Relevant bibliographies by topics / Neo-Latin poetry

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Academic literature on the topic 'Neo-Latin poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Neo-Latin poetry"

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Lastovets, Mariia, Valentyna Myronova, Oksana Koshchii, and Nataliia Korolova. "Neo-Latin poetry of Ukraine: literary and stylistic syncretism." Revista Amazonia Investiga 10, no. 41 (2021): 10–18. http://dx.doi.org/10.34069/ai/2021.41.05.1.

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The article considers the literary and stylistic peculiarities of Neo-Latin poetry in seventeenth to eighteenth-century Ukraine. Latin poetry of that time is marked by variability and diversity of genres, for it logically continued the classical traditions and at the same time was influenced by the aesthetics and poetics of the Baroque due to the interlingual contacts. The Latin language was supposed to be the main criterion of the high style in a poetry. As for the genre peculiarities, Neo-Latin poetry tended to panegyrics as the literature "fashion" of that epoch, when the poets expressed th
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Lucioli, Francesco. "The Delitiae CC Italorum Poetarum (1608) Edited by Jan Gruter, Its Sources and Models." Daphnis 52, no. 3-4 (2024): 493–514. https://doi.org/10.1163/18796583-05203002.

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Abstract Delitiae CC Italorum poetarum huius superiorisque aevi illustrium is the title of a two-volume anthology of Neo-Latin poetry which collects texts by more than two hundred Italian authors. Published in 1608 by the Flemish philologist Jan Gruter, this collection establishes a canon of Neo-Latin poetry written in Italy in the sixteenth century. With his anthology Gruter aimed to complete a project already undertaken by Giovanni Matteo Toscano, who had published in Paris, between 1576 and 1577, a two-volume collection of Carmina illustrium poetarum Italorum. The two anthologies differ in
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McFarlane, I. D. "Religious Verse in French Neo-Latin Poetry until the Death of Francis I And Marguerite of Navarre." Studies in Church History. Subsidia 8 (1991): 171–86. http://dx.doi.org/10.1017/s0143045900001630.

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Religious poetry inevitably echoes the traditions and trends that are evident in the period. At first there are authors who followed paths that persisted well after the beginning of the sixteenth century, but pre-Reformation and Reformation attitudes were bound to mirror themselves among the writers, both in the vernacular and neo-Latin poetry. The ideas of the Reformation affect the neo-Latin poets especially during the 1530s, but they form, as it were, a bulge in the main current, modifying form and themes, but by the end of the period, conservative attitudes have re-established themselves.
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Brown, Kenneth, and Reyes Bertolín Cebrián. "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth-, Eighteenth-, and Nineteenth-Century Sephardim from Hamburg and Frankfurt (2)." Sefarad 60, no. 2 (2018): 227. http://dx.doi.org/10.3989/sefarad.2000.v60.i2.764.

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[Continuación de Kenneth Brown, "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth and Eighteenth-Century Sephardim from Hamburg and Frankfurt (1)", Sefarad, 59, 1 (1999), pp. 3-42].
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Sacré, Theodoricus. "De inedito atque ignoto carmine Sigismundi Chisii, 1649–1678." Nordlit, no. 33 (November 16, 2014): 329. http://dx.doi.org/10.7557/13.3165.

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This article presents an unpublished Neo-Latin poem written by Sigismondo Chigi (1649–1678), a nephew of Fabio Chigi or Pope Alexander VII (1655–1667). It was written in Rome in the early 1660s and deals with the times of Agostino Chigi il Magnifico, one of the richest persons in the Roman world of the early sixteenth century. Sigismondo’s humorous poem is considered against the background of the Latin poetry of his uncle, the later Pope, who tutored Sigismondo’s Latin studies, handed over his own poetry and other Latin writings to his nephew, and tried to make him aware of the importance of t
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Universidad, de Granada. "La Austriaca siue Naumachia de Francisco de Pedrosa y la propaganda al servicio del poder." Euphrosyne. Journal for Classical Philology 44 (June 7, 2016): 265–77. https://doi.org/10.1484/J.EUPHR.5.125133.

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Tras la Batalla de Lepanto, numerosos poetas épicos, incluido el relativamente desconocido Francisco de Pedrosa, emplearon su talento en difundir el gran entusiasmo generado por la victoria de la Liga Santa sobre los turcos. Analizamos en este artículo los mecanismos que utilizó Pedrosa para poner su Austriaca siue Naumachia al servicio del poder. After the Battle of Lepanto, many epic poets, including the relatively unknown Francisco de Pedrosa, used their talent to spread the great enthusiasm for the victory of the Holy League over the Turks. We analyze in this paper the
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Frate, Rafael. "An overview of neo-Latin epigrammatic poetry in Poland (and Russia)." Classica - Revista Brasileira de Estudos Clássicos 37 (April 25, 2024): 1–17. http://dx.doi.org/10.24277/classica.v37.2024.1075.

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The following article provides an overview of Polish neo-Latin poetry with a full historical background provided by situating the literary practices of 16th C. Poland and exploring some of the principal theoretical and rhetorical approaches to this poetry. The article claims Polish letters to be central in Eastern Europe, and a decisive authority that helped shape the literary fields of lands such as Ruthenia (presently, Ukraine and Belarus) and Russia until the 18th C. By taking as example Maciej Sarbiewski’s epigrammatic production, I offer a glimpse into the theoretical works of Jesuit prie
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Storchová, Lucie. "Creating a Nation through an Anthology of Neo-Latin Poetry." Daphnis 52, no. 3-4 (2024): 459–92. https://doi.org/10.1163/18796583-05203009.

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Abstract Farragines poematum, an extensive, four-volume anthology of Neo-Latin poems, was published in 1561–1562 by a group of former Wittenberg students based in Prague. This study focuses on how this collective literary project originated, how the anthology was prepared and what reasons poets might have had for publishing a representative selection of their own works of poetry and their friends’. It demonstrates how the final form of the anthology was influenced by the strategies of gaining patronage. Following the concepts of Caspar Hirschi, this study discusses which role anthology, as a s
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Shevchenko, Lyudmyla. "Латинська мова в інтелектуальному житті європейців ХХ–ХХІ ст." Studia Polsko-Ukraińskie, № 10 (10 червня 2023): 105–18. http://dx.doi.org/10.31338/2451-2958spu.10.8.

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In the twentieth–twenty-first centuries, Latin is used as the language of European culture, and not only in certain areas of intellectual life. Many scientific journals publish the main text of articles in national languages, accompany them with a Latin abstract, or find a place for Latin poems, humorous stories, crosswords, etc. Some journals were printed entirely in Latin e.g., Latinitas (Vatican), Palaestra Latina (Barcelona), Vox Latina (Saarbrucken), Vita Latina (Avignon), Orbis Latinus (Mendoza), Melissa (Brussels), etc. In the mid-twentieth century, a series of collections of Neo-Latin
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Milewska-Waźbińska, Barbara. "Kilka uwag na temat recepcji twórczości Owidiusza w chrześcijańskeij poezji nowołacińskiej doby baroku." Symbolae Philologorum Posnaniensium Graecae et Latinae 33, no. 1 (2023): 227–42. http://dx.doi.org/10.14746/sppgl.2023.xxxiii.1.17.

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In the Neo-Latin poetry written from the fifteenth to the eighteenth centuries, one can find numerous references to the works of Ovid. The aim of this article is to reflect on the ways works by the famous Roman poet were received in Neo-Latin Christian literature of the Baroque period. The article discusses three poetry cycles inspired especially by Ovid`s elegies. Ovidius Christianus, whose author is the Jesuit Laurent Le Brun, refers to the Bible and informs about the New World in the form of poetic letters. Ovidius Christianus by Johannes Baptista Bebber presents in the form of elegies the
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Dissertations / Theses on the topic "Neo-Latin poetry"

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Haan, Estelle. "John Milton's latin poetry : some neo-Latin and vernacular contexts." Thesis, Queen's University Belfast, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317073.

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O'Brien, J. P. "'Anacreon' Redivivus : French Anacreontic translation in neo-Latin and the vernacular 1554-1556." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371718.

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Wong, Alexander Tsiong. "Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.

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Vaananen, Katrina Victoria. "Renaissance Reception of Classical Poetry in Fracastoro’s Morbus Gallicus." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1506444910819066.

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Ginzel, Christof. "Poetry, politics and promises of empire prophetic rhetoric in the English and Neo-Latin epithalamia on the occasion of the Palatine marriage in 1613." Göttingen V & R Unipress, Bonn Univ. Press, 2007. http://d-nb.info/99109445X/04.

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Feile, Tomes Maya Caterina. "Neo-Latin America : the poetics of the "New World" in early modern epic : studies in José Manuel Peramás's 'De Invento Novo Orbe Inductoque Illuc Christi Sacrificio' (Faenza 1777)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/273742.

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This is an investigation of the epic poetry produced in and about the Ibero-American world during the early modern period (sixteenth to eighteenth centuries) in trilingual perspective: in addition to the more familiar Spanish- and Portuguese-language texts, consideration is also––and, for the purposes of the thesis, above all––given to material in Latin. Latin was the third of the international literary languages of the Iberian imperial world; it is also by far the most neglected, having fallen between the cracks of modern disciplinary boundaries in their current configurations. The thesis see
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Lima, Ricardo da Cunha. "A presença clássica na poesia neolatina do humanista português Antônio de Gouveia." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06122007-113357/.

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Esta tese trata da obra poética neolatina publicada em Lyon, França, nos anos de 1539 e 1540, pelo humanista português Antônio de Gouveia, consistindo em duas centenas de epigramas e mais quatro cartas de amor em versos. Foram feitos o estabelecimento do texto latino, com o cotejo de diferentes edições, e a tradução para o português, acrescida de notas e comentários. Foram feitas diversas análises, de cunho poético, para examinar os procedimentos estilísticos de composição da obra e para verificar a presença da literatura clássica no texto renascentista. A existência de duas diferentes edições
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Farquhar, Alexander J. K. "Arthur Johnston and the fostering of Scottish letters." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b649c8ca-f9f8-4562-9dfd-d57b9399ceb7.

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Traditionally, Arthur Johnston has been judged proxime accessit to George Buchanan in the world of Scottish neo-Latin poetry, and particularly in the versification of the Book of Psalms. The thesis offers a counterpoint to that theme. More of his poetry came under scrutiny at the close of the nineteenth century, when an edition of his Parerga and Epigrammata of 1632, turned scholarly attention to his secular poems. This study examines the poems written between 1599 and 1622 during Johnston’s peregrenatio academica in Europe – poems which depict him at the moment of his emergence onto the publi
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Ledesma, Eduardo. "The Historic Avant-Garde, the Neo-Avant-Garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10286.

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My dissertation examines the experimental poetry of three periods, the historical avant-garde of the 1920s, the neo-avant-gardes of the 1950s, 60s, and 70s, and the digital avant-garde (from the 1990s until the present), drawing on the works of poets from the Luso-Hispanic world including the Iberian Peninsula and Latin America. Scholars such as Renato Poggioli and Peter Bürger define the avant-garde as radically new and unrepeatable, an "advanced" guard that exhausted its aesthetic and political possibilities. I challenge this view by establishing a continuity of avant-gardes that emerge dur
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Gauthier, Élise. "Entre vita activa et vita contemplativa, la "vita poeticia" de Nicolas Barthélémy de Loches, un moine-poète du début de la Renaissance française." Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2010.

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Bien qu’il ait inspiré des contemporains plus célèbres, tels François Rabelais et Clément Marot, et fréquenté des humanistes de premier plan, bien qu’il soit l’auteur d’une forme de tragédie latine inédite et maintes fois rééditée, et d’une chronique du règne de Louis XII connue des historiens, le poète néo-latin Nicolas Barthélemy de Loches est resté parfaitement méconnu. Il est ainsi nécessaire de rassembler, corriger et compléter les données dont on peut disposer sur ce personnage et ses oeuvres, mais aussi de reconstituer le cadre social, littéraire et historique dans lequel il a vécu et c
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Books on the topic "Neo-Latin poetry"

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Haan, Estelle. Thomas Gray's Latin poetry: Some classical, neo-Latin and vernacular contexts. Latomus revue d'études latines, 2000.

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Paul, Murgatroyd, ed. A Collection of translations into Latin verse and original compositions: Neo-Latin poetry. E. Mellen Press, 1991.

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Mertz, James J. Jesuit Latin poets of the 17th and 18th centuries: An anthology of neo-Latin poetry. Bolchazy-Carducci, 1989.

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Baldassarre, Castiglione. Two Renaissance friends: Baldassarre Castiglione, Domizio Falcone, and their Neo-Latin poetry. ACMRS [Arizona Center for Medieval and Renaissance Studies], 2015.

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Westonia, Elizabetha Johanna. Neo-Latin women writers: Elizabeth Jane Weston and Bathsua Reginald [Makin]. Ashgate, 2000.

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Maria, Berggren, Helander Hans 1942-, and Henriksén Christer, eds. Miraculum eruditionis: Neo-Latin studies in honour of Hans Helander. Uppsala Universitet, 2007.

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Gejrot, Claes. Poems for the occasion: Three essays on Neo-Latin poetry from Seventeenth-Century Sweden. Almqvist & Wiksell International, 1999.

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Cambridge Society for Neo-Latin Studies. Symposium. Poets and teachers: Latin didactic poetry and the didactic authority of the Latin poet from the Renaissance to the present : proceedings of the Fifth Annual Symposium of the Cambridge Society for Neo-Latin Studies, Clare College, Cambridge, 9-11 September, 1996. Levante, 1999.

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Siedina, Giovanna, ed. Latinitas in the Polish Crown and the Grand Duchy of Lithuania. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-675-6.

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The volume contains articles concerning the influence of Latinitas in the territory now occupied by Poland, Lithuania, Ukraine and Belarus’. The articles, all published in English, range from history to literature and to cultural history and the history of ideas. They analyze the issue of building an identity, either real or imagined, from different points of view. Among the most interesting topics are the classical origins of myths and ideas that have helped build the national identities of those that constituted the ethnic mosaic of the Grand Duchy of Lithuania and the role of Neo-Latin poet
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Moul, Victoria. Neo-Latin Poetry, 1500–1700. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.16.

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This chapter discusses Latin poetry of the period 1500–1700, with a particular focus on the British Latin verse of this period, as well as authors from elsewhere who had an international reputation. Since the Latin literature of the Renaissance is conventionally considered to begin in Italy in the mid-fourteenth century with Petrarch, and the Italian Latin literature of the fourteenth and fifteenth centuries was strongly influential on the rest of Europe throughout the early modern period, this chapter also gives some account of key figures from that earlier period. The chapter discusses the v
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Book chapters on the topic "Neo-Latin poetry"

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Poutsileva, Larisa. "Рецепция ренессансной поэмы Песня о зубре Николая Гусовского в Беларуси и проблемы её перевода." In Biblioteca di Studi Slavistici. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-723-8.25.

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In the modern multi-linguistic concept of Belarus culture, neo-latin poetry represents an important component. The inclusion in the 1960s of the Latinist poet Nikolai Gusovskij, alongside other Renaissance poets, in Belarusian literature contributed to the growth of the national consciousness of the Russified and Sovietized Belarusians. However, the first translations of The Poem of the Bison in Belarusian and Russian, which showed clear signs of a tendentiousness aimed at adapting the text to the socio-political situation of Soviet times, remain canonical, despite the presence of new translat
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Schaffenrath, Florian. "A Comparison of Neo-Latin Epic Poetry in Tyrol and Croatia: A Case Study of Eighteenth-Century Marian Epic Poetry." In Neo-Latin contexts in Croatia and Tyrol: challenges, prospects, case studies. Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205204701.191.

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Tournoy, Gilbert. "Neo-Latin Poetry in the Album Amicorum of Hubert Audejans." In Dulces ante omnia Musae. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.stlll-eb.5.124062.

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Deneire, Tom. "Reconsidering Imitatio Auctorum. A dynamic-functionalist approach to imitation in neo-latin poetry." In Les Arts poétiques du XIIIe au XVIIe siècles. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.latin-eb.4.2017012.

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Stepanić, Gorana. "Rethinking the Unity of Croatian Neo-Latin Literature: Zones of Cultural Influence and Generic Repertoire in Poetry (1650–1720)." In Neo-Latin contexts in Croatia and Tyrol: challenges, prospects, case studies. Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205204701.33.

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Máté, Ágnes. "Remarriage and Stepfamilies among the Lutheran Urban Elite in Seventeenth-Century Hungary. Neo-Latin Wedding Poetry as Source." In Remarriage and Stepfamilies in East Central Europe, 1600-1900. Routledge, 2023. http://dx.doi.org/10.4324/9781003299967-10.

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Miralles Maldonado, José Carlos. "Roma vetus vs. Roma nova." In Reconstruire Rome : la restauration comme politique urbaine, de l'Antiquité à nos jours. Publications de l’École française de Rome, 2024. http://dx.doi.org/10.4000/1279v.

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In the period of the Counter-Reformation the city of Rome experienced a profound transformation. Particularly, popes Pius IV (1559-1565), Gregory XIII (1572-1585), and Sixtus V (1585-1590) played a prominent role in the urban renovation of Rome. I have focused my research on the restoration programs of the mentioned popes and on the propaganda of their projects for transforming the city. My primary sources are the occasional Neo-Latin poetry and oratory composed or/and pronounced in Rome during the second half of the XVIth century. With the help of these sources, I have analyzed how the humani
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Knight, Sarah, Stefan Tilg, and Florian Schaffenrath. "Narrative Poetry." In The Oxford Handbook of Neo-Latin. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199948178.013.38.

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Knight, Sarah, Stefan Tilg, and Victoria Moul. "Lyric Poetry." In The Oxford Handbook of Neo-Latin. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199948178.013.4.

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Knight, Sarah, Stefan Tilg, and David Money. "Epigram and Occasional Poetry." In The Oxford Handbook of Neo-Latin. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199948178.013.5.

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