Relevant bibliographies by topics / Neo-Malthusianism and "water war" narrative

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Academic literature on the topic 'Neo-Malthusianism and "water war" narrative'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Neo-Malthusianism and "water war" narrative"

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Bulfin, Ailise. "“Fast lapsing back into barbarism”: Social Evolution, the Myth of Progress and the Gothic Past in Late-Victorian Invasion and Catastrophe Fiction." Victorian Popular Fictions Journal 5, no. 1 (2023): 37–57. http://dx.doi.org/10.46911/hnuv4351.

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While neo-barbarian dystopian futures are typically associated with contemporary popular culture, they were not, in fact, uncommon in late-Victorian popular fiction, especially in the politically charged, future-oriented popular fiction subgenres of invasion fiction and catastrophe fiction. Focusing on a representative tale from each subgenre – George Griffith’s Olga Romanoff (1894) and Richard Jefferies’ After London (1885) – this article shows how they made innovative use of the gothic to show the future following a large-scale war or natural disaster as a decline back into an exaggerated ve
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KRISBAI, Raluca. "Teodora Popescu (Editor). Cognitive approaches to contemporary media. New Castle upon Tyne: Cambridge Scholars Publishing, 2021. Pp. i-xi, 1-210. ISBN: 978-1-5275-6953-9." Journal of Linguistic and Intercultural Education 14, no. 2 (2021): 187–90. http://dx.doi.org/10.29302/jolie.2021.14.2.11.

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The book entitled Cognitive approaches to contemporary media offers a valuable insight into modern developments in cognitive linguistics, which can contribute to the advancement of both research and practice in the field. The purpose of this edited volume is to deliver fresh insights into the metaphorical language used in the current media from a cognitive-linguistic perspective. Considering the manipulative framings of reality in which mass media can engage at present, investigations into how figurative language functions may be valuable in order to instruct audiences and to improve their dec
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Protassov, Anastasia. "Natural resources and climate change: what conflict in the Ferghana Valley?" September 15, 2024. https://doi.org/10.5281/zenodo.15574699.

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<strong>Located in the heart of Central Asia, the Ferghana Valley enjoys a climate that is conducive to agriculture. However, climate change and the resulting scarcity of water are raising concerns about competition for natural resources, often reduced to &ldquo;water wars.&rdquo; In reality, these tensions conceal more complex conflicts linked to the unequal management of resources and the militarisation of borders, requiring a nuanced approach to understand their full scope.</strong>
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Burns, Alex. "Doubting the Global War on Terror." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.338.

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Photograph by Gonzalo Echeverria (2010)Declaring War Soon after Al Qaeda’s terrorist attacks on 11 September 2001, the Bush Administration described its new grand strategy: the “Global War on Terror”. This underpinned the subsequent counter-insurgency in Afghanistan and the United States invasion of Iraq in March 2003. Media pundits quickly applied the Global War on Terror label to the Madrid, Bali and London bombings, to convey how Al Qaeda’s terrorism had gone transnational. Meanwhile, international relations scholars debated the extent to which September 11 had changed the international sys
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Musgrove, Brian Michael. "Recovering Public Memory: Politics, Aesthetics and Contempt." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.108.

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1. Guy Debord in the Land of the Long WeekendIt’s the weekend – leisure time. It’s the interlude when, Guy Debord contends, the proletarian is briefly free of the “total contempt so clearly built into every aspect of the organization and management of production” in commodity capitalism; when workers are temporarily “treated like grown-ups, with a great show of solicitude and politeness, in their new role as consumers.” But this patronising show turns out to be another form of subjection to the diktats of “political economy”: “the totality of human existence falls under the regime of the ‘perf
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Butler, Kathleen, and Phoebe McIlwraith. "Garihma (to Care for)." M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2982.

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“Garihmato—Look after, to Care for” Melaleuca Alternifolia, commonly called Tea Tree, only grows naturally in the lands of the Bundjalung people from north coast New South Wales. The particular medicinal properties of the Tea Tree have been used for thousands of years, and the Tree and its effects on land, water, and people form part of Bundjalung oral histories and spiritual governance. This article explores media about Tea Tree from the 1990s to 2020s in print media through agricultural media and magazines, as well as online media through TikTok. This combination highlights the generational
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Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc
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Harrison, Paul. "Remaining Still." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.135.

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A political minimalism? That would obviously go against the grain of our current political ideology → in fact, we are in an era of political maximalisation (Roland Barthes 200, arrow in original).Barthes’ comment is found in the ‘Annex’ to his 1978 lecture course The Neutral. Despite the three decade difference I don’t things have changed that much, certainly not insofar as academic debate about the cultural and social is concerned. At conferences I regularly hear the demand that the speaker or speakers account for the ‘political intent’, ‘worth’ or ‘utility’ of their work, or observe how spea
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9

Usmar, Patrick. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.856.

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Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relationship the Gothic holds to popular culture” (Piatti-Farnell ii). This article critically examines how Gothic themes and modes are used in the music videos of Lana Del Rey; particularly the “ways in which Gothic is dispersed through contemporary non-literary media” (Spooner and McEvoy 2). This work follows the argument laid down by Edwards and Monnet who describe Gothic’s assimilation into popular culture —Pop Gothic—
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Proctor, Devin. "Wandering in the City: Time, Memory, and Experience in Digital Game Space." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1549.

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As I round the corner from Church Street onto Vesey, I am abruptly met with the façade of St. Paul’s Chapel and by the sudden memory of two things, both of which have not yet happened. I think about how, in a couple of decades, the area surrounding me will be burnt to the ground. I also recall how, just after the turn of the twenty-first century, the area will again crumble onto itself. It is 1759, and I—via my avatar—am wandering through downtown New York City in the videogame space of Assassin’s Creed: Rogue (AC:R). These spatial and temporal memories stem from the fact that I have previousl
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Book chapters on the topic "Neo-Malthusianism and "water war" narrative"

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Kellhammer, Oliver. "Neo-Eocene." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.35.

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Back in the mid-1960s, I was a feral sort of a child who loved scampering around construc-tion sites, climbing the huge, grey piles of excavated shale that were popping up all over my rapidly developing Toronto suburb. I might have been six or so when I first really noticed the slabs of muddy smelling rock often contained the imprints of scallop shells, snails, and fragments of coral, things I recognized from picture books but hadn’t yet seen in real life as we lived hundreds of miles from the near-est ocean. Yet 450 million years before, during the Ordovician era, where I was playing would ha
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Franklin, Cynthia G. "Love and Terror." In Narrating Humanity. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503727.003.0002.

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This chapter focuses on two life writing texts that address Hurricane Katrina and the intersections of this unnatural disaster with the War on Terror, antiblack racism, Islamophobia, climate catastrophe, governmental incompetence, and disaster capitalism. Through analysis of Dave Eggers’s biographical narrative Zeitoun (2009) and Carl Deal and Tia Lessin’s documentary Trouble the Water (2008), this chapter explores linkages among processes of dehumanization at work during Katrina and its aftermath that pertain to race, religion, gender, class, and nation. It also considers possibilities and li
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