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Journal articles on the topic 'Nepali Small art works'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Rajbhandari, Jasmine. "Aestheticism in Uttam Nepali’s Abstract Works." Journal of Fine Arts Campus 4, no. 1 (2022): 18–27. http://dx.doi.org/10.3126/jfac.v4i1.51758.

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The aim of this paper is to explore aesthetic beauty in abstract paintings of Uttam Nepali. The available researches had only found out that he was an abstract painter and painted his feelings and emotions. This article argues that forms and colors he created are for the sake of their beauty. The art forms provide aesthetic pleasure to the viewers. The abstract paintings are analyzed and interpreted in qualitative method. The article focuses that Nepali created the structure of colors and lines by proper arrangements which increases the aesthetic qualities of abstract works and has no any util

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Rajbhandari, Jasmine. "Recycling of Myths in Contemporary Nepali Art." Journal of Fine Arts Campus 6, no. 1 (2024): 25–40. https://doi.org/10.3126/jfac.v6i1.76085.

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This article presents the ‘recycling of myth’ in Nepali art. Nepali artists distorted such stories, characters, and emotions in their art to create unity in communication by transforming these stories from past generations to upcoming generations. This writing explores the relationship between myth and the art of Nepali artists, using their works as examples. The artworks are analyzed using qualitative research methods. They sometimes painted those stories precisely according to what was written in the text in their style. In some paintings, they distort the myth to explain their perspective a

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Koshal Hamal. "Intertextuality in Lain Singh Bangdel's Paintings." SIRJANĀ – A Journal Of Arts and Art Education 10, no. 1 (2024): 64–75. http://dx.doi.org/10.3126/sirjana.v10i1.68694.

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Intertexuality refers to the art of involving two or more than two artistic and literary texts as a single composition of art. Western modernist technique, particularly with the style of Pablo Picasso of paintings, Nepali architecture, and socio-cultural literature based on Nepali subject matter are the key intertexuality in Bangdel's paintings, which makes his works more influential in Nepali contemporary art. The main purpose of this paper is to explore the notion of intertexuality in Bangdel's work. This study is qualitative in nature, where ideas of intertexuality have been revealed and so

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Rajbhandari, Jasmine. "Female voice in Nepali Art." Journal of Fine Arts Campus 5, no. 2 (2023): 8–17. http://dx.doi.org/10.3126/jfac.v5i2.67284.

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The emergence of female voices in Nepali art noticeably began in 1989. The recent practices of female Nepali artists not only represent their personal emotional experiences but also convey strong messages. Their work talks about the various challenges faced by women in the patriarchal society of Nepal, and aims to bring positive changes such as equal space and freedom from social barriers. They not only address gender issues, but also question the right to give birth and abortion. Additionally, they address social disorders such as rape, Chhaupadi practices, untouchable issues during menstruat

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Subedi, Abhi. "Abstract Paintings and Nepali Context." SIRJANĀ – A Journal on Arts and Art Education 8, no. 1 (2022): 6–21. http://dx.doi.org/10.3126/sirjana.v8i1.46652.

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Abstract art as discussed in this essay covers a period of time that spans about sixty years. The introduction of the abstract art in Nepal marks a certain opening in both art education and practice among the artists. The initial challenge of the abstract art was to make it a familiar subject both among the art lovers as well as among those who respected art but were not able to appreciate it fully. A challenging period came when artists began to work towards making abstract art an acceptable and a very useful artistic practice. The tension between skill of the artists and the indifference of

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Sharma, Yam Prasad. "Contemporary Nepali Arts: Some Shocking Trends." Journal of Fine Arts Campus 3, no. 1 (2021): 1–5. http://dx.doi.org/10.3126/jfac.v3i1.42488.

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In contemporary Nepali arts, there are some trends that shock any sensible viewer or any informed person in the area. Some artists repeat the same subject matter, figure and technique throughout their life or from the beginning of their profession till now. The presentation of the same thing all the time creates monotony and nausea in the viewers. The question arises: how can an artist do the same thing all the time? Some artists see the works of famous western artists in art history books, art magazines and the world wide web, and they copy their subject matters and techniques thinking that t

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Darshandhari, Saur Ganga. "Appropriating the Mona Lisa in the Contemporary Nepali Painting." SIRJANĀ – A Journal Of Arts and Art Education 9, no. 1 (2023): 78–89. http://dx.doi.org/10.3126/sirjana.v9i1.56271.

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There is no boundary in creating, or recreating new work whether in art, literature, music, film, drama, or any medium. The practice of artists using original objects or images in their artworks with changes of the original ones is considered appropriation in art, or appropriate art. This paper focuses on the appropriation of the Mona Lisa in the contemporary Nepali paintings. The Mona Lisa, the most sought-after work of art, was created by Leonardo Da Vinci during c. 1503-1506 is presently housed in the Louvre Museum, Paris. There are several examples of Vinci’s art turned into appropriate ar

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Sharma, Yam Prasad. "Socio-Cultural Dynamics in K. K. Karmacharya’s Artworks." AMC Multidisciplinary Research Journal 3, no. 1 (2022): 24–38. http://dx.doi.org/10.3126/amrj.v3i1.55819.

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Contemporary Nepali artist K. K. Karmacharya's artworks present socio-cultural issues of the contemporary context of Nepal. The life of the people, their context and activities vividly appear on the canvas. The paintings explore spiritual themes, cultural rituals and social activities in the community. The compositions not only represent the external world but also respond to the situation in visual form. Nepali tradition and ordinary works get space on his canvas. Some art forms mirror the society as it is and some works take corrective measures. They criticize the people and society from dis

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Hamal, Koshal. "Inter-Art Dynamics of Kalapremi’s Artworks: A Critique of Contemporary Nepali Arts." Outlook: Journal of English Studies 15 (July 15, 2024): 127–36. http://dx.doi.org/10.3126/ojes.v15i1.67771.

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The 'inter-art' refers to an artwork that is composed of more than one art form of the visual arts, such as sculpture, painting, video art, photography, ceramics, installation, performance, etc., showing the relationship between them. This study reveals the idea of inter-art relationships in the works of Gopal Kalapremi Shrestha, widely known as ‘Kalapremi’. The main objective of this paper is to explore the inter-art dynamics of Kalapremi’s artworks. The paper also aims to identify the key art genres in the creations of Kalapremi and to discuss the underlying meaning of his style. The paper r

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Subedi, Abhi. "Widening Sphere of Modern Art and Literature in Nepal: A study of the interface between them." SIRJANĀ – A Journal on Arts and Art Education 7, no. 1 (2021): 6–27. http://dx.doi.org/10.3126/sirjana.v7i1.39340.

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I see modernism in painting in this region as an evolutionary process that should trigger discussions about its constituent features. This argument harps on the two questions. Is modernism only an emulation of the Western style and methods in paintings and literature, or is it also the evolution of native cultural consciousness that is reflected in the experiments made by painters in art and by writers in creative literary works? To answer these questions, this article includes discussions about evolutions of modernism in paintings and culture in meta-artistic and literary discourses. Examples

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Sharma, Yam Prasad. "Some Emerging Nepali Abstract Painters of 1980s." SIRJANĀ – A Journal Of Arts and Art Education 9, no. 1 (2023): 48–63. http://dx.doi.org/10.3126/sirjana.v9i1.56256.

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Nepali artists of 1980s further developed the subjective, abstract and plural art trends with their individual identity in the paintings. The movement was from objective representation to subjective expression; concrete reality to abstract concept; from external world to the inner experience; and from visible appearance to the invisible existence. Some representative artists of this period are Kiran Manandhar, Sharad Ranjit, Navindra Man Rajbhandari, and Jeevan Rajopadhyay. Mananandhar's paintings emphasize the inner expression through altered art forms. Sharad Ranjit presents the dancing colo

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Budhathoki, Mahendra Kumar. "Karuna Rasa- Aestheticized Pathos as Tragedy in Parashu Pradhan's The Telegram on the Table and A Relationship." Pursuits: A Journal of English Studies 8, no. 1 (2024): 110–18. http://dx.doi.org/10.3126/pursuits.v8i1.65342.

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Art and literature essentially depict a life and its emotions; the portrayed emotions in works of art touch the readers’ heart. The readers feel both pain and pleasure in tragedy. The study aims to expose karuna rasa, pathetic, tragic emotions in Parashu Pradhan's The Telegram on the Table and A Relationship from the perspective of the rasa theory. This paper discusses the tragic feelings and pathetic emotions of Nepali people depicted and inferred in Pradhan’s stories; it also analyzes the formation of karuna rasa, pathetic relish in reading his stories. This study is a library research and q

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Sharma, Yam Prasad. "Nepali Paintings: A Departure From Religious Contents to Secular Subject Matters." Tribhuvan University Journal 36, no. 01 (2021): 85–95. http://dx.doi.org/10.3126/tuj.v36i01.43582.

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Traditional Nepali paintings are religious since they are based on Hindu and Buddhist myths. Manuscript illuminations and paubhas, the examples of religious paintings, have magical and mystical contents. Characters of myths have been portrayed and mythical stories have been narrated in visual form. There are a series of changes from traditional Nepali paintings to contemporary works. In painting, secular elements are introduced through didactic visual narratives from Hitopadesha manuscript. The moral lessons are taught through animal fables. Early paubhas are fully religious but later paubhas

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Khanal, Hota Raj. "Critical Art of Teaching Writing: Nepali Educators' Insights into Crafting Young Minds." Education and Development 33, no. 1 (2024): 1–16. http://dx.doi.org/10.3126/ed.v33i1.66565.

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This study is based on the perception and understanding of preprimary level teachers of Nepal. The study was based on the narrative inquiry of the qualitative paradigm. The objective of this study was to explore the freedom in teaching writing to enhance writing skill in preprimary level learners. Based on the objective as well as through the eyes of participants, the collected information was interpreted and concluded that innovative techniques are lacking at preprimary level for effective learning. The study also used social literacy as a lens for the interpretation and description of inform

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Sharma, Yam Prasad. "Joyful Colors in Krishna Prakash Shah's Abstract Artworks." International Research Journal of MMC 2, no. 3 (2021): 13–23. http://dx.doi.org/10.3126/irjmmc.v2i3.40056.

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Aesthetic pleasure and joy are the dominant features of Krishna Prakash Shah's colorful compositions. Shah, one of the renowned contemporary Nepali abstract artists, presents art forms without referential and recognizable contents. In other words, the form itself is its content. The works have the power to arouse rapture and relish through harmonious colors although the viewers may not able to find fixed significance. Coherent colors, rhythmic waves, playful shapes and organic composition in his paintings contribute to create beauty and provide aesthetic pleasure to the viewers. This research

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Romanenkova, Yulia. "Art Language of Small Plastic Art by Arkady Pugachevsky." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 107–17. https://doi.org/10.31866/2410-1176.36.2017.157684.

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The purpose of the article. The article is dedicated to the later period of creativity of Ukrainian artist Arkady Pugachevsky. Pugachevsky-older is known in the area of lovers of graphic arts primarily as an expert of technician of printmaking. Specializing in high printing, he gives preference to the engraving on the plastic. Methodology of investigation. The research methodology consists in complex using of biographical, historical, comparative methods of analysis, used for comprehensive coverage of case material. Scientific novelty of article is in the introduction into scientific use of wo

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Chitrakar, Madan. "Purna Man Chitrakar (1864 - 1939 AD): A Pioneer - Least Celebrated." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (2018): 16–27. http://dx.doi.org/10.3126/sirjana.v5i1.39738.

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A frequent debate or an issue favorite amongst the art-history buffs is usually found around when and who first used oil paints as a medium of painting and introduced photography in Nepal. On many occasions, the credits were attributed to a legendary name – Bhaju Man Chitrakar or Bhaju-macha. But it appears now many of those narratives were made more based on the popular hearsays rather than actual study of his oeuvre of works or a credible analysis of the circumstances then. The essay here seeks to analyze the roles of the prominent artists then – spanning late 80s of the 19th century t

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18

Gautam, Kedar Nath. "Relevance of Bharata Muni’s Natyashastra in Digital Era." Bodhi: An Interdisciplinary Journal 10, no. 2 (2024): 61–78. http://dx.doi.org/10.3126/bodhi.v10i2.69680.

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This article examines the relevance of Bharata Muni’s Natyashastra in the digital era through qualitative methods such as textual analysis and interpretation. It investigates Natyashastra’s principles, theories, and concepts, assessing their applicability to modern digital communication, content creation, and effective presentation. Using primary sources like translated Nepali texts, previous research works, and secondary scholarly interpretations, the study highlights parallels between Natyashastra and contemporary digital practices. Natyashastra, a foundational text for performing arts, comm

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Yam Prasad Sharma. "Sharada Man Shrestha: The Artist Who Transforms Junks and Scraps into Aesthetic Objects." SIRJANĀ – A Journal Of Arts and Art Education 10, no. 1 (2024): 23–31. http://dx.doi.org/10.3126/sirjana.v10i1.68679.

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Contemporary Nepali artist Sharada Man Shrestha uses scraps, junks, leftovers and found objects in his sculptures, paintings and installations. He transforms junks and leftovers into beautiful and fine aesthetic objects. The scraps and junks in mess distract the pedestrians but his artworks provide aesthetic pleasure to the viewers. Use of such materials in art contributes to manage the junks and scraps, recycle the used things, save the resources, reduce the environmental pollution, create cultural identity of the artist and the nation and earn livelihood for the artist. Shrestha has created

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20

Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.

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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Pro

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21

Gentle, Paul, and Marco Giliberti. "Were valuable art works an economic form of money during the German Third Reich Period and its aftermath?" Public and Municipal Finance 6, no. 4 (2017): 33–38. http://dx.doi.org/10.21511/pmf.06(4).2017.04.

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This examines the special use of art works as a store of value in Germany during the Third Reich era. Some Jews were able to buy their freedom, as the fascists closed in. Then as the Third Reich fell, some escaping fascists used art works to secure freedom outside of Germany. One of the characteristics of money is a store of value. When confidence in a currency is present, the more conventional form of money takes precedence. A respected, economic form of currency and coin has all three elements of money: medium of exchange, store of value and unit of account. This last trait is especially abs

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Shalem, Avinoam. "“What a Small World”: Interpreting Works of Art in the Age of Global Art History." Getty Research Journal 13 (January 1, 2021): 121–42. http://dx.doi.org/10.1086/713432.

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Muhammad Arief and Yasrul Sami. "Rang Gelandang Tuo sebagai Ide Penciptaan Karya Lukis Kontemporer." Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. 2, no. 1 (2025): 111–17. https://doi.org/10.62383/misterius.v2i1.547.

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This final work aims to visualize the various negative impacts that arise from small communities, from how they earn a living to ending up as midfielders and the impact of small communities' behavior in contemporary works of painting. The hope of this work is to increase public knowledge and awareness and enrich ideas in realizing contemporary painting art. The method the author uses is the art concert method which consists of: (1) Preparation, in the form of observation, gathering information and ideas. (2) Elaboration, to determine the main idea through analysis, abstraction, generalization

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Lama, Nabraj. "Kalu Kumale and the Aesthetics of Wrath: Sculptural Practice, Affective Labor, and Cultural Resilience in Contemporary Nepal." Global Journal of Cultural Studies 4 (July 22, 2025): 11–18. https://doi.org/10.6000/2817-2310.2025.04.02.

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This article offers a critical examination of the life, work, and legacy of Kalu Kumale, a pioneering figure in contemporary Nepali sculpture whose oeuvre spans over seven decades. Drawing upon a multidisciplinary qualitative methodology—comprising in-depth interviews, ethnographic observation, and archival analysis—this study investigates how Kumale’s sculptural practice engages with, reinterprets, and transcends traditional Newar iconography. Central to this inquiry are two seminal works, The Corpse of Sati Devi and Two Farmers Fighting, which serve as case studies for exploring the intersec

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Bowen, Barbara C. "A Neglected Renaissance Art of Joking." Rhetorica 21, no. 3 (2003): 137–48. http://dx.doi.org/10.1525/rh.2003.21.3.137.

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This article proposes that we add to the small number of Renaissance works on the art of creating or using facetiae an almost unknown De arte iocandi by an almost unknown Mattheus Delius, who died young. The work is a poem in four books, in Ovidian elegiac couplets, obviously inspired by the De arte bibendi of Vincentius Obsopoeus; both works have been assumed to be paradoxical encomia but arein fact seriousalbeit playful compendia of rules. Delius is interested not in the rhetorical use of jokes as weapons, but in something very close to Erasmus's festivitas. The preface by Melanchthon almost

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Thomas, Leslie. "ART WORKS Projects: Claiming Public Space for Human Rights." Revista Electrónica de Derecho Internacional Contemporáneo 3, no. 3 (2020): 167–70. http://dx.doi.org/10.24215/2618303xe013.

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ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation first of the DARFUR/DARFUR exhibition of large-scale exterior projections and eventually to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could

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Yang, Zeyin. "Application and Development of Digital Enhancement of Traditional Sculpture Art." Scientific Programming 2022 (February 3, 2022): 1–8. http://dx.doi.org/10.1155/2022/9095577.

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Sculpture art, as an important carrier of spiritual civilization, also portrays a prosperous scene as an industry with urban and cultural development. Three-dimensional technology offers a new platform for sculpture creation, allowing for the digitization of sculpture works via electronic information technology, and the display of sculpture works in front of people via displays, facilitating the exchange and dissemination of information and promoting the growth and progress of the entire sculpture creation industry. We plan to use digital enhancement technology to conduct small-scale creation

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Akimov, Dmytro. "Marketing researches and promotion works of art in the fine art’s marketing." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 139–44. http://dx.doi.org/10.32461/2226-0285.1.2021.238609.

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The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the research of marketing processes in the art market. The article establishes t

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Pan, Liang. "Trends in the development of institutions and forms of artistic communication in modern St. Petersburg." Философия и культура, no. 4 (April 2024): 127–40. http://dx.doi.org/10.7256/2454-0757.2024.4.70254.

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The subject of the study is the works of contemporary St. Petersburg artists of different generations and creative trends, as well as the forms and features of their communication with each other and with the general as well as professional public. The trends of artistic communication in the city are determined by the activities of such institutions as art and non-art museums, art galleries and exhibition centers, which are a classic form of presentation of contemporary art; alternative venues such as creative spaces and art clusters. The field of attention also includes the attraction of St.

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Gromov, Mikhail N. "Methodology of the Study of Ancient Russian Art and Culture." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 65 (2022): 269–78. http://dx.doi.org/10.37816/2073-9567-2022-65-269-278.

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Old Russian art and Old Russian philosophy have many similar typological features. Therefore, the consideration of ancient Russian art, from a philosophical point of view, has a certain methodological significance. Old Russian texts can be divided into three groups according to the degree of saturation of their philosophical and aesthetic content. The first group consists of the most serious books, including: “The source of knowledge” by John of Damascus, “Dioptra” by Philip the Hermit, “The logic of Aviasaph” and a number of others. The second group, the most numerous, includes the works of M

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Agratina, Elena E. "Jean-Honoré Fragonard: The New in the Notions of “Sketchiness” and “Completeness”." Observatory of Culture 18, no. 2 (2021): 174–85. http://dx.doi.org/10.25281/2072-3156-2021-18-2-174-185.

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The second half of the 18th century was a time of active changes in the perception of art, rethinking many concepts and phenomena. One of them was the pictorial sketch, which transformed from a preparatory stadium work into an independent, complete piece of art. Many art theorists and critics, as well as painters themselves had contributed to this rethinking. Many young artists, bored of historical painting and indifferent to all the academic principles, were searching for new media of expressiveness, using the sketch-like pictorial manner to give their works a new dynamism and an impression o

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Segal, Orna. "Beyond Bezalel: Expressions of Jewish Identity in the Art of Female Israeli National Religious Graduates." Ars Judaica 20 (November 2024): 139–59. https://doi.org/10.3828/arsjudaica.2024.20.8.

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Artists from the National-Orthodox sector have become more prominent in the Israeli art scene in recent years. I here present research on the expression of Jewish identity in the works of three active artists who studied in religious educational institutions, as reflected in interviews with them, and in works that contain elements related to their identity and the world from which they emerged. The study investigates the extent of expression of Jewish-religious identity in their art, how it is expressed, and whether the goals of the promotion of art within the religious education system are re

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Freeman, Lindsey. "Small Elegies for America." Imaginations: Journal of Cross-Cultural Image Studies 15, no. 2 (2025): 65–94. https://doi.org/10.17742/image29683.

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Miniatures open us up to childhood memories, daydreaming, and nostalgia, but they can also alert us to the dangers and disappointments of our times. Many contemporary artists are utilizing small-scale artworks to represent difficult truths of contemporary American life, such as alienation, disenchantment, precarious housing, and economic insecurity writ large. In this essay, focusing on the artists Michael Paul Smith, Thomas Dolye, and James Casebere, the imaginations that encircle homes, neighborhoods, and small towns are complicated through utopian and dystopian art works that draw attention

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Harbie, Putri R. A. E. "Curation and Presentation to Enrich Value on Intermedia Art in a Contamporary Art Exhibition." IMOVICCON Conference Proceeding 1, no. 1 (2019): 108–15. http://dx.doi.org/10.37312/imoviccon.v1i1.12.

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The moving image has evolved into a very common medium used in both narrative and non-narrative way, exhibited in a film festival or art exhibition. Narrative film nowadays distributed digitally and can be exhibited in both the big screen and small screen (such as mobile phone, laptop screen, mini projector) without possibly losing any storytelling value. While non-narrative film/video mostly exhibited in a special treatment to enrich the main message. The small screen was commonly used to present this medium in an art exhibition. Art manager has a responsibility to curate and presents the int

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Kravcenko, Vladimir. "Some issues on the development of digital art in the Republic of Moldova." Arta 30, no. 1 (2021): 124–29. http://dx.doi.org/10.52603/arta.2021.30-1.18.

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The paper examines the creative segment of digital art, which has been carried out by professional graphic artists in the independent Republic of Moldova, including finished artworks produced in big and small print runs, and also unique graphic works. Sketches and technical drawings of any kind are excluded from the study. Important data is provided about different images (chiesel works, book illustrations, caricatures, postage stamps, ex-librises), which were rendered digitally both in full and in part. Also, concise information is offered on the professionals practicing the respective type o

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Trinkert, Julia. "Art centres in the Lower Rhine and the Maasland revisited: research potential of a methodological reorientation of medieval art history." Journal of Art Historiography 2020, no. 22 (2020): 22—JT1. https://doi.org/10.5281/zenodo.5075090.

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The medieval wooden sculptures in the Lower Rhine and the Maasland region have been the focus of much art historical interest. Various inventory and exhibition projects in the twentieth century comprehensively recorded and arranged the numerous works available in the region and assigned them to different known or unknown artists or art landscape groups of works, according to the status of the respective research claim. The basis for a revision of the Lower Rhine and Maasland medieval wooden sculptures lies in the application of large-scale research efforts toward medieval wooden sculpture and

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Qu, Yifeng. "Interpretations of Rice Paper Watercolor Painting in Art Teaching." Review of Educational Theory 3, no. 1 (2020): 62. http://dx.doi.org/10.30564/ret.v3i1.1635.

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The ricepaperplant pith is also known as Tetrapanax papyrine, Akebia, or tall gastrodia fruit, a kind of shrub or small tree of the Araliaceous. It is native to south China and Taiwan Prov., the raw material of rice paper. Extract its central tissue from the stem to make pith slices which could be made as the watercolor painting paper. It arose in Guangzhou in the 19th century, and the themes are mainly focused on reflecting the social life scenes as well as various characters in late Qing Dynasty, such as officials, soldiers, juggling, weaving, playing instrument, etc. The works are lively, v

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Ірина, Грицюк. "Символізм у творчості Стефанії Шабатури". ВІСНИК Львівської національної академії мистецтв, № 34 (10 лютого 2018): 202–14. https://doi.org/10.5281/zenodo.1170642.

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The article is dedicated to complex research of artistic heritage of Stephaniya Shabatura. The works of different genres and periods of execution have been analyzed. There has been suggested a division of her masterprieces into five cycles: the first – graphics, the second – tapestries, тhe third – watercolors, the fourth – embroidered bookmarks and the fifth – small woolen blankets. Every cycle consists of series of works which are united the common theme. In the artist's early works, which were had done in weaving technique, we can find a traditional in folk

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Romanenkova, Yuliia, and Nataliya Ursu. "The image of a musician in the works of Ukrainian artists of the Pugachevsky dynasty." Arta 33, no. 2 (2024): 82–90. https://doi.org/10.52603/arta.2024.33-2.07.

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The article is focused on the representation of musical motifs and the image of a musician in the works of Ukrainian artists, representatives of the Kyiv school, Arkady (father) and Gennady (son) Pugachevsky. The artistic activity of these masters is positioned as a method of popularizing Ukrainian art in the foreign artistic space. The main storylines of free graphics, printed graphics, and small sculptures of the artists are analyzed. The problem of preserving the classical traditions of letterpress printing techniques is being updated. The image of a musician is emphasized as one of the mai

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Liu, Zhuang Zhuang, Zhi Feng Liu, and Guo Ping An. "Geometric Mobiles Innovative Design Method Based on the Computer Simulation Environment." Applied Mechanics and Materials 248 (December 2012): 190–96. http://dx.doi.org/10.4028/www.scientific.net/amm.248.190.

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Geometric mobiles is a new kinetic art which become a new technique combined with basic science and modern art. Geometric mobiles design and calculation by mechanics and mathematics in order to have a slowly and elegant movements. An innovative and efficient design method is first established based on virtual technology and polymorphs small cell centroid point analytical rule. The method reveals the intrinsic relationship between Geometric mobiles and mathematics & mechanics modeling, provides the mathematics foundation for art works innovative and next research.

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Jackson, Philip W. "Dewey's 1906 Definition of Art." Teachers College Record: The Voice of Scholarship in Education 104, no. 2 (2002): 167–77. http://dx.doi.org/10.1177/016146810210400201.

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This paper contains an appreciative exegesis of a single sentence extracted from a speech that John Dewey delivered to an audience of teachers in 1906. The sentence was selected for analysis because of the extraordinarily concise manner in which it tacitly connects to a wide variety of Deweyan doctrines, particularly those having to do with Dewey's vision of human flourishing. The overall goal of the analysis is simply to bring the sentence to the attention of a wider audience. By displaying the hidden richness of this small string of words, delivered almost nonchalantly, one suspects, and on

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Ontano, Giacomo. "Dialogue between art and architecture, Paul Klee and Carlo Scarpa." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 11 (April 1, 2022): 60–68. https://doi.org/10.5281/zenodo.6406531.

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This work stems from an interest in exploring the works of the architect <strong>Carlo Scarpa</strong> and how contemporary art may have influenced his architecture. It mainly focuses on Scarpa’s installations for the Venice Biennale, after World War II, when contemporary art found new spaces of dissemination. Carlo Scarpa collaborated for more than 20 years with the Venice Biennale, but it was only in 1948, at the first postwar Biennale, that he made his first experience in the field of painting exhibition. He was nominated to design the exhibitions of a few Italian contemporary artists

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Чап, А. А. "SACRED SIGNIFICANCE OF MATERIALS IN SMALL PLASTIC ART OF TUVA." SCIENTIFIC REVIEW OF SAYANO-ALTAI, no. 2(42) (July 8, 2024): 19–23. http://dx.doi.org/10.52782/kril.2024.2.42.003.

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В статье делается попытка проанализировать сакральную значимость дерева и камня агальматолита (чонар- даша) - основных материалов, используемых при создании произведений тувинской малой пластики. Упоминания о деревьях и связанные с ними поверья встречаются во многих легендах, сказаниях; существуют красивые легенды о происхождении поделочного камня агальматолита. Сакральное мировоззрение тувинцев сегодня - это отражение взаимоотношений человека как с окружающей действительностью, так и его отношение к сверхъестественному, тому, что принято относить к «миру духов». The article attempts to analyz

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Park, Jung A. "A Study on the Status of Digital Work Recognition Based on NFT: Focusing on text mining analysis." Korea Institute of Design Research Society 7, no. 2 (2022): 9–19. http://dx.doi.org/10.46248/kidrs.2022.2.9.

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Recently, NFT, an irreplaceable token called convergence art that combines digital technology and art, is attracting attention in the field of design and art. The purpose of this study is to analyze NFT technology-based digital works that are rapidly growing along with rapid demand for IT technology through issues of the times, the development of cryptocurrency blockchain technology, and the trend change in the art market through text mining. As a method of research, text mining is conducted by setting the last year as a collection period from March 2021 to February 2022, when NFT grew the mos

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Nguyen Thi Thanh, Nga. "A SURVEY ON THE RESEARCH OF TRADITIONAL CULTURAL SYMBOLS APPEARED IN THE Y.KAWABATA NOVELS IN VIETNAM." Journal of Science Social Science 65, no. 11 (2020): 54–63. http://dx.doi.org/10.18173/2354-1067.2020-0071.

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Kawabata is one of Japan’s leading writers. Kawabata’s works are a place to preserve and preserve old traditional values becoming a miraculous bridge to bring Japan across the ocean to the whole world, and to bring the world to the land of beautiful cherry blossoms. Therefore, his works have been the object of many large and small research projects domestically and internationally. Within the scope of the article, we have conducted surveys of works and articles on traditional cultural symbols in Kawabata’s novels under the following angles: Biography, Poetry, Psychoanalysis and Culture, thereb

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Tsiuliupa, Natalia, Victoria Bytsyak, and Larisa Smyk. "PECULIARITIES OF WORKING ON WORKS OF SMALL FORM IN THE PIANO CLASS." Мистецька освіта та розвиток творчої особистості, no. 2 (2023): 74–77. http://dx.doi.org/10.32782/art/2023-2-13.

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Zimmermann, Julia. "Ambivalenzen der Darstellung und Zirkelschlüsse der Interpretation. Die Tanzdarstellung Hiltbolts von Schwangau im ‚Codex Manesse‘ und der Reigen höfischer Tugenden im ‚Roman de la Rose‘." Das Mittelalter 23, no. 2 (2018): 427–46. http://dx.doi.org/10.1515/mial-2018-0022.

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AbstractNumerous studies covering courtly dancing and its portrayal in medieval European religious art and literature seem to have, to a large extent, exhausted this subject. Nevertheless, works on courtly dances remain, for the most part, more speculative in nature than apparent at first glance. This is amazing when we consider the importance of courtly dance in literature and art dating from the Middle Ages, as there are only few Middle High German poems in which collective dance is not mentioned. Contrasting with this great number and wide range of references to dance is its small footprint

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Walden, George. "Contemporary Art, Democracy, and the State." Royal Institute of Philosophy Supplement 45 (March 2000): 85–95. http://dx.doi.org/10.1017/s1358246100003325.

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Not long before the change of Government in Britain in 1997, the then Heritage Secretary, Virginia Bottomley, made a speech in which she praised British contemporary art, describing it as the most exciting and innovatory in the world. Unexciting as it seemed, her observation was profoundly innovatory, indeed in its small way historic. To my knowledge no British Cabinet Minister, still less a Conservative, has ever given an official seal of approval to what is conventionally regarded as avant-garde art. The Labour Government has echoed its predecessor's praise at a higher volume, as if determin

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Sung, Gum-Ju, and Yong-Mi Jin. "A Study on Hair Art with the Motif of Winter Flowers." Journal of the Korean Society of Cosmetology 27, no. 6 (2021): 1307–12. http://dx.doi.org/10.52660/jksc.2021.27.6.1307.

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The purpose of this study is to increase the artistic value of hair art. And it is about providing basic data and expanding contributions to follow-up research. Hair art works reinterpret the inner beauty of winter flowers that bloom in full bloom in the cold winter. The research method collected prior studies and references based on winter flowers. Also, we selected four types of winter flowers and analyzed their shapes and colors. I created 4 pieces of hair art. As a result, the colorful color of work 1 increased the aesthetic effect due to its high chroma. Works 2 expresses the elegance of

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Krasnova, I. V. "FORMATION OF THEIR OWN STYLE IN THE WORK OF ARTISTS OF CHUGUEV." Topical Issues of Culture, Art, Education 4, no. 38 (2023): 7–24. http://dx.doi.org/10.32340/2949-2912-2023-4-7-24.

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The article is devoted to the study of the life and work of representatives of the art school of painting in Chuguev. Due to the huge losses of their heritage, it still remains a blank spot in the history of national culture. The uniqueness of the masters of the brush of a small military settlement, which was Chuguev in the 19th century, consists in the fact that they came from a soldier and peasant environment. Mastering various technical techniques of painting, they worked in different genres. This allowed the Chuguev artists to create works of a secular and spiritual nature, including icons

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