Relevant bibliographies by topics / Nepali Poets

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Academic literature on the topic 'Nepali Poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Nepali Poets"

1

Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.

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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ridicule the restrictive feminine gender roles that limit women's opportunity. To examine the voice of protest against patriarchy in the selected poems, the article takes theoretical support from French feminism, though not limited to it. The finding of the article suggests that Nepali women have used the genre to the political end, as a medium to advocate women's rights.
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Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (August 1, 2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.

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This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the society in the 1960s was inhospitable to gender equality and women's rights, these poets brilliantly articulated agonizing experiences of gender bias pervasive in both textual and practical world. Undoubtedly, the preliminary moderate feministic voice in Nepali poetry initiated by Parijat and Kundan played a significant role to deconstruct myths about women institutionalized by text, tradition and socio-cultural context. Unlike the usual reading, this study shows how these two pioneer female poets initiated revolutionary zeal to defy status quo based on traditional gender role.
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Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (August 1, 2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.

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This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the society in the 1960s was inhospitable to gender equality and women's rights, these poets brilliantly articulated agonizing experiences of gender bias pervasive in both textual and practical world. Undoubtedly, the preliminary moderate feministic voice in Nepali poetry initiated by Parijat and Kundan played a significant role to deconstruct myths about women institutionalized by text, tradition and socio-cultural context. Unlike the usual reading, this study shows how these two pioneer female poets initiated revolutionary zeal to defy status quo based on traditional gender role.
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4

Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (December 1, 2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This article is a reading of Devkota’s some of the poems from his collection Bhikhari from the perspective of humanism.
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Niroula, Dhundi Raj. "Exploring Trishanku Psyche in Nepali British Diaspora Poetry." Pursuits: A Journal of English Studies 8, no. 1 (May 7, 2024): 44–56. http://dx.doi.org/10.3126/pursuits.v8i1.65336.

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This present paper is an analysis of trishanku psyche in the poetry from the Nepalese British diaspora. It scrutinizes how Nepalese poetry composed at British diaspora celebrates the theme of repulsion and fascination of diaspora people towards their land of origin and land of relocation. Seven different poems written by seven different Nepalese poets living at British diaspora are examined in this paper. For the theoretical underpinnings, insights are borrowed from diaspora theorists, researchers and scholars such as W. Andy Knight, Israel Milton, Makrand Paranjape, William Saffron, Uma Parameshwaran, Nina Glick Schiller, Jani Hiral and Pabitra Bharali. Nepalese diasporic poets from around the world including British diaspora express cultural dilemma, divided loyalty, exploration of identity as well as failure of their dream. In general, their poetry articulates bifurcated subjectivity, belonging to neither-here-nor-there, analogically bearing trishanku psyche in the context of the globalized world.
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Pokhrel, Tarani Prasad. "Redefining the Nation and Exploring the Self: Reading Contemporary Kirant Poetry." SCHOLARS: Journal of Arts & Humanities 6, no. 1 (February 16, 2024): 14–27. http://dx.doi.org/10.3126/sjah.v6i1.62720.

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This paper critically analyzes how the poets belonging to the indigenous Kirant ethnic background perceive and interrogate the narratives of Nepali national identities and nationalism in their creative expressions. Six different poets belonging to Rai and Limbu communities––Shrawan Mukarung, Bhupal Rai, Upendra Subba, Swapnil Smriti, Chandrabir Tumbapo, and Heman Yatri–– are purposefully selected for this study who embrace the Kirant as their common identity. Most of the poems selected here are composed against the backdrop of People's Movement II in 2006 and reflect the marginalized ethnic perspectives about nation, nationalism, cultural identity, and indigenous consciousness. The theoretical notion of nationalism is employed in the study, drawing upon theorists like Ernest Renan, Ernest Gellnar, and David Steven. A critical analysis of the selected body of poetry offers the findings that the contemporary Kirant poets attempt to redraw the discourse of Nepali nationalism in two different ways: 1) by exposing the gaps and fissures inherent in the national narratives; and 2) by exploring and incorporating their unique selves in their composition­s–– in the forms of local myths, folklore, ritualistic elements, indigenous symbols, socio-cultural values, and ethnic concerns. The study concludes that literature helps redress the crises created by the state in the past, and contemporary Nepali poetry, particularly those composed by the Kirant ethnic community, is a response that voices sentiments of the margin.
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Baral, Khil Prasad. "केही भारतीय नेपाली गद्यकवितामा पदपरार्द्ध वक्रता [Padaparardha Vakrata in Some Indian Nepali Poems]." International Research Journal of MMC 3, no. 2 (June 30, 2022): 64–81. http://dx.doi.org/10.3126/irjmmc.v3i2.46318.

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पूर्वीय आचार्य कुन्तकले प्रतिपादन गरेको वक्रोक्ति सिद्धान्त संस्कृत साहित्यशास्त्रको एक समन्वयशील सिद्धान्तका रूपमा प्रतिष्ठित छ । यस सिद्धान्तले पूर्ववर्ती आचार्यहरूका काव्यमान्यलाई समेट्दै साहित्य समालोचनाका क्षेत्रमा विभिन्न नयाँ आयामहरू थपेको छ । यस सिद्धान्तअन्तर्गत कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका अनेक उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये पदपरार्द्ध वक्रताका आधारमा केही भारतीय नेपाली कविहरूहरूका गद्यकविताको अध्ययनविश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्तअन्तर्गत पदपरार्द्ध वक्रताको सङ्क्षिप्त सैद्धान्तिक चर्चा गर्दै विवेच्य कविताहरूमा पदपरार्द्धवक्रताको प्रगोग कसरी भएको छ भन्ने तथ्यको अन्वेषण गर्ने प्रयत्न गरिएको छ । यसका लागि विभिन्न भारतीय नेपाली कविका कविताका अंशलाई उहाहरणका रूपमा प्रस्तुत गरी तिनमा पाइने पदपरार्द्धवक्रताको अध्ययनविश्लेषण गरिएको छ । प्राथमिक र द्वितीयक दुवै स्रोतका सामग्रीको प्रयोग गरी वर्णनात्मक पद्धतिअनुसार विवेच्य सामग्रीहरूको विश्लेषण गरिएको यो आलेख मूलतः निगमनात्मक पद्धतिमा आधारित छ । यस अध्ययनबाट भारतीय नेपाली विभिन्न भारतीय नेपाली कविहरूका कवितामा पूर्वीय काव्यशास्त्रमा वर्णित पदपरार्द्धवक्रताको सफल र सार्थक प्रयोग भएको निष्कर्ष निकालिएको छ । [The Vakrokti theory propounded by the Eastern Acharya Kuntak is reputed to be a coherent theory of Sanskrit literature. This theory has added various new dimensions in the field of literary criticism by incorporating the poetic values of the earlier scholars. Under this theory, Kuntak discusses six different types of Vakrata and its many variants. In this article, the study and analysis of prose poetry of some Indian Nepali poets has been done on the basis of Padaparardha Vakrata out of the six variations of the quotations presented by him. For this, first of all, a brief theoretical discussion of Padaparardha Vakrata under the theory of Vakrata has been made and an attempt has been made to explore the fact of how Padaparardha Vakrata has been applied in the poems under consideration. For this purpose, excerpts from various Indian Nepali poetic poems have been presented as examples, and a study and analysis has been made of the verses found in them. This article is based on the deductive method of analyzing the material according to the descriptive method using materials from both primary and secondary sources. From this study, it has been concluded that Indian Nepali poets have successfully and meaningfully used the Padaparardha Vakrata described in Eastern Poetry in the poems of various Indian Nepali poets.]
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8

Timalsina, Ramji. "Reflection of Cultural Crisis in Bhutanese Nepali Diasporic Poetry." Researcher: A Research Journal of Culture and Society 4, no. 2 (December 31, 2020): 43–58. http://dx.doi.org/10.3126/researcher.v4i2.34624.

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This article has discussed how Bhutanese Nepali diasporic poetry has depicted cultural crises of the community settled in Europe, America and Oceania. Twenty one poems composed by Bhutanese Nepali diasporic poets from 2009 to 2019 have been selected through purposive sampling and their content analysis has been conducted with the focus on their themes. The study has found that the Bhutanese Nepali culture has been in crisis in the diaspora. The community is working to preserve it; but many socio-economic conditions do not favour them. They find problems in celebrating their festivals, eating their food, observing the rituals, using language, wearing traditional Nepali dress, and following their work pattern. With these difficulties and being in the minority marginal position in the host land, they find their identity in crisis resulting into emotional insecurity. It is believed that this article will contribute to the study of diasporic culture and the problems of the transnational migrant communities.
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9

Niroula, Dhundi Raj. "Arcane Register of Language as a Strategy in Nepali Modernist Poetry." Patan Pragya 6, no. 1 (December 31, 2020): 152–64. http://dx.doi.org/10.3126/pragya.v6i1.34413.

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This research paper tries to provide an analysis of the Nepali modernist poetry written from 1960onwards approximately for a decade. Literary critics holding different views have been vocal about this unique kind of poetry. They have variously labled the modernist poetry as esoteric, reactionary, obscure, monochromatic, status-quoist and devoid of communicative rationality. After judging the rationale and critical validity of these observations, this researcher argues that the poetry of this period has aimed to express the complexities of the time. So, a number of times, these poets have used an arcane register of language that contains revolutionary zeal at the level of both form and content. Even though the modernist poets in the west came to adulthood amid political, technological, social and scientific transformations commonly identified with modernization, such phenomena were not experienced by Nepali poets, whom we have labeled as the modernist, at their home country. They just derived consciousness from the West and experiment in Nepali poetry. Nepali modernist poetry poses challenges to the reader as it has highly experimented with syntax, rhythm, graphology and semantics as well. The reason behind the intellectualization of the poetry through arcane register of language was their strategy to conceal revolutionary spirit of their poetry from the intolerant despotic regime.
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10

Lama, Kumari. "The Tamangness as a Cultural Trope: A Rhetorical Analysis of Works by the Tamang Poets." SCHOLARS: Journal of Arts & Humanities 4, no. 1 (February 13, 2022): 65–76. http://dx.doi.org/10.3126/sjah.v4i1.43056.

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The paper critically analyzes the Tamangness as a trope of cultural consciousness and dissidence in the selected works by the contemporary Tamang poets. I have discussed the contemporaneity in relation to the 2006 Democratic Movement, which brought about a radical transformation in the socio-political consciousness of marginalized communities. In this regard, I have chosen six representative contemporary Tamang poets who have written in Nepali language for textual analysis of the issues that correspond with the Tamangness and its marginalization. The paper has also overviewed the Tamang literary history since it reifies the systematic development of Tamang consciousness. To discuss the Tamangness, the paper examines the Tamangness through the cultural tropes such as symbols and dissenting voices portrayed in the contemporary Tamang poems. I have employed the fundamental theoretical debates of cultural tropes to examine the Tamangness in the selected poems in which the marginalized Tamang community’s resisting voices are put upfront, applying a rhetorical analysis as an approach to the Tamang poetic texts.
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Dissertations / Theses on the topic "Nepali Poets"

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Matthias, Ann Ruth. "An exploratory study of the utilization by women of two health posts in Lalitpur district, Nepal." Thesis, University of Leeds, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293812.

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Minden, Maureen Marguerite. "Discrepancy between maternal health policy and practice : The case of maternal child health workers at sub-health posts in a rural district in Nepal." Thesis, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536773.

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Books on the topic "Nepali Poets"

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Thuluṅ, Prema. Kavi Agamasiṃha Tāmāṅga ra unakā kr̥tiharū. Nāmcī, Da. Sikkima: Śrī Ḍī. Bī. Rāī, 1993.

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Gārgī, Śarmā, ed. Antarhr̥dayakā dhvaniharu. [Kathmandu]: Vasantakumārī Caudharī, 2008.

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Darjeeling Gorkha Hill Council. Dept. of Information & Cultural Affairs., ed. Kavi Agamasiṃha Girī: Paricaya aṅka. Dārjīliṅ: Sūcanā evaṃ Sāṃskr̥tika Vibhāga, Gorkhā Pārvatya Parishada, 1995.

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Neupāne, Haribhakta. Motīrāma Bhaṭṭako jīvanī āloka. Kāṭhamāḍauṃ: Upahāra Prakāśana, 2007.

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Bhāupanthī. Kavikośa. Kāṭhamāḍauṃ: Nepāla Rājakīya Prajñā-Pratishṭhāna, 2003.

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Kyākṭasa, Jaya. Vikaśa Gotāme. Nayam̐ Dilli: Sāhitya Akādemī, 2016.

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1935-1980, Kaṭuvāla Haribhakta, and Haribhakta Kaṭuvāla Smr̥ti Samiti, eds. Kavi, gītakāra Haribhakta Kaṭuvāla: Byaktitva ra kr̥titva. Kāṭhamāḍāuṃ: Haribhakta Kaṭuvāla Smr̥ti Samiti, 1998.

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Aśoka, Suvedī, ed. Āsthā ra nishṭhākā satisāla Kr̥shṇa Sena "Icchuka". [Kathmandu]: Aśoka Suvedī, 2007.

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1934-, Śarmā Tārānātha, ed. Selected Nepali poems. Kathmandu: Jiba Lamichhane, 1999.

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Toyā, Guruṅga, Devkota Padma Prasad, and Nepāla Rājakīya Prajñā-Pratishṭhāna, eds. Contemporary Nepali poems. Kathmandu: Royal Nepal Academy, 2000.

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Book chapters on the topic "Nepali Poets"

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"PART ONE. THE POETS OF NEPAL." In Himalayan Voices, 11–170. University of California Press, 2019. http://dx.doi.org/10.1525/9780520910263-005.

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Murton, Galen. "Post-disaster Development Zones and Dry Ports as Geopolitical Infrastructures in Nepal." In Development Zones in Asian Borderlands. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726238_ch01.

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Economic activity is central to development zones and represents a core dynamic from which a host of other relationships radiate outwards. While economic logics consistently motivate and produce the development of such zones, the resultant activities are always much more than economic. That is, the development of development zones also sets in motion new configurations of political power and socio-spatial domination. Following this line of thinking, this chapter examines the proliferating development of new import-export dry ports in the Nepal-China borderlands to understand how geopolitical relationships are grounded, localised, and reconfigured through infrastructural projects. Taking Nepal’s post-disaster development landscape as both a point of departure and site of inquiry, I show that the making of development zones in post-disaster environments accomplishes interrelated objectives of state-led territorialisation and economic expansion across a range of social and spatial scales.
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"10. qum(y) napš(y) d-neplat." In The Stanzaic Poems of Jacob of Serugh, 105–14. Gorgias Press, 2022. http://dx.doi.org/10.31826/9781463244316-012.

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Murton, Galen. "Post-disaster Development Zones and Dry Ports as Geopolitical Infrastructures in Nepal." In Development Zones in Asian Borderlands, 33–54. Amsterdam University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pncrbr.5.

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Murton, Galen. "1. Post-disaster Development Zones and Dry Ports as Geopolitical Infrastructures in Nepal." In Development Zones in Asian Borderlands, 33–54. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048551811-003.

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Jha, Pankaj. "Vidyapati and Mithila." In A Political History of Literature, 3–36. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199489558.003.0001.

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Vidyapati was a polyglot poet and scholar, attached at different moments to courts of different chieftaincies of north Bihar and the terrain of Nepal. The chapter introduces his scholarly profile and provides the details of all his known compositions. The diversity of their themes, genres and languages is marked. Available information indicates how vibrant the intellectual milieu of Mithila was as a hub of Sanskrit learning during the 14th–16th centuries. The chapter traces the geographical background of the region. It also outlines the political setting with reference to the genealogies of the local rulers. These rulers were mostly ‘autonomous’ but ruled over a relatively tiny principality. Few historians have studied the region during the ‘medieval’ period, most of them local enthusiasts of Maithil culture and pride. The chapter provides a brief account of this historiography and its limitations.
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Henama, Unathi Sonwabile, and Portia Pearl Siyanda Sifolo. "Tourism Migration in South Africa." In African Studies, 169–84. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3019-1.ch009.

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This article explores the tourism migration within the South African context, thereby focusing on the current dynamics, challenges and future prospects. Tourism and migration are significant towards globalisation. Almost all countries have jumped on the tourism bandwagon as a result of the positive economic benefits that include improving the balance of payments, attracting foreign exchange, and increasing state coffers through the taxation of non-residents. South Africa has also adopted tourism into the developmental policies. Although Africa's share of the global tourism market remains less than 10%, the continental bodies such as the African Union under the wing NEPAD recognises that tourism and migration as an important factor to societies. This paper adopts the content analysis to address the tourism migration, dynamics, challenges and future prospects as a critical phenomenon. Tourism has deep characteristics of a plantation economy that does not benefit the majority of the societies, particularly in South Africa. Despite being a geographical dispersed country, the tourism industry in South Africa faces numerous challenges such as the integration of Black South Africans as product owners; reported high rates of crimes, lack of integration of locals in the tourism industry, the lack of aviation competition, paucity of ports of entry, and most recently the cyber-crime and the visa regulations etc. However, South African tourism remains resilient as a major destination due to its fauna and flora and increasing market niches are developing such as adventure tourism, health tourism and volunteer tourism. South Africa plans to be one of the top 20 destinations by 2020; steps are in place to ensure that South Africa achieves this objective.
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Conference papers on the topic "Nepali Poets"

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Kamil, P. I., A. J. Pratama, and A. Hidayatulloh. "Did we really #prayfornepal? Instagram posts as a massive digital funeral in Nepal earthquake aftermath." In THE 5TH INTERNATIONAL SYMPOSIUM ON EARTHHAZARD AND DISASTER MITIGATION: The Annual Symposium on Earthquake and Related Geohazard Research for Disaster Risk Reduction. Author(s), 2016. http://dx.doi.org/10.1063/1.4947419.

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Tao, Gregory D., Hallie S. Cho, Daniel Frey, and Amos G. Winter. "Design of a Low-Cost Autoclave for Developing World Health Clinics." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-71435.

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Incidence of surgical site infection is 2–5 times higher in developing nations as compared to developed nations. A low-cost, easy to use autoclave was designed to address the unique technical, behavioral, and market challenges present in rural, health posts of the developing world. A thorough stakeholder analysis was performed very early in the design process to address non-technical needs for sustained user adoption as well as manufacturability and scalability. Twelve partnering clinics in Nepal trialed these autoclaves from July until December 2012. Usage statistics and follow-up observations highlight important factors for successful adoption. These findings were used to improve the autoclave design. The goal of this paper is to detail a case study and methodology to incorporate multiple stakeholder needs into the early design process.
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