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Journal articles on the topic 'Neoclassicism (Architecture)'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (2019): 1–13. http://dx.doi.org/10.1186/bf03545715.

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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the

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2

Bagina, Elena. "The binary star." проект байкал 18, no. 68 (2021): 50–55. http://dx.doi.org/10.51461/projectbaikal.68.1802.

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Baroque and classicism were called a binary star. In the national architecture, the avant-garde and neoclassicism can be also called a binary star. The model of succession of styles in architecture does not reflect the real situation in the 1920-1950s. Neoclassicism and different movements of “contemporary architecture” run parallel to each other both in the West and in the USSR. In the 1920s, the avant-garde was brighter, while In the 1930-1950s in the USSR – neoclassicism. “The new world of socialism” was observed in the patterns of “contemporary architecture” by party ideologists headed by

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3

Kruglova, Tatiana A. "The Concept of Time in Soviet Neoclassicism (On the Example of Architectural Discourse)." RUDN Journal of Philosophy 24, no. 4 (2020): 681–93. http://dx.doi.org/10.22363/2313-2302-2020-24-4-681-693.

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The article discusses the process of switching temporal regimes in Soviet culture at the turn of the 1920s - and during the 1930s on the material of architecture. The concepts of time in constructivism and neoclassicism are compared since the struggle between them determined the main vectors of artistic development in the reconstruction period. The author analyzes the discourse of the official position in relation to the main trends in the development of architecture in the context of the periodization of socialist construction and elicits the reasons for supporting the reference to the classi

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4

Gaiduk, M. Yu. "Art Nouveau and Neoclassicism of buildings in Tyumen financed by merchants late in the 19th and early 20th centuries." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 6 (2021): 56–64. http://dx.doi.org/10.31675/1607-1859-2021-23-6-56-64.

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The problem of preservation of the historical and architectural environment in Russian cities is currently rather relevant. Research and popularization of the different architectural styles play an important role in preservation of the unique historical environment of the city. Architectural styles of buildings in Tyumen are from Siberian Baroque to large-scale buildings of neoclassicism, which is characteristic of the architecture of this period.The paper describes the buildings the construction of which is financed by the merchants. The building architecture belongs to a particular stye typi

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5

Копылова, Лариса. "Neoclassicism in Russian Architecture of the 21st Century." SCIENTIFIC JOURNAL “ACADEMIA. ARCHITECTURE AND CONSTRUCTION, no. 2 (June 18, 2024): 63–70. http://dx.doi.org/10.22337/2077-9038-2024-2-63-70.

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Статья посвящена третьей волне русского неоклассицизма, охватывающей период с 1990-х по 2020-е годы, крупные реализованные проекты которого приходятся на XXI век. Цель статьи – теоретически осмыслить направление, определить генезис, этапы эволюции и формальную концепцию стиля; уточнить круг архитекторов и основных построек; провести сравнение с двумя предшествующими волнами русского неоклассицизма – начала и середины ХХ века.

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6

Mzhelsky, V. M. "CHANGES IN SOVIET ARCHITECTURAL STYLES IN THE 1930s." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 21, no. 4 (2019): 125–37. http://dx.doi.org/10.31675/1607-1859-2019-21-4-125-137.

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Purpose: The aim of the paper is to study the history of Soviet architecture, associated with changes in its stylistic orientation, when instead of the previously dominant constructivist forms other forms began to prevail, namely Art Deco, neoclassicism and eclecticism. The paper explores the processes in architecture of that time, identifies the main prerequisites for the formation of that architectural style.Methodology/approach: The methodological approach includes a comparative analysis of scientific publications and buildings of Soviet architecture of the 1930s. A comprehensive study is c

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7

Brumfield, William C. "Anti-Modernism and the Neoclassical Revival in Russian Architecture, 1906-1916." Journal of the Society of Architectural Historians 48, no. 4 (1989): 371–86. http://dx.doi.org/10.2307/990455.

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The appearance of the "style moderne" in Russian architecture at the turn of the century reflected not only the assimilation of the new European architecture (Secession, Art Nouveau), but also the movement toward an urban environment that would accommodate a social order based on private capital and the ascendency of Russia's nascent bourgeoisie. Claims for the democratic basis of the new style acquired distinctly political overtones in critical articles published between 1900 and 1905. After 1905 (a year of widespread revolutionary disorder in Russia), a reaction against the modernist aesthet

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8

Markovskyi, Andrii. "PARALLELS OF GERMAN AVANT-GARDE ARCHITECTURE AND DEVELOPMENT IN KYIV." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 302–13. http://dx.doi.org/10.32347/2077-3455.2020.58.302-313.

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The article presents a comparative analysis of some key objects of German and Kyiv architecture of the early twentieth century to determine the corresponding trends. Parallels and identities are shown and noted. An analysis of the background and context is given, as well as the author's conclusions of the respective styles. In particular, German Werkbund, international Art Nouveau, Ukrainian architectural Art Nouveau, "New Objectivity", Bauhaus, functionalism, constructivism, post-constructivism, German and Soviet neoclassicism are mentioned. Were analyzed in detail: The Fagus Factory (1

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9

Edakina, Daria A., and Eduard I. Chernyak. "MONUMENTS OF RUSSIAN ARCHITECTURAL HERITAGE: EXPERIENCE OF TYPOLOGICAL CLASSIFICATION." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 245–56. http://dx.doi.org/10.17223/2220836/42/22.

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The article highlights the almost unexplored issue of the classification of architectural heritage sites. The authors define architectural heritage as a complex of buildings and structures that form the surrounding space and reflect the art of creating these buildings and structures. Pursuing the goal to create a regulating system of Russian architecture monuments, the authors of the article use the architectural style as the main sign of monuments. Reliance on scientific research, written and visual sources allows identifying and characterizing large typological groups of monuments. The first

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10

Şlapac, Mariana. "Chisinau architecture of the post-soviet period." Akademos, no. 4(67) (March 2023): 142–49. http://dx.doi.org/10.52673/18570461.22.4-67.19.

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The buildings constructed in Chisinau after year 1991 propose a diversified architecture. The stylistic range is quite various: neoclassicism, modernism, postmodernism, high-tech, deconstructivism, neominimalism, brutalism, etc. The influence of neoclassical architecture is felt upon the multistory building of S.A. “ASCOM Group”, and modernism is illustrated by the building of the “Kentford” Business Center, the building of the “Infotag” Information Agency, etc. Among the most illustrative examples of postmodernist architecture is the „Coliseum Palace” residential complex, the “Moldincombank”

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11

Kostova, E. V. "THE MAIN TRENDS IN STALINIST EMPIRE STYLE IN WESTERN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 9–17. http://dx.doi.org/10.31675/1607-1859-2019-21-1-9-17.

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Understanding of the Stalinist Empire style allows finding an alternative to postmodernism architecture in the conditions of the current crisis of the Russian civilization. The aim of this work is to characterize the architectural style of the Western Siberian cities and show the general and particular character in its consecutive development. Theoretical prerequisites for this work lie in the fact that the general paradigm of Stalinist Empire style was formed during the proletarian cultural revolution, i.e. realization of the collectivism principle and associated creative remaking of the arch

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12

Jakti, Jalung Wirangga. "Lahirnya Kembali Neoklasikisme melalui Bangunan di Yogyakarta." INVENSI 5, no. 2 (2020): 101–12. http://dx.doi.org/10.24821/invensi.v5i2.3859.

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Neoklasik adalah gerakan utama selama pertengahan abad ke-18 hingga akhir abad ke19 dalam seni dan arsitektur Eropa. Karya dengan gaya ini berfokus pada bentuk seni klasik barat Yunani Kuno dan Roma. Penelitian ini bertujuan untuk memahami Seni Neoklasik dalam arsitektur di Kota Yogyakarta. Penelitian ini menjadi menarik karena belum ada yang mengkaji bangunan neoklasik yang hadir di tengah keramaian Yogyakarta. Seni neoklasik dapat menjadi sarana hidupnya kembali zaman pencerahan Eropa dalam bentuk bangunan. Kita bisa melihat bentuk ideal dari arsitektur neoklasik dengan kekhasan kolom yang d

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13

Shabiev, Salavat G., Ekaterina G. Prilukova, Viktoria G. Chudinova, and Olga R. Bokova. "Tectonic “interpretation” of neoclassicism in the evening and nighttime (on the example of Chelyabinsk)." Journal «Izvestiya vuzov. Investitsiyi. Stroyitelstvo. Nedvizhimost» 11, no. 2 (2021): 398–407. http://dx.doi.org/10.21285/2227-2917-2021-2-398-407.

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The aim was to analyse the architectural concept of neoclassicism, formed by the evening and night illumination in Chelyabinsk. The use of light compositions imparts artistic expression to the forms of architecture according to the requirements of ecologisation of the living environment. The knowledge in composition theory is combined with various fields of scientific knowledge, including a study of regulatory documentation and an analysis of existing architectural structures and those implemented based on a new ideology of form-making using modern technologies. This work studies domestic and

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14

Lico, Gerard. "Rising from of the Ashes: post-war Philippines Architecture." Modern Southeast Asia, no. 57 (2017): 46–55. http://dx.doi.org/10.52200/57.a.up2jbxrh.

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The 1945 battle for liberation witnessed the massive decimation of Manila’s urban built-heritage and the irreplaceable treasures of colonial architecture. Despite the seemingly impossible task to resuscitate war ravaged Manila, it rose again. Out of the ashes, modernism provided the opportunity to craft a new architecture for a newly independent nation. Modernism emerged as the period’s architectural symbol of survival and optimism. In a post-colonial cultural milieu, Filipino architects pursued the iconography of national mythology channeled through the pure surfaces and unadorned geometries

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15

Tsvetkova, Polina O. "On the History of the Palladian Architecture in British Colonies. On the Example of the Singapore Architecture in the First Half of the 19th Century." Scientific and analytical journal Burganov House. The space of culture 18, no. 5 (2022): 22–28. http://dx.doi.org/10.36340/2071-6818-2022-18-5-22-28.

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The article deals with the history of the spread of the Palladian tradition in the architecture of the British colonies. The reasons why the spread of the architectural style was not ubiquitous are revealed in detail. A list of English colonial possessions and a brief description of the specific policy conditions that influenced the architecture development in each of the regions are given. Specific examples demonstrate the change processes in the Singapore architecture. The selfless activity of F.Raffles, the Governor of Singapore, who was passionate about A.Palladio’s ideas in architecture,

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16

Kim, Anton. "Formation and development of the architecture of the Central Bank of Manchukuo." проект байкал 19, no. 72 (2022): 134–39. http://dx.doi.org/10.51461/projectbaikal.72.1994.

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The article is devoted to the analysis of the development of the architecture of the Central Bank of Manchukuo in 1932–1945. The prerequisites for the development of the architecture of banking institutions in the region are considered. The key influence of the Japanese architectural school, which manifested itself to the greatest extent in the 1930s after the formation of Manchukuo, is revealed. The building of the head office of the Central Bank in Changchun, which incorporated the most advanced developments and approaches to the construction of such facilities, is described in detail. In ad

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17

Михайлова, Людмила Гавриловна. "ARCHITECTURE of the city of LESNOY in the 1950S." Академический вестник УралНИИпроект РААСН, no. 4(47) (December 29, 2020): 34–38. http://dx.doi.org/10.25628/uniip.2020.47.4.006.

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Предметом рассмотрения является начальный период формирования архитектурно-пространственной структуры закрытого города Лесной (Свердловск-45), построенного в Свердловской области в рамках реализации в стране атомного проекта СССР. Исследование проводится с целью изучения архитектурного и градостроительного наследия города периода 1950-х гг. до появления блочного домостроения. Исследования направлены на определение основных тенденций, легших в основу строительства Лесного, его архитектурно-градостроительных решений, ценностных характеристик ансамблевой архитектуры, типовой и повторной архитекту

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18

Pechenkin, Il'ya E. ""THE ENGLISHNESS" IN I.V. ZHOLTOVSKY'S ARCHITECTURE. HORSERACING SOCIETY HOUSE." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2020): 111–37. http://dx.doi.org/10.28995/2073-6401-2020-2-111-137.

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I.V. Zholtovsky’s name as well as his architecture are imagined as fully associated with Italian influences. Meanwhile, by the beginning of the 20th century, Italy was by no means the most significant country of palladianism: this stylistic movement had been developed much more in England, in addition the first monograph on Palladio was published in London (1902). Having studied the biographical documents of Zholtovsky, one can conclude that the “English theme” in his life was no less significant than the “Italian”. Moreover, this relation was not limited to the sphere of political or cultural

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19

Михайлова, Людмила Гавриловна. "ARCHITECTURE OF NOVOURALSK IN THE 1940S AND 1950S." Академический вестник УралНИИпроект РААСН, no. 3(46) (September 30, 2019): 53–58. http://dx.doi.org/10.25628/uniip.2020.46.3.009.

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Предметом исследования является начальный период формирования архитектурно-пространственной структуры закрытого города Новоуральска (Свердловск-44), построенного в Свердловской области в рамках реализации в СССР атомного проекта. Целью является изучение архитектурного и градостроительного наследия послевоенного периода, определение его ценностных характеристик и основных тенденций. Рассматривается планировочная структура и архитектура центрального исторического района города 1940-1950 гг., показано использование принципов и приемов советского неоклассицизма. Работа выполнена по плану ФНИ на 20

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20

Stevanović, Vladimir. "Racionalizam u arhitekturi: nekoliko modela instrumentalizacije / Rationalism in Architecture: Several Models of Instrumentalization." AM Journal of Art and Media Studies, no. 6 (October 15, 2014): 114–24. http://dx.doi.org/10.25038/am.v0i6.80.

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Rationalism in architecture is a European concept which, from Enlightment to postmodern era, advocates values of order, clarity and logic, represented through primary geometrism, functionalism, profitability and absence of ornament. The text connects and analyzes (1) formal-stilistic manifestations of rationalism in architecture: French neoclassicism; Soviet constructivism, German new objectivity, Italian rationalism; postmodern Italian neorationalism in the context of (2) dominant paradigms which directs them: divine nature; technological-utilitarian; autonomus-selfreferent, and (3) social, e

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21

Getka-Kenig, Mikołaj. "Chrystian Piotr Aigner, ancient monuments, and the architectural discourse of Polish resurrection in the Age of Revolution." Classical Receptions Journal 12, no. 2 (2019): 175–99. http://dx.doi.org/10.1093/crj/clz019.

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Abstract The role of ancient classical monuments in the history of Polish neoclassicism at the turn of the nineteenth century may seem to be insignificant. However, among many building types, there was one in the case of which ancient classical monuments served as an important source of inspiration for contemporary building practice. It was the architecture of public commemoration that engaged in the discourse of national resurrection after the late-eighteenth-century partitions of the Polish state. Apart from their general associations with natural order and permanent stability, classical arc

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22

Salmon, Frank. "‘Our Great Master Kent’ and the Design of Holkham Hall: A Reassessment." Architectural History 56 (2013): 63–96. http://dx.doi.org/10.1017/s0066622x00002458.

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Few questions have more exercised historians of eighteenth-century British architecture over several generations than that of the authorship of the design of Holkham Hall in Norfolk. The house, built between 1734 and 1765, is the quintessential domestic example of English Palladianism at its most Neoclassically extreme. Almost every feature of Holkham's exterior elevations replicates motifs to be found in Antiquity, transmitted through Andrea Palladio or other sixteenth- and seventeenth-century sources, whilst inside not a single painted god, hero or saint complicates the clearly defined surfa

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23

URSACHI, Rodica. "Stylistic way of Chisinau archtecture from the end of the XIX to the beginning of XX centuries." Arta 31, no. 1 (2022): 45–51. http://dx.doi.org/10.52603/arta.2022.31-1.06.

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The evolution of the architecture of Chisinau from the end of the 19th century to the beginning of the 20th century was conditioned by different historical, political, economic factors, etc., which imposed a certain stylistic typology of eclectic nature. The conceptual-stylistic and typological character of the architectural monuments in Chisinau was determined by the regulations imposed by the new authorities based on the observance of urban projects specific to the Russian Empire, the preferences and aesthetic taste of architects and, to some extent, the wishes of sponsors. The conceptual-de

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24

Babadzhan, Svetlana G. "Neoclassicism in Architecture and Poetry of the 1910s and 1910s: The Commonality of the Problem Field." Actual Problems of Theory and History of Art 12 (2022): 414–25. http://dx.doi.org/10.18688/aa2212-05-31.

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25

Chesné, Amaury, and Romanos Ioannidis. "An Investigation of the Perception of Neoclassical, Eclectic, Modernist, and Postmodern Architecture within Different Urban Landscapes: Athens vs. Paris." Land 13, no. 3 (2024): 340. http://dx.doi.org/10.3390/land13030340.

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The public perception of buildings belonging to different architectural movements is a largely unexplored area from a quantitative scientific perspective. However, a better scientific understanding of perceptions of architectural movements is important for the formation of improved planning and design policies. In this work, we carry out an initial exploration of the public preferences of the architectural movements of Neoclassicism, Eclecticism, Modernism, and Postmodernism. To this aim, a total of 103 citizens from Athens (Greece) and Paris (France) were presented with the same questions reg

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26

KOTENKO, Irina A. "THE SINGULARITY OF THE DOME’S FORMS OF SAMARA’S ART NOUVEAU ARCHITECTURE AND ECLECTICISM OF THE EARLY 20TH CENTURY." Urban construction and architecture 8, no. 2 (2018): 122–29. http://dx.doi.org/10.17673/vestnik.2018.02.21.

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The paper examines one of the characteristic fi nishing elements of the roofs of buildings - the dome. The originality of forms and varieties of their application is noted, fi rst of all in the Аrt Nouveau architecture, as well as in neoclassicism and various stylizations in the provincial city of Samara of the beginning of the 20th century. The author emphasizes the special signifi cance of the peculiar form in the composition of the building and the town-planning application. The widespread varieties of domes in the considered period of town-planning development are investigated and classifi

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27

Lisitsin, Vasily. "Classics with a constructivist past." проект байкал, no. 79 (April 6, 2024): 134–39. http://dx.doi.org/10.51461/issn.2309-3072/77.2300.

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The article traces the change in the style approach during the Stalin era, taking as an example the building of the East Siberian Railway Administration (7 Karl Marx St., Irkutsk). The author considers the stages of construction and reconstruction of this object, from the initial project in the style of constructivism by K. V. Mital to the project by D. M. Goldstein in the style of Soviet neoclassicism.

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Schmidt, Freek H. "Expose Ignorance and Revive the "Bon Goût": Foreign Architects at Jacques-François Blondel's École des Arts." Journal of the Society of Architectural Historians 61, no. 1 (2002): 4–29. http://dx.doi.org/10.2307/991809.

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This article focuses on four foreign architects who attended Blondel's school during the 1740s and 1750s: the Dutch architect Pieter de Swart, Sir William Chambers, and German architects Simon Louis du Ry and Karl Philipp Christian von Gontard. Through analysis of relatively unknown documentary evidence, the author reconstructs the actual content of Blondel's teachings. These sources underline Blondel's importance as a promoter of the study of architecture at all levels of society, a principal teacher of both theory and design, a master of spatial organization, a critic of contemporary archite

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Penyaz, Tatyana. "STAGES OF STYLISH DEVELOPMENT OF THE ARCHITECTURE OF ELIZABETHGRAD AT THE SECOND HALF OF THE 19TH – BEGINNING OF THE 20TH CENTURY." Urban development and spatial planning, no. 82 (February 3, 2023): 309–23. http://dx.doi.org/10.32347/2076-815x.2023.82.309-323.

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The article is devoted to the architecture of Yelysavetgrad at the second half of the 19th century and the beginning of the 20th century, that forms a large part of the historical center of the city and contains information about the development of medium-sized cities in southern Ukraine. The article presentes a classification of stylistic features and stages of the development of the Yelisavetgrad architecture of the period under study. On the basis of field surveys, studses of literary and archival sources, patterns of stylistic development, depending on the preferences of the time and the f

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30

Hafertepe, Kenneth. "An Inquiry into Thomas Jefferson's Ideas of Beauty." Journal of the Society of Architectural Historians 59, no. 2 (2000): 216–31. http://dx.doi.org/10.2307/991591.

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A careful reading of eighteenth-century aesthetics provides a view of Thomas Jefferson's thinking about art and architecture quite different from the existing scholarly paradigm. Jefferson owned, read, and quoted Enlightenment philosophy and criticism, most notably that of Henry Home, known as Lord Kames. Far from privileging reason over emotion, these philosophers held that all people are created with innate senses of beauty and morality, as well as a rational faculty. Because of the sense of beauty, certain qualities in objects can inspire the idea of beauty in the mind; other ideas of beaut

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31

Bertash, Alexander V. "A. Poleshchuk: Creative Biography of the Russian-Estonian Architect and a Retrospective Direction in Russian Church Architecture of the Early 20th Century." Vestnik of Saint Petersburg University. Arts 12, no. 4 (2022): 647–65. http://dx.doi.org/10.21638/spbu15.2022.405.

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This article is devoted to the creative biography of the largest Russian-Estonian architect at the turn of the 19th–20th centuries A. Poleshchuk and retrospectivism in Russian church architecture at the beginning of the twentieth century, which was his main creative method. The works and biography of the great master are still poorly studied, scientific publications are practically not devoted to him. At the same time, being a pupil of the St Petersburg Academy of Arts, the architect was awarded the title of architecture academic, the position of professor, proved himself in the capital as the

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32

Senkiv, Z. "DECORATIVE ELEMENTS OF THE POSTMODERNIST BUILDINGS OF THE LVIV SCHOOL OF ARCHITECTURE." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 5, no. 2 (2023): 160–65. http://dx.doi.org/10.23939/sa2023.02.160.

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This study summarizes the results of the analysis of three dozen architectural objects in Lviv based on which presents architectural school in Lviv and its transition towards postmodern stylistics. The article considers the analysis of the phenomenon of postmodern architecture, in particular one of the key issues of the discussion with modernism - the possibility and nature of decorating the facades of buildings. Firstly, the role of geometric-decorative ornamentation as an indicator of the emergence of the so-called "Carpathian style," considered a proto-postmodernism, into a full-fledged pos

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33

Markovskyi, Andrii. "LOCAL IDENTITY AND FEATURES OF THE ARCHITECTURE OF KYIV IN THE FIRST HALF OF THE TWENTIETH CENTURY." Urban development and spatial planning, no. 76 (March 1, 2021): 150–59. http://dx.doi.org/10.32347/2076-815x.2021.76.150-159.

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The article presents an analysis of the compilation of local and regional features of the development of Kyiv at the beginning of the last century, which arose as a reflection on global socio-political, economic and cultural transformations. In particular, successive iterations of the main city-forming function, "invented traditions" in their local manifestation, local decorative techniques ("brick style") and terrain subordination are studied. Mentioned as domestic (J. Yu. Karakis, P. F. Alyoshin, V. G. Krychevsky, V. G. Zabolotny, D. M. Dyachenko, and others) as all- Soviet architects (J. G.

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Yıldız Kuyrukçu, Emine, and Hatice Ülkü Ünal. "Examining “Eclektic”, “Kitch” “Neoclasic” and “Orientalist” architectural production methods on university structures." Journal of Human Sciences 18, no. 1 (2021): 108–30. http://dx.doi.org/10.14687/jhs.v18i1.6143.

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Postmodern architectural products that can be described as kitsch have become rapidly consumed objects because they have appealed to the whole society. As a demand stimulating, easily comprehensible, and rapidly consumable product, kitsch has gained an important place in postmodern culture and architecture. These features of kitsch have easily made it a paradoxical part of consumption culture. After the Neoclassical boom in the 18th century, architectural movements such as Eclecticism, Orientalism, and Historicism became widespread in the 19th century. Towards the end of the 20th century, thes

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Sansieva, Anna V. "Ferdinando Fuga and Nicola Salvi: “Contro il Barocco” Architecture and the Threshold of Neoclassicism in the Italian Architecture in the First Half of the 18th Century." Actual Problems of Theory and History of Art 10 (2020): 133–41. http://dx.doi.org/10.18688/aa200-1-12.

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Bazilevich, Mikhail E., and Anton A. Kim. "STYLISTIC FEATURES OF THE EUROPEAN ARCHITECTURE OF BANKING INSTITUTIONS IN GUANGZHOU LATE 19TH – EARLY 20TH CENTURY ON THE EXAMPLE OF SHAMYAN ISLAND." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 5–17. http://dx.doi.org/10.17223/22220836/41/1.

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The article is devoted to the architecture of European banking institutions in Guangzhou, built on the territory of Shamyan island in the late 19th – early 20th century. A brief historical excursion into the history of the formation of the British and French concessions is given. This publication examines the stylistic and compositional features of the architecture of such banking institutions as: Hong Kong and Shanghai Banking Corporation; The Chartered Bank of India, Australia and China; International banking corporation (City Bank); Bank of Taiwan; Commercial Corporation of Mitsubishi; Yoko

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Tsvetkova, Polina O. "PALLADIAN ARCHITECTURAL UTOPIA OF HAGA PALACE." Scientific and analytical journal Burganov House. The space of culture 19, no. 1 (2023): 32–40. http://dx.doi.org/10.36340/2071-6818-2023-19-1-32-40.

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The article considers the architecture of Swedish classicism on the example of the history of the project creation of the Haga Palace near Stockholm, the most grandiose Palladian ensemble of the 18th century in Sweden. The description of the project’s specific features is made against the background of an analysis of the general historical and cultural background of the era. The role and influence of the personality of the customer and practical co-author of the palace project, King Gustav III, an enlightened Voltairian monarch, is revealed in particular detail. The characteristic features of

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Fleming, Patrick, Petronella Mill, Marcelo Rovira Torres, and Anders Bergström. "Recovering the Historical Construction and Materials of Erik Gunnar Asplund’s Stockholm Public Library." Docomomo Journal, no. 71 (July 1, 2024): 13–23. http://dx.doi.org/10.52200/docomomo.71.03.

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This work presents the first detailed study of the construction and materials of the Stockholm Public Library. As the building undergoes a rare period of maintenance and renovation, the floors and walls of the library are examined from three perspectives. First, using available but limited archival documents and plans; second, with non-destructive ground-penetrating radar measurements; and finally, through on-site surveys during local interventions for the maintenance and renovation process. The ensuing results emphasize the complementary nature of this combined research approach in recovering

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Makała, Rafał. "Nawiązania do tradycji nowożytnej w ceglanej architekturze wczesnomodernistycznej północnych Niemiec." Porta Aurea, no. 17 (November 27, 2018): 94–111. http://dx.doi.org/10.26881/porta.2018.17.04.

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One of the manifestations of the so called ‘conservative modernism’ was the reference to the brick building tradition in Northern Germany. The trend was primarily associated with the activities of Fritz Schumacher and Fritz Höger in Hamburg and Bremen in the 1920s and 1930s, but the genesis of this architecture dates back to the first decade of the 20th century and is associated with the attempts to shape North German patriotism. Just as in the art of neo-Gothic, brick architecture of ‘conservative modernism’ was meant to express the ‘North German Identity’, and in fact help in the creation of

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Barraclough, Rosanna. "Reassessing Joseph Bonomi the Elder: The Hawksmoor Prize Essay 2021." Architectural History 65 (2022): 195–226. http://dx.doi.org/10.1017/arh.2022.10.

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ABSTRACTIn the early nineteenth century, Joseph Bonomi the Elder (1739–1808) was one of the best-known architects in Britain — so much so that he figured in Jane Austen’s Sense and Sensibility (1811) — but his reputation subsequently declined and diminished to the extent that, in the current literature on British architecture of the late eighteenth and early nineteenth century, he is little more than a footnote. In a circular process, this excision directly contributed to the demolition of some of his most important work — above all, Rosneath House in Dunbartonshire — on the grounds that it wa

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Bagina, Elena. "There is a Prussian spirit here, but it smells of Russia..." проект байкал 19, no. 74 (2023): 86–95. http://dx.doi.org/10.51461/pb.74.16.

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After the Great Patriotic War, the Russian settlers were going to build their own world on the ruins of Königsberg and other cities in East Prussia, from where the Germans were deported in 1947. Architects designed neoclassical ensembles, but those plans were not realised. The Soviet towns of East Prussia were built up in the 60s and 70s with five-storey panel blocks and faceless modernist public buildings. The Kaliningrad region did not receive the Soviet identity associated with constructivism and neoclassicism, nor did it ever have a Russian identity. Today people discuss a diffusion of Ger

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Roark, Ryan. "“Stonehenge in the Mind” and “Stonehenge on the Ground”:." Journal of the Society of Architectural Historians 77, no. 3 (2018): 285–99. http://dx.doi.org/10.1525/jsah.2018.77.3.285.

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In Stone-Heng Restored (1655), Inigo Jones, the father of English neoclassicism, used drawings, histories, and questionable logic to argue that Stonehenge was built by the ancient Romans and that it originally exhibited perfect Platonic geometries. This argument was never given much credence, but by 1725 the subject matter and the architect had received enough attention that two book-length responses (a challenge and a defense) were published, and both were then republished in a single volume alongside Jones's original text. While most Jones scholars have neglected this work because of its log

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Suhrcke-Caballero, Gunther, and Katherine Gondeck-Cepeda. "Las intervenciones en el Palacio de La Moneda de los siglos XIX, XX y XXI. Los proyectos y sus arquitectos." Arquitecturas del Sur 40, no. 62 (2022): 40–61. http://dx.doi.org/10.22320/07196466.2022.40.062.03.

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The Palacio de La Moneda, or La Moneda Palace, is the seat of the Presidency and the Executive Power of Chile, the Ministry of the Interior and Public Security, the General Secretariat of the Presidency, and the General Secretariat of the Government. It is one of the main historical and most important buildings in Chile in terms of its current representative function, as the Government Palace. Since its construction, in 1786, it has been the witness and star of the historical-political and social-urban evolution of the nation, of events that have been expressed in its own architectural metamor

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Tsyshchuk, Svetlana E. "Domenico Gilardi’s Sketch of a Park Pavilion: Aspects of Attribution." Observatory of Culture 20, no. 3 (2023): 280–90. http://dx.doi.org/10.25281/2072-3156-2023-20-3-280-290.

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This article is devoted to the problem of the attribution of architectural graphics, the identification and analysis of the individual graphic style of Domenico (Dementi Ivanovich) Gilardi, a master of Swiss origin, the chief architect of post-fire Moscow. In spite of the formal, stylistic and iconographic knowledge of the Moscow Empire style, the issue of attribution of architectural graphics to the period remains open. The work of Gilardi is no exception in this respect.The objective of this research is to use stylistic and iconographic analysis of his most outstanding works to form an idea

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Микиртичан, Галина Львовна, Александр Зиновьевич Лихтшангоф, Любовь Николаевна Лисенкова, Владислава Игоревна Макеева, Полина Александровна Жикоренцева, and Владимир Николаевич Южанинов. "ARCHITECTURE OF HOSPITALS IN ST. PETERSBURG: FROM PETROVSKY BAROQUE TO HI-TECH. PART I. PETER'S BAROQUE." Medicine and health care organization 8, no. 3 (2023): 89–101. http://dx.doi.org/10.56871/mhco.2023.87.10.009.

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Санкт- Петербург, история которого насчитывает немногим более 300 лет, воплотил в себе множество достижений человеческого духа, ума и воли. Возникший по замыслу великого Петра, он стал центром культурной и научной жизни нашей страны. Один из красивейших городов мира — Санкт-Петербург — благодаря своим архитектурным ансамблям может служить путеводителем по архитектурным стилям не только дворцов, храмов, административных и промышленных зданий, но и медицинских учреждений, в частности больниц. Эти объекты, отличающиеся разнообразной архитектурной стилистикой, составляют уникальное культурно- исто

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Davydich, Tatyana F. "Architect A.N.Beketov. Life and Creative Work." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 2 (July 11, 2018): 27–34. http://dx.doi.org/10.22337/2077-9038-2018-2-27-34.

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In the article the features of creativity of the Kharkov architect A.N. Beketov were considered, who had graduated from the Imperial Academy of Arts in St. Petersburg (with a Big Golden Medal, 1888). The very first of his works gave the new development of the central streets and squares of Kharkiv (in enlarged, really capital scale). He came to work in Kharkov at his own request, and in 1889 he won a competition for the project of Commercial School building, which was realised. In the 1890-s and the 1910-s, A.N. Beketov supervised his own design bureau, which dealt not only with the design, bu

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Sechin, Alexander G. "The Sources and Meaning of the Term Decency in the Writings of Prince Dmitry Golitsyn on Fine Arts." Vestnik of Saint Petersburg University. Arts 12, no. 4 (2022): 682–707. http://dx.doi.org/10.21638/spbu15.2022.407.

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The author focuses on one of the most important terms of normative aesthetics and art, decency, which occupies a prominent place in the writings of Prince Dmitry Golitsyn (1734–1803), devoted to the issues of architecture and fine arts. A detailed study of the origins of decency and the meaning of this concept leads to the identification of three stages in its development, consistently considered with the involvement of both source texts and the works of modern scholars. The first stage was the flourishing of classical ancient Greek art, which corresponds to the concept of τὸ πρέπον, formed in

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Shukl, Vaissnavi, and Sukumar P. Desai. "Bulfinch and the Massachusetts General Hospital: History at the Intersection of Architecture and Medicine." Journal of Surgery & Transplantation Science 10, no. 1 (2023): 1–5. http://dx.doi.org/10.47739/2379-0911.surgery.1089.

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Albeit never trained in architectural design, Charles Bulfinch (1763-1844) is widely recollected as the first native-born American to practice architecture professionally. Inspired by continental influences, Bulfinch developed the neoclassicist style reflected in major private and public structures in Boston and Washington D.C. Although we have numerous studies of Bulfinch’s fascinating and pioneering architectural career, less is known about his intimate relationship to the medical field. Bulfinch was the chief designer of Massachusetts General Hospital, America’s third-oldest general hospita

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Wharton, Alyson. "Tbilisi, Baku, and Yerevan: Neoclassicism and Imperial Signification in the Caucasus." Urban History Review 52, no. 1 (2024): 106–44. http://dx.doi.org/10.3138/uhr-2022-0037.

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Contrary to urban histories of the Caucasus that have tended to take an individual capital city and chart urban development from the Persian imprint and the Russian imperial legacy to the Soviet reconstruction, this article takes a comparative look at three national capitals, Baku, Yerevan, and Tbilisi, in order to argue for their similarities as well as their distinctness. It puts forth that the markers of the “national monumentality” and “capitality” of these three cities were set in place in the period of Russian imperial rule and that the central cores of Yerevan, Baku, and Tbilisi remaine

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Torbus, Tomasz. "Krössinsee (zachodniopomorski Złocieniec-Budowo) i inne narodowosocjalistyczne „zamki zakonne”. Budowa – funkcja – kostium stylowy." Porta Aurea, no. 17 (November 27, 2018): 112–32. http://dx.doi.org/10.26881/porta.2018.17.05.

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In 1934, construction began on training centers for the upper echelons of future NS leadership: the Vogelsang in the Eifel, Krössinsee (Polish Złocieniec-Budowo) in western Pomerania, and Sonthofen in Allgäu. Through the enormous efforts of the German Labor Front (DAF) the training centres, called Ordensburgen (literally: ‘castles of the orders’), were completed in 1936. In the meantime, much literature has been published on all of the NS Ordenburgen, yet an investigation of the genesis and analysis of their form is still lacking, which this essay partially attempts to address. The inten

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