organization, and its political and technical culture; and that of the american political economy and the emergence of the expert as the central political paragigm of post world war 2 america. These levels of analysis are connected to one another by the history of our chemical engineers' careers. By being at the crossroads of several marketsm they had strategic positions in the firm, which boosted their careers to the very top of corporate america
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Zheng, Fanglei. "Des Data d'Euclide au De numeris datis de Jordanus de Nemore : les données, l'analyse et les problèmes." Paris 7, 2012. http://www.theses.fr/2012PA070031.

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L'enjeu de la thèse est de discuter et de comparer deux œuvres trop souvent considérées comme mineures dans l'histoire des mathématiques, malgré la réputation de leurs auteurs respectifs, les Data d'Euclide (IIIe s. Avant notre ère) et le De numeris datis de Jordanus de Nemore (première moitié du XIIIe s. ). Le travail est organisé en deux parties principales. La première partie est consacrée d'abord à une comparaison soigneuse de la structure des propositions contenus soit dans les Eléments d'Euclide, soit dans les Data, qui permet ensuite de donner un contenu précis aux assertions quelque peu générales de Pappus sur le rôle que les Data jouaient dans la méthode d'analyse. Les résultats sont enfin confirmés et renforcés par la mise en évidence du recours aux raisonnements à l'aide de « chaînes de données » en tant qu'analyse dans certaines propositions des Coniques d'Apollonius. La deuxième partie établit premièrement, entre le De numeris datis et le De démentis arithmetice artis de Jordanus de Nemore, une correspondance analogue à celle qui avait été proposée entre les Data et les Éléments d'Euclide ; et elle révèle deuxièmement, entre les deux parties de l'exposition de chaque proposition du De numeris datis, une relation analogue à la méthode et la structure « analyse-synthèse » qui ont été mise en évidence dans le cadre de la géométrie grecque. La thèse souligne aussi la différence de démarches des deux auteurs, en suggérant qu'Euclide semble viser à fournir à l'analyse géométrique un fondement axiomatique-déductif alors que l'objectif de Jordanus vise plutôt l'effectivité dans l'utilisation des chaînes de données dans l'analyse des problèmes sur les nombres
The issue of the thesis is to discuss and compare two works too often considered minor in the history of mathematics, despite the reputation of their respective authors, the Data of Euclid (third century. BCE) and the De numeris datis of Jordanus de Nemore (first half of the thirteenth century. ). The thesis is organized into two main parts. The first part is devoted first to a careful comparison of the structure of the Propositions contained in Euclid's Elements, and of those in his Data. The comparison then gives the precise content to Pappus's statements, somehow general, about the role that the Data played in the analytical method. The results are fïnally confirmed and reinforced by highlighting the use of reasoning using "strings of givens" as an analysis in some propositions of the Conics of Apollonius. The second part established, between the De numeris Datis and the De elementis arithmetice artis of Jordanus Nemore, a correspondence analogous to that which had been proposed between the Data and the Elements of Euclid. And this part reveals, between two parties of every Proposition in the De numeris datis, a relationship analogous to the method and structure "analysis-synthesis" that have been highlighted in the context of Greek geometry. The thesis also highlights the difference in approaches of the two authors, suggesting that Euclid seems seeking to provide an axiomatic-deductivefoundation for geometrical analysis while the Jordanus' interest is rather the effectiveness of the use of "strings of givens" for the analysis of problems on numbers
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Le, Clerc-Poirier Justine. "Le fibroblaste pulpaire némotique." Thesis, Rennes 1, 2016. http://www.theses.fr/2016REN1B003.

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La nemosis est un processus d’activation cellulaire déclenché in vitro par la mise en culture tridimensionnelle (sphéroïde) de cellules mésenchymateuses saines et qui se termine inéluctablement par une mort cellulaire de type nécrose programmée. Les fibroblastes sont les entités cellulaires les plus représentées dans la pulpe dentaire. Le premier objectif de ce travail était de confirmer l’existence de la réaction némotique dans ces cellules pulpaires et de la comparer à celle du fibroblaste pulmonaire pris comme référence. La caractérisation de ce phénomène a permis de mettre en évidence des similitudes mais aussi des différences marquées entre ces deux types cellulaires, en termes de libération de cytokines, de production d’enzymes protéolytiques et d’expressions géniques. Le second objectif de cette étude était de différencier la réaction némotique d’une autre nécrose programmée, la nécroptose. La finalité de ce travail était d’objectiver si cette activation fibroblastique peut se retrouver in vivo lors de pathologies pulpaires
Nemosis is a cell activation process – induced in vitro when sound mesenchymal cells are forced to cluster (spheroids) – which inevitably leads to a programmed necrotic cell death. Fibroblasts are the most commonly found cells in the dental pulp. The first aim of this study was to confirm that nemotic reaction could be observed in these cells and to compare their behaviour with that of sound lung fibroblasts, employed as a reference model for nemosis. This process displayed not only important similarities but also differences between the two cell types studied regarding cytokines release, proteolytic enzymes production and gene expressions. The second purpose of this work was to discriminate between nemosis and necroptosis, which is a programmed necrotic cell death. Finally, this study aimed to highlight whether this nemotic cell activation can occur in vivo during dental pulp diseases
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Books on the topic "Nemours"

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Nemours, Aurélie. Nemours. Köln: Wienand, 1995.

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Nemours, Aurélie. Aurélie Nemours, estampes. Vannes: Musée de la Cohue, 2001.

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Plancke, René-Charles. Nemours et ses environs. Le Mée-sur-Seine: Lys éditions presse/Editions Amatteis, 1992.

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Nemours, Aurélie. Aurélie Nemours: 1910-2005. Paris: Galerie Antoine Laurentin, 2010.

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Nakov, Andrei B. Nemours au Prieuré de Salagon. [Paris]: Ereme, 2004.

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Abdallah-Lesaffre, Ola. Aurélie Nemours, peinture et concepts. Villeneuve d'Ascq: Atelier national de reproduction des thèses, 2011.

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Nemours, Aurélie. Aurélie Nemours: Rythme, nombre, couleur. Paris: Centre Pompidou, 2004.

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Nemours, Aurélie. Aurelie Nemours: Rythme nombre couleur. Paris: Centre Pompidou, 2004.

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Billecocq, Marie Beguin. A Nemours pendant l'invasion prussienne, 1870/1871. Paris: Collection Relations internationales & Culture, 2002.

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piemontesi, Centro studi, ed. Maria Giovanna Battista di Savoia Nemours: Memorie della reggenza. Torino: Centro studi piemontesi = Ca dë studi piemontèis, 2011.

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Book chapters on the topic "Nemours"

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Groenewegen, Peter. "Du Pont de Nemours, Pierre Samuel (1739–1817)." In The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_268-1.

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Groenewegen, Peter. "Du Pont de Nemours, Pierre Samuel (1739–1817)." In The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_268-2.

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Groenewegen, Peter. "Du Pont de Nemours, Pierre Samuel (1739–1817)." In The New Palgrave Dictionary of Economics, 3062–64. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_268.

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Saltzberg, Michael A., Armando M. Byrne, Ethel N. Jackson, Edward S. Miller, Mark J. Nelson, Bjorn D. Tyreus, and Quinn Zhu. "DuPont: Biorenewables at E.I. DU Pont DE Nemours & Co." In Industrial Biorenewables, 175–217. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118843796.ch7.

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Bailey, David J., and Kellie P. Olmstead. "Strategy Deployment and Daily Management: Implementing a Lean Management System at Nemours." In Leading the Lean Healthcare Journey, 49–59. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2016. http://dx.doi.org/10.1201/9781315369303-6.

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Vaheri, Antti. "Nemosis." In Encyclopedia of Cancer, 2471–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-16483-5_4002.

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Vaheri, Antti. "Nemosis." In Encyclopedia of Cancer, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-642-27841-9_4002-2.

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Vaheri, Antti. "Nemosis." In Encyclopedia of Cancer, 3039–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-46875-3_4002.

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Eeckman, Frank H., Frédéric E. Theunissen, and John P. Miller. "NeMoSys: An Approach to Realistic Neural Simulation." In Neural Systems: Analysis and Modeling, 121–26. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4615-3560-7_10.

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Mazurek, Jordan E. "Fish used in Aquariums: Nemo’s Plight." In The Palgrave International Handbook of Animal Abuse Studies, 313–36. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-43183-7_15.

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Conference papers on the topic "Nemours"

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Novello, Giuseppa, and Maurizio Marco Bocconcino. "Dal Theatrum Sabaudiae: disegni di fortificazioni nelle raffigurazioni celebrative di una dinastia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11522.

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From the Theatrum Sabaudiae: drawings of fortifications in celebratory representations of a dynastyIn order to make the lands and places of their possessions known to European courts and communities, first Duke Carlo Emanuele II of Savoy (1634-1675) and then the Duchess Regent Maria Giovanna Battista of Savoy Nemours (1644-1724) published in 1682, in Amsterdam, at the printing works founded by the publisher and cartographer Joan Blaeu (1596-1673), the publication Theatrum Statuum Regiae Celsitudinis Sabaudiae Ducis, Pedemontii Principis, Cypri Regis. The contribution extracts and comments the graphic transcription made to represent the fortifications depicted in the views, comparing within synoptic paintings divided by theme or components, the recurrent codes of an iconographic nature contained in the one hundred and forty-five plates.
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Cova Morillo, Miguel Angel De la. "Le Corbusier y Charles Lasnon: De las maquetas blancas de los Salones de Otoño a los plan-reliefs del nuevo urbanismo." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.729.

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Resumen: El “mouleur” Charles Lasnon representa la convivencia que durante el primer tercio del siglo XX se dará entre las Artes y Oficios y las nuevas técnicas de representación vinculadas a la fotografía. Lasnon realizará para Le Corbusier una serie de maquetas que presentarán sus propuestas a escala doméstica y urbana, primera aproximación a una expresión tridimensional de sus teorías: los modelos 1:20 de los Salones de Otoño en 1922 y 1923, a camino entre el objet-type y la escultura de vanguardia, y las del “Urbanisme á trois dimensions” del Plan Obus y Nemours. Las maquetas de las Villas se establecerán como “manifiestos estéticos y arquitectónicos”. En ellas se ensayarán principios teóricos plásticos, previos incluso a una idea de construcción, indagaciones que abren la puerta a transferencias entre la representación a escala realizada en yeso y la arquitectura a realizar. Por otra parte, la vinculación de Lasnon con el Service Geographique de l’Armée le familiarizará con las nuevas técnicas de representación del territorio. Así, realizará los Carte-Relief de Argel coetáneamente a la ejecución de las maquetas de las propuestas urbanas argelinas de Le Corbusier, garantes no sólo del rigor geométrico de sus postulados: quedan en ellas registradas el paisaje original, cuya topografía se modela y manipula como si de un trabajo plástico se tratara. Utopías en busca de un lugar imaginado sobre un trozo de yeso. Abstract: Charles Lasnon, "mouleur",represents the coexistence between the Arts and Crafts and the new rendering techniques related to photography that took place in the first quarter of the twentieth century. Commissioned by Le Corbusier, Lasnon made in those years several models that represent his new proposals at a domestic and urban scale. That was the first approach to a three-dimensional expression of his theories –the scale models of 1:20 from "Salon d'Automne" in 1922 and 1923, which were halfway between objet-types and avant-garde sculptures, and the theories of "L'Urbanisme à trois dimensions" from Plan Obus and Nemours. The scale-models of "Villas" were established as “aesthetic and architectural manifestos”. They were used to test theoretical and plastic principles, formulated before the idea of construction. These tests resulted in "transfers" between plaster-craft scale models and the architecture to be built. Additionally, the links between Lasnon and the “Service Geographique de l’Armée” enabled him to be familiar with new techniques to represent landscape. Thus, Lasnon made the Carte-Reliefs d'Argel at the same time as Le Corbusier made the models for the urban proposals in Alger. These models not only guarantee the geometrical accuracy of his proposals, but also capture an original landscape whose topography is modeled as if it was a plastic craftwork. Utopias seeking an imaginary place on a plaster slice. Palabras clave: maqueta; moulage; Charles Lasnon; urbanismo; plan-relief; Salón de Otoño. Keywords: model; "moulage", Charles Lasnon; urbanism; plan-relief; Salon d'Automne. DOI: http://dx.doi.org/10.4995/LC2015.2015.729
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Patel, Akash A., and Masoud Safdari. "Smart Adaptive Mesh Refinement with NEMoSys." In AIAA Scitech 2021 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2021. http://dx.doi.org/10.2514/6.2021-1239.

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Dini, Giorgio, Elisabetta Princi, Sergio Gamberini, and Luca Gamberini. "Nemo's Garden: Growing plants underwater." In OCEANS 2016 MTS/IEEE Monterey. IEEE, 2016. http://dx.doi.org/10.1109/oceans.2016.7761335.

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Choi, Woo Young, Hei Kam, Donovan Lee, Joanna Lai, and Tsu-Jae King Liu. "Compact Nano-Electro-Mechanical Non-Volatile Memory (NEMory) for 3D Integration." In 2007 IEEE International Electron Devices Meeting. IEEE, 2007. http://dx.doi.org/10.1109/iedm.2007.4419011.

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Simon, Jordi Rovira, David Sainz Gonzalez, Cristina Fernandez Grande, Carlos Enrique Gomez Gomez, Alberto Peraleda de la Llave, Francisco Oteiza Lacalle, and Kim del Rio Permingeat. "Nemos: Working towards the “social”mobile phone." In 2009 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2009. http://dx.doi.org/10.1109/icme.2009.5202868.

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Mori, Seiichi, Yukio Kaneko, Norihisa Aral, Yoichi Ohshima, Hitoshi Araki, Kazuhito Narita, Eiji Sakagami, and Kuniyoshi Yoshikawa. "Reliability study of thin inter-poly dielectrics for non-volatile nemory application." In 28th International Reliability Physics Symposium. IEEE, 1990. http://dx.doi.org/10.1109/irps.1990.363512.

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Yu, Fang, Vijay Gopalakrishnan, David Lee, and K. K. Ramakrishnan. "Nemor: A congestion-aware protocol for anonymous peer-based content distribution." In 2011 IEEE International Conference on Peer-to-Peer Computing (P2P). IEEE, 2011. http://dx.doi.org/10.1109/p2p.2011.6038744.

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MESTIRI, Raghda, and Samira RAÏS. "Modélisation de la dynamique du littoral de La Marsa-Gammarth à l'aide de NEMOS-GENESIS." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2014. http://dx.doi.org/10.5150/jngcgc.2014.052.

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Godoy, Luis A. "On the Origins of Elastic Stability Studies Before the XVIII Century." In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11128.

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The identification of the origins of what we now call the theory of elastic stability is not an easy task. Most authors trace the origins to the pioneering work of Leonhard Euler in 1744, and some (including this author) shift this origin to the experimental works of Petrus van Musschenbroek in 1729. However, other contemporary authors interested in the history of the discipline postulate that the works of Medieval and Renaissance scholars should be considered as the true sources of the buckling studies performed in the XVIII Century. This paper reports our historical research using original manuscripts of Al-Khazini, Jordanus de Nemore, Leonardo da Vinci, and Marini Merssene, in order to discuss what kind of knowledge they had about the topics of stability and lateral deflections of columns under axial loads. Our investigation shows that there were observations of the phenomenon considered, but those observations were not translated into a deeper understanding of the phenomenon, so that the causes of this effect or the role of strength on the response were not considered. Leonardo was closer to understanding the nature of the problem and produced some tentative rules of behavior; however, those were only documented in private writings and did not make an impact in his contemporaries. We postulate that studies prior to the XVIII Century were very limited in their scope and cannot be considered as the basis of the developments of Musschenbroek and Euler.
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Reports on the topic "Nemours"

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Wendt, Joel Robert, David A. Czaplewski, John Murray Gibson, James R. Webster, Andrew James Carton, Bianca Elizabeth Nelson Keeler, Dustin Wade Carr, et al. Nano-electromechanical oscillators (NEMOs) for RF technologies. Office of Scientific and Technical Information (OSTI), December 2004. http://dx.doi.org/10.2172/920822.

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Health hazard evaluation report: HETA-2000-0291-2840, E.I. DuPont de Nemours and Co., Inc., Richmond, Virginia. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, February 2001. http://dx.doi.org/10.26616/nioshheta200002912840.

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