Relevant bibliographies by topics / Network Music Performance

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Network Music Performance'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 January 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Network Music Performance.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Network Music Performance"

1

Kurtisi, Zefir, Xiaoyuan Gu, and Lars Wolf. "Enabling network-centric music performance in wide-area networks." Communications of the ACM 49, no. 11 (2006): 52–54. http://dx.doi.org/10.1145/1167838.1167862.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Xiaoyuan Gu, M. Dick, Z. Kurtisi, U. Noyer, and L. Wolf. "Network-centric music performance: practice and experiments." IEEE Communications Magazine 43, no. 6 (2005): 86–93. http://dx.doi.org/10.1109/mcom.2005.1452835.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zhao, Jing. "Application of Wireless Sensor Network Technology in Multipoint Control in Music Performance Management System." Computational Intelligence and Neuroscience 2022 (July 1, 2022): 1–11. http://dx.doi.org/10.1155/2022/2783944.

Full text
Abstract:
Keeping in view the overwhelming characteristics of the wireless sensor networks, these networks are constantly being utilized in numerous domains such as industry, healthcare, and music. Aiming at the problem that there is a single-point and multipoint control in the music performance management system, this paper adopts the wireless sensor network multipoint control technology to realize the control of the music performance management system. The system uses TI’s CC2430 chip to design the hardware circuit, uses the TinyOS operating system as the software platform of the system, and designs t
APA, Harvard, Vancouver, ISO, and other styles
4

Fields, Kenneth. "Syneme: Live." Organised Sound 17, no. 1 (2012): 86–95. http://dx.doi.org/10.1017/s1355771811000549.

Full text
Abstract:
Network music foregrounds the materials and processes of communication and in so doing repositions the acousmatic and other strata of electroacoustic music practice. The type of network music considered in this paper, at base defines a member of its category as music which undergoes an electrical-optical conversion, referring to its transport over fibre-optic research network backbones. A more compelling motivation for us is the realisation that network music entails the exploration of disjunct chronotopic frames (stated less poetically as ‘latency in the network’) using probes of sonic materi
APA, Harvard, Vancouver, ISO, and other styles
5

Li, Jing. "Transformation of Nonmultiple Cluster Music Cyclic Shift Topology to Music Performance Style." Complexity 2021 (April 26, 2021): 1–11. http://dx.doi.org/10.1155/2021/5590503.

Full text
Abstract:
Music is an abstract art form that uses sound as its means of expression. It has deeply affected our lives. This paper proposes a method for extracting segment features from nonmultiple cluster music files. We divide each piece of music into multiple segments and extract the features of each segment. The specific process includes nonmultiple cluster music file note extraction, main melody extraction, segment division, and segment feature extraction. The segment feature is extracted from a segment of a piece of music, contains the main melody and accompaniment information of the segment, and ca
APA, Harvard, Vancouver, ISO, and other styles
6

Renwick, Robin. "The Relation of Nodalism to Network Music Performance." International Journal of New Media, Technology and the Arts 11, no. 2 (2016): 21–28. http://dx.doi.org/10.18848/2326-9987/cgp/v11i02/21-28.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fan, Qiaozhen. "The Application of Minority Music Style Recognition Based on Deep Convolution Loop Neural Network." Wireless Communications and Mobile Computing 2022 (March 29, 2022): 1–8. http://dx.doi.org/10.1155/2022/4556135.

Full text
Abstract:
In recent years, with the development of Internet and digital audio technology, music information retrieval has gradually become a research hotspot. Due to the rise of deep learning and machine learning in recent years, as well as the rapid improvement of computer software and hardware performance, it has laid a good foundation for identifying different genres of music. Among them, the application of minority music style recognition is also an important research direction. At present, the application performance of minority music style recognition based on deep convolution loop neural network
APA, Harvard, Vancouver, ISO, and other styles
8

De Fretes, Daniel, and Nensi Listiowati. "Pertunjukan Musik dalam Perspektif Ekomusikologi." PROMUSIKA 8, no. 2 (2021): 109–22. http://dx.doi.org/10.24821/promusika.v8i2.4636.

Full text
Abstract:
Artikel ini bertujuan untuk menelaah pertunjukan musik dari perspektif ekomusikologi sebagai refleksi dari pergeseran pertunjukan yang terjadi selama masa pandemi covid 19. Tatanan baru di era pandemi mengubah kodrat pertunjukan dari alam nyata ke jagat maya. Ekomusikologi adalah persinggungan diantara kajian musik dan kajian ekologi yang mengelaborasi bidang kajian musik, budaya, dan lingkungan secara multiperspektif. Studi kasus dalam kajian ini adalah konser serenade bunga bangsa di Auditorium Driyarkara Yogyakarta. Penelitian ini menggunakan kerangka analisis ekomusikologi pertunjukan musi
APA, Harvard, Vancouver, ISO, and other styles
9

Zhang, Kedong. "Music Style Classification Algorithm Based on Music Feature Extraction and Deep Neural Network." Wireless Communications and Mobile Computing 2021 (September 4, 2021): 1–7. http://dx.doi.org/10.1155/2021/9298654.

Full text
Abstract:
The music style classification technology can add style tags to music based on the content. When it comes to researching and implementing aspects like efficient organization, recruitment, and music resource recommendations, it is critical. Traditional music style classification methods use a wide range of acoustic characteristics. The design of characteristics necessitates musical knowledge and the characteristics of various classification tasks are not always consistent. The rapid development of neural networks and big data technology has provided a new way to better solve the problem of musi
APA, Harvard, Vancouver, ISO, and other styles
10

Bartlette, Christopher, Dave Headlam, Mark Bocko, and Gordana Velikic. "Effect of Network Latency on Interactive Musical Performance." Music Perception 24, no. 1 (2006): 49–62. http://dx.doi.org/10.1525/mp.2006.24.1.49.

Full text
Abstract:
We investigate the effects of different levels of delay (or latency) on the coordination, pace and timing regularity of musicians who are in remote locations—a situation encountered in an interactive network performance. Two pairs of musicians performed two Mozart duets while isolated visually and connected through microphones and headphones. Different levels of latency (0, 20, 40, 50, 80, 100, 120, 150, and 200 ms) were introduced into the performing environment (musicians heard themselves in real time and only the other part delayed); the musicians performed the duets und
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Network Music Performance"

1

Arango, Julian Jaramillo. "Network Music: criação e performance musical colaborativa no âmbito das redes de informação." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-100111/.

Full text
Abstract:
Esse estudo examina criticamente uma série de práticas sonoras e musicais que tiram proveito das redes de informação para elaborar contextos de colaboração. Essas praticas dão lugar a um repertório de obras (composições, performances, sites, instalações entre outros), denominado durante o trabalho como Network Music. Os trabalhos podem ser localizados entre a segunda metade da década de 1990 e o final da década de 2000, no entanto uma série de antecedentes musicais são também discutidos. O repertório não se distingue por obedecer a um estilo ou linguagem musical particular, mas por fortalecer
APA, Harvard, Vancouver, ISO, and other styles
2

Tomiyoshi, Marcio Masaki. "Performances musicais distribuídas através de Internet residencial." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-26072013-183234/.

Full text
Abstract:
A ideia de se permitir que diversos músicos possam interagir remotamente utilizando-se de redes de computadores não é nova, mas nunca se popularizou. O que antes era limitado tecnologicamente devido às condições disponibilizadas por conexões de internet pela linha telefônica, hoje apresenta-se muito mais viável tecnicamente com a massicação da internet de banda larga, seja por cabo ou por tecnologias DSL. Apesar disso, encontrar um ambiente virtual em que a performance musical pareça completamente natural para o músico é uma das maiores diculdades nesta área. Embora a latência obtida na conex
APA, Harvard, Vancouver, ISO, and other styles
3

Schiavoni, Flávio Luiz. "Medusa: um ambiente musical distribuído." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-08092014-172703/.

Full text
Abstract:
A popularização das redes de computadores, o aumento da capacidade computacional e sua utilização para produção musical despertam o interesse na utilização de computadores para comunicação síncrona de conteúdo musical. Esta comunicação pode permitir um novo nível de interatividade entre máquinas e pessoas nos processos de produção musical, incluindo a distribuição de atividades, pessoas e recursos em um ambiente computacional em rede. Neste contexto, este trabalho apresenta uma solução para comunicação síncrona de fluxos de áudio e MIDI em redes de computadores. Além de permitir a comunicaçã
APA, Harvard, Vancouver, ISO, and other styles
4

Lee, Sang Won. "Audience participation using mobile phones as musical instruments." Thesis, Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/44749.

Full text
Abstract:
This research aims at a music piece for audience participation using mobile phones as musical instruments in a music concert setting. Inspired by the ubiquity of smart phones, I attempted to accomplish audience engagement in a music performance by crafting an accessible musical instrument with which audience can be a part of the performance. The research begins by reviewing the related works in two areas, mobile music and audience participation at music performances, builds a charted map of the areas and its intersection to seek an innovation, and defines requisites for a successful audience p
APA, Harvard, Vancouver, ISO, and other styles
5

SIMONETTA, FEDERICO. "MUSIC INTERPRETATION ANALYSIS. A MULTIMODAL APPROACH TO SCORE-INFORMED RESYNTHESIS OF PIANO RECORDINGS." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/918909.

Full text
Abstract:
This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named “Music Interpretation Analysis” (MIA) is presented. In the proposed framework, a distinction is made between the “performance” – the physical action of playing – and the “interpretation” – the action that
APA, Harvard, Vancouver, ISO, and other styles
6

Jönsson, Maria. "Promenade pieces : About graphic scores, connotation and pedestrians." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2884.

Full text
Abstract:
<p>Maria Jönsson: Track_4</p><p>Performers: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p><p>Video and audio recording of Track_4 with: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p>
APA, Harvard, Vancouver, ISO, and other styles
7

Fink, Marco [Verfasser]. "Enhancements for Networked Music Performances / Marco Fink." Hamburg : Helmut-Schmidt-Universität, Bibliothek, 2018. http://d-nb.info/1161879811/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hickmann, Felipe Copetti. "Territories of secrecy : presence and play in networked music performance." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602541.

Full text
Abstract:
This thesis presents practical work and theoretical research spanning topics in music composition, performance and new media. It proposes a particular creative approach to performance practices mediated by computer networks, which addresses issues of presence and liveness through the application of game-derived systems to performance settings. The thesis includes a portfolio of eight compositions; these pieces were designed and performed with the goal of implementing strategies proposed during theoretical reflection, while also suggesting new ideas for further study. The theoretical component
APA, Harvard, Vancouver, ISO, and other styles
9

McKinney, Chad. "Collaboration and embodiment in networked music interfaces for live performance." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65244/.

Full text
Abstract:
Research regarding liveness and embodiment in electronic music has tended to explore the relationship of bodies and instruments, audience perception, interfaces, and shifting definitions, less theoretical and empirical study has considered network situations, perhaps given their relative cultural novelty. Network music has seen many advances since the time of the Telharmonium, including the invention of the personal computer and the widespread proliferation of internet connectivity. These advances have fostered a unique approach to live electronic music that facilitates collaboration in a fiel
APA, Harvard, Vancouver, ISO, and other styles
10

Crookes, Deborah. "Conceptualizing entrepreneurship in music: A project-based view of entrepreneurship in high art music performance." Thesis, Mälardalen University, School of Sustainable Development of Society and Technology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-851.

Full text
Abstract:
<p>The concept of entrepreneurship in research and society has been firmly rooted in the realm of economics and business. This narrow focus excludes a large number of entrepreneurial acts that occur outside of economic contexts. The discipline of high art music performance is rich with innovative acts that challenge the boundaries of conventional practices. However, these acts largely go unnoticed because of the strength of the bond between entrepreneurship and economics. In this research paper, a literature review will be used to examine how entrepreneurship can best be conceptualized in the
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Network Music Performance"

1

Nelson, Peter, and Pedro Rebelo. Network performance. Taylor & Francis, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0335-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Svec, Henry Adam. American Folk Music as Tactical Media. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

Full text
Abstract:
American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, a
APA, Harvard, Vancouver, ISO, and other styles
4

Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer London, Limited, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer Singapore Pte. Limited, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Iorwerth, Miriam. Networked Music Performance: Theory and Applications. Taylor & Francis Group, 2023.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Iorwerth, Miriam. Networked Music Performance: Theory and Applications. Taylor & Francis Group, 2023.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Wilson Kimber, Marian. Words and Music Ladies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0009.

Full text
Abstract:
Women’s clubs networks supported the careers of composer-performers Frieda Peycke (1884–1964) and Phyllis Fergus (1887–1964). Both women presented herself not as an elocutionist, but as a composer of a musical art form and publicized the spoken word genres in which she performed with a unique label: Fergus’s “story poems,” and Peycke’s “musically-illustrated readings.” Fergus appeared before women’s music clubs in Chicago, groups that had readers as members into the 1940s, and gradual assumed leadership positions. Peycke’s performances in private homes suggests an ongoing women’s salon culture
APA, Harvard, Vancouver, ISO, and other styles
9

Bohlman, Andrea F. Musical Solidarities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938284.001.0001.

Full text
Abstract:
This book studies the relationship between music making and social movements using the Solidarity movement in 1980s Poland as a case study. Its central argument is that while music offered a means of performing and commemorating the Solidarity movement as unified, the media of the opposition to state socialism also revealed—and continue to reveal—dissonant discourses on citizenship, culture, and history. The story unfolds along crucial sites of political action under state socialism: underground radio networks, the sanctuaries of the Polish Roman Catholic Church, labor strikes and student demo
APA, Harvard, Vancouver, ISO, and other styles
10

Altenmüller, Eckart, and Sabine Schneider. Planning and performance. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0031.

Full text
Abstract:
Making music is one of the most demanding tasks for the human central nervous system. It involves the precise execution of very fast and, in many instances, extremely complex physical movements that must be coordinated with continuous auditory feedback. Practice is required to develop these skills and carry out these complex tasks. This article discusses the neurobiological foundations of planning, motor learning, and practice. The first section introduces essential general information for musical readers concerning the organization of cortical, subcortical, and cerebellar motor systems in the
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Network Music Performance"

1

Comanducci, Luca. "Intelligent Networked Music Performance Experiences." In Special Topics in Information Technology. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15374-7_10.

Full text
Abstract:
AbstractA Networked Music Performance (NMP) is defined as what happens when geographically displaced musicians interact together while connected via network. The first NMP experiments begun in the 1970s, however, only recently the development of network communication technologies has created the necessary infrastructure needed to successfully create an NMP. Moreover, the widespread adoption of network-based interactions during the COVID-19 pandemic has generated a renewed interest towards distant music-based interaction. In this chapter we present the Intelligent networked Music PERforMANce experiENCEs (IMPERMANENCE) as a comprehensive NMP framework that aims at creating a compelling performance experience for the musicians. In order to do this, we first develop the neTworkEd Music PErfoRmANCe rEsearch (TEMPERANCE) framework in order to understand which are the main needs of the participants in a NMP. Informed by these results we then develop IMPERMANENCE accordingly.
APA, Harvard, Vancouver, ISO, and other styles
2

Thompson-Bell, Jacob. "6. Working Together Well." In Teaching Music Performance in Higher Education. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0398.08.

Full text
Abstract:
This chapter interrogates some of the foundational assumptions of student-centred learning environments (SCLEs), with a view to expanding conventional pedagogical models to account for the “distributive” agency of groups of learners assembled in a classroom. In the first part, the author proposes that learner groups be treated as distributive agential networks, braiding together intrinsic, extrinsic and intratrinsic (i.e. motivation distributed between multiple learners) forms of motivation, thereby to sustain both individual and collective forms of agency. It is argued that greater awareness of how motivation emerges across such multi-dimensional agential networks within the learning environment can enable student-teacher and student-student relationships to be established on a more flexible and equitable basis, so that inventive ways of working can be collectively imagined. In the next part, these distributive agential networks are illustrated with reference to the author’s own teaching practice, working with multidisciplinary groups of music students across conservatoire and university settings in the United Kingdom. This section takes the form of an impressionistic vignette outlining a peer-to-peer feedback session using the Critical Response Process (CRP), a group feedback framework for creative work in any media, originally developed by choreographers Liz Lerman and John Borstel. This classroom situation is then analysed as a classroom “assemblage”, to illustrate how pedagogical models such as CRP draw together the bodies and accumulated beliefs of learner groups into a distributive agential network. The chapter concludes with a reflection on how these approaches can lead to a reappraisal of such fundamental academic principles as freedom of expression and equity between learners. Ultimately, it is proposed that the pursuit of creative and expressive freedoms requires that careful attention is paid to the ways in which individual students and teachers can be assembled to form a learner collective.
APA, Harvard, Vancouver, ISO, and other styles
3

Eidsaa, Randi Margrethe, and Mariam Kharatyan. "10. Rethinking Music Performance Education through the Lens of Today’s Society." In Teaching Music Performance in Higher Education. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0398.13.

Full text
Abstract:
This chapter aims to provide insights into the perspectives that arose from the data collection and analysis carried out by the Norwegian team of the Erasmus+ project REACT - Rethinking Music Performance in European Higher Education Music Institutions. The data was collected through a series of small-scale studies, including REACT - network activity at the University of Agder and the Academy of Music in Oslo, and an analysis of reports following the participation of a group of fourteen music performance students in a creative ensemble project at the University of Agder. We also refer to a small curriculum study conducted at the University of Agder. The study addressed some of the educational demands that emerged from extensive international research on music performance curricula and pedagogy in Higher Music Education during the early, mid, and late 2010s. The chapter highlights novel approaches to music performance, including community-based perspectives, creative ensemble collaborations, and improvisation in students' music education. These approaches aim to address the challenges that students face when pursuing professional careers in music today. The discussion sheds light on the ways in which music education curricula can be strengthened to support students entering their professional music careers and to broaden their musical thinking, thus preparing them to become contributors in society. The chapter references the small-scale research project Music for Microsculptures, an interdisciplinary student concert that reflects the results of data analysis and aspects often commented on in research on music performance curricula in Higher Education.
APA, Harvard, Vancouver, ISO, and other styles
4

Alexandraki, Chrisoula. "Experimental Investigations and Future Possibilities in Network-Mediated Folk Music Performance." In Current Research in Systematic Musicology. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02695-0_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Frimodt-Møller, Søren R., Cynthia M. Grund, and Kristoffer Jensen. "From Network to Research – Ten Years of Music Informatics, Performance and Aesthetics." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33329-3_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gao, Zheng, Chun Guo, Shutian Ma, and Xiaozhong Liu. "Improving Community Detection Performance in Heterogeneous Music Network by Learning Edge-Type Usefulness Distribution." In Information for a Better World: Shaping the Global Future. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96960-8_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Iorwerth, Miriam. "Online music teaching and community music." In Networked Music Performance. Focal Press, 2023. http://dx.doi.org/10.4324/9781003268857-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gabrielli, Leonardo, and Stefano Squartini. "Networked Music Performance." In SpringerBriefs in Electrical and Computer Engineering. Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0335-6_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Iorwerth, Miriam. "Music over the internet." In Networked Music Performance. Focal Press, 2023. http://dx.doi.org/10.4324/9781003268857-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Iorwerth, Miriam. "Synchronous networked music performance." In Networked Music Performance. Focal Press, 2023. http://dx.doi.org/10.4324/9781003268857-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Network Music Performance"

1

Turchet, Luca, and Paolo Casari. "Performance Analysis of Slicing on a 10-node 5G Architecture for Networked Music Performances." In 2024 IEEE Symposium on Computers and Communications (ISCC). IEEE, 2024. http://dx.doi.org/10.1109/iscc61673.2024.10733644.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hupke, Robert, Stephan Preihs, and Jürgen Peissig. "Immersive Networked Music Performance: Impact of Extended Reality on the Quality of Experience." In 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2). IEEE, 2024. http://dx.doi.org/10.1109/is262782.2024.10704092.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Turchet, Luca, and Paolo Casari. "The Internet of Musical Things Meets Satellites: Evaluating Starlink Support for Networked Music Performances in Rural Areas." In 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2). IEEE, 2024. http://dx.doi.org/10.1109/is262782.2024.10704207.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tsioutas, Konstantinos, Konstantinos Ratzos, George Xylomenos, and Ioannis Doumanis. "Multimodal Assessment of Network Music Performance." In ICMI '21: INTERNATIONAL CONFERENCE ON MULTIMODAL INTERACTION. ACM, 2021. http://dx.doi.org/10.1145/3461615.3485418.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Zhang, Runqiao, Xiaozhao Zhou, and Junying Song. "Music and musician influence, similarity measure, and music genre division based on social network analysis." In 2nd International Conference on Artificial Intelligence, Automation, and High-Performance Computing (AIAHPC 2022), edited by Ligu Zhu. SPIE, 2022. http://dx.doi.org/10.1117/12.2641345.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

López Ramírez Gastón, José. "Sonidos Telemáticos: Network Remote Performance for Compositional Paradigm Shifting in Peruvian Musical Learning Practice." In 2nd International Special Session on Computer Supported Music Education. SCITEPRESS - Science and Technology Publications, 2021. http://dx.doi.org/10.5220/0010532806900697.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Sarkar, Mihir, and Barry Vercoe. "Recognition and prediction in a network music performance system for Indian percussion." In the 7th international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279809.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Casini, Luca, and Bob L. T. Sturm. "Tradformer: A Transformer Model of Traditional Music Transcriptions." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/681.

Full text
Abstract:
We explore the transformer neural network architecture for modeling music, specifically Irish and Swedish traditional dance music. Given the repetitive structures of these kinds of music, the transformer should be as successful with fewer parameters and complexity as the hitherto most successful model, a vanilla long short-term memory network. We find that achieving good performance with the transformer is not straightforward, and careful consideration is needed for the sampling strategy, evaluating intermediate outputs in relation to engineering choices, and finally analyzing what the model l
APA, Harvard, Vancouver, ISO, and other styles
9

Wang, Xian, Lingqiao Liu, and Qinfeng Shi. "Exploiting Stereo Sound Channels to Boost Performance of Neural Network-Based Music Transcription." In 2019 18th IEEE International Conference On Machine Learning And Applications (ICMLA). IEEE, 2019. http://dx.doi.org/10.1109/icmla.2019.00220.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chen, Yu-Hua, Bryan Wang, and Yi-Hsuan Yang. "Demonstration of PerformanceNet: A Convolutional Neural Network Model for Score-to-Audio Music Generation." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/938.

Full text
Abstract:
We present in this paper PerformacnceNet, a neural network model we proposed recently to achieve score-to-audio music generation. The model learns to convert a music piece from the symbolic domain to the audio domain, assigning performance-level attributes such as changes in velocity automatically to the music and then synthesizing the audio. The model is therefore not just a neural audio synthesizer, but an AI performer that learns to interpret a musical score in its own way. The code and sample outputs of the model can be found online at https://github.com/bwang514/PerformanceNet.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Network Music Performance' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography