Relevant bibliographies by topics / Neo-slave

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Neo-slave'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Neo-slave"

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Rowell, Charles Henry. "Neo-Slave Narrative Texts." Callaloo 40, no. 4 (2017): 1–2. http://dx.doi.org/10.1353/cal.2017.0131.

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Li, S. "12 Years a Slave as a Neo-Slave Narrative." American Literary History 26, no. 2 (January 31, 2014): 326–31. http://dx.doi.org/10.1093/alh/aju009.

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김은형. "Steve McQueen’s 12 Years a Slave: A Neo-slave Narrative of Empathy." English & American Cultural Studies 15, no. 1 (April 2015): 1–32. http://dx.doi.org/10.15839/eacs.15.1.201504.1.

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Bekers, Elisabeth. "Creative Challenges to Captivity: Slave Authorship in Black British Neo-Slave Narratives." Life Writing 15, no. 1 (November 20, 2017): 23–42. http://dx.doi.org/10.1080/14484528.2017.1399319.

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Vrana, Laura. "Genre Experiments: Thylias Moss’s Slave Moth and the Poetic Neo-Slave Narrative." MELUS 46, no. 2 (May 10, 2021): 111–30. http://dx.doi.org/10.1093/melus/mlab020.

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Abstract As histories of experimentation on the enslaved receive scholarly attention, so too are neo-slave narratives representing and commenting on this aspect of enslavement, in both their content and their form. This article examines Thylias Moss’s genre-troubling Slave Moth: A Narrative in Verse (2004), a neo-slave text that depicts an enslaved woman named Varl treated as an object of psychological experimentation. Varl develops a strong subjectivity through becoming a subject performing experiments: aesthetic experiments in how she chooses to represent her narrative in stitched cloths. The subtly experimental poetic devices through which Moss crafts this representation highlight that this protagonist possesses an alternate, generative epistemology that differs meaningfully from her master’s scientific worldview and thereby enables fugitive, temporary agency and freedom. By analyzing Slave Moth, I argue that the ethically problematic epistemology that generated experiments on the enslaved has certainly not dissipated and that it indirectly undergirds lyric theory’s failure to engage form in texts by nonwhite poets. Through contrasting close attention to formal devices by which Moss undermines teleological narrative, this essay postulates that “lyric time” enables fleeting, yet nevertheless generative, subversions of the formal expectations readers impose on texts representing enslavement. Reading Slave Moth through such a lens suggests potential middle-ground formal alternatives to wholly rejecting either narrative or lyric as genres and to thereby asymptotically approaching adequate representation of enslavement.
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De Paiva, Rita de Cássia Marinho, and Sonia Torres. "Mal de Arquivo em Linden Hills." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (February 1, 2019): 125–44. http://dx.doi.org/10.5007/2175-8026.2019v72n1p125.

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In this article we examine Gloria Naylor’s novel Linden Hills, articulating the concepts of the neoarchive and the neo-slave narrative with the notion of archive as proposed by Derrida (2001) and developed by other authors (Osborne,1999; Bradley,1999; Johnson, 2014) with whom we seek to dialogue in this space. Linden Hills’s counterdiscursive narrative revisits the past by excavating the palimpsest of forgotten memories, once unidentified or not compiled, thus establishing its relationship to the neo-slave narrative. We argue that the link between the neo-slave narrative and the archive is both concrete and productive, given that it foregrounds non-sanctioned archives as counternarratives to the historical archive (mainly, but not exclusively, that of slavery), through the articulation of history and both personal and collective memory – calling to question, in this way, colonizing documented history and its official guardians.
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Anim-Addo, Joan, and Maria Helena Lima. "The Power of the Neo-Slave Narrative Genre." Callaloo 40, no. 4 (2017): 3–13. http://dx.doi.org/10.1353/cal.2017.0132.

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Anim-Addo, Joan, and Maria Helena Lima. "The Power of the Neo-Slave Narrative Genre." Callaloo 41, no. 1 (2018): 1–8. http://dx.doi.org/10.1353/cal.2018.0000.

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Arrizón-Palomera, Esmeralda. "The Trope of the Papers: Rethinking the (Un)Documented in African American Literature." MELUS 46, no. 1 (March 1, 2021): 105–25. http://dx.doi.org/10.1093/melus/mlaa066.

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Abstract I argue for a reconceptualization of undocumentedness, the experience of being undocumented, from an experience that is simply a result of the modern immigration regime to an experience that is a result of interlocking systems of oppression and resistance to them that has shaped Blackness and the vision for black liberation. I make this argument by defining and tracing the trope of the papers—the use of legal and extralegal documents to examine and document African Americans’ and other people of African descent’s relationship to the nation-state—in the slave narrative and the neo-slave narrative. I offer a close readings of slave narratives, including Sojourner Truth’s The Narrative of Sojourner Truth (1850) and Harriet Jacobs’ Incidents in the Life of a Slave Girl, Written by Herself, and neo-slave narratives, including Toni Morrison’s A Mercy (2008) and Gayl Jones’s Mosquito (1999), to illustrate the significance of the undocumented immigrant in African American literature and demonstrate that writers of African American literature have been thinking intensely about undocumentedness, although not in the way undocumentedness is typically understood.
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Sanz Jiménez, Miguel. "TRANSLATING AFRICAN-AMERICAN NEO-SLAVE NARRATIVES: BLACK ENGLISH IN THE GOOD LORD BIRD AND THE UNDERGROUND RAILROAD." Revista de Estudios Norteamericanos, no. 24 (2020): 203–26. http://dx.doi.org/10.12795/ren.2020.i24.10.

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This paper studies how two recent neo-slave narratives have been translated into Spanish: The Good Lord Bird, by James McBride, and The Underground Railroad, by Colson Whitehead. Since they were both published simultaneously in Spain in September 2017, special attention is paid to the strategies used to render Black English, which marks slaves’ otherness, in the target polysystem. An overview of the origin, rise, and evolution of neo-slave narratives precedes the features of African-American Vernacular English portrayed in the novels that belong to this sub-genre. After some insights into the issue of translating literary dialect, the risks it entails, and the different strategies that can be used, the Spanish versions of McBride’s and Whitehead’s works are analyzed accordingly and contrasted.
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Dissertations / Theses on the topic "Neo-slave"

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Keadle, Elizabeth Ann. "Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives." Thesis, University of Louisiana at Lafayette, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10163331.

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This dissertation explores the unhomely nature of the slave system as experienced by fugitive and captive slaves within slave and neo-slave narratives. The purpose of this project is to broaden the discourse of migration narratives set during the antebellum period. I argue that the unhomely manifests through corporeal, psychological, historical, and geographical descriptions found within each narrative and it is through these manifestations that a broader discourse of identity can be generated. I turn to four slave and neo-slave narratives for this dissertation: Solomon Northup’s Twelve Years a Slave (1853), Frederick Douglass’s My Bondage and My Freedom (1855), Octavia Butler’s Kindred (1979), and Toni Morrison’s Beloved (1987).

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Worrell, Colleen Doyle. "(Un)conventional coupling: Interracial sex and intimacy in contemporary neo-slave narratives." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539623470.

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"(Un)Conventional Coupling" initiates a more expansive critical conversation on the contemporary neo-slave narrative. The dissertation's central argument is that authors of neo-slave narratives rely on the politicized theme of interracial coupling to both reimagine history and explore the possibility of social transformation. to establish a framework for my particular focus on interracial intimacy, this study extends the boundaries of the genre by adopting Paul Gilroy's theory of the black Atlantic. This theoretical paradigm serves as a provisional framework for both accommodating and analyzing the complexity of authorship, nationality, and influence within this large body of work.;This dissertation interprets neo-slave narratives' preoccupation with interracial sex and intimacy as a compelling reason to situate the critical analysis of the genre within a more expansive context. The prevalence of discourses and representations of interracial desire, sexuality, and intimacy within the genre reveals a preoccupation with cross-cultural connection. Additionally, authors of neo-slave narratives rely on black-white coupling to explore the concepts and realities of "race." Indeed, interracial intimacy provides an effective mechanism for this literature to invigorate a dialogue about "race" and why it still matters in the twenty-first century.;Adopting the term (un)conventional coupling to destabilize racialized ideologies of sexuality and desire, this project reads black-white coupling as a trope that represents a complex and conflicted sense of transracial intimacy in these novels. This study analyzes the representation of transracial intimacy in three different novels: Sherley Anne Williams' Dessa Rose, David Bradley's The Chaneysville Incident, and Valerie Martin's Property. Each chapter demonstrates the different ways in which these authors rely on the trope of black-white coupling to construct the double-edged critique of black Atlantic political culture. First, this trope exposes a hidden history in order to reveal a more comprehensive and nuanced version of slavery and its myriad legacies. Secondly, representations of interracial intimacy allow authors to posit utopian possibilities out of relations of difference by creating a space for transformative acts of social reinvention.
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Spong, Kaitlyn M. "“Your love is too thick”: An Analysis of Black Motherhood in Slave Narratives, Neo-Slave Narratives, and Our Contemporary Moment." ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2573.

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In this paper, Kait Spong examines alternative practices of mothering that are strategic nature, heavily analyzing Patricia Hill Collins’ concepts of “othermothering” and “preservative love” as applied to Toni Morrison’s 1987 novel, Beloved and Harriet Jacob’s 1861 slave narrative, Incidents in the Life of a Slave Girl. Using literary analysis as a vehicle, Spong then applies these West African notions of motherhood to a modern context by evaluating contemporary social movements such as Black Lives Matter where black mothers have played a prominent role in making public statements against systemic issues such as police brutality, heightened surveillance, and the prison industrial complex.
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Coleman, Darrell Edward. "THE TROPE OF DOMESTICITY: NEO- SLAVE NARRATIVE SATIRE ON PATRIARCHY AND BLACK MASCULINITY." Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1371724364.

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Milatovic, Maja. "Reclaimed genealogies : reconsidering the ancestor figure in African American women writers' neo-slave narratives." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10656.

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This thesis examines the ancestor figure in African American women writers’ neoslave narratives. Drawing on black feminist, critical race and whiteness studies and trauma theory, the thesis closely reads neo-slave narratives by Margaret Walker, Octavia Butler, Gayl Jones, Toni Morrison and Phyllis Alesia Perry. The thesis aims to reconsider the ancestor figure by extending the definition of the ancestor as predecessor to include additional figurative and literal means used to invoke the ancestral past of enslavement. The thesis argues that the diverse ancestral figures in these novels demonstrate the prevailing effects of slavery on contemporary subjects, attest to the difficulties of historicising past oppressions and challenge post-racial discourses. Chapter 1 analyses Margaret Walker’s historical novel Jubilee (1966), identifying it as an important prerequisite for subsequent neo-slave narratives. The chapter aims to offer a new reading of the novel by situating it within a black feminist ideological framework. Taking into account the novel’s social and political context, the chapter suggests that the ancestral figures or elderly members of the slave community function as means of resistance, access to personal and collective history and contribute to the self-constitution of the protagonist. The chapter concludes by suggesting that Walker’s novel fulfils a politically engaged function of inscribing the black female subject into discussions on the legacy of slavery and drawing attention to the particularity of black women’s experiences. Chapter 2 examines Octavia Butler’s Kindred (1978), featuring a contemporary black woman’s return to the antebellum past and her discovery of a white slaveholding ancestor. The chapter introduces the term “displacement” to explore the transformative effects of shifting positionalities and destabilisation of contemporary frames of reference. The chapter suggests that the novel challenges idealised portrayals of a slave community and expresses scepticism regarding its own premise of fictionally reimagining slavery. With its inconclusive ending, Kindred ultimately illustrates how whiteness and dominant versions of history prevail in the seemingly progressive present. Chapter 3 discusses Gayl Jones’ Corregidora (1975) and its subversion of the matrilineal model of tradition by reading the maternal ancestor’s narrative as oppressive, limiting and psychologically burdening. The chapter introduces the term “ancestral subtext” in order to identify the ways in which ancestral narratives of enslavement serve as subtexts to the descendants’ lives and constrict their subjectivities. The chapter argues that the ancestral subtexts frame contemporary practices, inform the notion of selfhood and attest to the reproduction of past violence in the present. Chapter 4 deals with Toni Morrison’s Beloved (1987) and Phyllis Alesia Perry’s Stigmata (1998) exploring complex ancestral figures as survivors of the Middle Passage and their connection to Africa as an affective site of identity reclamation. The chapter identifies the role the quilt, the skill of quilting and their metaphorical potential as symbolic means of communicating ancestral trauma and conveying multivoiced “ancestral articulations”. The chapter suggests that the project of healing and recovering the self in relation to ancestral enslavement are premised on re-connecting with African cultural contexts and an intergenerational exchange of the culturally specific skill of quilting.
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Hawkins, Christiane. "Historiographic Metafiction and the Neo-slave Narrative: Pastiche and Polyphony in Caryl Phillips, Toni Morrison and Sherley Anne Williams." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/741.

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The classic slave narrative recounted a fugitive slave’s personal story condemning slavery and hence working towards abolition. The neo-slave narrative underlines the slave’s historical legacy by unveiling the past through foregrounding African Atlantic experiences in an attempt to create a critical historiography of the Black Atlantic. The neo-slave narrative is a genre that emerged following World War II and presents us with a dialogue combining the history of 1970 - 2000. In this thesis I seek to explore how the contemporary counter-part of the classic slave narrative draws, reflects or diverges from the general conventions of its predecessor. I argue that by scrutinizing our notion of truth, the neo-slave narrative remains a relevant, important witness to the history of slavery as well as to today’s still racialized society. The historiographic metafiction of the neo-slave narrative rewrites history with the goal of digesting the past and ultimately leading to future reconciliation.
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Rooney, Theresa M. "Rewriting boundaries identity, freedom, and the reinvention of the neo-slave narrative in Edward P. Jones's The known world /." Connect to this title online, 2008. http://etd.lib.clemson.edu/documents/1211391087/.

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Poole, Chamere R. "The Re-formation of Imaginative Testimony: A Look at the Historical Influences and Contemporary Conventions of the Neo-Slave Narrative Genre." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1290296419.

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Walker, Stephanie. "Seeking Freedom through Self-Love in Toni Morrison’s A Mercy and Beloved." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/417.

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Toni Morrison chose to revisit the neo-slave narrative genre twenty-five years after the publication of Beloved with A Mercy in 2008. With these two texts, Morrison offers her readers one story that shows the descent into slavery and one that shows progression towards freedom. The purpose of this thesis is to place Morrison’s two neo-slave narratives, Beloved and A Mercy, next to one another in order to better understand the journey to freedom through self-love. This work examines the concept of self-love and the necessary components—maternal nurturance, ancestral connection, and communal interaction—that must come together to help Morrison’s characters learn to love and see themselves as their “own best thing.” The repercussions that self-love’s absence has for both individual characters and their larger communities is also discussed and illustrated by the struggles of Florens in A Mercy and Sethe in Beloved.
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Oztan, Meltem. "Indelible Legacies: Transgenerational Trauma and Therapeutic Ancestral Reconciliation in Kindred, The Chaneysville Incident, Stigmata and The Known World." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1375031855.

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Books on the topic "Neo-slave"

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Beaulieu, Elizabeth Ann. Black women writers and the American neo-slave narrative: Femininity unfettered. Westport, Conn: Greenwood Press, 1999.

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Rushdy, Ashraf H. A. Neo-slave narratives: Studies in the social logic of a literary form. New York: Oxford University Press, 1999.

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Alexander, Patrick Elliot. From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel. Temple University Press, 2017.

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Alexander, Patrick Elliot. From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel. Temple University Press, 2017.

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James, Joy. The New Abolitionists: (Neo)slave Narratives And Contemporary Prison Writings (Suny Series, Philosophy and Race). State University of New York Press, 2005.

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James, Joy. The New Abolitionists: (Neo)slave Narratives And Contemporary Prison Writings (Suny Series, Philosophy and Race). State University of New York Press, 2005.

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Redding, Christie A. "Everything said in the beginning must be said better than in the beginning": Mapping out representations of black womanhood in the neo-slave narrative. 1999.

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Ryan, Jennifer D. Diversity and Divergence in the Improvisational Evolution of Literary Genres. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.010.

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This chapter examines the evolution of three types of improvisation: a mode of literary composition, a method through which to advocate social change, and a theoretical practice. The theory that attempts to account for such improvisational strategies both simulates the material activity of improvisation and identifies the presence of improvisation itself as indicative of the first stage in an emerging literary genre. The chapter demonstrates the interrelated operations of these strategies through applied analyses of two texts, Mark Z. Danielewski’s experimental haunted-house novel House of Leaves (2000) and Edward P. Jones’s neo-slave narrative The Known World (2003). The argument locates improvisatory techniques in these two novels; examines the ways in which they diverge from preexisting theoretical trends in the fields of improvisation studies, postmodernist fiction, and the neo-slave narrative; and identifies these new improvisatory modes as signs of hitherto uncategorized literary forms.
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Lewis, David M. Assyria. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198769941.003.0011.

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This chapter explores the archival texts of the Neo-Assyrian Empire and attempts to gauge the legal and economic position of slavery in Assyrian society. It shows that the Assyrians held a similar legal understanding of slavery to the Greeks, and knew also of the phenomenon of debt bondage. The chapter then moves on to consider the location of slavery in Assyrian society, showing widespread and significant levels of slave ownership among the Assyrian elite; however, relatively high slave prices prevented slave ownership from becoming a more widespread phenomenon. The third part of the chapter looks at the Assyrian countryside more broadly, and shows that despite often owning large numbers of slaves, members of the Assyrian elite more probably drew the bulk of their income from the exploitation of bound tenant farmers.
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Lewis, David M. Babylonia. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198769941.003.0012.

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This chapter investigates the role of slavery in the Babylonian economy during the Neo-Babylonian and Achaemenid periods. As in Assyria, the relatively high price of slaves in Babylonia restricted slave ownership to the elite, though it should be noted that some wealthy Babylonian families owned enormous numbers of slaves, in some cases as many as several hundred. The chapter then turns to the various methods by which the propertied classes of Babylonian cities made their money, providing three thumbnail sketches as examples. It shows how slave labour had a limited contribution to elite fortunes due to the existence of cheaper labour alternatives, namely sharecropping tenancy and free wage labour. Slavery did, however, play an important role in the management of entrepreneurial activities.
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Book chapters on the topic "Neo-slave"

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Dubey, Madhu. "Neo-Slave Narratives." In A Companion to African American Literature, 332–46. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch22.

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Madsen, Deborah L. "Teaching Trauma: (Neo-)Slave Narratives and Cultural (Re-)Memory." In Teaching African American Women’s Writing, 60–74. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9781137086471_4.

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Garreto, Gairo, João S. Baptista, Antônia Mota, and A. Torres Marques. "Occupational Hygiene in Slave Work as a Potential Indicator for Typifying the Neo-Slavery." In Studies in Systems, Decision and Control, 181–89. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14730-3_20.

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Francis, Allison E. "Contextualizing Escape in the Neo-slave Narratives of Octavia Butler’s Kindred and Sherley Anne Williams’s Dessa Rose." In Human Contradictions in Octavia E. Butler's Work, 13–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46625-1_2.

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Brüske, Anne. "Re/escrituras de una Historia negra femenina desde Puerto Rico – las Negras de Yolanda Arroyo Pizarro (2012) y Fe en disfraz de Mayra Santos Febres (2009) en la tradición del neo-slave narrative." In Pluraler Humanismus, 207–32. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-20079-4_11.

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Smith, Valerie. "Neo-slave narratives." In The Cambridge Companion to the African American Slave Narrative, 168–86. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol0521850193.011.

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Newman, Judie. "Slave Narratives and Neo-Slave Narratives." In The Cambridge Companion to the Literature of the American South, 26–38. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cco9781139568241.003.

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Rushdy, Ashraf H. A. "The neo-slave narrative." In The Cambridge Companion to the African American Novel, 87–105. Cambridge University Press, 2004. http://dx.doi.org/10.1017/ccol0521815746.006.

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Tucker, Jeffrey Allen. "Beyond the Borders of the Neo-Slave Narrative." In The Cambridge Companion to Slavery in American Literature, 250–64. Cambridge University Press, 2016. http://dx.doi.org/10.1017/cco9781107270046.016.

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Godfrey, Mollie, and Vershawn Ashanti Young. "The Neo-Passing Narrative." In Neo-Passing. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041587.003.0001.

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This introduction defines neo-passing by contextualizing the term not only in relation to classic passing narratives and scholarship on passing but also in relation to broad notions of performance, pretending, and identifying. The editors also connect their effort to delineate a genre of neo-passing narratives to recent scholarly efforts to define neo-slave narratives and neo-segregation narratives. Like those genres, neo-passing narratives mediate between historical and contemporary notions of racial and intersectional injustice. Using several recent case studies, the introduction explores the ways in which neo-passing narratives speak directly to the contradictions within contemporary debates about colorblindness and color-consciousness, or what one contributor calls the debate between postracialism and most-racialism. Finally, the introduction briefly describes each essay in the volume, emphasizing its engagement in a vigorous debate about the specific ways in which neo-passing narratives alternatively shore up, deconstruct, or complicate our understanding of performance and identity production after Jim Crow.
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