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Relevant bibliographies by topics / Network Music Performance / Dissertations / Theses

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Dissertations / Theses on the topic 'Network Music Performance'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 January 2025

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1

Arango, Julian Jaramillo. "Network Music: criação e performance musical colaborativa no âmbito das redes de informação." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-100111/.

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Esse estudo examina criticamente uma série de práticas sonoras e musicais que tiram proveito das redes de informação para elaborar contextos de colaboração. Essas praticas dão lugar a um repertório de obras (composições, performances, sites, instalações entre outros), denominado durante o trabalho como Network Music. Os trabalhos podem ser localizados entre a segunda metade da década de 1990 e o final da década de 2000, no entanto uma série de antecedentes musicais são também discutidos. O repertório não se distingue por obedecer a um estilo ou linguagem musical particular, mas por fortalecer

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2

Tomiyoshi, Marcio Masaki. "Performances musicais distribuídas através de Internet residencial." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-26072013-183234/.

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A ideia de se permitir que diversos músicos possam interagir remotamente utilizando-se de redes de computadores não é nova, mas nunca se popularizou. O que antes era limitado tecnologicamente devido às condições disponibilizadas por conexões de internet pela linha telefônica, hoje apresenta-se muito mais viável tecnicamente com a massicação da internet de banda larga, seja por cabo ou por tecnologias DSL. Apesar disso, encontrar um ambiente virtual em que a performance musical pareça completamente natural para o músico é uma das maiores diculdades nesta área. Embora a latência obtida na conex

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3

Schiavoni, Flávio Luiz. "Medusa: um ambiente musical distribuído." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-08092014-172703/.

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A popularização das redes de computadores, o aumento da capacidade computacional e sua utilização para produção musical despertam o interesse na utilização de computadores para comunicação síncrona de conteúdo musical. Esta comunicação pode permitir um novo nível de interatividade entre máquinas e pessoas nos processos de produção musical, incluindo a distribuição de atividades, pessoas e recursos em um ambiente computacional em rede. Neste contexto, este trabalho apresenta uma solução para comunicação síncrona de fluxos de áudio e MIDI em redes de computadores. Além de permitir a comunicaçã

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4

Lee, Sang Won. "Audience participation using mobile phones as musical instruments." Thesis, Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/44749.

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This research aims at a music piece for audience participation using mobile phones as musical instruments in a music concert setting. Inspired by the ubiquity of smart phones, I attempted to accomplish audience engagement in a music performance by crafting an accessible musical instrument with which audience can be a part of the performance. The research begins by reviewing the related works in two areas, mobile music and audience participation at music performances, builds a charted map of the areas and its intersection to seek an innovation, and defines requisites for a successful audience p

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5

SIMONETTA, FEDERICO. "MUSIC INTERPRETATION ANALYSIS. A MULTIMODAL APPROACH TO SCORE-INFORMED RESYNTHESIS OF PIANO RECORDINGS." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/918909.

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This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named “Music Interpretation Analysis” (MIA) is presented. In the proposed framework, a distinction is made between the “performance” – the physical action of playing – and the “interpretation” – the action that

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6

Jönsson, Maria. "Promenade pieces : About graphic scores, connotation and pedestrians." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2884.

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<p>Maria Jönsson: Track_4</p><p>Performers: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p><p>Video and audio recording of Track_4 with: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p>

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7

Fink, Marco [Verfasser]. "Enhancements for Networked Music Performances / Marco Fink." Hamburg : Helmut-Schmidt-Universität, Bibliothek, 2018. http://d-nb.info/1161879811/34.

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8

Hickmann, Felipe Copetti. "Territories of secrecy : presence and play in networked music performance." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602541.

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This thesis presents practical work and theoretical research spanning topics in music composition, performance and new media. It proposes a particular creative approach to performance practices mediated by computer networks, which addresses issues of presence and liveness through the application of game-derived systems to performance settings. The thesis includes a portfolio of eight compositions; these pieces were designed and performed with the goal of implementing strategies proposed during theoretical reflection, while also suggesting new ideas for further study. The theoretical component

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9

McKinney, Chad. "Collaboration and embodiment in networked music interfaces for live performance." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65244/.

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Research regarding liveness and embodiment in electronic music has tended to explore the relationship of bodies and instruments, audience perception, interfaces, and shifting definitions, less theoretical and empirical study has considered network situations, perhaps given their relative cultural novelty. Network music has seen many advances since the time of the Telharmonium, including the invention of the personal computer and the widespread proliferation of internet connectivity. These advances have fostered a unique approach to live electronic music that facilitates collaboration in a fiel

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10

Crookes, Deborah. "Conceptualizing entrepreneurship in music: A project-based view of entrepreneurship in high art music performance." Thesis, Mälardalen University, School of Sustainable Development of Society and Technology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-851.

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<p>The concept of entrepreneurship in research and society has been firmly rooted in the realm of economics and business. This narrow focus excludes a large number of entrepreneurial acts that occur outside of economic contexts. The discipline of high art music performance is rich with innovative acts that challenge the boundaries of conventional practices. However, these acts largely go unnoticed because of the strength of the bond between entrepreneurship and economics. In this research paper, a literature review will be used to examine how entrepreneurship can best be conceptualized in the

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11

Gabrielli, Leonardo. "Digital Signal Processing and Embedded Systems for Wireless Networked Music Performance." Doctoral thesis, Università Politecnica delle Marche, 2015. http://hdl.handle.net/11566/242939.

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Le nuove piattaforme per il mobile computing, introdotte alcuni anni fa hanno avuto un impatto notevole su tecnologia e società. Due aspetti tecnici che hanno alimentato lo sviluppo del mobile computing e a loro volta sono stati alimentati da esso, sono stati la maturazione della comunità del software open-source e la disponibilità per molto produttori di silicio della proprietà intellettuale di un'architettura di calcolo molto efficiente in termini energetici. Come conseguenza dell'ampia diffusione del mobile computing, le comunità accademiche della computer music e del music computing, hann

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12

Polymeropoulou, Marilou. "Networked creativity : ethnographic perspectives on chipmusic." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2c16d1ac-10c8-4493-b624-ebe5be41c9f4.

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This thesis examines creativity as manifested in an online and transnational network of musicians who compose chipmusic, a kind of electronic music characteristic of 1980s early home computers and videogame sounds. The primary argument is that creativity in chipmusic worlds is networked, meaning that it is dispersed across various activities that are labelled as creative: chipmusic-making, technology-hacking practices that underpin the music, digital cultural practices such as use of social media, online releases, crowdsourcing, staged and screened performances, and any other activity related

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13

Harenda, Timothy. "Interactive Networks in Forgotten Lyres: Critical Analysis and Original Composition." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011829/.

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Forgotten Lyres is a musical response to Percy Bysshe Shelley's poem Mutability, which depicts the fragility and unpredictable nature of human life. Four independent chamber ensembles make up the performing forces of Forgotten Lyres; the musicians evoke the topics of Shelley's text as they interact and coordinate with one another according to a variety of paradigms and without the use of a conductor. This essay focuses on the approaches to coordination within and between ensembles, and the ways in which the musicians' interactions can evoke and convey Shelley's texts. The essay also examines w

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14

Alexandraki, Chrisoula Verfasser], and Rolf [Akademischer Betreuer] [Bader. "Real-time Machine Listening and Segmental Re-synthesis for Networked Music Performance / Chrisoula Alexandraki. Betreuer: Rolf Bader." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2014. http://d-nb.info/1064077587/34.

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15

Sommer, Nathan. "A Machine Learning Approach to Controlling Musical Synthesizer Parameters in Real-Time Live Performance." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592168963826025.

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16

Sili, Marius. "Progettazione ed implementazione di un'applicazione per la condivisione di stream MIDI." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/22142/.

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La musica e i metodi attraverso i quali essa viene creata, condivisa e riprodotta hanno sempre avuto importanza per le persone. Nonostante esistano una moltitudine di servizi che permettono lo streaming di prodotti finiti, al giorno d'oggi risulta particolarmente difficile riuscire a suonare e creare brani musicali a distanza, in tempo reale. Non vi è alcun servizio che permetta una gestione semplice e funzionante di tale processo. L'obiettivo della ricerca e del progetto qui presentati è quello di fornire un modo intuitivo in cui un qualsiasi utente provvisto di strumento musicale MIDI e di d

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17

Bresin, Roberto. "Virtual virtuosity." Doctoral thesis, KTH, Tal, musik och hörsel, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3049.

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This dissertation presents research in the field ofautomatic music performance with a special focus on piano. A system is proposed for automatic music performance, basedon artificial neural networks (ANNs). A complex,ecological-predictive ANN was designed thatlistensto the last played note,predictsthe performance of the next note,looksthree notes ahead in the score, and plays thecurrent tone. This system was able to learn a professionalpianist's performance style at the structural micro-level. In alistening test, performances by the ANN were judged clearlybetter than deadpan performances and s

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18

Müntzing, Daniel. "Evaluating NMP Quality of Service : Experiment with JackTrip regarding Latency versus Packet Jitter/Dropouts with High Quality Audio via LAN and WAN." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-16169.

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This study has developed a method to create an, to a big extent, automated testing system for NMP (Networked Music Performance) communication over LAN and WAN to be able to benchmark the UDP streaming engine JackTrip using a client-server model. The method is not locked into using JackTrip only, it could be used to do experiments with other engines too. The study tried to answer the question if latency correlates to amount of correctly aligned audio, and to what extent the audio is correctly aligned in respect to tolerated latency (based on earlier research) when at least two musicians remote-

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19

Zeid, Omar Mohamed. "Moving in time: a neural network model of rhythm-based motor sequence performance." Thesis, 2018. https://hdl.handle.net/2144/37992.

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Many complex actions are precomposed, by sequencing simpler motor actions. For such a complex action to be executed accurately, those simpler actions must be planned in the desired order, held in working memory, and then enacted one-by-one until the sequence is complete. Examples of this phenomenon include writing, typing, and speaking. Under most circumstances, the ability to learn and reproduce novel motor sequences is hindered when additional information is presented. However, in cases where the motor sequence is musical in nature (e.g. a choreographed dance or a piano melody), one must

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20

Torres, Nuno Gonçalo Prazeres. "Música em rede: um paradigma espacial na composição e na performance." Master's thesis, 2018. http://hdl.handle.net/10362/54280.

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A crescente disseminação da Internet nas últimas décadas, associada aos recentes desenvolvimentos tecnológicos, estabelece novos paradigmas na vivência social e comunitária actual. Consequentemente, emergem um conjunto de interrogações que desafiam o pensamento e a criação musical. É neste contexto que formulo um corpo de pesquisa que incide sobre o modo como a Internet informa o conteúdo e a experiência musical nas práticas da música em rede, especificamente nas dimensões da composição e da performance. Música em rede como uma prática inscrita no domínio da música contemporânea, de cr

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21

Ndomondo, Mathayo Bernard 1963. "Music and HIV/AIDS : the performance of gender, identity, and power in Tanzania." Thesis, 2010. http://hdl.handle.net/2152/23388.

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This dissertation investigates the intersection between music, gender, religion, and state agencies in the war against HIV /AIDS in Tanzania. The dissertation explores how music, gender and sexuality, religion, and state agencies impact one another in the creative process of musical and dramatic performances that address the education and prevention of HIV/AIDS. The ethnographic data, which focuses on musical and dramatic performance groups in Bukoba Urban and Rural Districts in Kagera Region, and Dar es Salaam Region, was collected from September 2008–May 2009. The dissertation views performa

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22

Martin, Charles Patrick. "Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments." Phd thesis, 2016. http://hdl.handle.net/1885/101786.

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This thesis concerns the making and performing of music with new digital musical instruments (DMIs) designed for ensemble performance. While computer music has advanced to the point where a huge variety of digital instruments are common in educational, recreational, and professional music-making, these instruments rarely seek to enhance the ensemble context in which they are used. Interaction models that map individual gestures to sound have been previously studied, but the interactions of ensembles within these models are not well understood. In this re

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23

Lauly, Stanislas. "Modélisation de l'interprétation des pianistes & applications d'auto-encodeurs sur des modèles temporels." Thèse, 2010. http://hdl.handle.net/1866/4426.

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Ce mémoire traite d'abord du problème de la modélisation de l'interprétation des pianistes à l'aide de l'apprentissage machine. Il s'occupe ensuite de présenter de nouveaux modèles temporels qui utilisent des auto-encodeurs pour améliorer l'apprentissage de séquences. Dans un premier temps, nous présentons le travail préalablement fait dans le domaine de la modélisation de l'expressivité musicale, notamment les modèles statistiques du professeur Widmer. Nous parlons ensuite de notre ensemble de données, unique au monde, qu'il a été nécessaire de créer pour accomplir notre tâche. Cet ensemble

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