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Relevant bibliographies by topics / Nepali Art

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Journal articles

Academic literature on the topic 'Nepali Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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Journal articles on the topic "Nepali Art"

1

Sharma, Yam Prasad. "Nepali Art: Thoughts & Musings by Madan Chitrakar Review." SIRJANĀ – A Journal on Arts and Art Education 8, no. 1 (2022): 100–107. http://dx.doi.org/10.3126/sirjana.v8i1.46663.

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Madan Chitrakar's Nepali Art: Thoughts & Musings presents a mosaic of Nepali art including research articles on Nepali paintings, sculptures and architecture. He has traced the native cultural roots and myths in the artworks including the connection of traditionand modernity. Thematic undercurrents along with stylistic innovation have been presented in flowing language of the veteran art writer and critic. The work points out the different dimensions of Nepali aesthetics. The essays are representative of certain genres, forms and issues. To have the view of holistic picture of Nepal art, m

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2

Rajbhandari, Jasmine. "Female voice in Nepali Art." Journal of Fine Arts Campus 5, no. 2 (2023): 8–17. http://dx.doi.org/10.3126/jfac.v5i2.67284.

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The emergence of female voices in Nepali art noticeably began in 1989. The recent practices of female Nepali artists not only represent their personal emotional experiences but also convey strong messages. Their work talks about the various challenges faced by women in the patriarchal society of Nepal, and aims to bring positive changes such as equal space and freedom from social barriers. They not only address gender issues, but also question the right to give birth and abortion. Additionally, they address social disorders such as rape, Chhaupadi practices, untouchable issues during menstruat

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3

Subedi, Abhi. "Abstract Paintings and Nepali Context." SIRJANĀ – A Journal on Arts and Art Education 8, no. 1 (2022): 6–21. http://dx.doi.org/10.3126/sirjana.v8i1.46652.

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Abstract art as discussed in this essay covers a period of time that spans about sixty years. The introduction of the abstract art in Nepal marks a certain opening in both art education and practice among the artists. The initial challenge of the abstract art was to make it a familiar subject both among the art lovers as well as among those who respected art but were not able to appreciate it fully. A challenging period came when artists began to work towards making abstract art an acceptable and a very useful artistic practice. The tension between skill of the artists and the indifference of

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4

Sharma, Yam Prasad. "Contemporary Nepali Arts: Ambivalence and In-between-ness." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (2018): 64–73. http://dx.doi.org/10.3126/sirjana.v5i1.39745.

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Contemporary Nepali arts are connected among each other along with western arts and early Nepali artworks. These artworks share the subject matters, techniques and forms of earlier traditions. Inter-textuality is sometimes created through recycling and appropriation. Similar elements have been used for different purposes. Likewise, similar contents reappear in different forms. Contemporary Nepali arts are the mélange of various cross-currents. Ever-changing alien art influences in the present time have unsettled representational modes of arts. Some art techniques have been borrowed from the we

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5

Rajbhandari, Jasmine. "Aestheticism in Uttam Nepali’s Abstract Works." Journal of Fine Arts Campus 4, no. 1 (2022): 18–27. http://dx.doi.org/10.3126/jfac.v4i1.51758.

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The aim of this paper is to explore aesthetic beauty in abstract paintings of Uttam Nepali. The available researches had only found out that he was an abstract painter and painted his feelings and emotions. This article argues that forms and colors he created are for the sake of their beauty. The art forms provide aesthetic pleasure to the viewers. The abstract paintings are analyzed and interpreted in qualitative method. The article focuses that Nepali created the structure of colors and lines by proper arrangements which increases the aesthetic qualities of abstract works and has no any util

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6

Gautam, Uddhav. "Role of Nepali Army in Promotion and Preservation of Nepalese Art, Culture, and Traditions." Unity Journal 3, no. 01 (2022): 205–19. http://dx.doi.org/10.3126/unityj.v3i01.43326.

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The Nepali Army was founded initially as the Gorkha Army around 450 Years ago. Since its inception, the Nepali Army as the nation's largest organization has not only been ensuring our territorial integrity but has also been connecting multi-ethnic, multi-lingual, multi-religious, multi-cultural Nepalese society in a common thread by preserving its rich tangible and intangible cultural heritages along with the associated traditions. In this regard, this study predominantly illuminates the fact that modern-day Nepal has been shaped through the sacrifices of the Nepali Army and their histories ar

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7

Sharma, Yam Prasad. "Contemporary Nepali Arts: Some Shocking Trends." Journal of Fine Arts Campus 3, no. 1 (2021): 1–5. http://dx.doi.org/10.3126/jfac.v3i1.42488.

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In contemporary Nepali arts, there are some trends that shock any sensible viewer or any informed person in the area. Some artists repeat the same subject matter, figure and technique throughout their life or from the beginning of their profession till now. The presentation of the same thing all the time creates monotony and nausea in the viewers. The question arises: how can an artist do the same thing all the time? Some artists see the works of famous western artists in art history books, art magazines and the world wide web, and they copy their subject matters and techniques thinking that t

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8

Jasmin, Rajbhandari. "Phenomenology in Nepali Paintings." SIRJANĀ – A Journal Of Arts and Art Education 9, no. 1 (2023): 64–77. http://dx.doi.org/10.3126/sirjana.v9i1.56269.

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I make an attempt to investigate the select eight paintings by Nepali artists through phenomenology. Nepali artists paint through their living experiences and convert forms into various metaphors in their artworks. Their creations connect with people of different professions in society and make them enter into a new consciousness. I further attempt to explore the relationship of Nepali art with the phenomena of the lives of Nepali artists. The select eight paintings by eight artists are explored here. The artworks are analyzed and interpreted in the qualitative method. In earlier times, Nepali

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9

Yates, Donna, and Simon Mackenzie. "Heritage, Crisis, and Community Crime Prevention in Nepal." International Journal of Cultural Property 25, no. 2 (2018): 203–21. http://dx.doi.org/10.1017/s0940739118000140.

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Abstract:Following Nepal’s 2015 earthquake, there was speculation that sacred art would be looted from the ruins of severely damaged temples due to a breakdown in formal security. Although pillage did not immediately occur, the months following the earthquake have seen the theft of sacred heritage items. As Nepali sacred art remains under threat of theft, we explore the processes by which government intervention can be destructive of the community dynamic that maintains local crime prevention on an informal and unofficial level. Based on fieldwork conducted in Nepal shortly before and after th

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10

B.K., Jyoti Prakash. "Nepali Painting: Traditional Motifs in Modern Art." Journal of Advanced Academic Research 3, no. 1 (2017): 173–76. http://dx.doi.org/10.3126/jaar.v3i1.16626.

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Art is mirror of society. Human Civilization developed through art. Philosopher Langinus said that the power of the art is to create sublime to viewers. There is lot of philosophy in art history but still no any conclusion or scientific answer about the art but art is more contemporary due to the globalization and individual expression. In the case of Nepali art, before the "Kirat" and "Lichhabi" period had also some paintings and sculpture. Because of the weak surface we didn't have any paintings but can know from the petrography of Lichhabi period. In the world the ancient time had been foun

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