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1
Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.
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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ridicule the restrictive feminine gender roles that limit women's opportunity. To examine the voice of protest against patriarchy in the selected poems, the article takes theoretical support from French feminism, though not limited to it. The finding of the article suggests that Nepali women have used the genre to the political end, as a medium to advocate women's rights.
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Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (August 1, 2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.
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This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the society in the 1960s was inhospitable to gender equality and women's rights, these poets brilliantly articulated agonizing experiences of gender bias pervasive in both textual and practical world. Undoubtedly, the preliminary moderate feministic voice in Nepali poetry initiated by Parijat and Kundan played a significant role to deconstruct myths about women institutionalized by text, tradition and socio-cultural context. Unlike the usual reading, this study shows how these two pioneer female poets initiated revolutionary zeal to defy status quo based on traditional gender role.
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Niroula, Dhundi Raj. "Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma." Humanities and Social Sciences Journal 13, no. 1 (August 1, 2021): 65–77. http://dx.doi.org/10.3126/hssj.v13i1.44552.
Full textAbstract:
This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the society in the 1960s was inhospitable to gender equality and women's rights, these poets brilliantly articulated agonizing experiences of gender bias pervasive in both textual and practical world. Undoubtedly, the preliminary moderate feministic voice in Nepali poetry initiated by Parijat and Kundan played a significant role to deconstruct myths about women institutionalized by text, tradition and socio-cultural context. Unlike the usual reading, this study shows how these two pioneer female poets initiated revolutionary zeal to defy status quo based on traditional gender role.
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Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (December 1, 2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.
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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This article is a reading of Devkota’s some of the poems from his collection Bhikhari from the perspective of humanism.
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Niroula, Dhundi Raj. "Exploring Trishanku Psyche in Nepali British Diaspora Poetry." Pursuits: A Journal of English Studies 8, no. 1 (May 7, 2024): 44–56. http://dx.doi.org/10.3126/pursuits.v8i1.65336.
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This present paper is an analysis of trishanku psyche in the poetry from the Nepalese British diaspora. It scrutinizes how Nepalese poetry composed at British diaspora celebrates the theme of repulsion and fascination of diaspora people towards their land of origin and land of relocation. Seven different poems written by seven different Nepalese poets living at British diaspora are examined in this paper. For the theoretical underpinnings, insights are borrowed from diaspora theorists, researchers and scholars such as W. Andy Knight, Israel Milton, Makrand Paranjape, William Saffron, Uma Parameshwaran, Nina Glick Schiller, Jani Hiral and Pabitra Bharali. Nepalese diasporic poets from around the world including British diaspora express cultural dilemma, divided loyalty, exploration of identity as well as failure of their dream. In general, their poetry articulates bifurcated subjectivity, belonging to neither-here-nor-there, analogically bearing trishanku psyche in the context of the globalized world.
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Pokhrel, Tarani Prasad. "Redefining the Nation and Exploring the Self: Reading Contemporary Kirant Poetry." SCHOLARS: Journal of Arts & Humanities 6, no. 1 (February 16, 2024): 14–27. http://dx.doi.org/10.3126/sjah.v6i1.62720.
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This paper critically analyzes how the poets belonging to the indigenous Kirant ethnic background perceive and interrogate the narratives of Nepali national identities and nationalism in their creative expressions. Six different poets belonging to Rai and Limbu communities––Shrawan Mukarung, Bhupal Rai, Upendra Subba, Swapnil Smriti, Chandrabir Tumbapo, and Heman Yatri–– are purposefully selected for this study who embrace the Kirant as their common identity. Most of the poems selected here are composed against the backdrop of People's Movement II in 2006 and reflect the marginalized ethnic perspectives about nation, nationalism, cultural identity, and indigenous consciousness. The theoretical notion of nationalism is employed in the study, drawing upon theorists like Ernest Renan, Ernest Gellnar, and David Steven. A critical analysis of the selected body of poetry offers the findings that the contemporary Kirant poets attempt to redraw the discourse of Nepali nationalism in two different ways: 1) by exposing the gaps and fissures inherent in the national narratives; and 2) by exploring and incorporating their unique selves in their compositions–– in the forms of local myths, folklore, ritualistic elements, indigenous symbols, socio-cultural values, and ethnic concerns. The study concludes that literature helps redress the crises created by the state in the past, and contemporary Nepali poetry, particularly those composed by the Kirant ethnic community, is a response that voices sentiments of the margin.
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Baral, Khil Prasad. "केही भारतीय नेपाली गद्यकवितामा पदपरार्द्ध वक्रता [Padaparardha Vakrata in Some Indian Nepali Poems]." International Research Journal of MMC 3, no. 2 (June 30, 2022): 64–81. http://dx.doi.org/10.3126/irjmmc.v3i2.46318.
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पूर्वीय आचार्य कुन्तकले प्रतिपादन गरेको वक्रोक्ति सिद्धान्त संस्कृत साहित्यशास्त्रको एक समन्वयशील सिद्धान्तका रूपमा प्रतिष्ठित छ । यस सिद्धान्तले पूर्ववर्ती आचार्यहरूका काव्यमान्यलाई समेट्दै साहित्य समालोचनाका क्षेत्रमा विभिन्न नयाँ आयामहरू थपेको छ । यस सिद्धान्तअन्तर्गत कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका अनेक उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये पदपरार्द्ध वक्रताका आधारमा केही भारतीय नेपाली कविहरूहरूका गद्यकविताको अध्ययनविश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्तअन्तर्गत पदपरार्द्ध वक्रताको सङ्क्षिप्त सैद्धान्तिक चर्चा गर्दै विवेच्य कविताहरूमा पदपरार्द्धवक्रताको प्रगोग कसरी भएको छ भन्ने तथ्यको अन्वेषण गर्ने प्रयत्न गरिएको छ । यसका लागि विभिन्न भारतीय नेपाली कविका कविताका अंशलाई उहाहरणका रूपमा प्रस्तुत गरी तिनमा पाइने पदपरार्द्धवक्रताको अध्ययनविश्लेषण गरिएको छ । प्राथमिक र द्वितीयक दुवै स्रोतका सामग्रीको प्रयोग गरी वर्णनात्मक पद्धतिअनुसार विवेच्य सामग्रीहरूको विश्लेषण गरिएको यो आलेख मूलतः निगमनात्मक पद्धतिमा आधारित छ । यस अध्ययनबाट भारतीय नेपाली विभिन्न भारतीय नेपाली कविहरूका कवितामा पूर्वीय काव्यशास्त्रमा वर्णित पदपरार्द्धवक्रताको सफल र सार्थक प्रयोग भएको निष्कर्ष निकालिएको छ । [The Vakrokti theory propounded by the Eastern Acharya Kuntak is reputed to be a coherent theory of Sanskrit literature. This theory has added various new dimensions in the field of literary criticism by incorporating the poetic values of the earlier scholars. Under this theory, Kuntak discusses six different types of Vakrata and its many variants. In this article, the study and analysis of prose poetry of some Indian Nepali poets has been done on the basis of Padaparardha Vakrata out of the six variations of the quotations presented by him. For this, first of all, a brief theoretical discussion of Padaparardha Vakrata under the theory of Vakrata has been made and an attempt has been made to explore the fact of how Padaparardha Vakrata has been applied in the poems under consideration. For this purpose, excerpts from various Indian Nepali poetic poems have been presented as examples, and a study and analysis has been made of the verses found in them. This article is based on the deductive method of analyzing the material according to the descriptive method using materials from both primary and secondary sources. From this study, it has been concluded that Indian Nepali poets have successfully and meaningfully used the Padaparardha Vakrata described in Eastern Poetry in the poems of various Indian Nepali poets.]
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Timalsina, Ramji. "Reflection of Cultural Crisis in Bhutanese Nepali Diasporic Poetry." Researcher: A Research Journal of Culture and Society 4, no. 2 (December 31, 2020): 43–58. http://dx.doi.org/10.3126/researcher.v4i2.34624.
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This article has discussed how Bhutanese Nepali diasporic poetry has depicted cultural crises of the community settled in Europe, America and Oceania. Twenty one poems composed by Bhutanese Nepali diasporic poets from 2009 to 2019 have been selected through purposive sampling and their content analysis has been conducted with the focus on their themes. The study has found that the Bhutanese Nepali culture has been in crisis in the diaspora. The community is working to preserve it; but many socio-economic conditions do not favour them. They find problems in celebrating their festivals, eating their food, observing the rituals, using language, wearing traditional Nepali dress, and following their work pattern. With these difficulties and being in the minority marginal position in the host land, they find their identity in crisis resulting into emotional insecurity. It is believed that this article will contribute to the study of diasporic culture and the problems of the transnational migrant communities.
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Niroula, Dhundi Raj. "Arcane Register of Language as a Strategy in Nepali Modernist Poetry." Patan Pragya 6, no. 1 (December 31, 2020): 152–64. http://dx.doi.org/10.3126/pragya.v6i1.34413.
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This research paper tries to provide an analysis of the Nepali modernist poetry written from 1960onwards approximately for a decade. Literary critics holding different views have been vocal about this unique kind of poetry. They have variously labled the modernist poetry as esoteric, reactionary, obscure, monochromatic, status-quoist and devoid of communicative rationality. After judging the rationale and critical validity of these observations, this researcher argues that the poetry of this period has aimed to express the complexities of the time. So, a number of times, these poets have used an arcane register of language that contains revolutionary zeal at the level of both form and content. Even though the modernist poets in the west came to adulthood amid political, technological, social and scientific transformations commonly identified with modernization, such phenomena were not experienced by Nepali poets, whom we have labeled as the modernist, at their home country. They just derived consciousness from the West and experiment in Nepali poetry. Nepali modernist poetry poses challenges to the reader as it has highly experimented with syntax, rhythm, graphology and semantics as well. The reason behind the intellectualization of the poetry through arcane register of language was their strategy to conceal revolutionary spirit of their poetry from the intolerant despotic regime.
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Lama, Kumari. "The Tamangness as a Cultural Trope: A Rhetorical Analysis of Works by the Tamang Poets." SCHOLARS: Journal of Arts & Humanities 4, no. 1 (February 13, 2022): 65–76. http://dx.doi.org/10.3126/sjah.v4i1.43056.
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The paper critically analyzes the Tamangness as a trope of cultural consciousness and dissidence in the selected works by the contemporary Tamang poets. I have discussed the contemporaneity in relation to the 2006 Democratic Movement, which brought about a radical transformation in the socio-political consciousness of marginalized communities. In this regard, I have chosen six representative contemporary Tamang poets who have written in Nepali language for textual analysis of the issues that correspond with the Tamangness and its marginalization. The paper has also overviewed the Tamang literary history since it reifies the systematic development of Tamang consciousness. To discuss the Tamangness, the paper examines the Tamangness through the cultural tropes such as symbols and dissenting voices portrayed in the contemporary Tamang poems. I have employed the fundamental theoretical debates of cultural tropes to examine the Tamangness in the selected poems in which the marginalized Tamang community’s resisting voices are put upfront, applying a rhetorical analysis as an approach to the Tamang poetic texts.
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Subedi, Abhi. "My Understanding of Manuj Babu and his Art." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (December 1, 2018): 6–15. http://dx.doi.org/10.3126/sirjana.v5i1.39737.
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Manuj Babu Mishra (1936-2018) was a modern artist who is mainly known for his paintings and his drawings. Nepali art critic Narayan Bahadur Singh as early as 1976 mentioned about his multiple skills in art. But Mishra was also one of those painters who ushered in an era of modern consciousness shared equally by painters and poets. His contemporaries some of whom are still painting though on a smaller scale, made experiments with their arts in modernist style. An era of distorting forms, breaking the fine figurality and using flatness by shunning the illusion of three dimensional shapes rather than representative forms was seen in Nepali modernist paintings too. Manuj Babu Mishra adopted a method of using figurality in paintings that used semi surrealistic and abstract paintings. Mishra was trained in Dhaka of the then East Pakistan in the late sixties of the last century. Despite his political statements occasionally, he was basically an artist. He was a peaceful man behind the hurricanes of hard times he created. He was also a portraitist who believed that the portrait of a person is also the portrait of the world outside him or her. He had said that to me when he was drawing my portrait.
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Rai, Jiwan Kumar. "Constructing the Discourse of Marginalised Ethnic Community in Rai's Fire Cares not its Birthday Anniversary." JODEM: Journal of Language and Literature 10, no. 1 (September 30, 2019): 63–76. http://dx.doi.org/10.3126/jodem.v10i1.30399.
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The decade of 2010s is very crucial in literary creation, particularly poetry writing in Nepali literature because the trend of writing shifted to the representation of marginalised people and their “culture as whole way of life” (qtd in During 2). Mainly the indigenous poets are concerned to the issues of marginalised indigenous people. Bhupal Rai's collection of poem Fire Cares not Its Birthday Anniversary falls in the same trend that deconstructs the cultural discourses of the state power and reconstructs the discourse of the indigenous people. In this context, this study aims to find out the issues of cultural discourses in the poems that the poet resists against and reconstructs a new body of knowledge, i.e. a counter discourse of marginalized. In the same way, it attempts to unfold how he resists against the existing body of cultural discourses and reconstructs the discourses from the perspective of marginalised people. Similarly, this study aims to analyses the logical reasons of redefining and reconstructing the existed ruling groups' body of knowledge. The interpretive method has been used to analyses the texts. For this, Foucault's concept of power/discourse has been applied as a theoretical tool. This research article gives the insights to see the interwoven power relations in social practices and construction of knowledge.
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Baral, Khil Prasad, Ramchandra Subedi, and Jayram Gautam. "सिर्जन अविरलका ‘क्यान्टोनमेन्ट’ शृङ्खलाका कविताहरूमा जनयुद्धका लडाकुको मनोविज्ञान [Psychology of the People's War Fighter within the poem 'Cantonment and Other Poems' by poet Sirjan Aviral]." International Research Journal of MMC 4, no. 1 (January 28, 2023): 18–26. http://dx.doi.org/10.3126/irjmmc.v4i1.51856.
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प्रस्तुत अध्ययनमा कवि सिर्जन अविरलको कविताकृति ‘क्यान्टोनमेन्ट र अरू कविताहरू’ भित्र रहेका ‘क्यान्टोन्मेन्ट’ शृङ्खलाका कवितामा पाइने जनयुद्धका लडाकुहरूको सामान्य मनोविश्लेषण गरिएको छ । तथापि, फ्रायडीय मनोविश्लेषणका सबै मान्यतालाई यस अध्ययनमा आधार बनाइएको छैन । यस अध्ययनका लागि मनोविज्ञानका पूर्वस्थापित मान्यतालाई सामान्य आधार बनाइएको छ भने अध्ययन विश्लेषणका लागि प्राथमिक र द्वितीयक दुवै स्रोतबाट सामग्री सङ्कलन गरिएको छ । यस अध्ययनमा वर्णनात्मक पद्धतिअनुसार विवेच्य सामग्रीहरूको विश्लेषण गरिएकाले यो मूलतः गुणात्मक अध्ययन हो । यो आलेख मूलतः निगमनात्मक पद्धतिमा आधारित छ तर मनोविश्लेषणका पूर्वस्थापित सिद्धान्तका आधारमा विवेच्य कविताका विभिन्न अंशहरूलाई उद्देश्यमूलक नमुनाका रूपमा छनोट गरी साक्ष्यका रूपमा प्रस्तुत गरिएका कारण यसमा आगमनात्मक पद्धतिको पनि प्रगोग गरिएको छ । विवेच्य कविताहरूमा जनयुद्धका लडाकुहरूको मनोविज्ञान के कस्तो छ भन्ने समस्यामा केन्द्रित रही ती कवितामा जनयुद्धका लडाकुहरूको मनोविज्ञानको विश्लेषण गर्नु यस अध्ययनको प्रमुख उद्देश्य रहेको छ । अध्ययनबाट कवि अविरलका कविताहरूमा जनयुद्धका लडाकुहरूको कारुणिक मनोविज्ञानलाई प्रस्तुत गरिएको निष्कर्ष निकालिएको छ । वर्तमान समयमा नेपाली भाषामा कविता लेखिरहेका कविहरूका कवितामा कुनै न कुनै प्रकारको मनोविज्ञानको प्रस्तुति पाइने परिप्रेक्ष्यमा ती कविहरूका कवितामा पाइने मनोवैज्ञानिक पक्षको अध्ययन विश्लेषण गर्ने कार्यमा यो आलेखले सहयोग पुर्याउने अपेक्षा गरिएको छ । त्यसैले यो अध्ययन औचित्यपूर्ण रहेको छ ।
[In this study, a general psychoanalysis of the fighters of the People's War found in the poems of the 'Cantonment' series within the poem 'Cantonment and Other Poems' by poet Sirjan Aviral has been done. However, all the assumptions of Freudian psychoanalysis are not based on this study. For this study, the pre-established beliefs of psychology have been made as a general basis, and for the analysis of the study, material has been collected from both primary and secondary sources. In this study, it is basically a qualitative study, as the selected materials are analyzed according to the descriptive method. This article is basically based on the deductive method, but based on the pre-established principles of psychoanalysis; various parts of critical poetry have been selected as objective samples and presented as evidence, so the inductive method has also been promoted in it. The main objective of this study is to analyze the psychology of the people's war fighters in the critical poems by focusing on the problem of what is the psychology of the people's war fighters in those poems. From the study, it has been concluded that the emotional psychology of the people's war fighters is presented in the poems of poet Aviral. It is expected that this article will help in the study and analysis of the psychological aspects found in the poems of those poets from the perspective of presenting some kind of psychology in the poems of the poets who are writing poems in Nepali language at the present time. Therefore, this study is justified.]
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Poudel, T. N. "Elements of Nature and Human Sensibility in Devkota's Poem Make me a Sheep, O Lord." Medha: A Multidisciplinary Journal 6, no. 1 (September 30, 2023): 66–78. http://dx.doi.org/10.3126/medha.v6i1.63958.
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This article explores the elements of Nature and Human Sensibility in the poem 'Make me a Sheep, O Lord' composed by Laximi Prasad Devkota in 1947 AD. He was impressed by British romantic poets, and is the pioneer of the Nepali Romanticism. So, it is suitable to study his poem in relation to the elements of romanticism. Nature is the key element of romanticism. The concept of human sensibility covers a range of ideas related to poet's experiences, feelings, sentiments, emotions, views and subjectivity. It has dual links. Though it is a pre-romantic concept, it is widely found in the Romantic period too. The study makes an attempt to interpret the images, symbols, concepts, figure of speech etc. in the poem in relation to nature and human sensibility. The article follows romanticism as a theory of analysis. The study confirms the prevalence of elements of nature and human sensibility throughout the poem. Regarding the form and translation, the study is based on Pen Himalaya's English version of the poem Prabhu ji Mlai Bhedo Banau. It has adopted the qualitative and impressionistic method of study. For the purpose of textual analysis, the writer of this article depends on works of research studies, journals and articles on the relevant subject. This paper can be utilized by and significant for readers, researchers, teachers and students.
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Gurung, Dilu. "Human-Nature Interactions in the Poetry of Laxmi Prasad Devkota and Rabindranath Tagore." Outlook: Journal of English Studies 14 (July 17, 2023): 24–32. http://dx.doi.org/10.3126/ojes.v14i1.56654.
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This paper attempts to show what ecocriticism is and how it is applied to the poems of Laxmi Prasad Devkota, a great poet of Nepal, and Rabindranath Tagore, a great poet of Bengali in India. Although they belong to two different South Asian countries, they deal with love and concern of nature in their poems. In this study, I have explored some literary attributes and ecocritical aspects of the poems of these poets. Some of their similarities have been discussed in this paper. Even though both the poets are popular in other genres of literature, the focus of this paper is to analyze the poems from the perspective of ecocriticism. These poets wrote the poems about nature even before the word ‘Ecocriticism’ came into existence and got defined. However, Devkota and Tagore were using the ecocritical standpoint to write their poems before the term was coined. The two poems of Devkota: “The Swallow and Devkota” and “The Brook” have been undertaken for the textual analysis. Similarly, the two poems of Tagore: “The Tame Bird Was in a Cage” and “The Banyan Tree” have been selected for textual analysis. Overall, this paper has shown the connection between the human world and the natural world and the ecocritical aspect in the poems of Devkota and Tagore.
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Timalsina, Ramji. "Causes, Effects and Consequences of Cultural Differences: Reading Nepali Migrants' Literature in West Asia." JODEM: Journal of Language and Literature 11, no. 1 (December 31, 2020): 142–54. http://dx.doi.org/10.3126/jodem.v11i1.34814.
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This exploratory study deals with the depiction of causes, effects and consequences of cultural differences between the Nepali transnational migrants in West Asia and the citizens of the nations in this locale as seen in the literary creations of Nepali migrant writers. About a million Nepali migrants work in the Middle East. In the three decades of this migration, they have undergone many experiences of awe and shock caused by their cultural differences with the host land societies. Mainly caused by the differences in terms of religion, social management and law, the Nepali migrants feel difficult to adjust in the respective societies and they bear the consequent discomforts. These experiences have been the base of the Nepali literary creations in that transnational locale. The authors have expressed these realities in their poems, novels, stories, essays and memoirs. This article shows how these writings have portrayed the impact of closed Islamic society unlike the open society in Nepal; occupation based social hierarchy unlike the caste based one in Nepal; differences in culinary items and chance of personal freedom; distance between male and female; the traditional concept about the housemaids and workers; and other socio-cultural discriminations on the migrants in West Asia. The texts under analysis show that whatever is the social background back in Nepal, all Nepali migrants have the same culture, i.e. Nepali; and so they try to save it for their solace in the hostland.
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रेग्मी Regmi, रेखा Rekha. "नेपाली नारी कविका कवितामा नारीवाद (Feminism in Nepali Women Poet’s Poems)." KMC Journal 5, no. 2 (September 1, 2023): 407–28. http://dx.doi.org/10.3126/kmcj.v5i2.58253.
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नेपाली नारी कविका कविताको विश्लेषणकेन्द्री यस लेखमा नेपाली नारी कवि, कविता र नारीवादजस्ता चर रहे पनि नारीवादअन्तर्गत पितृसत्ता, प्रतिनिधित्व र सत्तासम्बन्ध तथा विचारधाराको विश्लेषणमा केन्द्रित छ । धर्म, संस्कृति तथा आर्थिक आधारमा प्रभुत्व स्थापित गर्ने सामाजिक संरचनाको अभिव्यञ्जना नेपाली नारी कविका कविताको मुख्य कथ्यविषय रहेको छ । गुणात्मक अनुसन्धान, पाठविश्लेषणकेन्द्री विश्लेषण विधिको प्रयोग रहने यस लेखको सैद्धान्तिक आधार नारीवाद हो । नारीवाद नारीलाई केन्द्रमा राखी नारीमाथि भएका विभेदकारी सांस्कृतिक विधान, प्रभुत्वले स्थापित गरेका विचारधारा, दमनकारी भाष्यको निर्माण गर्ने वैचारिकी र नारी शोषणका कारण सृजित असमानताको प्रतिरोधी चिन्तन हो । नारीवादले सिद्धान्ततः पितृसत्ता, नारीअस्तित्व, लैङ्गिक निर्मिति, नारी भूमिका, जैविक संरचनाका आधारमा हुने विभेद, उत्पीडन, लैङ्गिक समविकासको उपेक्षा, नारी प्रतिनिधित्व र पहिचान, पुरुष वर्चस्व, वर्चस्वप्रति प्रतिरोधका साथै लैङ्गिक संरचनाका आधारमा हुने असमानतालाई विस्थापित गरी लैङ्गिक स्वतन्त्रता, समानता तथा पुरुषसरह नारीभूमिका स्थापित गर्ने सैद्धान्तिक मान्यता हो । यस सैद्धान्तिक आधारअन्तर्गत पितृसत्ता, प्रतिनिधित्व र सत्तासम्बन्ध तथा विचारधारा यस लेखको विश्लेषण ढाँचा हो । नेपाली नारी कविका कवितामा पितृसत्ताका कारण दमनमा परेका नारी र तिनको अवस्थाको चित्रण भएको छ । नेपाली नारी कविका कवितामा परम्परागत पितृसत्ताको विभेदकारी सांस्कृतिक अभ्यासका कारण दमित रहेका नारीको लैङ्गिक अवस्था जैविक नभई सांस्कृतिक निर्मितिका आधारमा सामाजिक भूमिका निर्धारण भई किनारीकृत प्रतिनिधित्वको प्रणालीभित्र पुरुष वर्चस्वको आधीन विषयको प्रस्तुति रहेको निष्कर्ष निकालिएको छ ।
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घिमिरे Ghimire, अम्बिका Ambika. "लक्ष्मीप्रसाद देवकोटाका बालकाव्यको विधातात्विक अध्ययन {Etymological study of Laxmi Prasad Devkota's children's poetry}." Sotang, Yearly Peer Reviewed Journal 1, no. 1 (August 1, 2019): 1–6. http://dx.doi.org/10.3126/sotang.v1i1.45831.
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वि.सं. १९८७ देखि बाल कविताको रचना गर्न थालेका देवकोटाले नेपाली साहित्यमा अनगिन्ती बालकविताका साथै ‘राजकुमार प्रभाकर’ र ‘कटक’ बाल काव्यको पनि रचना गरे । उनले रचेको ‘राजकुमारप्रभाकर’ नेपाली साहित्यकै पहिलो बालकाव्य हो भन्ने कुराको सूचना यस लेखमा दिइएको छ । यस लेखमा‘राजकुमार प्रभाकर’ दन्त्यकथामा आधारित बालकाव्य हो भने ‘कटक’ नेपालको ऐतिहासिक विषयवस्तुमाआधारित बालकाव्य हो भन्ने पनि प्रस्ट पारिएको छ । यी दुबै बालकाव्यको विषयवस्तु बालग्राह्य छ भन्नेकुराको चर्चा गर्दै देवकोटाका यी दुई बाल काव्य स्वाभाविक भाषाशैली, गीतिचेतनायुक्त लयविधान,चामत्कारिक विम्बालङ्कार, स्वाभाविक पात्रविधान अनि नैतिकतामूलक र वीरचेतनायुक्त सन्देशले युक्त भईबालकलाई मनोरञ्जन प्रदान गर्न सक्षम छन् भन्ने कुराको निक्र्याेल यस लेखमा गरिएको छ । {V.S. Devkota, who started composing children's poems in 1987, has written countless children's poems in Nepali literature as well as children's poems 'Rajkumar Prabhakar' and 'Cuttack'. In this article, information has been given that 'Rajkumar Prabhakar' composed by him is the first children's poem of Nepali literature. In this article, it has been clarified that 'Rajkumar Prabhakar' is a children's poem based on a fairy tale and 'Cuttack' is a children's poem based on a historical theme of Nepal. Discussing that the subject matter of these two children's poems is child-friendly, these two children's poems of Devkota are able to entertain the children with their natural language style, lyrical-conscious rhythm, miraculous imagery, natural characterization and moral and heroic message.}
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Timalsina, Ramji. "The Dichotomy of Pain and Hope in Bhutanese Nepali Diasporic Poetry." Molung Educational Frontier 9 (December 22, 2019): 151–64. http://dx.doi.org/10.3126/mef.v9i0.33597.
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Diaspora is a locale where both the pain and hope work together. The pain of being separated from one’s homeland is compensated with the hope of a better life than that of home back. The creative writings of the diasporas reflect the same dichotomy of pain and hope. This exploratory study on Bhutanese Nepali diasporic poetry displays the same features: the Bhutanese Nepali diasporans have a life full of pain at the loss of their homeland, but they are living with the hope for good life in the days ahead. On the one hand, the trauma they have undergone because of expulsion from their homeland, the experience of being refugees in Nepal for about two decades, and the hardship of transition caused by the third country settlement has been expressed in their poems. On the other hand, their creations show the rays of hope for their life ahead in the host land. They have hopes for a good life, for the preservation of their culture, and real return to Bhutan. In both the themes and styles, many poems simultaneously display both of these aspects of their lives.
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Rai, Jiwan Kumar. "Creating the Discourse of Marginalized Limbu Community: A Foucauldian Analysis of Manglak’s Limbuni Gaaun [The Village of Limbu Woman]." JODEM: Journal of Language and Literature 13, no. 1 (August 25, 2022): 41–52. http://dx.doi.org/10.3126/jodem.v13i1.47462.
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This paper attempts to analyze the poems “Limbuni Gaaun” (“The Village of Limbu Women”), “Aadaangme” (“My Honor”), “Limbuni Maayaa” (“Limbu Woman’s Love”), and “Diplomyaat Devataa” (“Diplomat God”) which are selected from Raj Manglak’s Limbuni Gaaun [The Village of Limbu Woman], the collection of Nepali poems. The poet portrays the day-to-day life experiences and cultures of the marginalized Limbu people who live in the eastern region of Nepal, particularly in hilly districts of Taplejung and Panchthar. This paper aims to explore the same Limbu people’s world and cultures. This study discusses the articulation of the lifestyles, socio-cultural rituals, values, and traditions of the ethnic Limbu community that form a discourse of the marginality to claim the identity and defines the body of knowledge, e.i. the knowledge about the world and culture of Limbu community. Michel Foucault’s concept of discourse has been used as theoretical tool to interpret the selected poems, and achieve the set objectives of this study. Foucault argues that discourse is a systematic way of expression that produces and defines a body of knowledge. From this theoretical stand, the selected poems have been analysed as the discourse of the marginalized Limbu people and culture that exposes and expresses the outshined world of the same community and the distinctive body of knowledge. This study gives insights to understand the marginalized world and cultures of the Limbu community in Nepal.
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Sharma, Lok Raj. "Optimal Use of the Sixth Sense in Devkota’s Poem “The Lunatic”." World Journal of Education and Humanities 4, no. 1 (December 4, 2021): p11. http://dx.doi.org/10.22158/wjeh.v4n1p11.
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“The Lunatic” is one of Devkota’s widely read and intensely discussed poems by critics, teachers and university level students in Nepal. It has already been studied from structural, thematic and contextual perspectives by other writers, but this article writer attempts to pinpoint the poet’s optimal use of the sixth sense to perceive the people and society mentioned in the poem. The article writer underscores some poetic lines that reflect the utilization of the sixth sense which implies an extra-sensory perception beyond ordinary senses of seeing, hearing, touching, smelling and tasting. These five natural senses are not sufficient to grasp the meanings and messages of the poem. This poem will be better understood if readers are capable of examining the poet’s sixth sense with which he perceives the persons and their deeds in society.
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Balla, Krishnabhusham, and Mohan Koirala. "Two poems Nepal." Index on Censorship 19, no. 8 (September 1990): 9. http://dx.doi.org/10.1080/03064229008534915.
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Bhandari, Nagendra Bahadur. "Representations of The Gurkhas (Lahures) in Modernist Narratives." Unity Journal 2 (August 11, 2021): 153–62. http://dx.doi.org/10.3126/unityj.v2i0.38822.
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The representation Gurkha soldier or Lahures in British military writings and Nepali modernist narratives vary drastically. The British writings expose their martial skill and strength with high degree of integrity and loyalty in different wars including the First and Second World Wars. For instances, Brian Houghton Hodgson’s “Origin and Classification of the Military Tribes of Nepal”, J. P. Cross’s In Gurkha Company: The British Army Gurkhas and John Pemble’s British Gurkha War reflect their gallantry and unconditional loyalty. On the contrary, Nepali modernist narratives unravel their personal loss, separation, unpatriotic feeling and irresponsibility. Such unpleasant connotations in Nepali literature appears in ‘Aamali Sodhlin ni’ (Mother May Ask), a song of Jhalak Man Gandharva, “Sipahi” (Soldier), a story of Bishweshwar Prasad Koirala, Sisirko Phul (Blue Mimosa), a novel of Bishnu Kumari Baiba ‘Parijat’ and poems of Bhupi Sherchan. This article explores drastically different types of the representation of the Gurkhas (Lahures) in British military writings and Nepali narratives, and the socio-political contexts of their representation. The social, cultural and political contexts of representation and the motives of the writers render variations in their representations. This article unfolds the connection between the representation of the Gurkhas (Lahures) and the condition under which they are represented. While doing so, this paper supports an instance of the representation of Gurkha soldiers as an ideological construct on ground of political and sociological phenomena.
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Dhungel, Nabaraj. "Ethos of Revisionist History in Krishna Sen Ichchhuk’s Poems." AJOIS: Academic Journal of Interdisciplinary Studies 1, no. 1 (February 21, 2024): 105–17. http://dx.doi.org/10.3126/ajois.v1i1.62946.
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This study attempts to explore and analyze how Ichchhuk revisits the official history of Nepal and rewrites it from the perspective of marginalized group in his poems “Haata Lagyo Sunya” (Achieved Zero in Hand), “Machha-Machha Bhyaguto” (Fish-Fish Frog) and “Euta Gauleko Diary” (One Villager’s Diary). It also projects how the poet blurs the boundary between fact and fiction in the light of new-historicist perspective that gives equal value to both history and literature. This research seeks to find out how the poet brings forth the history from the below and problematizes the history from the top model that has been characterized with the deceptive discourse of freedom, equality, democracy and human rights. The paper displays what contributing factors are responsible to dismantle the mainstream history and write history of the people. It also depicts the poet’s appeal to people with optimistic feeling and revolutionary spirit to create unity among the people of the margin and fight back against the powerful rulers to bring new sunshine in human life being liberated from the oppressive clutch of the feudal and fascist leaders who always deceive the people with illusive fish history. This article demonstrates Ichchhuk’s courage, will power and life force to valorize the common people’s history and to defy the official history. To justify how history should be rewritten, the researcher uses the new-historicist ideas of Michel Foucault, Stephen Greenblatt and Catherine Gallagher. This research work shows how poets like Ichchhuk raise consciousness in marginalized people of the world and raise voice in order to establish an egalitarian human society dismantling the official history and writing the inclusive history of the people.
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Mishra, Indira Acharya. "Feminist Voice in Rajan Mukarung's Hātā Jāne Aghillo Rāta." Dristikon: A Multidisciplinary Journal 9, no. 1 (December 31, 2019): 39–52. http://dx.doi.org/10.3126/dristikon.v9i1.31155.
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Some of the poems in Rajan Mukarung's latest anthology Hātā Jāne Aghillo Rāta [The Night before the Market Day] (2019) are written from the feminist perspective. However, the feminist voice raised in these poems is different from the feminist voice of the main stream Nepali feminist literature which raises the issues of urban, middle class, educated upper caste women from the hills (bourgeoisies women), who aspire liberation from the restrictive traditional gender roles. Unlike the main stream Nepali feminist literature, in these poems, he dramatizes the issues of women from the margin. These are poor and illiterate women from Dalit and ethnic communities who bear the brunt of not only gender discrimination, but also suffer from class and caste discriminations. The article aims to analyze three of the poems from the anthology from the Multicultural feminist perspectives. The finding of the article suggests that these poems raise the voice of marginalized women and demand justice to lower caste and ethnic women whose mores are different from the bourgeoisies' women.
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Wagle, Anupa. "Implication of Nature Imageries in Puniyani's Tangsing." JODEM: Journal of Language and Literature 14, no. 1 (August 14, 2023): 11–23. http://dx.doi.org/10.3126/jodem.v14i1.57563.
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An anthology of Nepali Eco-poetry, Tangsing by Raja Puniyani includes nature imageries to focus its eco-theme in most of its poems. The two sections of this anthology as Eco-solo and Eco-chorus contain poems and poems in series respectively. So, the article investigates the nature imageries used in these poems and their connection with eco-theme in all the poems. The article analyses what imageries are used and how they directly and indirectly highlight to the human encroachment into nature and its consequences in future. To address these objectives, ecocritical theory, mainly the idea of Rachel Carson is used. Rachel Carson brings up the idea that how humans past activities leads them towards disastrous future related to nature and ecosystem of the earth. The significance of this study is to contribute to the reader to see the anthology seriously as a message to all human beings to save the earth and its ecosystem. The paper concludes that Tangsing is full of powerful nature imageries containing the eco-theme in almost all the poems in it. It paved the way towards eco-awareness through Nepali literature to address contemporary environmental issues faced by the world.
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Bryant, Andrea Dawn. "Quaking Cantos: Nepal Earthquake Poems." World Literature Today 91, no. 3 (2017): 110. http://dx.doi.org/10.1353/wlt.2017.0180.
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Pokharel, Badri Prasad. "Healing Trauma with metta: Nepali Texts in the Nepali Context." Crossing the Border: International Journal of Interdisciplinary Studies 4, no. 1 (October 17, 2017): 45–52. http://dx.doi.org/10.3126/ctbijis.v4i1.18429.
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Nepali society for more than one and half decades has been under panicked condition losing many lives and property which remained irreparable for a long time. It is our memory that helps us reminisce those horrible past events from which one can hardly get rid of, thus, we are inflicted with the memories – traumatic memories that neither let us get rid of it nor let us live out of. We, as part of this painful past, have been with this reality. Many survivors have imbibed this fact in the form of printed media – writing memoirs, stories, novels, poems, etc, from which one can be aware of many such details which make us feel even more traumatic. One can’t live with this memory for a long time; thus, one needs a recovery of such painful past memory; for that a Buddhist tool can be a cure – metta.Crossing the Border: International Journal of Interdisciplinary Studies Vol.4(1) 2016: 45-52
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Gouli, Mohan Raj. "Forms of nature in Laxmiprasad Devkota’s “The Rain”." Batuk 5, no. 1 (January 31, 2019): 45–51. http://dx.doi.org/10.3126/batuk.v5i1.27923.
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<p">Poets use different forms of representation for nature in their poetry. Poets get relevant subject matters to produce their verse when they encounter different forms of nature in course of their daily lives. Changing seasons and different conditions of nature significantly encourage the poets to express their deeply rooted feelings in multiple ways of representation depicting multiple forms of their surroundings. This article attempts to explore how Laxmiprasad Devkota, the great poet of Nepal, represents the rain in particular and other elements of nature in general in his poem entitled “The Rain.” To deal with the representation of nature in this poem, I have used the tool of ecocriticism that facilitates to study the relationship between literature and nature as well as nature and human beings.
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Baral, Khil Prasad. "समकालीन नेपाली गद्यकवितामा वर्णविन्यासवक्रता [Characterization in contemporary Nepali prose poetry]." International Research Journal of MMC 2, no. 2 (June 30, 2021): 92–106. http://dx.doi.org/10.3126/irjmmc.v2i2.38153.
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पूर्वीय साहित्यशास्त्रमा आचार्य कुन्तकद्वारा प्रतिपादित वक्रोक्तिसिद्धान्त मूलतः एउटा समन्वयशील सिद्धान्त हो । पूर्ववर्ती आचार्यहरूका मान्यतासमेतलाई समाहित गर्ने गरी प्रस्तुत गर्न खोजिएको यस सिद्धान्तमा कुन्तकले वक्रोक्तिका विभिन्न छ भेद तथा तिनका उपभेदहरूको चर्चा गरेका छन् । यस लेखमा उनले प्रस्तुत गरेका वक्रोक्तिका छ भेदहरूमध्ये वर्णविन्यासवक्रताका आधारमा केही समकालीन नेपाली गद्यकविताहरूको अध्ययन विश्लेषण गरिएको छ । यसका लागि सर्वप्रथम वक्रोक्तिसिद्धान्त र वर्णविन्यासवक्रताका बारेमा सङ्क्षिप्त सैद्धान्तिक चर्चा गरिएको छ । त्यस्तै समकालीन नेपाली गद्यकवितामा वर्णविन्यासवक्रताको प्रगोग कसरी भएको छ भन्ने सन्दर्भलाई स्पष्ट पार्न विभिन्न समकालीन कविका कवितांशलाई उहाहरणका रूपमा प्रस्तुत गरी तिनमा पाइने वर्णविन्यासवक्रताको अध्ययन विश्लेषण गरिएको छ । विक्रम संवत् सत्तरीको दशकयता प्रकाशित कविताहरूमा केन्द्रित यस अध्ययनमा वर्णविन्यासवक्रताका छवटै भेदहरूका आधारमा कविताहरूको विश्लेषण गरिएको छ । प्राथमिक र द्वितीयक दुवै स्रोतका सामग्रीको प्रयोग गरी वर्णनात्मक पद्धतिअनुसार विवेच्य सामग्रीहरूको विश्लेषण गरिएको छ । मूलतः निगमनात्मक पद्धतिमा आधारित यस अध्ययनबाट समकालीन नेपाली गद्यकवितामा पूर्वीय काव्यशास्त्रमा वर्णित वर्णविन्यासवक्रताको सफल र सार्थक प्रयोग पाइने निष्कर्ष निकालिएको छ ।[In Eastern literature, the theory of curvature formulated by Acharya Kuntak is basically a coordinating theory. In this theory, which seeks to incorporate the beliefs of the earlier Acharyas, Kuntak discusses the six distinctions of satire and its variants. In this article, the study analysis of some contemporary Nepali prose poems has been analyzed on the basis of chromaticism out of the six distinctions of irony presented by him. For this, first of all, a brief theoretical discussion has been given about the theory of curvature and chronology. Similarly, in order to clarify the context of how the use of colloquialism has been used in contemporary Nepali prose poetry, various contemporary poetic poems have been presented as examples and the study of colloquialism found in them has been analyzed. This study focuses on the poems published in the seventies of Bikram Samvat and analyzes the poems on the basis of all the six distinctions of chromaticism. The material of both primary and secondary sources has been analyzed according to the descriptive method. Basically, this study based on the deductive method has concluded that the successful and meaningful use of the chromatic descriptions described in Eastern poetry in contemporary Nepali prose poetry has been found.]
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Luitel, Binod, Kamal Kumar Poudel, Uma Nath Sharma, and Tek Mani Karki. "USES OF THE FIRST LANGUAGE IN THE ENGLISH AS A FOREIGN/SECOND LANGUAGE CLASSROOM: TEACHERS’ VIEWS AND ARGUMENTS." TEFLIN Journal - A publication on the teaching and learning of English 34, no. 2 (October 19, 2023): 245–63. http://dx.doi.org/10.15639/teflinjournal.v34i2/245-263.
Full textAbstract:
Drawing on the lived experiences of three community school English teachers in Nepal, this article explores the uses of the learners’ first language (L1) in English as a foreign/second language (ESL) classes. As the data, we collected the written lived-experience descriptions from the teachers, observed their classes, and interviewed them. We analyzed the data thematically and interpreted them contextually. As the study found, the teachers have their lived experiences of using the L1 for its cognitive roles – namely, for checking learners’ understanding, facilitating them in task performance, and increasing understanding on the part of the students in various aspects of language learning – including content, vocabulary, grammar, stories, poems, and cultural concepts. Drawing on the teachers’ convictions, we have advanced that the L1 (here, Nepali) does play the role of cognitive bridging in English language learning, particularly when the students have a ‘poor English base’ (as perceived by the participants in this study), and when both the teacher and the students share a common L1. Hence, the general implication could be that the L1 can function as a support in teaching and learning a second/foreign language (L2).
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पन्थ Panth, टंकप्रसाद Tankaprasad. "भूकम्प प्रार्थना कवितासङ्ग्रहमा अभिघात चेतना {Trauma Awareness in Bhukampa Prarthana Poems Collection}." Pragyan 7, no. 1 (June 13, 2023): 22–41. http://dx.doi.org/10.3126/pragyan.v7i1.55153.
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प्रस्तुत लेखमा कवि गोविन्दराज भट्टराईको 'भूकम्प प्रार्थना’ कवितासङ्ग्रहभित्रका कवितामा निहित अभिघातको अवस्थालाई प्रकाश पार्ने काम गरिएको छ । २०७२ सालको भूकम्पले सिर्जना गरेको त्रासदीय अवस्थालाई सङ्ग्रहका कविताको विषय बनाइएको छ । साहित्यका क्षेत्रमा उत्तरआधुनिकताभित्र विकास भएको एउटा महत्त्वपूर्ण सिद्धान्त अभिघात चेतना हो । नेपाली कविताको समकालीन धाराको उत्तराद्र्ध चरणमा सशक्त कविता लेख्ने गोविन्दराज भट्टराईले नेपाली वाब्मयका विविध क्षेत्रमा कलम चलाएका छन् । पाश्चात्य दर्शन र चिन्तनलाई नेपाली पृष्ठभूमिमा व्याख्या गर्ने अनुकरणीय कार्य पनि भट्टराईले गरेका छन् । सिर्जना, समालोचनाका साथै दर्शन र अन्य विषयमा पनि यिनको कलम निरन्तर रूपमा चलेको छ । यिनका कवितामा मानवीय संवेदना र जीवनवादी स्वर सघन रूपमा मुखरित भएको पाइन्छ । जीवनका अभिघातजन्य पीडाहरूलाई नजिकैबाट छामेर प्रस्तुत गर्ने हुनाले पनि यिनका कविताहरू मार्मिक रहेका छन् । यस लेखमा अभिघात सिद्धान्तका सापेक्षमा भट्टराईको भूकम्प प्रार्थना (२०७७) कवितासङ्ग्रहभित्रका कविताहरूको अध्ययन र विश्लेषण गरिएको छ । यस सङ्ग्रहभित्रका कुल अठारवटा कवितामध्ये अधिकांश कवितामा भूकम्पको प्रहारबाट प्रताडित बनेको मानिसको निरीह अवस्थाको चित्रण गरिएको छ । यस अनुसन्धानमूलक लेखमा अभिघातपरक समालोचकीय मान्यताको सैद्धान्तिक स्वरूपलाई प्रस्तुत गरी त्यसैका आधारमा गोविन्दराज भट्टराईको भूकम्प प्रार्थना कवितासङ्ग्रहमा अभिघातको अवस्थाको के कस्तो रहेको छ भन्ने समस्यामा केन्द्रित रहेर यो लेख तयार पारिएको छ । विश्लेषणात्मक विधिको प्रयोग गरी कविताभित्र व्यक्त भएको अभिघातजन्य अवस्थाको खोजी र विश्लेषण गरी कुन रूपमा अभिघातको सिर्जना भएको छ भन्ने कुराको निष्कर्ष निकालिएको छ । {In the presented article, the work of poet Govindaraj Bhattarai has been done to shed light on the situation of trauma contained in the poems within the poetry collection 'Bhukamp Parthana'. The tragic situation created by the earthquake of 2072 has been made the subject of poems in the collection. In the field of literature, an important theory developed within postmodernism is traumatic consciousness. Govindraj Bhattarai, who wrote powerful poetry in the latter half of the contemporary stream of Nepali poetry, has penned his pen in various fields of Nepali literature. Bhattarai has also done an exemplary job of explaining Western philosophy and thought in Nepali background. Along with creation, criticism, philosophy and other subjects, his pen has been continuously written. In his poetry, human sensibility and vitalist voice are expressed intensively. His poems are poignant because they depict the traumatic pains of life from close quarters. In this article, the poems in Bhattarai's collection of poems "Earthquake Prayer" (2077) have been studied and analyzed in relation to the theory of trauma. Out of the total eighteen poems in this collection, most of the poems depict the innocent condition of the people who are tormented by the earthquake. In this research article, presenting the theoretical form of critical recognition of trauma, based on that, this article has been prepared focusing on the problem of what is the state of trauma in Govindaraj Bhattarai's earthquake prayer poetry collection. Using the analytical method, the traumatic situation expressed in the poem has been searched and analyzed, and the conclusion has been drawn as to how the trauma has been created.}
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Charmakar, Rudra Bahadur. "Dalit Consciousness and Voice of Resistance in Pabitra Sunar’s Yugako Āwāj." Pursuits: A Journal of English Studies 8, no. 1 (May 7, 2024): 141–50. http://dx.doi.org/10.3126/pursuits.v8i1.65347.
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The article explores how Nepali literature written on Dalit subjects and issues portrays the socio-cultural, political and economic disparity and injustice experienced by Dalits; and, how the literature expresses dissatisfaction, resistance and protest against it. The article basically aims to explore Dalit consciousness and voice of resistance expressed in poems. For this purpose, the researcher has studied Pabitra Sunar’s anthology of poems “Yugako Āwāj [Voice of the Era] from the concept of class consciousness connecting with Dalit consciousness. Her poems mainly express the agony, pain, suffering, inequality, injustice, discrimination, exploitation and oppression; and, also expresses hope, expectation and revolt for rights, equality, justice, freedom and dignity of Dalits. Fundamentally, the poems portray Nepalese society, socio-cultural, political and economic status of Dalits, and, present the right path for socio-cultural liberation of Dalits. The poems also plea the entire Dalits to revolt against caste system for overall transformation. Moreover, the binary appositions such as pessimism and optimism, dark and light, rejection and acceptance, fear and braveness, discrimination and equality faced by Dalits in society; and, Dalits’ wish for liberation and dignity are the tenets in Sunar’s poems. The researcher has adopted qualitative approach with explorative and analytical methods while studying the poems.
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Adhikari, Tara Prasad. "Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works." Harvest 3, no. 1 (March 28, 2024): 113–20. http://dx.doi.org/10.3126/harvest.v3i1.64190.
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“Decoding Deconstruction: Unveiling the Layers in Mahakavi Devkota’s Poetic Works” explores the intricate tapestry of Mahakavi Laxmi Prasad Devkota’s poetry, using a deconstructionist point of view. The paper reveals unimagined Deconstructionist features within Devkota’s works, akin to the ideas developed by Jacques Derrida during the 1960s. Devkota has questioned all the so-called hierarchies that were prevalent in Nepali society then. He has questioned human-centric discourses. Thus, his poems exemplify a deconstructive mindset. They invite readers to embrace ambiguity, explore new perspectives and transcend traditional modes of interpretation. This study illuminates how some of the poems by Mahakavi Devkota are so very close to the deconstructionist view developed by Derrida and so e other theorists in the 1970s.
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Franco, Carlos Mario, Kepa Balparda, Ana María Díaz, Daniel Jiménez, and Ana Paulina Pamplona. "POEMS syndrome as an uncommon cause of papilledema." Nepalese Journal of Ophthalmology 6, no. 1 (July 22, 2014): 105–8. http://dx.doi.org/10.3126/nepjoph.v6i1.10781.
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Background: Polyneuropathy, organomegaly, endocrinopathy, monoclonal gammopathy, and skin changes (POEMS) syndrome is an uncommon condition related to a paraneoplastic syndrome secondary to an underlying plasma cell disorder. Among the myriad of manifestations of the disease, ocular signs and symptoms are relatively prevalent, affecting about half of all patients with the disease. Objective: To report the ocular manifestations of POEMS syndrome. Case: A 47-year-old lady diagnosed to have POEMS syndrome presented with painless progressive visual diminution. Her color vision was impaired. There was bilateral papilloedema. Conclusion: POEMS syndrome should be considered among the differential diagnoses of all patients with a bilateral papilledema in which no other cause can be readily elucidated. DOI: http://dx.doi.org/10.3126/nepjoph.v6i1.10781 Nepal J Ophthalmol 2014; 6 (2): 105-108
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खनाल Khanal, राजेन्द्र Rajendra. "समसामयिक नेपाली कवितामा सीमान्तीयको सशक्तीकरण {Empowerment of the frontier in contemporary Nepali poetry}." Tribhuvan University Journal 36, no. 01 (December 31, 2021): 225–43. http://dx.doi.org/10.3126/tuj.v36i01.43630.
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यस लेखको मुख्य उद्देश्य सीमान्तीयको अग्रभूमीकरण गरिएका समसामयिक नेपालीकविताको विश्लेषण गर्नु रहेको छ । यस लेखमा समसामयिक समयका प्रतिनिधि कवितासङ्ग्रहकाकवितामा विषयवस्तु तथा वैचारिक पक्षसहित सीमान्तीय समुदाय तथा वर्गलाई प्राधान्य दिएकाकविता निक्र्योल गरी उदाहरणसहित विश्लेषण गरिएको छ । यो लेख वर्णनात्मक विधिमाआधारित छ । प्रस्तुत लेखलाई आगमनात्मक विश्लेषण प्रक्रियाको उपयोग गरी सन्दर्भपरकउदाहरणबाट तथ्यपरक बनाइएको छ । यस लेखमा पुस्तकालयीय अध्ययन प्रक्रियाबाट तथ्यसङ्कलन गरिएको छ । यस अध्ययनमा सीमान्तीय पक्षमा केन्द्रित रही तिनको सशक्तीकरणगरिएका उत्तरवर्ती समयका कविता प्राथमिक स्रोतीय सामग्री बनेका छन् । यस अध्ययनबाटनेपाली समाजले परम्परादेखि नै मूलतः जातीय तथा लैङ्गिक आधारमा विभेद गरी सामाजिक,सांस्कृतिक, धार्मिक, राजनीतिक, आर्थिक आदि क्षेत्रमा विभेद गर्दै पहुँचमा पुग्न नदिई सीमान्तीयबनाइएको विषय एवम् विचार उत्तरवर्ती नेपाली कवितामा अभिव्यक्त भएको पाइएको छ ।प्रस्तुत अध्ययनबाट उत्तरवर्ती नेपाली कवितामा सीमान्तीयको अवस्था उद्घाटन गर्दै त्यस्तासमुदायलाई मूल धारमा ल्याउन सक्नुपर्ने, विवेकसम्मत तवरबाट सहभाव व्यक्त गर्नुपर्ने र सबैक्षेत्रमा प्राधान्य दिनुपर्ने विचारसहित सीमान्तीय वर्ग तथा समुदायको अग्रभूमीकरण गरिएकोनिष्कर्ष प्राप्त भएको छ । { The main purpose of this article is contemporary Nepalis who have been foremost in the frontier Poetry is to be analyzed. This article or section needs sources or references that appear in credible, third-party publications In the poem, priority has been given to the marginalized communities and classes including the thematic and ideological aspects The poem has been analyzed with examples. This article describes the methods based. This article or section needs sources or references that appear in credible, third-party publications Made factual from the example. In this article, facts have been collected from the library study process. In this study, focusing on the marginal side, his empowered poems of later times have become the primary source material. From this study, it has been found that Nepali society has traditionally discriminated on the basis of ethnicity and gender and has been marginalized in the social, cultural, religious, political, economic and other spheres without access to it. From the present study, it has been concluded that the marginalized class and community has been brought to the forefront by inaugurating the status of marginalized in the later Nepali poetry.}
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Subedi, Abhi. "Nepali Paintings and Poetry: Reviews and Reflections." SIRJANĀ – A Journal on Arts and Art Education 4, no. 1 (December 1, 2017): 6–20. http://dx.doi.org/10.3126/sirjana.v4i1.39840.
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This topic has been lodging with me for over three decades. During this period of time it has continued to pose me new challenges and new excitements of openings. I have written some essays on this topic. I am basically a literary person who writes poems, plays, essays, art criticism and theoretical aspects of both genres of art - paintings and poetry. As a teacher I have taught these subjects all my life. But saying final words does not worry me because despite efforts by art critics, historians and literary writers to draw common grounds for both literature and art, it has yielded mixed results everywhere. One thing is always certain - the comparisons remain incomplete in terms of drawing either a fine line between arts and poetry, and showing the unique merger between the two forms of art. Some subjects remain exciting in their incomplete states. That happens as a matter of exigency, which means the incompletion of comparison is necessitated by the nature of the subject itself. As this is a very big subject, attempt is made to narrow it down to the poetic experience. Affinity of the genre of literature, especially of poetry, to art constitutes the subject matter for this article.
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भण्डारी Bhandari, महेन्द्र Mahendra. "कोरोनाकालीन नेपाली कविता [Nepali Poetry in Corona Period]." Haimaprabha 20 (July 30, 2021): 59–73. http://dx.doi.org/10.3126/haimaprabha.v20i0.38611.
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प्रस्तुत लेखमा काेरो ना महामारीले नेपाली कवितामा पारेको प्रभावकाे अध्ययन गरिएको
छ । यहाँ कोरोना महामारी चलिरहेका समयमा लेखिएका र विभिन्न समाजिक सञ्जालमा प्रकाशित र प्रसारित भएका गद्य, पद्य तथा गीतिलयमा रचिएका कविताहरूको आवश्यकताका आधारमा नमूना छनो ट पद्धतिअन्तर्गतको सो द्दे श्यमूलक नमूना छनोटविधिद्वारा सङ्कलन गरी त्यसलाई कविता तŒव मध्येका शीर्षक विधान, लय प्रयोग र भाव प्रयोगका आधारमा अध्ययन गरिएको छ । यस लेखमा प्रयुक्त कविताहरूको सङ्कलन गर्दा उद्देश्यमूलक नमूना छनाेट विधिका प्रयाेग गरिएको छ । सङ्कलित सामग्रीहरूको सप्रमाण विश्लेषण गरी नेपाली कवितामा कोरोनाको प्रभावलार्इ कसरी प्रस्तुत गरिएको छ भन्ने मूल समस्याका समाधान खोजिएको छ । यहाँ ती सामग्रीहरूको अध्ययन गर्दा व्याख्यानात्मक विधिको प्रयो ग गरिएको छ । उक्त अध्ययन तथा विश्लेषण पश्चात को रो ना महामारीले न े पाली कविताको शीर्ष क छनाेट, लय प्रयाे ग, भाव तथा विचार र प्रस्तुतिका माध्यम जस्ता आन्तरिक तथा बाह्य दुवै प्रभाव परेको निष्कर्ष निकालिएकाे छ ।
[In this article, the impact of the Corona pandemic on Nepali poetry has been studied. The study is based on the prose, verse and lyric poems written during the Corona pandemic and published and disseminated on various social networks. They were purposefully selected based on the need and were analyzed based on the title, composition, rhythm and expression of the poem elements. The collected materials were analyzed to find the influence of Corona and solution to this major problem, portrayed in the Nepali poetry. After the study and analysis, it has been concluded that the Corona pandemic has affected both internal and external aspects of Nepali poetry such as title choice, rhythm use, expression and means of presentation.]
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Sharma, Yam Prasad. "Contemporary Nepali Arts: Blurring the Boundaries among Art Genres." Curriculum Development Journal, no. 42 (December 4, 2020): 48–56. http://dx.doi.org/10.3126/cdj.v0i42.33212.
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Some contemporary Nepali artworks have blurred the boundaries among different art genres like sculpture, painting, music, drama, photography and literature. In a single artwork, we can view the elements of two or more art forms. Three dimensional real objects are put on the two dimensional surface like canvas. Three dimensions are the special characteristics of sculpture whereas there are only two dimensions in painting. Three dimensions in the painting are illusions created by the use of light and shade, and gradation of colors. Artists use photographs and paintings simultaneously in the same work. They take references from photographs and present them in canvas. They also present their paintings, sculptures and photographs along with music, recitation of poems and performance. Some of their canvases present painting and poem side by side in the single space. Both visual art and verbal art coexist in the single canvas. The artists’ creative urge goes beyond all boundaries, codes and established rules of arts. They do not follow the conventional techniques of creating arts. They experiment with forms, techniques, contents and medium. A single artwork has its own way of creation which may not be applicable to other artworks created by the same artist. The artist does not follow these trends but his work may set the new trend for other artists.
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Regmi, Aarati. "Redefining the Society in Hip-Hop Music: A Nepali Perspective." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (March 1, 2021): 18–25. http://dx.doi.org/10.3126/sjah.v3i1.35355.
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Nepali Rapper Utsaha Joshi, aka Uniq poet's title song “Mero Desh Birami” and Chirag Khadka's album 5:55 title song “Samadhi and Aaago ko Jhilko” display intimate relationships between the socio-political and cultural context and the youngsters' powerful voice through music. This paper analyzes rap music as a medium and power to convey socio-cultural values, truth of conspiracy, and interests among youngsters. Both singers have portrayed the mainstream culture, faith, and patriotism, which have shaped people’s minds and behaviours. Rap songs have become so popular among young people who have always been informed by specific phenomenal interests. It has touched the consciousness that shapes the relationship between humans and culture. The road to these rap songs speaks the voice of cultural roots via its elements. To add, rap singers display popular means of conveying cultural intimacy through their music and of introducing a phenomenal symbol of society. However, Nepali Hip-hop redefines a relative degree of social conspiracy rather, it promotes positivity among the youngsters as it motivates and generates energy. Yet, hip-hop generates and navigates a voice of fear, woes, dissatisfaction, disagreement, anxiety, and other sensitive anti-socio-political crimes like rape, homicide, power augmentation game, etc.
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Capwell, Charles. "The popular expression of religious syncretism: the Bauls of Bengal as Apostles of Brotherhood." Popular Music 7, no. 2 (May 1988): 123–32. http://dx.doi.org/10.1017/s0261143000002701.
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About a thousand years ago in northeastern India a group of spiritual adepts known as siddhācāryas sang poems about the discipline required of the individual who seeks ultimate release. These carýāpadas, as the poems are called, were eventually compiled and recorded in a manuscript found about a century ago in the Nepali Court Library by a Bengali scholar (Sastri), since when concordances have been recognised in the Tibetan scriptures and numerous articles have been written about them by a variety of learned scholars. The carýāpadas have aroused considerable interest, among other reasons, because of their language, which is considered the earliest record of the Bengali tongue (Chatterji 1970, pp. 90–116), and because of their religious precepts, which are based upon tantra (Bagchi 1933, 1956A, B). Tantra teaches the individual to pursue his own release from phenomenal existence through direct, empirical means, through the manipulation of his own physical and psychical constitution, and these means are learned viva voce from a preceptor who also demonstrates the necessary techniques.
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Guy, John. "New Evidence for the Jagannātha Cult in Seventeenth Century Nepal." Journal of the Royal Asiatic Society 2, no. 2 (July 1992): 213–30. http://dx.doi.org/10.1017/s135618630000239x.
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The Kathmandu valley in the seventeenth century was very prosperous, the bulk of its wealth derived from the trade which flowed through the valley between Tibet and the Indian plains. The ancient urban centres of the valley, Kathmandu, Patan and Bhaktapur had emerged early in the century as three separate kingdoms. The tradition of jointrulership, whereby rule of each city-state was shared between branches of the ruling Malla dynasty had collapsed. The three kingdoms were engaged in constant rivalry which intermittently spilt over into open hostility and which consumed much of their energy and wealth. Yet it was also this rivalry which stimulated an era of generous royal patronage of the priesthood and the sponsoring of major pūjās and religious festivals, together with the building of new palaces and temples dedicated to the rulers' favourite deities. Support was extended not only to the artists commissioned to decorate the palaces and shrines, but also to poets, writers and musicians who found their work being encouraged, particularly when Nepalese court life underwent something of a renaissance under Mithila influence. This activity reached a peak during the reign of the enlightened and cultured King Pratapamalla of Kathmandu (1641–74), and under that of his contemporary and rival, King Jagatprakas'amalla of Bhaktapur (1643–72).
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Devkota, Padma Prasad. "Some Highlights on the December Conference on Lu Xun and Devkota." Literary Studies 29, no. 01 (December 1, 2016): 50–56. http://dx.doi.org/10.3126/litstud.v29i01.39611.
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From December 6-7, 2013, Devkota-Lu Xun Academy organized a two-day exhibition on “Lu Xun: Life and Works” in Kathmandu. The purpose of the event was apparently to bring peoples of China and Nepal together by seeking political and cultural connectivity in the writings of two literary giants, each of whom was born at a time of cultural and political transition of their respective nation into modernity. However, in reality, it sought to import and to establish Lu Xun (1881-1936) as an extreme leftist icon while identifying another such icon from within the nation itself. I intend to conceptualize some differences and similarities between these two poets mostly on the basis of the proceedings of the December Conference.
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पन्थ Pantha, नारायणप्रसाद Narayanprasad. "बैरागी काइँलाका कवितामा आयामेली चिन्तन {Aayameli Perspective in Baragi Kaila's Poems}." Kaladarpan कलादर्पण 4, no. 1 (February 21, 2024): 37–53. http://dx.doi.org/10.3126/kaladarpan.v4i1.62824.
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बैरागी काइँलाले आयामेली लेखनपूर्वका कवितामा परम्परित वर्णमात्रिक र मात्रिक छन्द तथा पछि आएर नवगद्य छन्दको प्रयोग गर्दै परम्परामुक्त कविता सिर्जना गरेका छन् । उनका कवितामा आयामेली चिन्तनलाई केकसरी प्रस्तुत गरिएको छ भन्ने मूल समस्यामा केन्द्रित रही यो लेख तयार गरिएको छ । प्रस्तुत लेखको मुख्य उद्देश्य बैरागी काइँलाका कवितात्मक प्रवृत्तिको चर्चा गर्दै उनका कवितामा व्यक्त आयामेली चिन्तनको निरूपण गर्नु रहेको छ । यस लेखमा पुस्तकालयीय कार्यमा आधारित रही आवश्यक सामग्री सङ्कलन गरी विश्लेषणात्मक विधि उपयोग गरिएको छ । यसमा निर्धारित कवितालाई प्राथमिक स्रोतका रूपमा लिइएको छ भने उक्त कविताहरूको विश्लेषणका लागि विभिन्न पत्रपत्रिका, अनुसन्धानात्मक लेख तथा पुस्तकलाई द्वितीय स्रोतका रूपमा लिइएको छ । कविता कृतिलाई साक्ष्यका रूपमा प्रस्तुत गरी विश्लेषण गरिएको छ । ‘पर्वत’ कवितामा मानिसले भोगेका पीडा, दर्द तथा उक्त पीडाको मुक्तिका निम्ति पर्वततर्फको यात्रा प्रारम्भ गर्नुपर्ने विषयवस्तु प्रस्तुत भएको छ । ‘मातेको मान्छेको भाषण ः मध्यरातपछिको सडकसित’ कवितामा क्रुर शासन व्यवस्थाका कारण कवि ‘म’ पात्रले सत्य कुरा बोल्नका निम्ति मातेको अभिनय गरेको छ । ‘सपनाको लास’ कवितामा मानिसले जीवनमा कहिल्यै पूर्णता प्राप्त गर्न नसक्ने, स्वतन्त्रता, इच्छा तथा आकाङ्क्षालाई तिलाञ्जली दिएर सामाजिक लोकाचार र बाध्यात्मकताका निम्ति भौँतारिएको अवस्थालाई प्रस्तुत गरिएको छ । यस लेखमा बैरागी काइँलाले आयामेली चिन्तनलाई केकसरी प्रस्तुत गर्दै लेखनकार्यमा सिद्धि प्राप्त गरेका छन् भन्ने विषयलाई तथ्यका आधारमा पुष्टि गर्दै बैरागी काइँलाले कवितामा आयामेली चिन्तनलाई पूर्णतः पालना गरेका छन् भन्ने निष्कर्ष निकालिएको छ ।
{Bairagi Kaila applied traditional Varnamatrik and Matrik Chhanda before the com[1]mencement of Aayameli movement in the Nepali literature. He began using Nawagdhya Chhanda to free the Nepali poetry from traditional way onwards this movement. This article presents the ways he used Aayameli perspective in composing the poetry. The main purpose of the study is to explore the poetic dimensions in Kaila's poems in terms of Aayameli movement. The data of sec[1]ondary source i.e. the materials available in the library has been. Inductive analysis is used to ex[1]cavate the insights of the study. The poems composed by Kaila are used as the primary source and the magazines, journals, research papers and newspapers are used as the secondary source. The poem, 'Parvat' depicts the difficulties and pains faced by the human beings and need of the jour[1]ney of the mountain for the emancipation of these sufferings. In the poem, 'Mateko Manchheko Vashan: Madhyaratko Sadaksita', the persona of the poem 'I' pretends to be hallucinated to ex- press the truth of the cruel ruling system of the contemporary time. In the poem, 'Sapanako Laas', reveals the situation how human beings become the victim of social responsibility and constraints to become perfect giving up their independence, desire and aspirations, and also presents the notion that human beings can never be perfect no matter what attempts they do for this. Over all, this study has attempted to show the ways Bairagi Kaila has adopted the dimensions of Aayameli Poetic Movement citing his above mentioned three poems and analyzing the themes of the poems.}
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YE, Li, Yuejing GE, Wei HU, Yu HUANG, and Na LI. "Coupling and coordination of ports trade and cross-border transportation of China and Nepal." Progress in Geography 41, no. 3 (2022): 371–84. http://dx.doi.org/10.18306/dlkxjz.2022.03.002.
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Tumbahang, Mohan Kumar. "Stylistic Deviation in Devkota's “The Lunatic”." JODEM: Journal of Language and Literature 13, no. 1 (August 25, 2022): 107–19. http://dx.doi.org/10.3126/jodem.v13i1.47467.
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This article explores the linguistic deviations especially on two levels: semantic and syntactic levels. Out of few Devkota's intricate poetic compositions, "The Lunatic" is considered to be the daunting poems to the average readers, students, and even teachers. Not only its English version "The Lunatic", but its Nepali version "Paagala" also can pose an equal degree of toughness to the Nepali readers. The article seeks the answers to the questions as: what sorts of semantic and syntactic deviations are there in the poem "The Lunatic"? How do these deviations occur in the poem, and why have these deviations been used there? The article focuses on the main words which have distorted the meaning system in terms of the ordinary norms of grammar. Similarly, it also points out the syntactic patterns which have overtly flouted the grammatical norms. Furthermore, it aims to discuss the motives behind the deliberate break of the rules. This article is mainly based on stylistic approach to literary theory with qualitative design. For the theoretical insights, certain related books by Shklovsky (1987), Leech (1988), and Lazar (1993) were duly consulted. After the analysis of the obtained data, it was found out that there were a considerable number of deviations on the levels of word-meaning and the word-order in the pattern of poetic expression. The sole motive of deviant text is the stylistic purpose and enhancement of the expressive range.
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अधिकारी Adhikari, तेजविलास Tejbilas. "यादहरूको सङ्ग्रहालयभित्र श्रमको सौन्दर्य {The beauty of labor within a museum of memories}." Cognition 4, no. 1 (July 20, 2022): 162–72. http://dx.doi.org/10.3126/cognition.v4i1.46773.
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केवल बिनाबी प्रतिरोधी चेत भएका स्रष्टा हुन् । दलन र दमनको विषय उठानसहित कविता विधामा उपस्थित उनको ‘आफर’ र ‘यादहरूको सङ्ग्रहालय’ कविता सङ्ग्रहले नेपाली समाजमा गढेर बसेको जातीय छुवाछुत र वर्गीय विभेदलाई अत्यन्तै गम्भीर ढङ्गले उठाइदिएको छ । नेपाली समाजको मात्र नभएर समग्र दक्षिण एसियाको मानव विकास सूचकाङ्कलाई प्रभाव पार्ने छुवाछुत जस्तो मानवद्वेषीसामाजिक व्यवस्थामा केन्द्रित भएर उनका कविताहरूले समानता निमित्त सशक्त आवाज उठाएको देखिन्छ । उस्तै रगत बग्ने शरीर एउटा चोखो र अर्को बिटुलो हुने सामाजिक विभेदका विरुद्ध उनका रचना चुपचाप बस्न सक्दैन । मानिसले मानिसलाई गर्ने व्यवहार नसच्चिएसम्म धार्मिक रूपमा पुज्ने देवताको पनि कुनै श्रद्धा छैन । यी र यस्तै विशेषतालाई ध्यान दिएर प्रस्तुत अध्ययनमा कवि केवल बिनाबीको कविताको विश्लेषण गरिएको छ । कवि केवल बिनाबीको काव्य चिन्तनलाई प्रगतिवादकोआधारमा यसभित्रका पक्षहरूमा केन्द्रित रही निष्कर्ष निकाल्ने कार्य भएको छ । ‘यादहरूको सङ्ग्रहालय’कविता सङ्ग्रहले मूलतः नेपाली समाजमा प्रचलित निन्दनीय सामाकि अपराध हटाएर सामाजिक चेतनाअभिवृद्धि गर्नुभन्दा अर्को विकल्प छैन भन्ने मूल निष्कर्ष यस लेखमा निकालिएको छ ।
{Only Binabi is a conscious creator who resists. His poetry collection 'Offer' and 'Memory Museum', which deals with oppression and oppression, has brought up the caste untouchability and class discrimination in Nepali society in a very serious manner. Focusing on the misanthropic social system like untouchability that affects not only the Nepali society but the human development index of South Asia as a whole, it seems that his poems raised a strong voice for equality. . His works cannot remain silent against the social distinctions of the same body that bleeds, one is sharp and the other is sharp. Even the deity worshiped religiously has no respect until man treats man. Considering these and similar characteristics, the poetry of poet Kewalbinabi has been analyzed in the present study. Poet Kewal Binabi's poetic thinking is based on progressivism, focusing on its aspects and drawing conclusions. The main conclusion of this article is that there is no other option but to raise social awareness by eliminating the reprehensible slanderous crime prevalent in Nepali society with the collection of poetry 'Memories of Memories'.}
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Bajracharya, Mijala. "Assessment Of Most Common Infectious Diseases And Medicines Prescribed In The Health Posts Of Dhading District." Journal of Manmohan Memorial Institute of Health Sciences 8, no. 2 (November 6, 2023): 15–24. http://dx.doi.org/10.3126/jmmihs.v8i2.59355.
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Background: Infectious diseases are the communicable or transmissible diseases which are mainly caused by presence of pathogenic agents like (bacteria, virus, fungi, protozoa) in the individual host. Globally the infectious diseases contribute for 32.3% of total death and in Nepal about 70% health related problems and death are caused by infectious disease. This study was aimed to find out most common infectious diseases and medicines prescribed in its management in the health posts of Dhading district. Method: A Descriptive Cross-sectional study was conducted in three health posts of Dhading district namely Naubise health post, Bhumesthan health post and Mahadevbesi health post. 450 data were collected from record room of health posts from Shrawan 2077 to Asoj 2077. Patient related and drug related data and information were collected and analyzed. Results: The most frequent cases were Respiratory Tract Infections (22.22%), Dermatitis (11.55%) and Urinary Tract Infections (11.11%). Majority of cases were in between the age group of 21-30 years (25.11%).The average number of drugs per prescription was 2.37. The percentage of drugs prescribed by generic name and from an essential drug list of Nepal was (73.38%) and (97.46%) respectively. Out of 1067 drugs prescribed, antimicrobials (39.9%) were most commonly prescribed followed by NSAIDs (25.7%), and antihistamine (15.8%). Among antimicrobial, most commonly prescribed was amoxycillin ( 35.21%) which was followed by ciprofloxacin (16.43%) and azithromycin (14.08%). Conclusion: This study showed Respiratory Tract Infection was most common infectious disease and Amoxycillin was mostly prescribed drug.
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Atreya, Alok, Samata Nepal, Ashal Timalsina, Geeta Bashyal, Lokaratna Gyawali, and Jenash Acharya. "Case Report: Accidental firearm injury during trophy hunting and the role of paramedics in managing such cases at rural health posts in Nepal." F1000Research 10 (March 4, 2022): 893. http://dx.doi.org/10.12688/f1000research.55659.2.
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Possession of a firearm without a certified valid license is against Nepalese law. Following a decade-long civil war, Nepal government issued stringent laws not allowing public to possess firearms without a valid reason, despite bearing a license. However, there are people who possess and use firearms for hunting purposes. The present case reports an accidental death of a teenage boy who used a musket for hunting. The present case highlights the fact that despite these stringent laws, illegal possession of arms for trophy hunting is still prevalent in rural Nepal. Furthermore, this study aims to highlight the importance of paramedics in early intervention, stabilization and transport of the sick and injured to the hospital in emergency situations. Also, recruitment of paramedics in the ambulance service might have prevented untimely death in this particular case.
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टंकप्रसाद Tankaprasad पन्थ Panth. "उल्टो धार कवितासङ्गहमा सीमान्तीयता {Marginalism in the Oolto Dhar Kavitasangha}." Pragyan 8, no. 1 (July 9, 2024): 17–33. http://dx.doi.org/10.3126/pragyan.v8i1.67659.
Full textAbstract:
प्रस्तुत लेख उल्टो धार कवितासङ्ग्रहको विश्लेषणमा केन्द्रित रहेको छ । उक्त कृतिका लेखक आर. बी. निश्चल हुन् । निश्चलका कवितामा मुख्य गरी सबाल्र्टन चेतना मुखरित भएको पाइन्छ । परम्परादेखि थिचोमिचो र दमनमा पारिएका मानिसको अवस्थालाई चित्रण गर्ने काम सीमान्तीय चेतनाले गर्दछ । अवसर र अधिकारबाट वञ्चितहरूका पक्षमा आवाज उठाउने काम सीमान्तीय लेखनको हो । आर. बी. निश्चल स्वयं सीमान्तीय पृष्ठमूमिका लेखक भएकाले यिनले सबाल्टर्नका वास्तविक भोगाइलाई छुन र छाम्न सकेको देखिन्छ । यिनको उल्टो धार कवितासङ्ग्रहका पन्ध्रवटा कवितामा सबाल्टर्नका समस्यालाई प्रस्तुत गरिएको पाइन्छ । हिन्दू वर्णाश्रम व्यवस्थाले लादेको विभेद र त्यसले सिर्जना गरेको जात व्यवस्थाप्रतिको विरोध यिनका कवितामा सशक्त रूपमा व्यक्त भएको पाइन्छ । समाजमा दलितहरूले भोगेका समस्यालाई प्रकाश पार्न सीमान्तीय चेतनाको सैद्धान्तिक मान्यतालाई उपयोग गरी विश्लेषण गरिएको छ । प्रस्तुत लेखमा आवश्यक सामग्री प्रथम र द्वितीयक स्रोतबाट लिइएको छ । प्राथमिक तथा द्वितीयक सामग्रीको उपयोग गरी सीमान्तीय अवधारणालाई प्रकाश पारी विश्लेष्य कवितासङ्ग्रहमा प्रस्तुत सबाल्टर्नको पक्षलाई खोजी गर्ने काम यस लेखमा गरिएको छ । निश्चलको उक्त सङ्ग्रहमा दलित उत्पीडित नेपालीहरूले भोगेका वास्तविक समस्यालाई प्रकाश पारिएको छ । वर्तमान नेपाली समाजको जल्दोबल्दो समस्यालाई कविताहरूमा उठान गरिएको पाइन्छ । कृतिको अर्थापनका लागि सघन पाठविश्लेषण विधिअनुसार गुणात्मक प्रकृतिको अध्ययन विश्लेषण गरी स्थापित सिद्धान्तका आधारमा परिणाम निकालिएकाले यो अध्ययन गुणात्मक प्रकृतिको रहेको छ । ‘उल्टो धार’ कविता सङ्ग्रहमा सीमान्तीय चेतना के कसरी प्रयोग भएको छ ? भन्ने मुख्य समस्यामूलक प्रश्नमा केन्द्रित रही सबाल्टर्नको सैद्धान्तिक पर्याधारका सापेक्षमा विश्लेषण गरिएको छ । विश्लेष्य कवितासङ्ग्रहको विषयवस्तु र सामाजिक सांस्कृतिक रूपमा कथित दलितहरूले भोग्नुपरेको अपमान र पीडाका आधारमा सबाल्टर्न चेतना सशक्त रहेको निष्कर्ष निकालिएको छ । {The presented article focuses on the analysis of Ulto Dhar poetry collection. The author of the work R. b. They are still. Subaltern consciousness is mainly expressed in Nischal's poetry. Marginal consciousness portrays the situation of people who have been oppressed and oppressed by tradition. The job of marginal writing is to raise a voice in favor of those who are deprived of opportunities and rights. R. b. As Nischal himself is a writer of marginal pages, he seems to be able to touch and touch the real experiences of the subaltern. On the other hand, the problems of the subaltern are presented in fifteen poems of the poetry collection. His opposition to the discrimination imposed by the Hindu varnashram system and the caste system created by it is strongly expressed in his poems. It has been analyzed using the theoretical recognition of marginal consciousness to shed light on the problems faced by Dalits in the society. The material required in the presented article is taken from primary and secondary sources. Using primary and secondary materials, this article investigates the aspect of the subaltern presented in the analytical poetry collection by highlighting the marginal concept. In this collection of Nischal, the real problems faced by Dalit oppressed Nepalis are highlighted. The pressing problems of the current Nepali society are raised in the poems. For the interpretation of the work, the study of qualitative nature has been analyzed and the results have been extracted based on the established principles according to the intensive textual analysis method, so this study is qualitative in nature. How has marginal consciousness been used in 'Ulto Dhar' poetry collection? It has been analyzed in relation to the theoretical framework of the subaltern while focusing on the main problematic question. It is concluded that the subaltern consciousness is strong based on the content of the analyzed poetry collection and the humiliation and pain suffered by the Dalits in terms of social and cultural aspects.}