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Relevant bibliographies by topics / Nero Wolfe

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Academic literature on the topic 'Nero Wolfe'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Nero Wolfe"

1

Carol McGuirk. "Asimov, Boucher, Heinlein, and Detective Fiction; or, Is Jubal Harshaw's Role Model Nero Wolfe?" Science Fiction Studies 44, no. 1 (2017): 192. http://dx.doi.org/10.5621/sciefictstud.44.1.0192.

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paggett, taisha. "Performance on the Eve of Negro Spring." TDR/The Drama Review 58, no. 4 (December 2014): 2–3. http://dx.doi.org/10.1162/dram_a_00391.

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taisha paggett’s work includes individual and collaborative investigations for the stage, gallery, and public sphere, which question the body, agency, and the phenomenology of race and gender. Her work has been presented widely, including the Studio Museum in Harlem, Danspace Project, and the Whitney Museum (NY); Defibrillator (Chicago); The Off Center (SF); Public Fiction and LACE (LA); and BAK (Utrecht). She has worked with David Roussève, Stanley Love Performance Group, Fiona Dolenga, Vic Marks, Kelly Nipper, Meg Wolfe, Ultra-red, and with Ashley Hunt on their project On Movement, Thought and Politics. paggett is on the dance faculty at UC Riverside, and is co-instigator of itch dance journal.

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Golberg, Stefany Anne. "The Hour of the Wolf." New England Review 38, no. 3 (2017): 99–110. http://dx.doi.org/10.1353/ner.2017.0063.

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PIACENTINI, LUIS N. "Three new species and new records in the wolf spider subfamily Sosippinae from Argentina (Araneae: Lycosidae)." Zootaxa 3018, no. 1 (September 8, 2011): 27. http://dx.doi.org/10.11646/zootaxa.3018.1.4.

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Three new species of Sosippinae from Argentina are described; one new species of Hippasella Mello-Leitão, 1944, H. alhue sp. nov., from temperate Andean forests in the Argentinean provinces of Neuquén and Río Negro and two new species of Aglaoctenus Tullgren, 1905, A. yacytata sp. nov., from the rainforests in Misiones province, and A. puyen sp. nov., from temperate Andean forests in Río Negro province. Aglaoctenus oblongus (C. L. Koch, 1847) is recorded for first time in Entre Ríos province and new records for Buenos Aires province (Argentina) and Montevideo (Uruguay) are provided. The distribution of A. lagotis (Holmberg, 1876) is updated with first time records for the Argentinean provinces of Jujuy, Salta, Chaco, Formosa, La Rioja, Tucumán, Santiago del Estero, San Luis and Entre Ríos, new localities in the provinces of Misiones, Corrientes, Santa Fé and Córdoba.

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5

Liang, Bridget. "It’s Not Weird… Like Werewolves." Canadian Journal of Disability Studies 8, no. 2 (April 28, 2019): 163–84. http://dx.doi.org/10.15353/cjds.v8i2.497.

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This paper is both a theoretical and creative exploration using fan ficion. Monsters have drawn my interest because they are often metaphors for marginalized folks. Through histories of marginalized experiences represented as monsters and villains, I claim the monster as my own. In more recent iterations of the monster, I have observed this pull towards the normate looking at the show Teen Wolf in comparison to the 1984 movie by the same name. The monster becomes the protagonist, but in doing so, ends up becoming predominantly white, heterosexual, cisgender, abled, thin, and conventionally attractive. Furthermore, the representations of the monster consist of bodies that draw closer to the normate, but are exemplary of the norms of desirability. In short, they find the hottest models to play as monsters. The monster is no longer the marginalized subject, but becomes an expected, unattainable norm of desirability like Audre Lorde’s “mythical norm”. In response to this mythical norm, I have rewritten the scripts as fans sometimes do. In Teen Wolf, the protagonist, Scott McCall becomes abled upon becoming a werewolf. What if he stayed disabled and wasn’t drawn closer to the normate? What if instead, he stayed a disabled nerd and ended up in a relationship with his best friend, Stiles, another disabled nerd? This little slice of life explores a little about what it’s like to be disabled, queer, racialized, and a monster that’s a little more representative of what it’s like to be marginalized.

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Toyokawa, Gouji, Hyun-Soo Cho, Ken Masuda, Yuka Yamane, Masanori Yoshimatsu, Shinya Hayami, Masashi Takawa, et al. "Histone Lysine Methyltransferase Wolf-Hirschhorn Syndrome Candidate 1 Is Involved in Human Carcinogenesis through Regulation of the Wnt Pathway." Neoplasia 13, no. 10 (October 2011): 887—IN11. http://dx.doi.org/10.1593/neo.11048.

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7

Silva, Wagner Machado da, and Deivison Moacir Cezar de Campos. "OS DOIS LADOS DO ESPELHO: A COBERTURA MIDIÁTICA E AS PUBLICAÇÕES DO COLETIVO NEGRO BALANTA NO EMBATE SOBRE AS COTAS NA UFRGS." Revista Prâksis 1 (February 15, 2019): 123. http://dx.doi.org/10.25112/rpr.v1i0.1734.

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O presente artigo analisa a disputa por representação entre a cobertura dos jornais Correio do Povo e Zero Hora e as postagens no Facebook do coletivo negro Balanta sobre o acampamento na reitoria da Universidade Federal do Rio Grande do Sul (UFRGS) contra alterações no processo de aferição étnico-racial de aprovados pelas cotas no vestibular. Insere-se, portanto, nos estudos de críticos da mídia, especificamente no debate sobre a abordagem pela imprensa dos movimentos sociais. Também aponta para o tensionamento do jornalismo, como lugar de saber, pelas mídias sociais. Utilizam-se como articuladores teóricos os conceitos mídia (SODRÉ, 2002), valor-notícia (WOLF, 2003) e acontecimento jornalístico (SODRÉ, 2004). Quanto ao método, é um estudo documental, através da análise de conteúdo (BARDIN, 2009). Os objetos empíricos utilizados foram matérias veiculadas nos dois jornais e as postagens de caráter informativo na página do Facebook do Balanta. O embate entre a Universidade e o coletivo estendeu-se por 10 dias, resultando em uma nova configuração no processo.Palavras-chave: Coletivo Balanta. UFRGS. Cotas. Acontecimento. Mídia impressa.RESUMENEl presente artículo analiza la disputa por representación entre la cobertura de los periódicos Correio do Povo y Zero Hora y las posturas en Facebook del colectivo negro Balanta sobre el campamento en la rectoría de la Universidad Federal de Rio Grande do Sul (UFRGS) contra enmiendas en el proceso de clasificación étnico-racial de aprobados por las cuotas en el vestibular. Se inserta, por lo tanto, en los estudios de críticos de los medios, específicamente en el debate sobre el abordaje por la prensa de los movimientos sociales. También apunta a la tensión del periodismo, como lugar de saber, por los medios sociales. Se utilizan como articuladores teóricos los conceptos medios (SODRÉ, 2002), news value (WOLF, 2003) y acontecimiento periodístico (SODRÉ, 2004). En cuanto al método, es un estudio documental, a través del análisis de contenido (BARDIN, 2009). Los objetos empíricos utilizados fueron materias vehiculadas en los dos periódicos y las entradas de carácter informativo en la página de Facebook del Balanta. El embate entre la Universidad y el colectivo se extendió por 10 días, resultando en una nueva configuración en el proceso.Palabras-clave: Colectivo Balanta. UFRGS. Cuotas. Acontecimento. Medios impresos.

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8

Oliver, Paul. "Negro Folk Rhymes. By Thomas V. Talley. Expanded edition, edited by Charles K. Wolfe. Knoxville: University of Tennessee Press, 1991. xxvii + 318 pp." Popular Music 11, no. 2 (May 1992): 255–57. http://dx.doi.org/10.1017/s0261143000005092.

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9

Garuba, Harry. "Race in Africa: Four Epigraphs and a Commentary." PMLA/Publications of the Modern Language Association of America 123, no. 5 (October 2008): 1640–48. http://dx.doi.org/10.1632/pmla.2008.123.5.1640.

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“Look, a Negro!” It was an external stimulus that flicked over me as I passed by. I made a tight smile.“Look, a Negro!” It was true. It amused me.“Look, a Negro!” The circle was drawing a bit tighter. I made no secret of my amusement.“Mama, see the Negro! I am frightened!” Frightened! Frightened! Now they were beginning to be afraid of me. I made up my mind to laugh myself to tears, but laughter had become impossible.—Frantz Fanon, “The Fact of Blackness” (111–12)The racialization of the Tutsi/Hutu was not simply an intellectual construct, one which later and more enlightened generations of intellectuals could deconstruct and discard at will. More to the point, racialization was also an institutional construct. Racial ideology was embedded in institutions, which in turn undergirded privilege and reproduced racial ideology. It was this political-institutional fact that intellectuals alone would not be able to alter. Rather, it would take a political-social movement to be dismantled.—Mahmood Mamdani, When Victims Become Killers (87)Far back as one may go into the past, from the northern Sudanese to the southern Bantu, the African has always and everywhere presented a concept of the world which is diametrically opposed to the traditional philosophy of Europe.—Leopold Sedar Senghor, “Negritude: A Humanism of the Twentieth Century” (30)Sango's history is not the history of primal becoming but of racial origin, which is historically dated.—Wole Soyinka, Myth, Literature and the African World (9)These four epigraphs give a sense of the diversity of usages of the category of race in Africa and the discourses and practices that coalesce around these usages. I use the textual fragments to open up questions about race in Africa, to explore the various discursive economies in which race is articulated and circulates, and the registers and vocabularies in which responses to it have been conducted. The approach adopted is therefore metonymic: each fragment represents a larger body of texts and practices that broadly constitute a discourse defined by a set of shared characteristics. My purpose is not to discuss exhaustively these characteristics but rather to draw rough distinctions among the conditions that govern their articulation and circulation. In this way I can indicate the network of social, historical, and discursive relations in which the idea of race functions.

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10

Brandellero, Sara. "A flâneuse na literatura brasileira: espaços e temporalidades contestados." Estudos de Literatura Brasileira Contemporânea, no. 59 (2020). http://dx.doi.org/10.1590/2316-40185910.

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Resumo A questão do espaço, e sua “produção”, conforme Lefebvre (1974), vem se revelando uma rica área de pesquisa para os estudos literários, assim como as questões ligadas à mobilidade em suas diferentes realidades: de experiências de migração e diáspora a trânsitos urbanos, para citar alguns exemplos. Nesse contexto, a figura do flâneur, intrinsicamente ligada às experiências e representações da modernidade urbana, tem atraído considerável interesse crítico. Em geral, pouco explorada ainda é a figura de seu equivalente feminino, a flâneuse, pois, como bem observa Wolff (1985), a experiência da modernidade tem sido, em grande parte, narrada sob um ponto de vista predominantemente masculino. A partir do conto “Amor”, de Clarice Lispector (1960/1998), e o texto “Um corpo negro pelado”, de Miriam Alves (2014), este artigo discute como esses textos parecem dialogar com o paradigma da mobilidade moderna, analisando personagens femininas em trânsito na literatura brasileira contemporânea escrita por mulheres como tentativas de repensar a experiência desta mobilidade, agora como um ato político e de busca de empoderamento feminino.

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Dissertations / Theses on the topic "Nero Wolfe"

1

Cannon, Ammie Sorensen. "Controversial politics, conservative genre : Rex Stout's Archie-Wolfe duo and detective fiction's conventional form /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1340.pdf.

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Cannon, Ammie. "Controversial Politics, Conservative Genre: Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/469.

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Rex Stout maintained his popular readership despite the often controversial and radical political content expressed in his detective fiction. His political ideals often made him many enemies. Stances such as his ardent opposition to censorship, racism, Nazism, Germany, Fascism, Communism, McCarthyism, and the unfettered FBI were potentially offensive to colleagues and readers from various political backgrounds. Yet Stout attempted to present radical messages via the content of his detective fiction with subtlety. As a literary traditionalist, he resisted using his fiction as a platform for an often extreme political agenda. Where political messages are apparent in his work, Stout employs various techniques to mute potentially offensive messages. First, his hugely successful bantering Archie Goodwin-Nero Wolfe detective duo—a combination of both the lippy American and the tidy, sanitary British detective schools—fosters exploration, contradiction, and conflict between political viewpoints. Archie often rejects or criticizes Wolfe's extreme political viewpoints. Second, Stout utilizes the contradictions between values that occur when the form of detective fiction counters his radical political messages. This suggests that the form of detective fiction (in this case the conventional patterns and attitudes reinforced by the genre) is as important as the content (in this case the muted political message or the lack of overt politics) in reinforcing or shaping political, economic, moral, and social viewpoints. An analysis of the novels The Black Mountain (1954) and The Doorbell Rang (1965) and the novellas "Not Quite Dead Enough" and "Booby Trap" (1944) from Stout's Nero Wolfe series demonstrates his use of detective fiction for both the expression of political viewpoints and the muting of those political messages.

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3

Mertsch, Alexander [Verfasser], Wolf-Dieter [Akademischer Betreuer] Fessner, and Harald [Akademischer Betreuer] Kolmar. "Evaluierung bakterieller Enzyme für die Synthese neuartiger neo-Sialokonjugate / Alexander Mertsch ; Wolf-Dieter Fessner, Harald Kolmar." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2020. http://d-nb.info/1220832871/34.

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Mertsch, Alexander Verfasser], Wolf-Dieter [Akademischer Betreuer] Fessner, and Harald [Akademischer Betreuer] [Kolmar. "Evaluierung bakterieller Enzyme für die Synthese neuartiger neo-Sialokonjugate / Alexander Mertsch ; Wolf-Dieter Fessner, Harald Kolmar." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2020. http://d-nb.info/1220832871/34.

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Yi, Dong [Verfasser], Wolf-Dieter [Akademischer Betreuer] Fessner, Katja [Akademischer Betreuer] Schmitz, and Pere [Akademischer Betreuer] Clapes. "Enzymatic Properties and Directed Evolution of Transketolase and Chemoenzymatic Synthesis of neo-Sialoconjugates / Dong Yi. Betreuer: Wolf-Dieter Fessner ; Katja Schmitz ; Pere Clapes." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/110645331X/34.

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Books on the topic "Nero Wolfe"

1

Stout, Rex. The Nero Wolfe cookbook. Edited by Viking Press. Nashville, Tenn: Cumberland House Pub., 1996.

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2

Goldsborough, Robert. Dissolvenza in Nero Wolfe. Milan: Mondadori, 1992.

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3

Archie meets Nero Wolfe: A prequel to Rex Stout's Nero Wolfe mysteries. Thorndike, Maine: Center Point Large Print, 2013.

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4

Estleman, Loren D. Who's afraid of Nero Wolfe? Norfolk, VA: Crippen & Landru Publishers, 2011.

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5

Stout, Rex. Gambit: A Nero Wolfe novel. New York: Bantam Books, 1985.

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6

Stout, Rex. Seven complete Nero Wolfe novels. New York: Avenel Books, 1990.

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7

Stout, Rex. A tavola con Nero Wolfe. Milano: Mondadori, 2005.

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8

Stout, Rex. Prisoner's base: A Nero Wolfe mystery. Boston, Mass: G.K. Hall, 1988.

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9

Stout, Rex. Nero Wolfe--where there's a will. South Yarmouth, Ma: Curley Pub., 1991.

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10

Stout, Rex. Nero Wolfe and be a villain. South Yarmouth, Ma: John Curley, 1988.

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Book chapters on the topic "Nero Wolfe"

1

Arias, Rosario. "Exoticising the Tudors: Hilary Mantel’s Re-Appropriation of the Past in Wolf Hall and Bring Up the Bodies." In Exoticizing the Past in Contemporary Neo-Historical Fiction, 19–36. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137375209_2.

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"A48 The Man Who Cried Wolf. Informant: Dawið ʾadam (Dure)." In The Neo-Aramaic Dialect of Barwar, 1884–85. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004167650.i-2198.258.

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"A10 I Am Worth The Same As A Blind Wolf. Informant: Yuwarǝš Xošăba Kena (Dure)." In The Neo-Aramaic Dialect of Barwar, 1592–95. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004167650.i-2198.220.

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