Relevant bibliographies by topics / Neshat, Shirin

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  1. Journal articles

Academic literature on the topic 'Neshat, Shirin'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Neshat, Shirin"

1

Millet, Bernard. "Shirin Neshat." La pensée de midi N° 5-6, no. 2 (2001): 172–79. http://dx.doi.org/10.3917/lpm.005.0172.

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2

Traficante, Alana. "Shirin Neshat,Soliloquy." Senses and Society 10, no. 3 (2015): 390–93. http://dx.doi.org/10.1080/17458927.2015.1108682.

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3

MacDonald, Scott, and Shirin Neshat. "Between Two Worlds: An Interview with Shirin Neshat." Feminist Studies 30, no. 3 (2004): 620. http://dx.doi.org/10.2307/20458988.

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4

Vitali, Valentina. "Corporate art and critical theory: on Shirin Neshat." Women: A Cultural Review 15, no. 1 (2004): 1–18. http://dx.doi.org/10.1080/0957404042000197161.

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5

Rounthwaite, Adair. "Veiled Subjects: Shirin Neshat and Non-liberatory Agency." Journal of Visual Culture 7, no. 2 (2008): 165–80. http://dx.doi.org/10.1177/1470412908091936.

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6

K Shaw, Wendy Meryem. "Ambiguity and audience in the films of Shirin Neshat." Third Text 15, no. 57 (2001): 43–52. http://dx.doi.org/10.1080/09528820108576941.

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7

Moore, Lindsey. "Frayed Connections, Fraught Projections: The Troubling Work of Shirin Neshat." Women: A Cultural Review 13, no. 1 (2002): 1–17. http://dx.doi.org/10.1080/095740400210122959.

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8

KARAÇALI, Hülya. "THE EFFECT OF MIGRATION ON THE ARTISTIC CREATION PROCESS: SHİRİN NESHAT." INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, no. 7 (April 30, 2016): 224. http://dx.doi.org/10.17365/tmd.2016716523.

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9

Sivri, Melis Tanik. "Establishing an Authentic Artistic Identity." Romanian Journal of Psychoanalysis 11, no. 2 (2018): 27–40. http://dx.doi.org/10.2478/rjp-2018-0015.

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Abstract:
Abstract Shirin Neshat is an Iranian contemporary female artist who is in exile by choice. Born in Qazvin, Iran, in 1957, the artist moved to the United States in 1974 in order to study arts. Due to the Islamic Revolution in 1979, she was prevented from going back to her country. In 1990, after almost 12 years, Neshat visited Iran for the first time after the revolution, which transformed her artistic life into a productive one, full of prizes. The aim of this article is to reflect on the impact of Neshat’s homecoming experience in developing an authentic artistic identity. The emphasis of the paper will be on the artist’s first cinematic film, Turbulent (1998), which will be discussed as a manifestation of the artist’s working through the turbulent encounter with the changes in the motherland after a long separation due to the revolution.
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10

Navab, Aphrodite Désirée. "Unsaying Life Stories: The Self-Representational Art of Shirin Neshat and Ghazel." Journal of Aesthetic Education 41, no. 2 (2007): 39–66. http://dx.doi.org/10.1353/jae.2007.0014.

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