Dissertations / Theses on the topic 'Neo-colonialism'
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Diop, Mame Diarra <1996>. "French monetary neo-colonialism: the CFA franc." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19203.
Full textKarlsson, Pontus. "China in Africa : An act of Neo-colonialism or a win-win relationship?" Thesis, Linnéuniversitetet, Institutionen för statsvetenskap (ST), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95840.
Full textNgendakurio, John Bosco. "There is Still Hope: Foreign Aid's Impact on Human Security in Kenya." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/409645.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
Walton, Paul Steven. "To what extent is globalisation creating forms of neo-colonialism within contemporary visual culture?" Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444031.
Full textAbis, Paolo. "Class Struggle, Elitism and Social Collectivism in Ngugi wa Thiong’o’s Devil on the Cross : A Marxist Approach." Thesis, Högskolan Dalarna, Engelska, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:du-6120.
Full textBawa, Muhammad. "The right to development as freedom from neo-colonialism, other economic structures and systems of exclusion and exploitation." Thesis, University of Essex, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570695.
Full textWyse, Jennifer Lynn. "Teachers' Perceptions of the Construction of National Identity through the Primary School Social Studies Program in Malawi." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/32867.
Full textMaster of Science
Tabi, Stefania Agyeman <1990>. "Pan-Africanism, Neo-colonialism and Non-alignment: similarities and differences in the political thoughts of Kwame Nkrumah and Thomas Sankara." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7970.
Full textJordan-Sardi, Veronica. "Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009)." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2908.
Full textBamba, Abou. "Dubbing Modernization: The United States, France, and the Politics of Development in the Ivory Coast, 1946-1968." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/history_diss/18.
Full textHoff, Lutz Werner Wilhelm. "Global civil society and adult education for social change : a postcolonial perspective." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50652/1/Lutz_Hoff_Thesis.pdf.
Full textBusinge, Patrick Rusoke. "Education, disability and armed conflict : a theory of Africanising education in Uganda." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18009.
Full textJansson, Öhlén Linn. "Expectations, Compassion and Confusion : Volunteers’ experiences and perspectives." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27934.
Full textMohamed, Aisha. "Digesting the Pan-African Failure and the Role of African Psychology : Fanonian understanding of the Pan-African failure in establishing oneness and ending disunity/xenophobia in South Africa." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-44052.
Full textGius, Chiara. "VOLUNTOURISM. La pratica di volontariato internazionale estivo fra viaggio, esperienza di sè e incontro con l'Altro." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3421694.
Full textNegli ultimi vent’anni un crescente numero di associazioni si sono occupate di organizzare e proporre viaggi di voluntourism (dall’unione delle parole inglesi volunteer e tourism e qui reso in italiano con l’espressione “turismo di volontariato”) come un tipo particolare di pratica turistica, associabile ai nuovi turismi morali o responsabili, che abbina alla possibilità di viaggiare all’estero (il tourism, per l’appunto) percorsi di impegno di volontariato da portare avanti nei luoghi di destinazione come parte integrante delle attività del periodo vacanziero. Caratteristica principale di questo tipo di pratica è quella di configurarsi come un’esperienza doppiamente benefica in grado, cioè, sia di produrre un impatto positivo sui contesti sociali, ambientali, ed economici visitati, che di sostenere e stimolare, nei turisti volontari, percorsi di crescita, di conoscenza e di cittadinanza attiva. Obiettivo di questa ricerca è proprio quello di esplorare e contestualizzare in chiave sociologica questo secondo aspetto concentrandosi, in particolare, sulle rappresentazioni che i partecipanti ad esperienze di turismo di volontariato restituiscono della pratica, sia in termini di crescita ed arricchimento personale, che in relazione ai processi di avvicinamento e conoscenza di culture “Altre”. Partendo dall’analisi di un gruppo di 29 interviste semi-strutturate, realizzate al rientro dal periodo all’estero, l’elaborato ripercorre l’esperienza di turismo di volontariato cercando di coglierne, attraverso le rappresentazioni dei turisti volontari, gli aspetti salienti e metterne così in luce punti di forza e debolezze. In particolare dalla trattazione emergerà come la capacità di questo tipo di pratica di promuovere una migliore comprensione dell’alterità non deve venire data per scontata e che il ruolo giocato dalla dimensione altruistica nel definire l’esperienza deve essere, se non ridimensionato, almeno maggiormente problematizzato.
Greyvenstein, Lisa. "An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/27466.
Full textDissertation (MA)--University of Pretoria, 2012.
Visual Arts
unrestricted
Pontén, Rebecca. ""It's Complicated" The Relationship Between Islam and Gender Equality. : A Comparative Case Study of the Developments of Family Codes in the two Muslim States Tunisia and Algeria." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-373494.
Full textRukuni, Samuel. "Theatre-for-development in Zimbabwe : the Ziya Theatre Company production of Sunrise." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/27465.
Full textDissertation (MA)--University of Pretoria, 2012.
English
unrestricted
Koons, Casey Joseph. "Dynamics of Concealment in French/Muslim Neo-Colonial Encounters: An Exploration of Colonial Discourses in Contemporary France." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218057001.
Full textTarquini, Valentina. "I folli in cammino : saggio sulle rappresentazioni e i significati della figura del folle nelle letterature dell'Africa nera, francofone e anglofone, dalle indipendenze ai giorni nostri." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC011.
Full textThe recurrence of wandering madmen and fools in the black African novel raises many questions about the reasons behind its implementation during the so-called independences. This study covers a time span ranging from the 1950s to the first decade of 2000. It includes Francophone and Anglophone fiction in order to gain an overview that allows one to observe an evolution in the representation of the fool with a diachronic perspective. The typological study of wandering fools precedes the discourse analysis in the literary texts, focusing on three levels: speech, narrative procedures and imagery. It fallows that the fool’s dynamism recalls his impact on the three modes of discourse. This leads to a hypothesis that he is a figure of mediation in many areas of society, being a spiritual and religious mediator, an intermediary to institutions of authority,and even an intermediary in literature, both in writing and in the literary institution. The social marginalization of the fool and the reformist zeal he takes in contemporary times, make him an instrument of knowledge that can create a new literary code and articulate the African discourse in its quest for autonomy. Moreover, these features mark the social status both of African works and of the novelist in the literary scene
La ricorrenza della figura del folle in cammino nel romanzo dell’Africa nera suscita numerosi interrogativi sulle ragioni della sua messa in opera nell’epoca turbolenta delle cosiddette indipendenze. Lo studio abbraccia un arco temporale che va dagli anni ’50 al primo decennio del 2000 e comprende la narrativa francofona ed anglofona al fine di ricostruire una panoramica che permetta di tracciare l’evoluzione della rappresentazione del folle sul piano della diacronia. A uno studio tipologico di folli erranti segue l’analisi del discorso nel testo letterario che si focalizza su tre piani: quello dell’enunciazione, quello dei procedimenti narrativi e quello del linguaggio dell’immaginario. Ne risulta un dinamismo che evoca il dominio del folle sulle tre istanze del discorso, da cui l'ipotesi del folle come una figura di mediazione nei diversi ambiti della società : mediatore spirituale e religioso ; interlocutore intermediario con l’autorità istituzionale ; infine strumento mediano in letteratura, tanto nella pratica della scrittura quanto nell’istituzione letteraria. Ilcarattere marginale del folle nella società e lo slancio riformista che egli assume nella contemporaneità, fanno di lui uno strumento conoscitivo in grado di creare un nuovo codice letterario e di articolare il discorso africano in cerca di autonomia. Le stesse caratteristiche segnano lo statuto delle opere africane e del romanziere nello scenario attuale
Niatu, A. L. "Dosalsal, the floating ones : exploring the socio-cultural impacts of cruise ship tourism on Port Vila, Vanuatu residents, and their coping strategies." Lincoln University, 2007. http://hdl.handle.net/10182/1383.
Full textKinuthia, Wanyee. "“Accumulation by Dispossession” by the Global Extractive Industry: The Case of Canada." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/30170.
Full textHsieh, Tsung-Lun, and 謝宗倫. "China''s Strategic Investment in French Africa: Neo-Colonialism?" Thesis, 2013. http://ndltd.ncl.edu.tw/handle/xn3vc9.
Full text淡江大學
國際事務與戰略研究所碩士班
101
“Is China a colonizer in Africa?” Such idea has been frequently mentioned by western media. Having successfully carried out “Go Out Policy” in the late nineties, China gradually established close relations with Africa through dense strategic investment. This trend, however, has gone through western countries’ scrutiny, and thus described China a neo-colonizer in Africa. This study seeks to answer the question above by looking into China’s behavior in Africa. While making the entire Africa a research subject is far too vast and vague, this study will focus its geographical scope within French Africa, of which the historical background is relatively similar. This study constitutes three major parts: a. In literature review and the second chapter I will generalize a set of criteria that could eventually determine that whether China is a neo-colonizer; b. The third and fourth chapter will find out what exactly China has done in French Africa; c. The fifth chapter will review China’s behavior using the criteria made, and answer the question in the beginning. This study finds that most of China’s strategic behaviors in French Africa resemble neo-colonialism, but still there are several behaviors was discredited by media. Furthermore, this study shows that, while keeps strengthening multi-area ties with French Africa, China will become more capable of affecting French Africa politically or economically; yet, on the other hand, the obstacles that come along with thriving mutual interactions will bound to be an increasing trend.
Monika, Maliszewska, and 馬茉莉. "China's post-cold war foreign policy behavior in africa: neo-colonialism?" Thesis, 2009. http://ndltd.ncl.edu.tw/handle/82638957516229055581.
Full textFairchild, David. "Čína v Africe: drak ve lvím doupěti." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415729.
Full textLin, Shuan, and 林璇. "Indepedent Dependency: Neo-colonialism in Chinua Achebe's A Man of the People and Anthills of the Savannah." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/37870864178335543574.
Full text國立中興大學
外國語文學系
90
Abstract Many African countries today face various political problems. One of the major problems is the style of leadership and the continued dependence on foreign economic aid. Present-day native leaders govern in the old ways and repeat the same mistakes that have led their nations to chaos. They are unmindful of the fact that they do not offer any worthwhile vision for a people they pauperize and terrorize. Chinua Achebe’s A Man of the People and Anthills of the Savannah reflect some of the traumas experienced by many African nations today. Homi Bhahba’s notions of mimicry and mimic man will be used to discuss the intellectuals in the novels and how their western influence turns into a hegemonic force. Antonio Gramsci’s concept of hegemony will also be discussed in order to examine at how the repressive rule of African countries fails to achieve the balance between coercion and consent.
García, Doris. "Socio-economic analysis of Paraíba, Brazil : a new form of global integration or continuation of neo-colonialism (1985-2006)? /." 2006. http://www.consuls.org/record=b2802158.
Full textThesis advisor: Charles Mate-Kole. "... in partial fulfillment of the requirements for the degree of Master of Science in International and Area Studies." Includes bibliographical references (leaves 72-76). Also available via the World Wide Web.
Finnegan, Lesley. "‘The Old Iron Cooking Pot of Europe’ Storytelling, Sleuthing and Neo-colonialism in the Botswana novels of Alexander McCall Smith." Thesis, 2006. http://hdl.handle.net/10539/1592.
Full textIn this study I will interrogate some of the issues and contradictions raised by Alexander McCall Smith’s Botswana novels. These texts feature a black African woman protagonist in a developing society, and have achieved huge popular and commercial success, but they are written by a white European man. I will examine briefly whether the books can be considered as ‘African Literature,’ and how the author has negotiated the interface between history and literature to convince readers and critics in ‘the West’ that he is portraying ‘the real Africa.’ I will investigate the strategies used by the author to create this ‘authentic’, ‘traditional’ effect, how he writes convincingly as, about and on behalf of women, and the use he makes of the detective fiction mode. Ultimately I will consider whether these novels represent a restorative ‘writing back’ or whether they constitute a continuing appropriation of African history, culture and identity, a further re-invention of Africa by and for ‘the West’.
Cruikshank, Stephen. "Cuba and the neobaroque: twentieth-century reformations of Cuban identity." Thesis, 2013. http://hdl.handle.net/1828/4668.
Full textGraduate
0336
0626
scruiksh@uvic.ca
Yu, Peilin. "O neo-realismo em João-Maria Vilanova: herança da revolta contra a opressão." Master's thesis, 2020. http://hdl.handle.net/10316/93696.
Full textA literary stream from a particular historical period can exert a profound influence not only on the literary work of the same time in the same country, but also on the literary creation of authors from another time and elsewhere. In fact, this influence translates into various aspects of the literary work, including, more generally speaking, the themes and outer forms, while at the same time becoming various innovative features of the work through the hands of the author. Based on this consideration, from the point of view of dissemination, influence and evolution of literary neo-realism, this dissertation intends to analyze the reflection of two fundamental principles of neo-realism that revolve around the socio-political commitment of the literary work in different phases of the history of Angolan poetry, as well as its influence on the themes of oppression and revolt in the poetic work of João-Maria Vilanova, with the aim of seeking, from a comparative perspective of the literary generations, voices from history that echo in Vilanova’s literary texts. The theories that the dissertation applies to poetic texts are mainly post-colonialism, anthropological and Marxist theories, helping to investigate the realities of oppression and violent revolt in the poetry and tales of João-Maria Vilanova. In addition, this dissertation also investigates the characteristics of Vilanova's poetic language, highlighting the discrepancy between Vilanova’s poetic forms and neo-realist forms and demonstrating the angolanity that his poetic language conveys to us in an innovative way.
Uma corrente literária da determinada época histórica pode exercer a influência profunda não apenas sobre a obra literária da mesma altura no mesmo país, mas também sobre a criação literária de autores do outro tempo e em outros lugares. Aliás, essa influência traduz-se em várias vertentes da obra literária, inclusive, dito de modo mais geral, as temáticas e as formas exteriores, enquanto se transforma em diversas características inovadas da obra através das mãos do autor. Baseada nesta consideração, a partir do ponto de vista de divulgação, influência e evolução do neo-realismo literário, esta dissertação pretende analisar o reflexo de dois princípios fundamentais do neo-realismo, que giram em torno do compromisso sociopolítico da obra literária, em diferentes fases da história da poesia angolana, assim como a sua influência sobre as temáticas de opressão e de revolta da obra poética de João-Maria Vilanova, tendo como objetivo procurar, numa perspetiva comparatista das gerações literárias, vozes da história que ecoam em textos literários vilanovianos. As teorias que a dissertação aplicam aos textos poéticos são principalmente o pós-colonialismo, as teorias antropológicas e as marxistas, auxiliando a investigação das realidades de opressão e da revolta violenta na poesia e contos de João-Maria Vilanova. Para além disso, esta dissertação também indaga as caraterísticas da linguagem poética de Vilanova, destacando a discrepância das formas poéticas vilanovianas com as neo-realistas e demonstrando a angolanidade que a sua linguagem poética nos transmite de forma inovada.
Nenduva, Aphios. "Investigating moral perversion in post-Independence Shona detective novels." Thesis, 2018. http://uir.unisa.ac.za/handle/10500/25689.
Full textThe study unravels moral perversion in selected post-independence detective Shona novels. Moral perversion is a multi-faceted concept and the study focuses on corruption, sexual harassment, abuse of office, stealing, poaching and illegal manufacturing of intoxicating products as the key definers of moral perversion. Afrocentricity merged with Kawaida philosophy are the lenses used to pass critical judgements on the extent the selected literary practitioners portrayed literature rooted in the African ontological existence on moral perversion. Fictional works used as primary sources are Sajeni Chimedza (1984), Mutikitivha Dumbuzenene (1991), Munzwa mundove (1999) and Dandemutande, (1998). All the novels are set in the post-independence era in Zimbabwe when moral perversion is rife. The study is qualitative in nature and data was gathered using questionnaires and interviews from literary critics, publishers and novelists. Particular attention is paid on the causes of moral perversion, images of people in leadership positions and the implications of character assassination of leaders in relation to the development of purposeful literature. The study contends that moral insanity is an acknowledged problem in the post-independence era and novelists are portraying leaders as the chief culprits manning factionalism and unorthodox ways of acquiring resources at the expense of the majority of citizenry. Guided and informed by Afrocentricity, the study argues that novelists are raising pertinent issues although their views are myopic, simplistic and self-defeating because they are failing to see that the leaders are also victims who are victimizing other victims. Blaming the leadership on moral perversion ignoring the impact of colonialism, and neo-colonialism in shaping African personality creates more harm than good as this exonerates the imperialistic system of exploitation which impinges on African culture and personality. Therefore, the study argues that novelists erroneously blame individuals for the sins of a system. There is need to interrogate both external and internal factors to establish sustainable home-grown problem solving solutions to improve human condition and the development of functional literature in Africa.
African Languages
D. Litt. et Phil. (African Languages)
Couto, Filipe Abraão Martins do. "Lusofonia: da utopia civilizacional à realidade política." Master's thesis, 2016. http://hdl.handle.net/10362/19819.
Full textThroughout this thesis, the complexity of the concept of Lusophony as a civilizational project and the position of the critics on this issue will be object of analysis. The Fifth Empire myth, developed by the Portuguese spiritual thought and that is fused in the current concept of Lusophony, is constantly called into question by the international community. In a secular era and in a multicultural context, this concept has not been appreciated among the Lusophone countries, being target of suspicion, due to its apparent ethnocentric and neo-colonialist character. In this scenery, one will reflect on the effects of the civilizational utopia and its relation with the main political difficulties that the public organisms and institutions have been facing, namely, the CPLP, the AULP and the IILP. At stake is a whole post-colonial imagery of some countries, who, by nor agreeing with the expression of Lusophony, have been blocking a political-diplomatic harmonization. Other than the evaluation of the status of the concept of Lusophony, this investigation will try to develop proposals of lines of action, in order to suggest philosophical and diplomatic alternatives, regarding the mobility of health and education professionals, in a supposed Lusophone space
McBeth, Renée Erica. "The Bellicose politics of peace." Thesis, 2010. http://hdl.handle.net/1828/2988.
Full textGrand, Nesbeth. "Art and globalisation : the place of intangible heritage in a globalized environment." Thesis, 2013. http://hdl.handle.net/10500/12065.
Full textAfrican Languages
(D.Litt.et.Phil.(African Languages))
Hamila, Ahmed. "Les minorités (in)-visibles au sein de la sphère politique française." Thèse, 2013. http://hdl.handle.net/1866/10405.
Full textThis research investigates the political representation of ethnic minorities in France. Nearly 10% of the French population is from an ethnic minority, however, only 2% of the politicians are from an ethnic minority. Thus, ethnic minorities are underrepresented in both Parliament and Government. From a twofold structural and cultural perspective, this study focuses on the three steps of the electoral process — recruitment, selection, and election — to suggest several research paths to explain the political underrepresentation of ethnic minorities. The purpose of this study is twofold. First, we try to identify the main barriers that hinder ethnic minorities’ political advancement, without claiming a causal effect between these barriers and the political underrepresentation of ethnic minorities. Second, we try to propose several hypotheses that can be operationalized and evaluated in potential future researches.
Varandas, Carina Fonseca. "Ajuda Pública ao Desenvolvimento: Portugal e as ex-colónias." Master's thesis, 2018. http://hdl.handle.net/10316/84536.
Full textSocioeconomic development has reached a status that feeds claims of global influence and represents a factor of affirmation of Portugal in the world system, being one of the determining elements of the materialization of the historical ties that connect the country to the territories Portuguese Lusophone. Portugal is known as a developed country that serves the policies of European integration and international aid, mostly aiming at the development of internal and above all external policies of the donor country, in order to contribute to the better positioning of the same in the world.Development cooperation is therefore an important factor for global development as well as for the eradication of poverty and is theoretically the way forward for the development of the quality of life of the populations of less developed countries. Notwithstanding this, some analyzes related to the discourse carried out by ODA donor countries present characteristics assumed as colonialist discourse, allowing them to maintain privileged relations with certain countries.Portugal will serve as a case study in this dissertation, relatively in the study of the differentiation existing in aid relations in Mozambique and Cape Verde, due to the weight of the decisions taken by Portugal over the years, regarding the pattern of choice of countries receiving aid, understanding that aid is skewed and based on neo-colonialist standards.Starting from the argument mentioned above and defended by Arturo Escobar, who is the main determinant in the whole elaboration of this dissertation, the theme is entitled, An analysis of Public Aid for Development: Portugal and the former colonies, trying to answer the whole question the structure of the dissertation, namely to understand how ODA can be seen as a new form of colonialism.
O desenvolvimento socioecónomico alcançou um estatuto que alimenta pretensões de influência global e representa um fator de afirmação de Portugal no sistema mundial, sendo um dos elementos determinantes da materialização dos laços históricos que ligam o país aos territórios africanos lusófonos. Portugal é denominado como um país desenvolvido que serve as políticas de integração europeia e de ajuda internacional, objetivando maioritariamente das vezes a finalidade do desenvolvimento de políticas internas e sobretudo externas do país doador, de forma a contribuir para o melhor posicionamento do mesmo a nível mundial. A cooperação para o desenvolvimento apresenta-se assim como um importante fator para o desenvolvimento mundial, assim como para a erradicação da pobreza, sendo teoricamente o caminho a percorrer para o desenvolvimento da qualidade de vida das populações de países menos desenvolvidos. Não obstante a isto, algumas análises relativas ao discurso realizado pelos países doadores da APD apresentam características assumidas como discurso colonialista, permitindo a estes manter relações privilegiadas com determinados países. Portugal servirá como estudo de caso na presente dissertação, relativamente no estudo da diferenciação existente nas relações da ajuda em Moçambique e Cabo Verde, devido ao peso das decisões tomadas por Portugal no decorrer dos anos, relativamente ao padrão de escolha dos países recetores da ajuda, compreendendo que a ajuda é enviesada e baseada em padrões neocolonialistas.Partindo do argumento supramencionado e defendido por Arturo Escobar, determinante em toda a elaboração da presente dissertação, o tema da mesma intitula-se, Uma análise sobre a Ajuda Pública ao Desenvolvimento: Portugal e as ex-colónias, procurando responder à pergunta que rege toda a estrutura da dissertação, nomeadamente compreender de que forma a APD pode ser encarada como uma nova forma de colonialismo.
Grand, Nesbeth. "Art and globalisation : the place of intangible heritage in a globalising environment." Thesis, 2013. http://hdl.handle.net/10500/12065.
Full textAfrican Languages
D. Litt. et. Phil.(African Languages)
Gudeta, Selamawit Tadesse. "Political unification before economic integration : a critical analysis of Kwame Nkrumah's arguments on the United States of Africa." Diss., 2018. http://hdl.handle.net/10500/24525.
Full textPolitical Sciences
M.A. (International Politics)
West, Juliana Margaret. "The Role of Social Work in Contemporary Colonial and Structurally Violent Processes: Speaking to Aboriginal Social Workers who had Child Welfare and/or Criminal Justice Involvement as Youth." 2014. http://hdl.handle.net/1993/23854.
Full textMakhetha, Lesekele Victor. "Doing liberation theology in the context of the Post-Apartheid South Africa." Thesis, 2014. http://hdl.handle.net/10500/18568.
Full textPhilosophy, Practical & Systematic Theology
D. Th. (Theological Ethics)
Cankech, Onencan Apuke. "Examining the Wrongs Against the Present African Women: An Enquiry on Black Women’s Roles and Contributions from Antiquity - A Black African Male Scholarly Comparative Perspective." Thesis, 2010. http://hdl.handle.net/1807/24546.
Full textBabatunde, Samuel Olufemi. "Engagement et militantisme dans le Docker Noir (1956), les Bouts de bois de Dieu (1960) et Xala (1973) de Sembène Ousmane." Thesis, 2015. http://hdl.handle.net/10500/19617.
Full textMember of the union of black workers in the port of Marseille, in France, and an eyewitness to the misery of black workers in the European environment, Sembène Ousmane, in 1956, wrote, using his personal experiences, his first book entitled The Black Docker. In this novel, he describes the sufferings of the working class, the struggle between colonisers and colonised. In 1960, he uses as a pretext the strike of the Senegalese railway workers in 1937 to write a book entitled God's Bits of Wood. In this story where two forces clashed, on one hand, the colonised struggling against the colonial system and want, at all costs, to improve their living conditions, and on the other hand, the colonisers that are in support of their colonialist ideals and refuse the changes, the author tells the epic story of strikers in Senegal and their relentless struggles against the colonisers to change their living conditions for better. In 1973, an eyewitness of the daily realities of his native country, Senegal, after gaining national sovereignty, Sembène Ousmane wrote and published a book entitled Xala. In this book, he describes the evils of neo-colonialism and criticises the new African middle class, born after independence. After reading these novels, one notes that Sembène Ousmane, a defender of freedom, denounces the injustices done to the blacks, both in the colonial era as well as in the post colonial period. This is why from a book to another, he continues tirelessly his struggle against colonialism and neo-colonialism, evoking the sufferings and tragedies endured by the Africans. It occurs constantly in his imaginary creations, a theme, or better still a dialectical; commitment and militancy. What does he mean by « commitment » and « militancy » ? How do these two concepts manifest themselves in the works of the Senegalese writer? What strategy does he propose to the oppressed in the struggle against the oppressors? What means has he put at the disposal of the disinherited struggling to break the yoke of oppression and exploitation in order to achieve freedom and equality?
Membre du syndicat des travailleurs noirs, au port de Marseille, en France, et témoin oculaire de la misère vécue par les ouvriers noirs dans ce milieu européen, Sembène Ousmane, en 1956, écrit, en se servant de ses expériences personnelles, son premier ouvrage intitulé Le Docker noir. Dans ce roman, il décrit la souffrance de la classe ouvrière, la lutte entre colonisateurs et colonisés. En 1960, il se sert d’un prétexte, la grève des ouvriers sénégalais en 1937, pour écrire un ouvrage intitulé Les Bouts de bois de Dieu. Dans ce récit, où s’affrontent deux forces, d’une part les colonisés qui luttent contre le système colonial et veulent, à tout prix, l’amélioration de leurs conditions de vie, et d’autre part, les colonisateurs qui soutiennent les idéaux colonialistes et refusent le changement, l’auteur relate l’histoire épique des grévistes au Sénégal, et la lutte implacable qu’ils mènent contre les colonisateurs pour le changement de leurs conditions de vie. En 1973, témoin oculaire des réalités quotidiennes de son pays natal, le Sénégal, après son accession à la souveraineté nationale, Sembène Ousmane écrit et publie, un ouvrage intitulé Xala. Dans ce livre, il décrit les méfaits du néocolonialisme et critique la nouvelle classe bourgeoise africaine, née après l’indépendance. Après lecture des trois romans, on constate que Sembène Ousmane, défenseur de la liberté, dénonce les injustices faites aux Noirs, aussi bien à l’époque coloniale qu’à la période postcoloniale. C’est pourquoi, d’un ouvrage à l’autre, il continue, inlassablement, sa lutte contre le colonialisme et le néocolonialisme, en évoquant les souffrances et les drames endurés par les Africains. Il revient, constamment, dans ses créations imaginaires, à une thématique, ou mieux une dialectique, l’engagement et le militantisme. Qu’entend-il par « engagement » et « militantisme »? Comment ces deux lexèmes se manifestent-ils dans les écrits de cet écrivain sénégalais? Quelles stratégies propose-t-il aux opprimés dans la lutte qui les oppose aux oppresseurs? Quels moyens met-il a la disposition des déshérités en lutte pour briser le joug de l’oppression et celui de l’exploitation afin d’obtenir la liberté et l’égalité?
Linguistics and Modern Languages
D. Litt. et Phil. (French)
Abadie, Delphine. "Reconstruire la philosophie à partir de l'Afrique : une utopie postcoloniale." Thèse, 2018. http://hdl.handle.net/1866/20587.
Full textVan, der Merwe Anna Susanna Petronella. "Postkolonialiteit in die twintigste- en een-en-twintigste-eeuse Afrikaanse drama met klem op die na-sestigers." Thesis, 2003. http://hdl.handle.net/10500/1219.
Full textIn this thesis the term post-colonialism in the Afrikaans drama is investigated, focussing on the post-sixties. The term post-colonialism is difficult to define. Not only are theories of post-colonialism in a state of continuous flux and shifting emphasis, but as a result of different colonial dominations, separate identities have been constructed in South-Africa; so that defining the terms colonial, post colonial and post-colonial proves to be even more problematic. The purpose of this study is to determine to what extent the Afrikaans drama fits into these discourses. The basic point of departure is the fact that post-colonialism played a considerable role in the development of the Afrikaans drama, at the same time providing a more varied scope. The research covers several aspects of post-colonialism in Afrikaans drama; each dealt with in a separate chapter. A multitude of perspectives are featured within the broader discourse in order to obtain multiple norms and standards in a phase of self-criticism. The focus falls mainly on themes and not on performance aspects. New perspectives on issues such as canon texts, silence, hero-worship, the portrayal of woman, patriarchy, and neo-colonialism are presented (chapter 1). In chapter 2 focus falls on the period before 1960, and notably the question of nationalism (associated with apartheid) and the portrayal of the Afrikaner. The literary canon, forms of violence and the position of the super-Afrikaner are viewed in a new light during the re-writing of post-colonial history and the resulting paradigm shifts after 1960. Renewed emphasis is placed on discourse concerning land (chapter 3). Contrasting concepts regarding race, class, language, gender and religion are reconsidered in order to contribute towards the heterogeneous nature of post-colonialism (chapter 4). The function of theatre is to re-evaluate in the context of a post-1994 democratic system. Texts now focus especially on empowerment, re-discovery and re-ordering of history, reconciliation, inter-cultural contact and a post-apartheid syndrome (chapter 5). Anti-hegemonic resistance in Afrikaans literature since the sixties has confronted writers with the challenge of depicting or creating a larger post-colonial reality through their texts.
Afrikaans & Theory of Literature
D. Litt. et Phil. (Afrikaans)
Stokes, Tonja LaFaye. "Informing practice and sabotaging membership growth: an ideological rhetorical analysis of discursive materials from Kiwanis International." Thesis, 2015. http://hdl.handle.net/1805/7982.
Full textThis study utilizes an ideological rhetorical analysis, applying Marxist and Feminist lenses, to artifacts from Kiwanis International, a prominent global service organization. These artifacts are: "The Permanent Objects of Kiwanis," guiding principles that were codified in 1924; "The Man Who Was God": a brief story about transforming from Kiwanis member to "Kiwanian," published in 1935 and 1985, respectively; and the 2012 "Join the Club" Membership Brochure. The rhetoric of discursive materials is one of the most salient representations of group ideology. In turn, ideology, particularly when it reflects and perpetuates social hegemony, has a normalizing effect on itself. Ideology shapes identity; identity shapes strategies to set process norms that create social cohesion. Norms of social cohesion become culture; culture reinforces ideology. When these components mirror social hegemony and replicate hegemonic power, they create institutions, like service organizations; these institutions then legitimate and normalize positions of social privilege. Ultimately, ideology and social hegemony reveal themselves through organizational and member practices and organizationally-produced discursive material. The purpose of this study is to analyze the historical, socio-political, and socio-cultural roots of Kiwanis International in order to draw logical conclusions about the organization's ideology for the purposes of understanding how that ideology contributes to, justifies, and perpetuates an unconscious, neo-colonial view of philanthropy. Kiwanis International, on an organizational (macro) level and at the club/member (micro) level, is structured around positions of racial, ethnic, socio-economic, linguistic, gender, and religious privilege, and so mimics the hegemonic power centers and dominant ideologies of society at large. In turn, the products and practices of the organization reflect these positions of privilege and inhibits the organization's ability to attract traditionally excluded, disenfranchised, or under-represented groups. Understanding that it is a contentious and futile to simply point where power relations exist and assert themselves, this study emphasizes where "othering" occurs in hopes of mitigating relations of domination and oppression between Kiwanis members and perspective members, and of moving forward the interests of those who have not traditionally been counted among Kiwanis' members but whose presence could save the organization.