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Relevant bibliographies by topics / Neo-romantic

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Academic literature on the topic 'Neo-romantic'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Neo-romantic"

1

Klimenko, Irina. "Jack London’s Neo-romantic Techniques." Stephanos. Peer reviewed multilanguage scientific journal 30, no. 4 (July 31, 2018): 151–57. http://dx.doi.org/10.24249/2309-9917-2018-30-4-151-157.

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Markova, E. A. "Romantic and Neo-Romantic in W. B. Yeats’s Poetry." Nauchnyy dialog, no. 2 (2019): 105–15. http://dx.doi.org/10.24224/2227-1295-2019-2-105-115.

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Smith, Craig R. "Constructing a Neo-Romantic Rhetorical Theory." Western Journal of Communication 80, no. 2 (February 16, 2016): 220–37. http://dx.doi.org/10.1080/10570314.2015.1137102.

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Rosenblum, Robert. "A Postscript: Some Recent Neo-Romantic Mutations." Art Journal 52, no. 2 (1993): 74. http://dx.doi.org/10.2307/777241.

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Rosenblum, Robert. "A Postscript: Some Recent Neo-Romantic Mutations." Art Journal 52, no. 2 (June 1993): 74–84. http://dx.doi.org/10.1080/00043249.1993.10791512.

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Chumak, T. "Neo-Romantic Visions of Lesia Ukrainka’s Landscape and Intimate Lyrics." Mìžnarodnij fìlologìčnij časopis 12, no. 2 (April 22, 2021): 48–55. http://dx.doi.org/10.31548/philolog2021.02.048.

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Litvinenko, Ninel A. "The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (December 15, 2020): 682–91. http://dx.doi.org/10.22363/2312-9220-2020-25-4-682-691.

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Various forms of transition in literature and art of the turn of 19th and 20th centuries havent been explored enough. The use of the concept of neo allows to clarify the ideas of neo-romanticism that have developed in modern science. The article analyzes the novel heritage of the Belgian writer Rodenbach as a transitional phenomenon that brings together the writer's tetralogy with romanticism, Parnassus and symbolist French poetry; as well as phenomenon that organically includes Belgian literature in the European space of intertextuality. It is proved that addressing the problems of art, the artist-creator, the beautiful soul, connects Rodenbach with the traditions of Yens romanticism, at a new stage of development of literature generates a transformation of the myth of romanticism. The ideal of art is not subject to devaluation, but the artist, who lives in society, always fails. Indulging in earthly passion, coming into conflict with society and himself, he doesnt keep faith in his beliefs. Real life creates illusions and self-deception, leading the character to disaster. Rodenbach uses a romantic model of mythologization, saturating it with symbolic allusions and signs, on the eve of modernism creates a neo-romantic novel synthesis.

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Brand, C. P. "Dante and the Middle Ages in Neo-Classical and Romantic Criticism." Modern Language Review 81, no. 2 (April 1986): 327. http://dx.doi.org/10.2307/3729699.

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Saghir, Sana, Naumana Amjad, Amir Saeed, and Saira Batool. "Personality, Romantic Attitude, and Happiness in Young Adults." Pakistan Journal of Psychological Research 34, Spring 2019 (March 30, 2019): 175–89. http://dx.doi.org/10.33824/pjpr.2019.34.1.10.

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The present study investigated the relationship between personality traits, romantic attitude, and happiness in young adults. It was hypothesized that a positive relationship exists between extraversion, agreeableness, openness, romantic attitude, and happiness whereas neuroticism is negatively correlated with happiness. Nonprobability convenience sample of 150 students (85 women, 65 men), with age range of 18-25 years (M = 21.76, SD = 1.35) were selected from 3 educational institutions of Lahore. Neo Five-factor Inventory (Costa & McCrae, 1992a), Romantic Attitude Scale (Zafar & Amjad, 2012) and Oxford Happiness Questionnaire (Hills & Argyle, 2002) were used to assess study variables. Correlation analyses revealed a significant positive relationship of extraversion, agreeableness, conscientiousness, and openness to experience with happiness. Romantic attitude had significant positive relationship with neuroticism, extraversion, and agreeableness. There was a significant negative relationship between neuroticism and happiness. Neuroticism, openness to experience, and extraversion were significant predictors of happiness. Neuroticism was the strongest significant negative predictor of happiness. Findings are discussed in view of theoretical and empirical implications.

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Guinn, Matthew. "The Neo-Romantic in the Natural World: Naturalism in James Dickey's Poetry." South Atlantic Review 62, no. 1 (1997): 87. http://dx.doi.org/10.2307/3201200.

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Dissertations / Theses on the topic "Neo-romantic"

1

Rees, Marcus. "Neo-romantic elements in Leo Brouwer's Le Decameron noir /." [St. Lucia, Qld.], 1999. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe20228.pdf.

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Horikawa, Nobuko. "Not Just Child's Play| Neo-Romantic Humanism in Ogawa Mimei's Stories." Thesis, Portland State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10285140.

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During the early twentieth century, Japan was modernizing in all areas of science and art, including children’s literature. Ogawa Mimei (1882-1961) was a prolific writer who advanced various literary forms such as short stories, poems, essays, children’s stories, and children’s songs. As a writer, he was most active during the late Meiji (1868-1912) to Taishō (1912-1926) periods when he was a socialist. During that time, he penned many socialist short stories and children’s stories that were filtered through his humanistic, anarchistic, and romanticist ideals. In this thesis, I analyze Mimei’s socialist short stories and children’s stories written in the 1910s and 1920s. I identify both the characteristics of his writing style and the themes so we can probe Mimei’s ideological and aesthetic ideas, which have been discounted by contemporary critics. His socialist short stories challenged the dogmatic literary approach of Japanese proletarian literature during its golden age of the late 1920s and early 1930s. His socialist children’s stories also deviated from the standard of Japanese children’s literature in the 1950s and 1960s. In this thesis, I break away from the narrow views that confined Mimei to certain literary standards. This thesis is a reevaluation of Mimei’s literature on his own terms from a holistic perspective.

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Hockenhull, Stella. "Neo-Romantic landscapes : an aesthetic approach to the films of Powell and Pressburger." Thesis, Staffordshire University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431507.

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Walls, Jay Alan. "Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84298/.

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Galileo's Eyeglass is a celebratory work for full orchestra with standard instrumentation commemorating Galileo Galilei's discoveries of the four largest moons of Jupiter and the rings of Saturn in 1610. The composition is approximately 14 minutes in duration, and although divided thematically into four parts, the music is continuous. The work exhibits primarily a blend of contemporary styles and compositional elements, yet it is rooted in traditional tonality; furthermore, the piece is interspersed with references to Galileo's life and times, including quotations of a toccata composed by the scientist's brother, Michelangelo Galilei, transcribed from lute tablature. Chapter 1 of Part 1 investigates relevant historical threads extracted from the backdrop of Galileo's life, from reflections on the events that shape the musical program, to the selection and preparation of the period music composed by Galileo's brother. Chapter 2 discusses specific musical components of Galileo's Eyeglass, including form, musical quotations, motivic and thematic material, harmonic language, orchestration, and notation. Chapter 3 examines the principal philosophical themes behind the composition, including expressions of victory of a life well lived in spite of many obstacles. Part 2 contains the orchestral score.

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Books on the topic "Neo-romantic"

1

Scales, Terry. Terry Scales: "Paradise found" : a Neo-Romantic retrospective 1947-1989. London: Sweet Waters Gallery, 1989.

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2

Fieled, Adam. Cheltenham Elegies/Keats' Odal Cycle. New Delhi, India: Gyan Books, 2015.

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3

Yorke, Malcolm. The spirit of place: Nine Neo-Romantic artists and their times. London: Constable, 1988.

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Yorke, Malcolm. The spirit of place: Nine Neo-Romantic artists and their times. New York: St. Martin's Press, 1989.

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Yorke, Malcolm. Thes pirit of place: Nine Neo-Romantic artists and their times. New York: St. Martin's Press, 1989.

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Neo-romantic landscapes: An aesthetic approach to the films of Powell and Pressburger. Newcastle upon Tyne: Cambridge Scholars Pub., 2008.

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Nietzsche and the end of freedom: The neo-romantic dilemma in Kafka, the brothers Mann, Rilke and Musil, 1904-1914. Frankfurt am Main: Lang, 1993.

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8

Walter, Simmons. Voices in the Wilderness: Six American Neo-Romantic Composers. The Scarecrow Press, Inc., 2006.

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Voices in the Wilderness, Six American Neo-Romantic Composers. The Scarecrow Press, Inc., 2004.

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10

Cheltenham Elegies/Keats' Odal Cycle. Internet Archive, 2016.

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Book chapters on the topic "Neo-romantic"

1

Hanley, Keith. "In Wordsworth’s Shadow: Ruskin and Neo-Romantic Ecologies." In Influence and Resistance in Nineteenth-Century English Poetry, 203–32. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23084-6_12.

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Karlinsky, Simon. "Kuzmin, Gumilev and Tsvetayeva as Neo-Romantic Playwrights." In Russian Theatre in the Age of Modernism, 106–22. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20749-7_5.

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Howarth, William D. "From Neo-classical to Romantic Aesthetics: The Status of the Material World in Nineteenth-century French Drama." In French Literature, Thought and Culture in the Nineteenth Century, 105–27. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11824-3_7.

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Hockenhull, Stella. "Neo-Romantic Visionaries." In Legacies of Romanticism, 179–97. Routledge, 2013. http://dx.doi.org/10.4324/9780203110096-15.

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Whitman, James Q. "The neo-Romantic turn." In Comparative Legal Studies: Traditions and Transitions, 312–44. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511522260.010.

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March-Russell, Paul. "The Neo-Romantic Wyndham Lewis." In Legacies of Romanticism, 165–78. Routledge, 2013. http://dx.doi.org/10.4324/9780203110096-14.

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Bithell, Jethro. "The Neo-Romantic and Austrian Dramatists." In Modern German Literature 1880–1950, 228–41. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-9.

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"Chapter 1. Neo-Romantic Roots of German Fascism." In Temptations of Faust. Toronto: University of Toronto Press, 2002. http://dx.doi.org/10.3138/9781442680449-005.

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"Chapter One: Samson Raphael Hirsch: The Neo-Orthodox, Neo-Romantic Educator, and his Approach of Neo-Fundamentalist Identicality." In The Dual Truth, Volumes I & II, 1–26. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618118691-004.

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"8. Neo-Romantic Modernism and Daoism: Martin Buber on the “Teaching” as Fulfilment." In China in the German Enlightenment, 181–98. University of Toronto Press, 2016. http://dx.doi.org/10.3138/9781442616998-010.

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Conference papers on the topic "Neo-romantic"

1

Barber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.

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The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs for the Great Goddess, the musical characteristics of the material collected, the use of typical instruments, and the dissemination of (musical) knowledge as the rather ‘modern’ way of distribution and consumption of the allegedly ‘archaic’ issues.

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Reports on the topic "Neo-romantic"

1

Horikawa, Nobuko. Not Just Child’s Play: Neo-Romantic Humanism in Ogawa Mimei’s Stories. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5889.

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