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Relevant bibliographies by topics / Neorealismus

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Journal articles

Academic literature on the topic 'Neorealismus'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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Journal articles on the topic "Neorealismus"

1

Falke, Gustav. "Neorealismus im italienischen Film." Zeitschrift für Ideengeschichte 7, no. 2 (2013): 21–34. http://dx.doi.org/10.17104/1863-8937-2013-2-21.

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Wohl jeder, der zum ersten Mal die Fahrraddiebe von Vittorio De Sica sieht, wird den Kopf schütteln, wie dieses Melodram zu seinem Ruhm kommen konnte. Der Protagonist ist ein armer Vorstadtrömer, der endlich eine Arbeit als Filmplakatkleber findet. Für seine neue Arbeit muss er ein Fahrrad stellen, das ihm jedoch gestohlen wird. Auf der Suche nach dem gestohlenen Rad irrt er zusammen mit seinem kleinen Sohn umher. Tatsächlich kommt er dem Dieb auf die Spur. Doch kann er ihm nichts nachweisen. Schließlich unternimmt er selbst – deshalb der Plural im Filmtitel – unter den beschämenden Blicken des Kindes einen erfolglosen Diebstahlsversuch.

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2

Falke, Gustav. "Neorealismus im italienischen Film." Zeitschrift für Ideengeschichte 7, no. 4 (2013): 21–34. http://dx.doi.org/10.17104/1863-8937-2013-4-21.

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3

Masala, Carlo. "Neorealismus und Internationale Politik im 21. Jahrhundert." Zeitschrift für Politikwissenschaft 16, no. 1 (2006): 87–111. http://dx.doi.org/10.5771/1430-6387-2006-1-87.

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4

Scherrer, Christoph. "Critical International Relations. Kritik am neorealistischen Paradigma der internationalen Beziehungen." PROKLA. Zeitschrift für kritische Sozialwissenschaft 24, no. 95 (1994): 303–23. http://dx.doi.org/10.32387/prokla.v24i95.1004.

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»Critical International Relations« versuchen positivismuskritische Theorien für das Fach Internationale Beziehungen fruchtbar zu machen. Bezugspunkte sind dabei u. a. Gendertheorien, Gramscianische Ansätze, die Kritische Theorie und der Poststrukturalismus. Vorgestellt werden die CIR-Arbeiten anhand ihrer Kritik am vorherrschenden Paradigma der Internationalen Beziehungen, dem Neorealismus.

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5

Eichler, Jan. "Neorealism and Contemporary US–Russian Military Competition in the Post-Soviet Space." Vojenské rozhledy 26, no. 2 (2017): 89–105. http://dx.doi.org/10.3849/2336-2995.26.2017.02.089-105.

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6

Gebhardt, Andrea. "Auf dem Weg in die selbsternannte Mündigkeit. Die Englische Schule zwischen Realismus, Neorealismus und Konstruktivismus." Zeitschrift für Politik 55, no. 3 (2008): 267–91. http://dx.doi.org/10.5771/0044-3360-2008-3-267.

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7

Freire, Lucas G. "Is Neorealism a Deterministic Theory of International Relations?" International Studies 56, no. 1 (2019): 58–67. http://dx.doi.org/10.1177/0020881718824760.

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This article is a contribution to the clarification of the central claim of Kenneth Waltz’s neorealist international relations theory. Over the years, the notion that Waltz’s Theory of International Politics postulates a deterministic connection between the configuration of the structure of the international system and the behaviour of each of the units has gained traction in textbooks and in straw-man critiques of the neorealist approach. Two major groups of critics of neorealism’s alleged determinism have formed. The first group focuses on instances where predicted balancing behaviour did not occur in order to refute neorealism’s central claim about the link between structure and behaviour. The second group objects to any strong claims about structural features as such. In response, this article shows that a careful reading of Waltz’s writings suffices to indicate that the presupposition adopted by both groups of critics is flawed. Neorealism was never presented by its main proponent as a deterministic international relations theory.

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8

Brūveris, Klāra. "Alternative Networks of Globalisation: Latvian Neorealism in the Films of Laila Pakalniņa." Baltic Screen Media Review 4, no. 1 (2016): 38–59. http://dx.doi.org/10.1515/bsmr-2017-0003.

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Abstract This paper examines the development of neorealist tendencies in the oeuvre of contemporary Latvian filmmaker Laila Pakalnina. Her work is positioned within the global dissemination of cinematic neorealism, and its local manifestations, which, it is argued, develop in specific national contexts in reaction to dramatic societal and political changes. Pakalniņa’s films are examined as a documentation of the change from a communist satellite state to an independent democratic, capitalist country. Heavily influenced by the Riga School of Poetic Documentary, a movement in Latvian cinema that adhered to the conventions of poetic documentary filmmaking, the article analyses how her films replicate and further develop the stylistic and aesthetic devices of the Italian neorealists and the succeeding cinematic new waves. In doing so the argument is put forth that Pakalnina has developed neorealism Latvian style.

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9

BROWN, WILLIAM. "Africa and international relations: a comment on IR theory, anarchy and statehood." Review of International Studies 32, no. 1 (2006): 119–43. http://dx.doi.org/10.1017/s0260210506006954.

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It has become rather commonplace to read that, what is referred to as ‘traditional, western IR theory’, is problematic when taken to the African continent. At best, we are told, IR theory misrepresents or misunderstands African reality, at worst it participates in an exercise of neo-colonial theoretical hegemony. In this article I will seek both to assess this ‘Africanist critique’ and to mount something of a qualified defence of IR theory. However, I argue that in exploring the relevance of IR theory to Africa we need to distinguish between neorealism – the real target of the critics’ fire – and other strands of IR theory. Once we do this we can see that other theoretical standpoints within IR are relevant. Moreover, I argue that while trying to question neorealism, the critics in fact maintain neorealism’s conceptualisations of the state and anarchy, simply inverting the picture. I argue that this represents a theoretical step backwards. Problematic issues in IR theory do not simply appear when one moves one’s focus to Africa, they are there to begin with.

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10

Crawford, Neta C. "Human Nature and World Politics: Rethinking `Man'." International Relations 23, no. 2 (2009): 271–88. http://dx.doi.org/10.1177/0047117809104639.

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While realists acknowledge that their theories of world politics are rooted in specific assumptions about human nature, neorealists tend to discount human nature in favor of an emphasis on systemic forces. Nevertheless neorealism has assumptions about human nature that shape neorealist theorizing. Specifically, in Man, the State, and War and Theory of International Politics, Waltz make essentially the same assumptions about human nature as the realists — that our human natures are fixed, that we cannot trust others, and that decision-makers are rational calculators who seek to promote their narrowly defined self-interests. Moreover, for Waltz, human nature determines world politics as much or more than its anarchic structure. A review of biology, specifically human neuroscience, suggests that these assumptions about human nature, and its relation to world politics, ought to be challenged. Our `natures' are much more complex and flexible than realism and neorealism assumes.

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