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Books on the topic 'Neo-Latin poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Haan, Estelle. Thomas Gray's Latin poetry: Some classical, neo-Latin and vernacular contexts. Latomus revue d'études latines, 2000.

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2

Paul, Murgatroyd, ed. A Collection of translations into Latin verse and original compositions: Neo-Latin poetry. E. Mellen Press, 1991.

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3

Mertz, James J. Jesuit Latin poets of the 17th and 18th centuries: An anthology of neo-Latin poetry. Bolchazy-Carducci, 1989.

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4

Baldassarre, Castiglione. Two Renaissance friends: Baldassarre Castiglione, Domizio Falcone, and their Neo-Latin poetry. ACMRS [Arizona Center for Medieval and Renaissance Studies], 2015.

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5

Westonia, Elizabetha Johanna. Neo-Latin women writers: Elizabeth Jane Weston and Bathsua Reginald [Makin]. Ashgate, 2000.

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6

Maria, Berggren, Helander Hans 1942-, and Henriksén Christer, eds. Miraculum eruditionis: Neo-Latin studies in honour of Hans Helander. Uppsala Universitet, 2007.

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7

Gejrot, Claes. Poems for the occasion: Three essays on Neo-Latin poetry from Seventeenth-Century Sweden. Almqvist & Wiksell International, 1999.

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8

Cambridge Society for Neo-Latin Studies. Symposium. Poets and teachers: Latin didactic poetry and the didactic authority of the Latin poet from the Renaissance to the present : proceedings of the Fifth Annual Symposium of the Cambridge Society for Neo-Latin Studies, Clare College, Cambridge, 9-11 September, 1996. Levante, 1999.

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9

Siedina, Giovanna, ed. Latinitas in the Polish Crown and the Grand Duchy of Lithuania. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-675-6.

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The volume contains articles concerning the influence of Latinitas in the territory now occupied by Poland, Lithuania, Ukraine and Belarus’. The articles, all published in English, range from history to literature and to cultural history and the history of ideas. They analyze the issue of building an identity, either real or imagined, from different points of view. Among the most interesting topics are the classical origins of myths and ideas that have helped build the national identities of those that constituted the ethnic mosaic of the Grand Duchy of Lithuania and the role of Neo-Latin poet

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10

Moul, Victoria. Neo-Latin Poetry, 1500–1700. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.16.

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This chapter discusses Latin poetry of the period 1500–1700, with a particular focus on the British Latin verse of this period, as well as authors from elsewhere who had an international reputation. Since the Latin literature of the Renaissance is conventionally considered to begin in Italy in the mid-fourteenth century with Petrarch, and the Italian Latin literature of the fourteenth and fifteenth centuries was strongly influential on the rest of Europe throughout the early modern period, this chapter also gives some account of key figures from that earlier period. The chapter discusses the v

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11

Neo-Latin Poetry in the British Isles. Bloomsbury Publishing Plc, 2013.

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12

Neo-Latin Poetry in the British Isles. Bloomsbury Publishing Plc, 2013.

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13

Neo-Latin Poetry in the British Isles. Bloomsbury Publishing Plc, 2013.

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14

Neo-Latin Poetry in the British Isles. Bloomsbury Publishing Plc, 2012.

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15

Haan, Estelle Anita Mary. John Milton's Latin poetry: Some neo-Latin and vernacular contexts. 1987.

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16

Anthology of Neo-Latin Poetry by Classical Scholars. Bloomsbury Publishing Plc, 2024.

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17

Barton, William M., L. B. T. Houghton, Stephen Harrison, et al., eds. An Anthology of Neo-Latin Poetry by Classical Scholars. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350379480.

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Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period. An appealing feature of Renaissance and early

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18

Jensen, Minna Skafte. Friendship and Poetry: Studies in Danish Neo-Latin Literature. Museum Tusculanum, 2004.

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19

(Editor), Marianne Pade, Karen Skovgaard-Petersen (Editor), and Peter Zeeberg (Editor), eds. Friendship and Poetry: Studies in Danish Neo-Latin Literature. Museum Tusculanum, 2004.

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20

Bloemendal, Jan. Neo-Latin Writings and Religion. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.14.

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This chapter explores the many genres of neo-Latin writing in which theology found its place. Not only theological writings from both Roman Catholic and Protestant authors were written in Latin, but also in other genres theological issues were brought to the fore in Latin, such as political narratives like Thomas More’s Utopia, religiously inspired school and academic drama, Buchanan’s Psalm Paraphrases and other religious poetry, and in letters. Foremost through correspondence, but also by means of other genres, contacts existed between the United Kingdom and the continent. In addition, the r

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21

Murgatroyd, Paul. A Collection of Translations into Latin Verse and Original Compositions: Neo-Latin Poetry. Mellen University Press, 1991.

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22

Brill's Encyclopaedia of the Neo-Latin World. Brill, 2014.

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23

Urbanski, Piotr. Pietas Humanistica: Neo-latin Religious Poetry in Poland in European Context. Peter Lang Publishing, 2006.

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24

Pietas Humanistica: Neo-latin Religious Poetry in Poland in European Context. Peter Lang Publishing, 2006.

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25

Gwynne, Paul, and Bernhard Schirg. Economics of Poetry: The Efficient Production of Neo-Latin Verse, 1400-1720. Lang AG International Academic Publishers, Peter, 2018.

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26

Haan, Estelle. The Latin Poetry of Thomas Gray. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350419902.

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In the first full-scale edition of Thomas Gray’s Latin poetry, the Latin text and facing English translation are complemented by a detailed introduction and comprehensive commentary that situate Gray’s Latin verse in relation to his vernacular poetry, epistolary correspondence, and, especially, his appropriation of classical and Neo-Latin literature.This book also traces hitherto unlocated manuscripts of several of his Latin poems, and includes aneditio princepsof recently discovered Latin verses pertaining to his Neapolitan sojourn. Gray’s Latin poetry presents an illuminating portrait of the

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27

Economics of Poetry: The Efficient Production of Neo-Latin Verse, 1400-1720. Lang AG International Academic Publishers, Peter, 2018.

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28

Gwynne, Paul, and Bernhard Schirg. Economics of Poetry: The Efficient Production of Neo-Latin Verse, 1400-1720. Lang AG International Academic Publishers, Peter, 2018.

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29

Gwynne, Paul, and Bernhard Schirg. Economics of Poetry: The Efficient Production of Neo-Latin Verse, 1400-1720. Lang AG International Academic Publishers, Peter, 2018.

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30

Murphy, John P. Jesuit Latin Poets of the Seventeenth and Eighteenth Centuries: An Anthology of Neo-Latin Poetry. Bolchazy-Carducci Publishers, 1990.

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31

Murphy, John P. Jesuit Latin Poets of the Seventeenth and Eighteenth Centuries: An Anthology of Neo-Latin Poetry. Bolchazy-Carducci Publishers, 1990.

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32

Ford, Philip. Judgment of Palaemon: The Contest Between Neo-Latin and Vernacular Poetry in Renaissance France. BRILL, 2013.

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33

Judgment of Palaemon: The Contest Between Neo-Latin and Vernacular Poetry in Renaissance France. BRILL, 2013.

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34

Harrison, Stephen, Akihiko Watanabe, and Lucy R. Nicholas. The Neo-Latin Verse of Urban VIII, Alexander VII and Leo XIII. Edited by Stephen Harrison, Gesine Manuwald, Gesine Manuwald, et al. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350292413.

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A fascinating insight into the most talented Latin poets to occupy the Papal throne after Pius II Piccolomini in the 15th century, this book offers translations of and commentaries on the major poems of the three popes (all Italians): Urban VIII Barberini, Alexander VII Chigi and Leo XIII Pecci. Their highly accomplished Neo-Latin poems owe much to the major Latin poets and are significant instances of classical reception, but also cast an interesting light on their lives, times and papacies. Urban (elected pope in 1623) published a mixture of secular and religious verse, drawing on the hexame

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35

Springer, Carl P. E. Latin Verse of Martin Luther. Edited by Stephen Harrison and Gesine Manuwald. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350261532.

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Martin Luther wrote a number of Latin poems, mostly using traditional classical metres, over the course of his career. He used them to praise friends, insult adversaries and express his faith in times of distress.Up until now, Luther’s Neo-Latin poetry has largely fallen through the disciplinary cracks. Literary scholars have traditionally paid more attention to the Latin verse of more celebrated humanist poets such as Petrarch. Students of the Reformation have concentrated far more often on Luther’s prose and his famous German hymns than on his Latin poems. Even scholars who are familiar with

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36

Foodporn cum, a Latin word, meaning "with", "when", "because" or "although," Maundy Thursday: A suite of neo-noir poems. Squircle Line Press and Glass Lyre Press, 2016.

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37

Vervaeck, Bart, ed. Neo-Avant-Gardes. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474486095.001.0001.

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This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Be

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38

Ingleheart, Jennifer. Sex, Latin, and Scholarship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819677.003.0004.

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This chapter analyses A. E. Housman’s Praefanda, a parallel for Bainbrigge’s subversive, witty, and allusive Latin. Sexuality and scholarship cannot be separated; this chapter deconstructs the popular stereotype of the divided Housman, whose romantic poetry touched on homoerotic desires, but who focused his scholarly energies on austere topics. Housman’s Latin demonstrates complex intertextuality with classical literature and neo-Latin writings on sex, and it teases his readers about his knowledge of sex and sexuality, and how that knowledge was gained; like Bainbrigge, he suggests that sexual

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39

Poetry, politics and promises of empire: Prophetic rhetoric in the English and Neo-Latin epithalamia on the occasion of the Palatine marriage in 1613. V&R Unipress, 2009.

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40

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Poets. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0011.

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This chapter explores the development of poetry at court and among Chancery clerks. It looks at the cultural processes behind the migration of humanist and neo-Latin culture to Moscow and the slow assimilation of rhetoric and a new poetics in a challenging context controlled by the church. Active outside the court, although still in the vicinity, a group known as Chancery poets adapted lyric forms in syllabic verse to their own expressive needs. The chapter provides an introduction to Polotsky’s major collections, and discusses the verbal, prosodic, and visual techniques that Polotsky and his

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41

Haan, Estelle. ‘Latinizing’ Milton. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0006.

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This chapter traces the trajectory and implied audiences of a cluster of Latin translations of Paradise Lost that emerged in the long eighteenth century. These, by a certain J.C. (1686), Hog (1690), Power (1691), Trapp (1740), and Dobson (1753), are discussed in relation to theoretical and pedagogical precepts about translation, the important tradition of neo-Latin poetry, and the perennial debate about la questione della lingua. Informed by current translational theory, the analysis considers the multifunctional aims and consequences of Latinizing Milton, whereby the translator, employing a r

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42

Kajava, Mika, Tua Korhonen, and Jamie Vesterinen. Meilicha Dôra. Poems and Prose in Greek from Renaissance and Early Modern Europe. Suomen Tiedeseura, 2020. http://dx.doi.org/10.54572/ssc.137.

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Contains articles among others: Grigory Vorobyev, Theodore Gaza’s Translation between Diplomacy and Humanism. A List of European Countries in Pope Nicholas V's Letter to the Last Byzantine Emperor; Angelo de Patto, Uberto Decembrio’s Epitaph. A Fifteenth-century Greek-Latin Epigraph; Luigi-Alberto Sanchi, Guillaume Budé’s Greek manifesto. The Introductory Epistles of the Commentarii linguae Graecae (1529): Martin Steinrück, Rabelais' Quart livre and Greek language; Johanna Akujärvi, Neo-Latin Texts and Humanist Greek Paratexts. On Two Wittenberg Prints Dedicated to Crown Prince Erik of Sweden;

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