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Journal articles on the topic 'Neo-Latin poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Lastovets, Mariia, Valentyna Myronova, Oksana Koshchii, and Nataliia Korolova. "Neo-Latin poetry of Ukraine: literary and stylistic syncretism." Revista Amazonia Investiga 10, no. 41 (2021): 10–18. http://dx.doi.org/10.34069/ai/2021.41.05.1.

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The article considers the literary and stylistic peculiarities of Neo-Latin poetry in seventeenth to eighteenth-century Ukraine. Latin poetry of that time is marked by variability and diversity of genres, for it logically continued the classical traditions and at the same time was influenced by the aesthetics and poetics of the Baroque due to the interlingual contacts. The Latin language was supposed to be the main criterion of the high style in a poetry. As for the genre peculiarities, Neo-Latin poetry tended to panegyrics as the literature "fashion" of that epoch, when the poets expressed th

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Lucioli, Francesco. "The Delitiae CC Italorum Poetarum (1608) Edited by Jan Gruter, Its Sources and Models." Daphnis 52, no. 3-4 (2024): 493–514. https://doi.org/10.1163/18796583-05203002.

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Abstract Delitiae CC Italorum poetarum huius superiorisque aevi illustrium is the title of a two-volume anthology of Neo-Latin poetry which collects texts by more than two hundred Italian authors. Published in 1608 by the Flemish philologist Jan Gruter, this collection establishes a canon of Neo-Latin poetry written in Italy in the sixteenth century. With his anthology Gruter aimed to complete a project already undertaken by Giovanni Matteo Toscano, who had published in Paris, between 1576 and 1577, a two-volume collection of Carmina illustrium poetarum Italorum. The two anthologies differ in

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3

McFarlane, I. D. "Religious Verse in French Neo-Latin Poetry until the Death of Francis I And Marguerite of Navarre." Studies in Church History. Subsidia 8 (1991): 171–86. http://dx.doi.org/10.1017/s0143045900001630.

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Religious poetry inevitably echoes the traditions and trends that are evident in the period. At first there are authors who followed paths that persisted well after the beginning of the sixteenth century, but pre-Reformation and Reformation attitudes were bound to mirror themselves among the writers, both in the vernacular and neo-Latin poetry. The ideas of the Reformation affect the neo-Latin poets especially during the 1530s, but they form, as it were, a bulge in the main current, modifying form and themes, but by the end of the period, conservative attitudes have re-established themselves.

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Brown, Kenneth, and Reyes Bertolín Cebrián. "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth-, Eighteenth-, and Nineteenth-Century Sephardim from Hamburg and Frankfurt (2)." Sefarad 60, no. 2 (2018): 227. http://dx.doi.org/10.3989/sefarad.2000.v60.i2.764.

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[Continuación de Kenneth Brown, "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth and Eighteenth-Century Sephardim from Hamburg and Frankfurt (1)", Sefarad, 59, 1 (1999), pp. 3-42].

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Sacré, Theodoricus. "De inedito atque ignoto carmine Sigismundi Chisii, 1649–1678." Nordlit, no. 33 (November 16, 2014): 329. http://dx.doi.org/10.7557/13.3165.

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This article presents an unpublished Neo-Latin poem written by Sigismondo Chigi (1649–1678), a nephew of Fabio Chigi or Pope Alexander VII (1655–1667). It was written in Rome in the early 1660s and deals with the times of Agostino Chigi il Magnifico, one of the richest persons in the Roman world of the early sixteenth century. Sigismondo’s humorous poem is considered against the background of the Latin poetry of his uncle, the later Pope, who tutored Sigismondo’s Latin studies, handed over his own poetry and other Latin writings to his nephew, and tried to make him aware of the importance of t

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Universidad, de Granada. "La Austriaca siue Naumachia de Francisco de Pedrosa y la propaganda al servicio del poder." Euphrosyne. Journal for Classical Philology 44 (June 7, 2016): 265–77. https://doi.org/10.1484/J.EUPHR.5.125133.

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Tras la Batalla de Lepanto, numerosos poetas épicos, incluido el relativamente desconocido Francisco de Pedrosa, emplearon su talento en difundir el gran entusiasmo generado por la victoria de la Liga Santa sobre los turcos. Analizamos en este artículo los mecanismos que utilizó Pedrosa para poner su Austriaca siue Naumachia al servicio del poder. After the Battle of Lepanto, many epic poets, including the relatively unknown Francisco de Pedrosa, used their talent to spread the great enthusiasm for the victory of the Holy League over the Turks. We analyze in this paper the

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Frate, Rafael. "An overview of neo-Latin epigrammatic poetry in Poland (and Russia)." Classica - Revista Brasileira de Estudos Clássicos 37 (April 25, 2024): 1–17. http://dx.doi.org/10.24277/classica.v37.2024.1075.

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The following article provides an overview of Polish neo-Latin poetry with a full historical background provided by situating the literary practices of 16th C. Poland and exploring some of the principal theoretical and rhetorical approaches to this poetry. The article claims Polish letters to be central in Eastern Europe, and a decisive authority that helped shape the literary fields of lands such as Ruthenia (presently, Ukraine and Belarus) and Russia until the 18th C. By taking as example Maciej Sarbiewski’s epigrammatic production, I offer a glimpse into the theoretical works of Jesuit prie

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Storchová, Lucie. "Creating a Nation through an Anthology of Neo-Latin Poetry." Daphnis 52, no. 3-4 (2024): 459–92. https://doi.org/10.1163/18796583-05203009.

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Abstract Farragines poematum, an extensive, four-volume anthology of Neo-Latin poems, was published in 1561–1562 by a group of former Wittenberg students based in Prague. This study focuses on how this collective literary project originated, how the anthology was prepared and what reasons poets might have had for publishing a representative selection of their own works of poetry and their friends’. It demonstrates how the final form of the anthology was influenced by the strategies of gaining patronage. Following the concepts of Caspar Hirschi, this study discusses which role anthology, as a s

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Shevchenko, Lyudmyla. "Латинська мова в інтелектуальному житті європейців ХХ–ХХІ ст." Studia Polsko-Ukraińskie, № 10 (10 червня 2023): 105–18. http://dx.doi.org/10.31338/2451-2958spu.10.8.

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In the twentieth–twenty-first centuries, Latin is used as the language of European culture, and not only in certain areas of intellectual life. Many scientific journals publish the main text of articles in national languages, accompany them with a Latin abstract, or find a place for Latin poems, humorous stories, crosswords, etc. Some journals were printed entirely in Latin e.g., Latinitas (Vatican), Palaestra Latina (Barcelona), Vox Latina (Saarbrucken), Vita Latina (Avignon), Orbis Latinus (Mendoza), Melissa (Brussels), etc. In the mid-twentieth century, a series of collections of Neo-Latin

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Milewska-Waźbińska, Barbara. "Kilka uwag na temat recepcji twórczości Owidiusza w chrześcijańskeij poezji nowołacińskiej doby baroku." Symbolae Philologorum Posnaniensium Graecae et Latinae 33, no. 1 (2023): 227–42. http://dx.doi.org/10.14746/sppgl.2023.xxxiii.1.17.

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In the Neo-Latin poetry written from the fifteenth to the eighteenth centuries, one can find numerous references to the works of Ovid. The aim of this article is to reflect on the ways works by the famous Roman poet were received in Neo-Latin Christian literature of the Baroque period. The article discusses three poetry cycles inspired especially by Ovid`s elegies. Ovidius Christianus, whose author is the Jesuit Laurent Le Brun, refers to the Bible and informs about the New World in the form of poetic letters. Ovidius Christianus by Johannes Baptista Bebber presents in the form of elegies the

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Wiegand, Hermann. "The Commemoration of the Dead and Epic Composition (Totengedenken und epische Gestaltung)." Daphnis 46, no. 1-2 (2018): 241–63. http://dx.doi.org/10.1163/18796583-04601017.

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This paper discusses the image and reception of the Thirty Years Warʼs Catholic military leader Johann T’Serclaes von Tilly in Jesuit Neo-Latin epical poetry of the 17th century, starting with Magni Tillij Parentalia written by Jacobus Balde, a prosimetrical work that came into being immediatly after the ‘heroʼs’ death but was posthumously published in 1678, using epical patterns such as picture descriptions or similia not only in metrical parts of the work, but also in prose fiction. The text shows Tilly as a pillar of the Holy Roman Empire and Catholic faith as well. Affiliated are shorter r

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Ceberio de León, Iñaki, and Clara Olmedo. "Ecología decolonial en la poesía de Ernesto Cardenal." Ecología Política. Cuadernos de debate internacional, no. 60 (December 2020): 63–67. http://dx.doi.org/10.53368/ep60mabr02.

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Ernesto Cardenal, Latin American theologian and one of the main references of Liberation Theology, offers us a poetic work that aims to reconstruct a Latin American identity inspired by the worldviews of the original peoples of the region, while questioning the current neocolonial models supported in neo-extractivism. In the poetry of Ernesto Cardenal the identity of an «ecological subject» can be traced, whose being, feeling and doing are in harmony with non-anthropocentric worldviews. This study is carried out from an ecocritical point of view, which studies the relationships between humans

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13

Thurn, Nikolas. "Christian Schesaeus and Heinrich Porsius." Specimina Nova Pars Prima Sectio Medaevalis 6 (May 12, 2022): 175–85. http://dx.doi.org/10.15170/spmnnv.2011.06.11.

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Neo-Latin poetry of the 16th century is generally open to each of its regional, vernaculare literatures. The paper illustrates this fact by two epic poems: Christian Schesaeus' Ruinae Pannonicae and Heinrich Porius' Iter Byzantinum. It argues that they cannot fully be understood without considering their relationship to the Hungarian poems of Sebastian Tinodi and the German tradition of "Newe Zeyttungen".

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Vaškelienė, Asta. "The Same in Polish, or Peculiarities of Bilingual Occasional Poetry in the Eighteenth-century Grand Duchy of Lithuania." Interlitteraria 21, no. 2 (2017): 204. http://dx.doi.org/10.12697/il.2016.21.2.4.

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The paper addresses eighteenth-century occasional poetry of Lithuania written in parallel Latin and Polish. The research seeks to draw attention to bilingual creation as a literary phenomenon that reflects the linguistic priorities and cultural needs of the time, and to reveal the most distinct semantic and artistic peculiarities of bilingual occasional poetry. As a phenomenon of Lithuanian neo-Latin literature, bilingualism has not yet been addressed in detail in scholarly historiography. Only an article by Eugenija Ulčinaitė, in which she introduces linguistic expression, semantics and styli

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Lokaj (book author), Rodney, and Mara Nerbano (review author). "Two Renaissance Friends: Baldassarre Castiglione, Domizio Falcone and Their Neo-Latin Poetry." Quaderni d'italianistica 37, no. 2 (2018): 237–39. http://dx.doi.org/10.33137/q.i..v37i2.29241.

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Lokaj (book author), Rodney, and Charles Fantazzi (review author). "Two Renaissance Friends: Baldassarre Castiglione, Domizio Falcone, and Their Neo-Latin Poetry." Renaissance and Reformation 40, no. 2 (2017): 207–9. http://dx.doi.org/10.33137/rr.v40i2.28524.

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Brian, Oxley. "‘Simples are by Compounds Farre Exceld’: Southwell’s Longer Latin Poems and ‘St Peters Complaint’." Recusant History 17, no. 3 (1985): 330–40. http://dx.doi.org/10.1017/s003419320000114x.

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It is understandable that study of Southwell’s life should have had priority over the study of his poetry. This biographical bias is evident in the gaps and weaknesses of existing accounts of his poetry: shortcomings which, I would argue, are regrettable because his poetry could provide a better commentary on his life than the conventional assumptions of hagiography. His Latin poetry, which forms a substantial portion of his poetic output, has been overlooked both in Leicester Bradner’s history of Anglo-Latin poetry, and the more recent upsurge in Neo-Latin studies. A different kind of ignoran

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18

Górka, Elżbieta. "Cykl poetycki do Hyelli ze zbioru Lusus Andrea Navagera – wstęp, przekład, komentarz." Terminus 25, no. 2 (67) (2023): 243–65. http://dx.doi.org/10.4467/20843844te.23.012.18200.

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A poetic cycle on Hyella from Andrea Navagero’s Lusus: introduction, translation, commentary : The paper presents the first Polish translation of a mini-series of six short poems about Hyella by Andrea Navagero (1483–1529). The selected works are part of Navagero’s famous Latin poetry collection entitled Lusus. The translation is supplemented by an introduction and commentary notes. The Latin text reproduced in the paper is based on the edition of Lusus by Claudio Griggio (2001). The introduction presents the author’s biography and includes a brief description of the whole collection. Navagero

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19

Jiménez, del Castillo Juan Carlos. "El tópico del "soprepujamiento" en la poesía neolatina lepantina." Revista de Estudios Latinos 18 (June 7, 2018): 223–37. https://doi.org/10.23808/rel.v18i0.82812.

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The victory of the Holy League over the Turks in the Battle of Lepanto (1571) had a great influence on the Renaissance literature of Mediterranean Europe. As in the Classics, the boundaries between poetry and rhetoric weakened and blurred, since the poets used in their works certain rhetoric devices in order to denounce and specially to praise the principal actors of this historic event. In this paper we analyze the employment of the literary topic known as “Überbietung” in Neo-Latin poetry in honour of the Battle of Lepanto and judge its significance as one of the most import

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Porter, David Andrew. "Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)." Religions 16, no. 4 (2025): 433. https://doi.org/10.3390/rel16040433.

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This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserti

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Nelson, Paul E. "Neo-Barroco, the Missing Group of the New American Poetry." Humanities 12, no. 1 (2022): 5. http://dx.doi.org/10.3390/h12010005.

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The New American Poetry anthology delineated “schools” of North American poetry which have become seminal: The Black Mountain School (Charles Olson, Robert Creeley, Denise Levertov), the New York School (John Ashbery, Barbara Guest, Frank O’Hara), the San Francisco Renaissance (Robert Duncan, Robin Blaser, Jack Spicer), and the Beats (Allen Ginsberg, Gary Snyder, Michael McClure). The word seminal is used in a traditional way, from the root: “of seed or semen … full of possibilities”, but here also because the work is dominated by men and the omission of poets like Diane di Prima and Joanne Ky

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Ouwerkerk, Aron. "The Latin Poems of Margareta van Godewijck (1627-1677)." Humanistica Lovaniensia 70, no. 2 (2022): 229–303. http://dx.doi.org/10.30986/2021.229.

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This contribution presents the editio princeps of all extant Latin poems written by the Dutch poet Margareta van Godewijck from Dordrecht. In order to increase the accessibility of these hitherto unpublished texts, the edition is preceded by an extensive preparatory analysis of previous biographical sources and accounts of how her poems were received. These will illustrate the need for the present study. There follow an evaluation of her Latin poems with regard to both form and content and a discussion of her Latinity, textual interaction with other Neo-Latin poets, and the literary merits of

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Máté, Ágnes. "Bigámia nászajándékba: Samuel Spillenberger nászéneke Máriássy János és Palugyay Zsófia esküvőjére (1635)." Antikvitás & Reneszánsz, no. 4 (December 1, 2019): 131–49. http://dx.doi.org/10.14232/antikren.2019.4.131-149.

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The present article discusses a set of poems registered in print nr. 1620 of the Régi Magyarországi Nyomtatványok catalogue. The poem was dedicated by a doctor of medicine from Levoča, Samuel Spillenberger to his alleged godson, the nobleman János Máriássy. Spillenberger wrote three poems in the name of each married brothers of Máriássy. The second poem, allegedly sang by Máriássy’s youngest brother, András, tells a story about a bigamist crusader from the 12th century. After presenting the family backgrounds of both the author and the addressees, the paper sheds light on the origin and possib

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Alcina Rovira, Juan Francisco. "Rodney Lokaj. Two Renaissance Friends. Baldassarre Castiglione, Domizio Falcone and their Neo-Latin Poetry." Studia Aurea 12 (December 11, 2018): 431. http://dx.doi.org/10.5565/rev/studiaaurea.329.

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Ramajo Caño, Antonio. "Ecos clásicos en las silvas de Quevedo." Calíope 26, no. 2 (2021): 300–336. http://dx.doi.org/10.5325/caliope.26.2.0300.

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Abstract Quevedo addresses in the silvas, using a flexible metric framework according to the Baroque aesthetic renewal, a great scope of topics following the teachings of Statius and including other classical authors. Through apostrophes, the poet converses with various animate and inanimate beings. He raises his personal voice about the inheritance of the imposing Greco-Latin tradition to express a deep aching intimacy or profound philosophical reflections (in line with the prevailing neo-stoicism) touching also the panegyric vein, so frequent in the European poetry of the time.

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Posta, Anna. "Latin paraphrases of Old Testament books in verse in 16th century Hungary." Hungarian Studies 37, S (2023): 15–31. http://dx.doi.org/10.1556/044.2023.00245.

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AbstractA popular trend in 16th-century Hungarian Neo-Latin poetry was the transposition of biblical, especially Old Testament books and texts. Georg Purkircher (Georgius Purkircher) paraphrased the Book of Wisdom, Péter Laskai Csókás (Petrus C. Lascovius) the Song of Songs, János Bocatius (Johannes Bocatius) the Book of Sirach/Ecclesiasticus, and Leonhardus Mokoschinus (Leonhardus Mokoschinus) a part of the Old Testament books (from Genesis to II Kings) in Latin. Internationally, only Mokoschinus' paraphrase of the Old Testament is known to any extent. In the present paper I will attempt to o

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Ford (book author), Philip, and Myron McShane (review author). "The Judgment of Palaemon: The Contest between Neo-Latin and Vernacular Poetry in Renaissance France." Renaissance and Reformation 37, no. 2 (2014): 166–68. http://dx.doi.org/10.33137/rr.v37i2.21823.

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Haskell, Y. "The Judgment of Palaemon: The Contest between Neo-Latin and Vernacular Poetry in Renaissance France." French Studies 68, no. 3 (2014): 389–90. http://dx.doi.org/10.1093/fs/knu120.

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Piepho, Lee. "Edmund Spenser and Neo-Latin Literature: An Autograph Manuscript on Petrus Lotichius and His Poetry." Studies in Philology 100, no. 2 (2003): 123–34. http://dx.doi.org/10.1353/sip.2003.0010.

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Cullhed, Eric. "Bakgrunden till Kellgrens ”Öfver Propertii Buste”." 1700-tal: Nordic Journal for Eighteenth-Century Studies 11 (August 17, 2014): 90–100. http://dx.doi.org/10.7557/4.3085.

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The Background to Kellgren’s ”On a bust of Propertius”. This article examines the Swedish eighteenth-century poet Johan Henric Kellgren’s widely celebrated epigram “On a bust of Propertius” (“Öfver Propertii Buste eller Porträt”), published posthumously. An attractive but fanciful story about the poem as Kellgren’s autobiographical reflection and personal farewell on his deathbed has triggered an unwillingness among scholars to explore what the writer himself declares: that the piece is a translation of the epigram In statuam Propertii by the virtually unknown Italian Renaissance poet Guido Po

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Sutton, Dana F. "The Sixteenth Century “Pompa” in England and Scotland: A Neglected Kind of Neo-Latin Performative Poetry." Neulateinisches Jahrbuch 24 (January 2022): 261–73. https://doi.org/10.1484/j.neulat.5.150034.

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Ruiz Sánchez, Marcos, and María Ruiz Sánchez. "Elementos iconográficos y emblemáticos en los epigramas de Interián de Ayala." IMAGO. Revista de Emblemática y Cultura Visual, no. 10 (February 4, 2019): 217. http://dx.doi.org/10.7203/imago.10.13132.

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ABSTRACT: The Neo-Latin poetry of Interián conveys the interest of the author of the Pictor Christianus in iconography and emblems. This interest is expressed in all of his compositions. But it is in the epigrams in particular where this side of the Mercedarian writer can be best observed.   KEYWORDS:Juan Interián de Ayala,Epigrams, Iconography, Emblems.   RESUMEN: La poesía neolatina de Interián refleja el interés del autor del Pictor Christianus por la iconografía y los emblemas. Este interés se manifiesta en todas sus composiciones. Pero es sobre todo en los ep

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Czerenkiewicz, Michał. "Medicinska pitanja i ljudi s pogledom na latinska djela iz sedamnaestog stoljeća objavljena u Krakovu." Acta medico-historica Adriatica 21, no. 1 (2023): 51–84. http://dx.doi.org/10.31952/amha.21.1.2.

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This paper investigates the Latin works dealing with medicine and physicians, published in seventeenth-century Kraków. The main purpose of the research is to present the leading persons of academic medicine working in those times in this city and to follow through the selected works, which constitute a part of Neo-Latin literature in the Polish-Lithuanian Commonwealth. The scholastic way of the discourse did not always mean overuse of the authorities, however both ancient and modern were being evoked. By presenting the segment of the medical milieu of seventeenth-century Kraków, namely those a

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Brown, Kenneth, and Reyes Bertolín Cebrián. "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth-, Eighteenth-, and Nineteenth-Century Sephardim from Hamburg and Frankfurt (2)." Sefarad 61, no. 1 (2001): 3–56. http://dx.doi.org/10.3989/sefarad.2001.v61.i1.569.

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Šileikienė, Rasa Marija. "Henriko Valua išrinkimo Abiejų Tautų Respublikos valdovu vaizdavimas lotyniškoje prancūzų poezijoje: „J. de La Gessée“ Henriada ir jos autorius." LMA Vrublevskių bibliotekos darbai 11 (2022): 33–55. http://dx.doi.org/10.54506/lmavb.2022.11.6.

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In 1573, Henry de Valois, Duke of Anjou, was elected as the king of the Polish–Lithuanian Commonwealth, and some literary works were published to familiarize the French public with the history of Poland and Lithuania, the geographical and economic situation of the country. Some Polish historical works were translated into French (e.g. the chronicle of Jan Herburt of Felsztin), many poets wrote occasional poems, dedicated to the future king, in French, Polish, and Latin. This article aims to discuss the poem Henrias, dedicated to Henry de Valois, written in Latin by a French poet under the pseu

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Vincent, Robert Hudson. "Baroco: The Logic of English Baroque Poetics." Modern Language Quarterly 80, no. 3 (2019): 233–59. http://dx.doi.org/10.1215/00267929-7569598.

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Abstract As many scholars, including the editors of the Oxford English Dictionary, continue to cite false etymologies of the baroque, this article returns to a Scholastic syllogism called baroco to demonstrate the relevance of medieval logic to the history of aesthetics. The syllogism is connected to early modern art forms that Enlightenment critics considered excessively complicated or absurdly confusing. Focusing on the emergence of baroque logic in Neo-Latin rhetoric and English poetics, this article traces the development of increasingly outlandish rhetorical practices of copia during the

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Schaffenrath, Florian. "Neulateinische Epik zum Dreißigjährigen Krieg, oder: Wer ist der Feind?" Scientia Poetica 22, no. 1 (2018): 245–56. http://dx.doi.org/10.1515/scipo-2018-011.

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Abstract In contrast to the literary production in certain vernacular languages like French or German, the period of the Thirty Years’ War was a very productive period for Neo-Latin epic poetry. Two examples discussed in this article elucidate the different purposes of these poems: With his Turcias (Paris 1625) Francois Le Clerc Du Tremblay tried to unite the European Christian rulers and to convince them of a common and united war against the Turks. On the other hand, the Jesuit Jacques d’Amiens published in Douai in 1648 his Bellum Germanicum, the first (and only) part of an epic poem that s

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Jiménez, del Castillo Juan Carlos. "Las Geórgicas como fuente indirecta en la Austriaca siue Naumachia de Francisco de Pedrosa." Myrtia 35 (June 7, 2020): 371–94. https://doi.org/10.6018/myrtia.455321.

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In 1580, Francisco de Pedrosa, a Latin Grammar preceptor born in Madrid, finished aLepantine epic in Guatemala: the unpublished Austriaca siue Naumachia . We analize aProtheus’ prophecy scene based on Georgics book IV. We demonstrate that Pedrosa wasinspired by this Vergilian episode and that this influence was driven by one of the maincontemporary sources about Lepantine poetry: a book of poems collected by PietroGherardi, entitled In foedus et uictoriam contra Turcas iuxta sinum Corinthiacum Non.Octob. MDLXXI partam poemata uaria (Venice, 1572).

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Jovanović, Neven. "Epithalamium Mateja Andreisa. Žanrovski okvir i struktura djela." Umjetnost riječi 38, no. 1 (1994): 57–64. https://doi.org/10.5281/zenodo.3567799.

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The Epithalamium, a literary wedding song in the classical times, was revived during the Renaissance period. Among the humanist poets who wrote following the conventions of the ancient genre was Matthaeus Andreis from Trogir. In 1502 he published an narrative-epic epithalamium celebrating the wedding of the king of Hungary and Bohemia, Vladislaus II. This erudite poem uses various elements from its classical predecessors - works by Catullus, Statius, Claudian - but adapting, merging and blending them.

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Farquhar, Alexander J. K. "Promoting Civility in the Republic of Letters: Three Sedan Scholars and the Secular Muse." Erudition and the Republic of Letters 3, no. 2 (2018): 113–54. http://dx.doi.org/10.1163/24055069-00302001.

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In the Reformed academy of Sedan in the early seventeenth century a manuscript was compiled containing poems which have remained largely understudied, despite the manuscript’s publication in 1913. The poems were the work of Arthur Johnston, Andrew Melville, and Daniel Tilenus, two Scots and a Silesian; all were professors in the Huguenot Academy. As teachers there they operated in the world of Reformed scholasticism, and historiography has understandably tended to view their lives, therefore, through a religious lens. The poems in this manuscript suggest, however, that such a perspective is mi

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Perloff, Marjorie. "From Language Poetry to the New Concretism: The Evolution of the Avant-Garde." Literature of the Americas, no. 12 (2022): 10–36. http://dx.doi.org/10.22455/2541-7894-2022-12-10-36.

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The article examines the trajectory of the Western avant-garde in the 20th century, in connection with the group formations characteristic of these movements. Movements such as the Russian avant-garde and European Dadaism are classified according to various criteria, and their rise and fall is traced. After a broad overview of avant-garde movements, the first part of the essay analyzes the cases of the modern avant-garde movement “Language Poetry”. The article then goes on to detail the theoretical principles of the “language movement” founded in the late 1970s, and then explore how this radic

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Brown, Kenneth. "Spanish, Portuguese, and Neo-Latin Poetry Written and/or Published by Seventeenth-and Eighteenth-Century Sephardim from Hamburg and Frankfurt (1)." Sefarad 59, no. 1 (2018): 3. http://dx.doi.org/10.3989/sefarad.1999.v59.i1.804.

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El presente artículo es la primera entrega de un trabajo, cuya segunda parte aparecerá también en Sefarad. Incluye una introducción histórica y evaluativa, y textos de poemas en español, portugués y neolatín escritos en los siglos XVII y XVIII por sefardíes de Hamburgo. Examinados aisladamente, los poemas que componen este poemario muestran poca creatividad; pero si se consideran como la aportación de los sefardíes diaspóricos a un fenómeno pan-europeo, se observa que nos encontramos ante un intento de recrear y desde luego crear un nuevo discurso literario.

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Dahlberg, Elena. "Poetisk invention eller politisk intention?" Tidskrift för litteraturvetenskap 45, no. 4 (2015): 5–16. http://dx.doi.org/10.54797/tfl.v45i4.8929.

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Poetic Invention or Political Intention: Magnus Rönnow’s poem, Hercules Genuinus Carolus Duodecimus Magnae Scandinaviae Imperator (1706/7?) as causa belli. The article analyzes an early eighteenth-century occasional poem, named as one of the causae belli in Denmark’s declaration of war against Sweden in 1709. Written by the Swedish Neo-Latin poet Magnus Rönnow, Hercules Genuinus Carolus Duodecimus Magnae Scandinaviae Imperator (“The Real Hercules, Charles XII, Emperor of Great Scandinavia”) incited a strong reaction from Danish authorities, who viewed the title’s implication that the Swe

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Bajer, Michał. "Jansenist Education and Racine’s Intertextuality in European Context: Can an Early Modern Translation of Andromaque Help Revisit an Old Concept?" Journal of Jesuit Studies 11, no. 3 (2024): 375–93. http://dx.doi.org/10.1163/22141332-11030002.

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Abstract The article deals with the intertextual dimensions of Jean Racine’s tragedy Andromaque and its rendering by the seventeenth–century Polish translator Stanisław Morsztyn. The analysis is based on an old hypothesis concerning the link between Racine’s intertextual literary practice and his erudite education at the Petites écoles de Port-Royal. The translator, although he had not received Jansenist education, was able to identify correctly and develop the original strategy of quotations and allusions. The article attempts to seek the factors that helped the Polish translator render the i

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Fordoński, Krzysztof. "English 18th-Century Women Poets and Maciej Kazimierz Sarbiewski: Adaptation, Paraphrase, Translation." Terminus 22, no. 4 (57) (2020): 315–31. http://dx.doi.org/10.4467/20843844te.20.017.12537.

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The paper deals with six poems of three 18th-century English women poets—Lady Mary Chudleigh, Mary Masters, and Anne Steele “Theodosia”—inspired by the works of the greatest Polish Neo-Latin poet Maciej Kazimierz Sarbiewski. The aim of the study is to present the three authors, their biographies and literary oeuvres, and to attempt an analysis of the poems in question within this context. The biographies, social position—Chudleigh was the wife a baronet, the two others belonged to the middle class—and education of the three authoresses differ and yet they all shared the limitations resulting f

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Fordoński, Krzysztof. "English 18th-Century Women Poets and Maciej Kazimierz Sarbiewski: Adaptation, Paraphrase, Translation." Terminus 22, no. 4 (57) (2020): 315–31. http://dx.doi.org/10.4467/20843844te.20.017.12537.

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The paper deals with six poems of three 18th-century English women poets—Lady Mary Chudleigh, Mary Masters, and Anne Steele “Theodosia”—inspired by the works of the greatest Polish Neo-Latin poet Maciej Kazimierz Sarbiewski. The aim of the study is to present the three authors, their biographies and literary oeuvres, and to attempt an analysis of the poems in question within this context. The biographies, social position—Chudleigh was the wife a baronet, the two others belonged to the middle class—and education of the three authoresses differ and yet they all shared the limitations resulting f

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Szabelska, Hanna. "Między tęczą a kryształem. Echo u Macieja Kazimierza Sarbiewskiego jako gatunek odbicia w świetle jego komentarza do Summy teologicznej Akwinaty." Terminus 23, no. 1 (58) (2021): 25–53. http://dx.doi.org/10.4467/20843844te.21.002.13261.

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Between the Rainbow and the Crystal Glass: Echo in Maciej Kazimierz Sarbiewski as a Species of Refraction in the Light of His Commentary on Summa theologica by Thomas Aquinas The aim of this essay is to highlight an important gap in the research into the works of Maciej Kazimierz Sarbiewski (1595–1640), Jesuit neo-Latin poet and philosopher, namely the fact that his still unpublished lectures on one God in three persons and on angels, held in Vilnius Academy in the years 1631–1633, have remained largely unexplored by researchers so far. The main thesis is that these thomistic commentaries can

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Szörényi, László. "Johannes Valentini Lucubrata opuscula poeticohistorica in unum collecta [Az éjjeli mécs világánál alkotott költői-történeti művecskéim egybegyűjtése] (1808) című kötetének őstörténeti vonatkozásai." Antikvitás & Reneszánsz, no. 4 (December 1, 2019): 151–68. http://dx.doi.org/10.14232/antikren.2019.4.151-168.

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As a poet, the parish priest Johannes Valentini (Turčiansky Michal, 1756 – Kláštor pod Znievom, 1812) is very much tied to the other Neo-Latin priest-poets living in Hungary and the other countries of the Habsburg Empire by the tradition of laudation in occasional poetry, which flourished from the antiquity until the end of the 19th century and was a tool to praise or mourn religious superiors or secular patronising potentates. Valentini, however, is different from the other poets in his very extensive interest in prehistory. When he poeticises the history of the provostry of Thurocz, he engag

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Hansson, Stina. "”Astrilds wäsend/ Fröije slögder”." Tidskrift för litteraturvetenskap 42, no. 2-3 (2012): 77–85. http://dx.doi.org/10.54797/tfl.v42i2-3.11677.

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Swedish Epithalamia of the 17th and 18th Centuries The background is my new book, Svensk bröllopsdiktning under 1600- och 1700-talen. Renässansrepertoarernas framväxt, blomstring och tillbakagång (Swedish Epithalamia of the 17th and 18th Centuries: The Rise, Flowering and Decline of the Renaissance Poetic Repertoires), Göteborg 2011 (LIR. Skrifter 1), 526 pp., the result of a research project which examines the adaptations of the repertoires of Neo-Latin Renaissance poetry in Swedish-language marriage poems. The principal interest of the investigation as a whole as well as of the present

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Jiménez, del Castillo Juan Carlos. "Poesía y verdad histórica en la épica hispano-latina del Quinientos. El concepto poético de Francisco de Pedrosa." eClassica 3 (June 7, 2017): 30–41. https://doi.org/10.5281/zenodo.14775026.

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In sixteenth-century Spain, epic was viewed as a superior genre to historiography when narrating contemporary historical events. There are two reasons for this: first, epic has the power to immortalize the deeds of emperors, kings and other rulers; secondly, epic poetry is able not only to transmit true events from the recent past but also to do so by making its subject matter appealing to its readers through the use of poetic adornment and fictiones. This chapter analyzes the statements of Francisco de Pedrosa made in the prologue of his Austriaca siue Naumachia in order to determine if he fo

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