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1

Rushford-Spence, Shawna L. "Women’s Rhetorical Interventions in the Economic Rhetoric of Neurasthenia." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1291684623.

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Hauser, Renate Irene. "Sexuality, neurasthenia and the law : Richard von Krafft-Ebing (1840-1902)." Thesis, University College London (University of London), 1992. http://discovery.ucl.ac.uk/1317612/.

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This thesis is a first biographical account of the German/Austrian psychiatrist Richard von Krafft-Ebing (1840 - 1902). It seeks to paint a more accurate picture than is so far available by bringing together new biographical data including background information on the institutional settings in which he worked. Above all, it explores the full range of Krafft-Ebing's written work and ideas over the whole period of his life. This shows Krafft-Ebing as a man of many interests and is intended to counteract our present, limited understanding of his work. Although Krafft-Ebing is, in fact, known to many, this knowledge is mainly based on the cursory reading of one book, the Psychopathia sexualis, 1886. This has led to a seriously one-sided view of Krafft-Ebing, particularly in Englishs-peaking countries. Part one is about Krafft-Ebing's outer life: a brief summary of known biographical data, followed by several chapters on those places where he lived and worked. Different points are highlighted according to their relevance for Krafft-Ebing's ideas: for example, chapter 2 emphasises the general atmosphere of the Illenau (one of the leading asylums at the time), which shaped his approach to psychiatry lastingly; the chapter on Graz centres around the very varied patients he treated during that period. Part two represents an intellectual biography. Exploiting the full range of published work (see appendix), chapter 5 gives an overview over the topics Krafft-Ebing wrote on, followed by more detailed analyses of specific areas: sexuality (including its important forensic aspect), hypnotism and neurology. Part three - the appendix - consists of a new and complete list of Krafft-Ebing's published works containing about 550 items; the few letters by Krafft-Ebing found so far have also been transcribed and reprinted here.
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Ng, Kee-on. "Distinctive characteristics of neurasthenia : a comparative study with anxiety and depressive disorders." Thesis, University of Surrey, 1999. http://epubs.surrey.ac.uk/2844/.

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Wu, Yu-Chuan. "A disorder of ki : alternative treatments for neurasthenia in Japan, 1890-1945." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344102/.

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This thesis studies some of the most popular alternative treatments for neurasthenia in Japan in the period of 1890 to 1945, including breathing exercise, quiet-sitting, hypnotism-derived mental therapy and Morita therapy. Neurasthenia, with its supposed relation to modern civilization, was a widely used and preferred disease label in Japan. As the official Western medicine failed to provide satisfactory solutions to this obstinate and debilitating disease, a variety of alternative treatments were invented or reinvented and some of them became very popular. Concerning the popularity and effectiveness of these treatments, this thesis argues that they provided contemporary Japanese, who had been experiencing rapid and dramatic change to lifestyle, culture and society, with models by which they could perceive, conceive and strengthen their neurological, circulatory and psychological systems by their analogy to ki. Known as a nervous disorder, neurasthenia was also perceived and understood as a disorder of ki, with insufficiency, stagnation, obstruction and turbulence still thought to be the major faults. Through undergoing and practicing these treatments, Japanese neurasthenic patients could control and invigorate the flow of nervous currents, blood and ideas as they previously cultivated ki. This thesis also investigates these treatments in the context of Japanese nationalism. Their advocates often claimed that they were embedded in traditional Japanese culture and hence particularly effective for Japanese patients. Returning to traditional lifestyle and culture was regarded by them as a cure for neurasthenia, which they thought was a disease of ‘de-Japanization’. Furthermore, they founded a large number of groups and organizations for the practice and promotion of these treatments, which were in many ways like traditional extended families and provided patients with a much-needed sense of security and belonging. These treatments were endowed with social and cultural significance, which was also crucial to their therapeutic effectiveness for neurasthenia.
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Martinelli, Jose Eduardo. "Sindrome astenoemocional em idosos : correlação dos dados clinicos, laboratorias e neuropsicologicos." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251768.

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Orientador: Benito Pereira Damasceno<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-12T23:55:42Z (GMT). No. of bitstreams: 1 Martinelli_JoseEduardo_D.pdf: 1621179 bytes, checksum: 1c984f95e30d98f7e2b8bd7a1e61a4c2 (MD5) Previous issue date: 2008<br>Resumo: A Síndrome Astenoemocional (SAE) é uma das seis síndromes básicas da Psiquiatria Orgânica e a mais freqüente na prática clínica. É pouco conhecida no meio clínico pelo fato de ser oriunda do trabalho de dois pesquisadores escandinavos (Lindqvist & Malmgrem, 1993), que tomaram como base antigos conceitos da psiquiatria alemã e, baseados na experiência clínica, criaram um sistema classificatório para a Psiquiatria Orgânica. É importante divulgar no meio médico o que representa a SAE em termos de diagnóstico, mostrar que essa entidade não é tão incomum em termos de freqüência e salientar que o conjunto sintomatológico que a define é comum a várias doenças que ainda não se manifestaram plenamente. O presente estudo é uma continuidade da dissertação de Mestrado "Diagnósticos Diferenciais da Síndrome Astenoemocional em Idosos".O objetivo principal foi de detectar parâmetros diagnósticos relacionados a cada etiologia da SAE. Foram examinados 129 pacientes sendo identificados como suspeitos clínicos 72 indivíduos (52 homens, 77 mulheres, idade entre 60 e 93 anos, média 77.61). Após anamnese detalhada enfatizando os sintomas, todos os casos suspeitos foram submetidos a investigação laboratorial incluindo hemograma, glicemia, dosagem de eletrólitos, perfil hepático, renal, dosagens hormonais e outros exames que se fizessem necessários de acordo com a suspeita clínica de cada paciente; de neuroimagem incluindo tomografia comoutadorizada, ressonância magnética e outros exames que se fizessem necessários de acordo com a suspeita clínica de cada paciente; e neuropsiquiátrica que incluiu o mini exame do Estado Mental (FOLSTEIN et. al., 1975), o CAMDEX (The Cambridge Mental Disorders of the Eldery Examination) (Roth et. al., 1986), seu teste cognitivo (Cognitive Section of the CAMDEX-CAMCOG) e o teste de desenho do relógio (TDR). Foram identificados os diagnósticos de: Hipotiroidismo 29,2%; doença de Alzheimer 23,6%; Hipertiroidismo 13,9%; Hidrocefalia de pressão normal 11,1%; Hiperdensidade da substância branca 9,7%; Declínio Cognitivo Leve (DCL) 8,3%; câncer de pâncreas 1,4%; Hematoma subdermal 1,4% e Hepatite C 1,4%. Observamos que a dosagem do hormônio tireoestimulante (TSH) foi a única de valor no esclarecimento diagnóstico (MW p=0.014). Entre os testes neuropsiquiátricos, os casos de DCL e de Hipertiroidismo apresentaram desempenho superior à Hidrocefalia de Pressão Normal na memória total (KW p=0.032). Nos subtestes avaliatórios da memória recente e de evocação, os casos de DCL apresentaram pontuação maior que os de Hidrocefalia de Pressão Normal (KW p=0.045). Os pacientes com Hipertiroidismo mostraram melhor desempenho em relação à doença de Alzheimer, hiperdensidade da substância branca e Hidrocefalia de Pressão Normal (KW; p=0.001). Em conclusão, constatou-se que a SAE afeta o desempenho social e pode ser diagnosticada com alta confiabilidade através do quadro sintomatológico. A dosagem de TSH e os testes neuropsicológicos podem auxiliar em alguns diagnósticos etiológicos específicos.<br>Abstract: The Asthenoemotional Syndrome (AES) is one of the six basic syndromes described in Organic Psichiatry and the most frequent in clinical pratice. It is relatively unknown as it was described by two scandinavian researchers (Lindqvist & Malmgrem, 1993), who, based on old german psichiatry concepts and clinical experience, created a classificatory scheme for Organic Psichiatry. It is important to disseminate in the clinical environment what AES represents in terms of diagnosis, demonstrate that the disorder is not uncommon and that the sintomatologic ensemble that defines the syndrome is common to several diseases that are not entirely developed. The main objective of the present study was to identify the factors related to AES etiology. This study is a sequence of the master thesis "Diferential Diagnosis of the Asthenoemotional Syndrome of the eldery". We examined 129 Seventy two individuals (52 men, 72 women, age between 60 and 93 years, 77.61 ± years) were identified as possible SAE cases. All patients suspected of SAE identified by a thorough anamnesis emphasizing symptoms, were submitted to a laboratory investigation including blood counts, glucose, basic metabolic panel, hormones, hepatic and renal profiles and other specific exams depending on each patient evaluation; neuroimages investigation including computed tomography, magnetic ressonace exam and other specific exams depending on each patient evaluation; a neuropsichiatric exam including the mini-mental state test (MMSE) (FOLSTEIN et. al., 1975), the CAMDEX test (The Cambridge Mental Disorders of the Eldery Examination) (Roth et al., 1986) and its cognitive test (Cognitive Section of the CAMDEX-CAMCOG), and the clock drawing test (CDT). We observed: Hypothyroidism 29.2%; Alzheimer's disease 23.6%; Hyperthyroidism 13.9%; normal pressure hidrocephalia 11.1%; hyperdensity on cerebral white matter 9.7%; mild cognitive impairment (MCI) 8.3%; pancreatic cancer 1.4%; subdermal hematoma 1.4% and type C Hepatitis 1.4%. The thyrotrophic hormone (TSH) was the only one of diagnostic utility. MCI and Hyperthyroidism patients had a better performance on total memory tests than normal pressure hydrocephalus (MW p=0.032). Concerning recent memory and evocative memory tests, the MCI patients had higher scores compared to normal pressure hydrocephalia patients (KW p=0.045). The Hyperthyroidism patients displayed better performance than Alzheimer's disease patients (KW p=0.001), hiperdensity on cerebral white matter (KW p=0.001) and normal pressure hydrocephalia patients (KW p=0.001), whereas MCI patients had higher scores when compared to hiperdensity on cerebral white matter (KW p=0.032) and normal pressure hydrocephalia patients (KW p=0.045). We conclude that AES afects social performance and can be diagnosed accurately based on its symptoms. TSH measurement and neuropsychologic tests may help identify specific causes of AES.<br>Doutorado<br>Psicologia Educacional<br>Doutor em Educação
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Ruiz, Cuenca Violeta. "Medicine, modernity, and masculinity: A history of neurasthenia in Spain, c.1890-1920." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/671663.

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A la fi de segle XIX, va sorgir una nova categoria de malaltia: la neurastènia. Aquesta es va concebre com una condició que afectava tant a el cos com a la ment, i era producte de la civilització moderna. Els historiadors han assenyalat el valor que té aquesta malaltia com a objecte a través del qual comprendre els desenvolupaments de les idees mèdiques i psiquiàtriques, així com la construcció d’identitats nacionals. Aquesta tesi analitza com es va conceptualitzar la neurastènia a Espanya en relació a aquestes qüestions entre la dècada de 1890 i principis de la de 1920. Aplicant un enfocament d’història cultural, analitza la forma en què es va construir d’acord amb les idees espanyoles contemporànies sobre la medicina, la modernitat i la masculinitat. En general, la tesi ofereix dos nivells d’anàlisi. El primer tracta qüestions tradicionals de la història de la medicina; és a dir, l’apropiació del concepte, la seva definició clínica i conceptualització patològica, i els diferents tractaments que se li van presentar. Els metges espanyols van apropiar la malaltia de l’context francès, i van debatre diferents formes d’entendre-la. La pluralitat dels tractaments que van oferir va contribuir a definir-la com una condició general de l’subjecte, més que com una malaltia local o específica. No obstant això, la tesi mostra que la neurastènia també es va conceptualitzar en altres espais i per altres subjectes: el mercat de medicaments i dispositius; els balnearis i sanatoris; pels autors dels manuals per a la formació de la voluntat; i pels propis pacients. Aquests altres actors van ampliar els límits de la malaltia, de manera que va acabar perdent la seva especificitat i es va interpretar de manera més general com “debilitat” en el sentit ampli de la paraula. Un segon nivell d’anàlisi s’ocupa dels significats culturals atribuïts a la malaltia i com aquests van donar forma a les idees de modernitat i masculinitat durant el període que s’analitza. La tesi mostra que la neurastènia va estar estretament lligada a l’discurs de l’regeneracionisme que va caracteritzar a la fi de segle espanyol i que es va articular en termes d’una crisi de masculinitat. Les elits espanyoles van qüestionar l’estatus d’Espanya en la jerarquia de la civilització i van afirmar que la regeneració de país depenia de la regeneració moral dels seus homes. Els metges van afirmar que la neurastènia era conseqüència de la moderna “lluita per l’existència”, caracteritzada per la competició entre individus i entre nacions en la recerca de la civilització. Va ser principalment una malaltia de la burgesia, aquella classe social encarregada de garantir el futur de la nació a través de la seva tasca intel·lectual. Els metges van utilitzar la malaltia per definir els límits del que constituïa formes adequades i inadequades de masculinitat burgesa: la recerca desinteressada del progrés i el bé comú, d’una banda; i l’egoisme i la passivitat de l’altra. Com a tal, els metges van articular una narrativa ambigua sobre la neurastènia que podria validar o destruir la masculinitat de l’pacient. A el mateix temps, la neurastènia va servir per articular un subjecte modern ideal, definit com un participant actiu en la lluita per l’existència. La tesi sosté que la neurastènia va servir per presentar la competició individual i internacional com una condició natural de la modernitat i per establir els límits normatius del que es considerava com el comportament burgès masculí apropiat entre 1890 i principis de la dècada de 1920. A el fer-ho, demostra el valor que tenen les malalties com a objectes històrics a través del qual explorar la història de la medicina, la identitat nacional i el gènere en el passat.<br>A finales del siglo XIX, surgió una nueva categoría de enfermedad que proliferó en Estados Unidos, Europa y Asia: la neurastenia. Esta se concibió como una condición que afectaba tanto al cuerpo como a la mente, y era producto de la civilización moderna. Los historiadores han señalado el valor que tiene esta enfermedad como objeto a través del cual comprender los desarrollos de las ideas médicas y psiquiátricas, así como la construcción de identidades nacionales. Esta tesis analiza cómo se conceptualizó la neurastenia en España en relación a estas cuestiones entre la década de 1890 y principios de la de 1920. Aplicando un enfoque de historia cultural, analiza la forma en que se construyó de acuerdo con las ideas españolas contemporáneas sobre la medicina, la modernidad y la masculinidad. La tesis ofrece dos niveles de análisis. El primero trata cuestiones tradicionales de la historia de la medicina; a saber, la apropiación del concepto, su definición clínica y conceptualización patológica, y los diferentes tratamientos que se le prescribieron. Los médicos españoles se apropiaron del concepto de la enfermedad procedente del contexto francés, y debatieron diferentes formas de entenderla. La pluralidad de los tratamientos que ofrecieron contribuyó a definirla como una condición general del sujeto, más que como una enfermedad local o específica. Sin embargo, la tesis muestra que la neurastenia también se conceptualizó desde otros espacios y por otros sujetos: el mercado de medicamentos y dispositivos; los balnearios y sanatorios; por los autores de los manuales para la formación de la voluntad; y por los propios pacientes. Estos actores ampliaron los límites de la enfermedad, de modo que terminó perdiendo su especificidad y se interpretó de manera más general como “debilidad” en el sentido amplio de la palabra. Un segundo nivel de análisis se ocupa de los significados culturales atribuidos a la enfermedad y cómo estos dieron forma a las ideas de modernidad y masculinidad durante el periodo que se analiza. La tesis muestra que la neurastenia estuvo estrechamente ligada al discurso del regeneracionismo que caracterizó al fin de siglo español y que se articuló en términos de una crisis de masculinidad. Las élites españolas cuestionaron el estatus de España en la jerarquía de la civilización y afirmaron que la regeneración del país dependía de la regeneración moral de sus hombres. Los médicos españoles afirmaron que la neurastenia era consecuencia de la moderna “”lucha por la existencia””, caracterizada por la competición entre individuos y entre naciones en la búsqueda de la civilización. Fue principalmente una enfermedad de la burguesía, aquella clase social encargada de garantizar el futuro de la nación a través de su labor intelectual. Los médicos utilizaron la enfermedad para definir los límites de lo que constituía formas adecuadas e inadecuadas de masculinidad burguesa: la búsqueda desinteresada del progreso y el bien común, por un lado; y el egoísmo y la pasividad por el otro. Como tal, los médicos articularon una narrativa ambigua sobre la neurastenia que podría validar o destruir la masculinidad del paciente. Al mismo tiempo, la neurastenia sirvió para articular un sujeto moderno ideal, definido como un participante activo en la lucha por la existencia. En general, la tesis sostiene que la neurastenia sirvió para presentar la competición individual e internacional como una condición natural de la modernidad y para establecer los límites normativos de lo que se consideraba como el comportamiento burgués masculino apropiado entre 1890 y principios de la década de 1920. Al hacerlo, demuestra el valor que tienen el estudio de las enfermedades como objetos históricos a través del cual explorar la historia de la medicina, la identidad nacional y el género en el pasado.<br>“In the late nineteenth century, a new disease category emerged and proliferated around the USA, Europe, and Asia. “Neurasthenia”, or nervous exhaustion, referred to a condition that affected both the body and the mind, and was the product of modern civilisation. Historians have pointed out the usefulness of neurasthenia as a lens through which to understand developments in medical and psychiatric ideas as well as the construction of national identities. This thesis analyses how neurasthenia was conceptualised in Spain in relation to these issues between the 1890s and early 1920s. It takes a cultural history of medicine approach to analyse the way in which neurasthenia was constructed according to contemporary Spanish ideas about medicine, modernity, and masculinity. The thesis offers two levels of analysis. The first deals with traditional questions in the history of medicine; namely, the appropriation of the concept, its clinical definition and pathological conceptualisation, and the different treatments that were presented for it. Spanish physicians critically appropriated the disease from the French context and debated different ways in which to understand the condition. They defined neurasthenia as a condition that primarily affected bourgeois men. The plurality of treatments they offered also contributed to defining it as a condition rather than a local or specific disease. However, although physicians played an important part in defining the disease, neurasthenia was also conceptualised in other spaces: namely, the market for medicines and devices; manuals for training the will; spas and sanatoria; and by patients themselves. These other sites broadened the boundaries of the disease, so that it ended up losing its specificity and becoming more generally construed as “weakness” in a broad sense of the word. A second level of analysis deals with the cultural meanings ascribed to the disease and how these shaped ideas of modernity and masculinity. The thesis shows that neurasthenia was tightly linked to the discourse of regenerationism, a discourse of crisis and change that characterised the Spanish fin de siècle and that was articulated in terms of a problem of vilirity and a crisis of masculinity. Spanish elites questioned Spain’s status on the hierarchy of civilisation and claimed that the regeneration of the country depended on the moral regeneration of its men. This thesis shows that neurasthenia was framed by this discourse. Physicians claimed that the disease was the consequence of the modern “struggle for survival”, characterised by competition between individuals and among nations in the quest for civilisation. It was primarily a disease of the bourgeoisie, who were responsible for guaranteeing the future of the nation through their intellectual labour. Physicians used the disease to define the boundaries of what constituted proper and improper forms of bourgeois masculinity: the selfless pursuit of progress and the common good, on the one hand; and egotism and passivity on the other. As such, physicians articulated an ambiguous narrative about neurasthenia that could be either validating or destructive to the patient’s masculinity. At the same time, neurasthenia served to articulate an ideal modern subject, one who was an active participant in the struggle for survival. Overall, the thesis argues that neurasthenia served to present individual and international competition as a natural condition of modernity, and to establish the normative boundaries of what constituted proper masculine bourgeois behaviour between 1890 and the early 1920s. In doing so, it demonstrates the value that diseases have as historical objects through which to explore the history of medicine, national identity, and gender in the past. It concludes that the historians should return to the history of diseases to explore how the self has been constructed in the past.
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Sims, Kimberly A. "Modernism's nervous genre : the diaries of Woolf, James, and Sassoon /." View online ; access limited to URI, 2007. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3277007.

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Smith, Barbara Peters. "From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5775.

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Throughout an adult life that witnessed drastic cultural upheaval between the Civil War and World War I, Bertha Honoré Palmer (1849-1918) was continually called on to deploy her Victorian values in response to modern events. Being a woman only complicated this negotiation. But being a child of the American frontier granted her a latitude and mobility that were rare for women of her class and era – allowing her to challenge gender boundaries and occupy more than one cultural space at a time. Most of what has been written about Bertha Palmer’s life has been exceptionalist in approach and tone, ascribing her outsized social and political successes to her physical beauty and perfection of temperament. I believe Bertha Palmer’s importance as a crucial transitional bridge between True Woman and New Woman has been underestimated in this discourse. Near the end of her life, a move to Florida offered her the potential to resolve the inside/outside, domestic/public, feminine/masculine dialectics that lay at the heart of her restless movements. These contradictions and dichotomies that Bertha Palmer embodied on a grand scale do more to make her knowable to us today than the record of her words and actions can accomplish. Both her Victorian reticence and her modernistic construction of a seamless public façade have a way of hindering our best efforts to understand her motivations – especially the choice to move to Florida – despite a wealth of biographical material, including her correspondence housed in Chicago and Sarasota history centers, and contemporary news accounts. In the end, the cultural history of the Gilded Age gives us the only reliable lens for penetrating the veneer of Bertha Palmer.
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Sexton, Siobhan. "'The Proust of painting' : Jacques-Émile Blanche, the 'neurasthenic portrait' and the nervous elite of Paris, 1900." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/8810.

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Jacques-Émile Blanche (1861-1942) is rarely included in histories of late nineteenth-century French art, despite his prolific career as an artist who produced over 2,000 paintings. A portraitist, Blanche’s upbringing as the son of an eminent psychiatrist provided him with a wealth of sitters connected to his father’s fashionable clinic and, I argue, a distinctive approach to their representation. These relatively unstudied portraits of famous Parisian intellectuals and socialites deserve our attention as works of ‘psychological impressionism’. Combining penetrating observation with painterly execution, Blanche’s methods emphasised the ‘nervous’ disposition of his sitters. Blanche’s practice as a portraitist is one of the reasons for his neglect. His contemporaries were evasive when it came to writing about the genre, uncertain of how to evaluate it – a critical apprehension that has persisted to this day. Art historians are as implicated in what may be thought of as a hesitation around the status and significance of portraiture in late-nineteenth-century French art. The thesis seeks in part to redress this through its examination of Blanche’s portraits as intuitive works of art that not only reflected but also, more actively, produced particular forms of knowledge about the ‘nervous’ condition of Parisian high society. With a focus on Blanche’s depictions of Marcel Proust (1871-1922) and the Comtesse de Castiglione (1837-1899), the thesis considers Blanche’s ‘neurasthenic portraits’ in relation to discourses on modern psychiatry, modernity, and modern art, drawing attention to how they enrich our understanding of the social, cultural and artistic contexts in which Blanche lived and worked. By situating Blanche’s artistic practice within his father’s clinical practice, and by embracing a methodology that draws upon both the histories of art and psychiatry, I argue that the language of Blanche’s portraiture was environmentally connected to the language of nervous disorder. As such this thesis will provide an original contribution to the scholarship on Blanche and offer significant insights into the entanglement of art, culture and nerves in nineteenth-century Paris.
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Butler, D. A. "An evaluation of judicial approaches to determining tortious liability in negligence for psychiatric injury independent of physical injury in Australia and England." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/35787/1/35787_Digitised%20Thesis.pdf.

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This thesis comprises an evaluation of existing and suggested approaches, and promulgation and defence of a preferred approach, to liability for psychiatric injury (or 'nervous shock') resulting from the unintentional conduct of another and occurring independently of any physical injury to the sufferer. Such a claim was first recognised a little over one hundred years ago but since that time the precise limits of liability for psychiatric injury has been an issue that has vexed courts in many jurisdictions. Even today there is no common approach to liability for psychiatric injury in Australia and England. This position is contributed to by the recent divergence in approaches to the determination of the existence of a duty of care in negligence in those countries. The thesis establishes a yardstick which is argued as being reflective of good judicial reasoning, at least as is appropriate to the subject of the enquiry, psychiatric injury. It then lays a foundation for the evaluation by an historical and analytical analysis of liability for psychiatric injury. The historical trace is set in the context of the development of the elements of the cause of action for negligence, including the recent divergence in approaches to duty, while the comparative analysis embraces decisions in Australia, England, Ireland, Scotland, New Zealand, Canada and the United States. In relation to the last mentioned, due to the lack of a federal attribute each state jurisdiction determines its own approach to the equivalent of liability for psychiatric injury, and there is no uniformly accepted response. Against this analysis, the thesis juxtaposes a medical perspective of 'nervous shock'. This perspective facilitates an evaluation of the medical legitimacy of past and current approaches and concepts and informs the promulgation of a preferred approach, including a more refined definition of the damage deemed worthy of compensation. The thesis also analyses the policy factors, or considerations of community welfare external to the interests of the parties to a particular dispute, that have shaped the limits of liability for psychiatric injury, including an assessment of the continued legitimacy of policy factors as measured against the yardstick for good judicial reasoning. It then proceeds to assess against the yardstick the continued legitimacy of individual concepts which have been promoted as being the appropriate limitations of liability. The thesis proceeds to critique the current approaches to duty of care in Australia and England, utilising psychiatric injury as a catalyst and evaluating the approaches against the yardstick. A literature review which critiques alternative approaches that have been suggested then follows. The climax of the thesis is the promulgation of a preferred approach, which draws on the analysis and evaluation throughout the thesis. This preferred approach advocates a more specific definition of the damage deemed worthy of compensation, an accommodation of an overt identification and assessment of relevant policy considerations, an incremental approach to the establishment of duty of care and greater emphasis upon the other elements of the negligence cause of action. This preferred approach is demonstrated as conforming to the yardstick and is accordingly defended as reflective of good judicial reasoning.
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Schaupp, Anne-Catriona. "Repression and articulation of war experience : a study of the literary culture of Craiglockhart War Hospital." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31553.

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Prior study of Craiglockhart War Hospital has focused on the hospital's two most famous patients, Wilfred Owen and Siegfried Sassoon, along with the work of the psychotherapist W. H. R. Rivers. Craiglockhart's literary culture is studied in detail for the first time in this thesis and the hospital's therapeutic ethos used as a framework by which the creative work produced at the hospital can be examined. This thesis argues that the British Army's lack of consensus regarding the best treatment of war neuroses facilitated the development of Craiglockhart's expressive culture, in which patients were encouraged both to articulate their wartime memories and return to purposeful activity. The hospital's magazine, The Hydra, is examined at length; both in terms of its links to the wider genre of wartime soldier publications and as a telling document of the hospital's therapies in action. Owen and Sassoon's time at the hospital is also discussed, with particular emphasis on the hospital's central importance in Owen's poetic development and its troubling legacy in the post-war life of Sassoon. Finally, readers are introduced to George Henry Bonner, a patient of the hospital whose creative work is discussed here for the first time. This study makes clear the fact that, for the hospital's literary-minded patients, creative endeavour was an ideal means by which to negotiate the movement away from repression to the articulation of their wartime experiences.
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12

Muente, Tamera Lenz. "Repose, Reflections, and “Girls in Sunshine”: Frederick Carl Frieseke’s Paintings of Women, 1905–1920." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147531632.

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13

Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.

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14

Hart, M. J. Alexandra. "Action in Chronic Fatigue Syndrome: an Enactive Psycho-phenomenological and Semiotic Analysis of Thirty New Zealand Women's Experiences of Suffering and Recovery." Thesis, University of Canterbury. Social and Political Sciences, 2010. http://hdl.handle.net/10092/5294.

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This research into Chronic Fatigue Syndrome (CFS) presents the results of 60 first-person psycho-phenomenological interviews with 30 New Zealand women. The participants were recruited from the Canterbury and Wellington regions, 10 had recovered. Taking a non-dual, non-reductive embodied approach, the phenomenological data was analysed semiotically, using a graph-theoretical cluster analysis to elucidate the large number of resulting categories, and interpreted through the enactive approach to cognitive science. The initial result of the analysis is a comprehensive exploration of the experience of CFS which develops subject-specific categories of experience and explores the relation of the illness to universal categories of experience, including self, ‘energy’, action, and being-able-to-do. Transformations of the self surrounding being-able-to-do and not-being-able-to-do were shown to elucidate the illness process. It is proposed that the concept ‘energy’ in the participants’ discourse is equivalent to the Mahayana Buddhist concept of ‘contact’. This characterises CFS as a breakdown of contact. Narrative content from the recovered interviewees reflects a reestablishment of contact. The hypothesis that CFS is a disorder of action is investigated in detail. A general model for the phenomenology and functional architecture of action is proposed. This model is a recursive loop involving felt meaning, contact, action, and perception and appears to be phenomenologically supported. It is proposed that the CFS illness process is a dynamical decompensation of the subject’s action loop caused by a breakdown in the process of contact. On this basis, a new interpretation of neurological findings in relation to CFS becomes possible. A neurological phenomenon that correlates with the illness and involves a brain region that has a similar structure to the action model’s recursive loop is identified in previous research results and compared with the action model and the results of this research. This correspondence may identify the brain regions involved in the illness process, which may provide an objective diagnostic test for the condition and approaches to treatment. The implications of this model for cognitive science and CFS should be investigated through neurophenomenological research since the model stands to shed considerable light on the nature of consciousness, contact and agency. Phenomenologically based treatments are proposed, along with suggestions for future research on CFS. The research may clarify the diagnostic criteria for CFS and guide management and treatment programmes, particularly multidimensional and interdisciplinary approaches. Category theory is proposed as a foundation for a mathematisation of phenomenology.
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"Psychometric investigation into the construct of neurasthenia and its related conditions: a comparative study on Chinese in Hong Kong and Mainland China." Thesis, 2008. http://library.cuhk.edu.hk/record=b6074566.

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Conclusion. The construct of neurasthenia was assessed to be characterized mainly by features of irritability and nervousness, which resembles more to the concept of stress rather than anxiety or depression. As predicted by recent theories on the relationship between negative affects, neurasthenia was found to share both unique and common characteristics with stress, anxiety and depression. In addition to sharing a common general distress factor, specific postulations were made about the distinctiveness of neurasthenia as a clinical syndrome from anxiety, depression and CFS. Between-group analysis showed a relatively stable and coherent construct of neurasthenia between the Hong Kong and Changsha samples. The early view that neurasthenia represents a disguise form of depression by way of somatization was not supported by the present results. The general tendency to endorse lower scores on both the somatic and psychological items for all of the administered scales in Changsha reflects a possible change in cultural templates of "neurasthenia" and "somatization" to more psychologically oriented templates of "stress" and "social desirability" for expressing somatic and psychological distress in modern china. The present research demonstrated the use and advantages of adopting a psychometric approach to investigate the construct of neurasthenia in a cross-cultural setting.<br>Methods. Two independent samples of Chinese from Hong Kong (N = 868) and Changsha (N = 1001) were compared on the newly refined Chinese Neurasthenia Scale (CN5-12), as well as a number of mood, personality and cognitive measures, including Depression Anxiety Stress Scale-21 (DASS-21), Beck Anxiety Inventory (BAI), Beck Depression Inventory (BDI), Eysenck Personality Inventory (EPI) and Automatic Thought Questionnaire (ATQ). The construct of neurasthenia and its relationship with the relevant measures was examined by way of detailed psychometric, correlational and factor analyses. Different structural models of neurasthenia in relation to stress, anxiety, and depression were tested and compared in the two Chinese samples using Structural Equation Modeling. Comparisons of sample means were assessed by ANCOVA with potential confounds being controlled as covariates.<br>Objectives. The present study employed a psychometric approach to investigate the construct of neurasthenia in respect of two fundamental issues: (1) the major characteristics that constitute neurasthenia as a distinctive construct; and (2) the cultural variability in the construct of neurasthenia between Chinese samples in different cultural settings. Another major aim of the present research was to refine and update the Chinese Neurasthenia Scale originally developed by the author for assessing the construct of neurasthenia.<br>Results. All of the scales administered including the newly refined Chinese Neurasthenia scale (cNs-12) were found to attain very good psychometric properties. According to factor analyses, the construct of neurasthenia as assessed by CNs-12 was found to comprise four major components, namely (a) Irritability and Nervousness, (b) musculoskeletal Aches and Pains, (c) Functional Impairment, and (d) Sleep disturbances and Fatigue. contrary to current taxonomic systems, irritability rather than fatigue or weakness was found to represent the major feature of neurasthenia. As shown by correlational and multiple regression analyses, the construct of neurasthenia also showed closer resemblance to the concept of stress when compared to anxiety and depression. According to the results of SEM, both irritability and chronic fatigue were found to be the specific markers for neurasthenia when distinguishing from anxiety and depression. Moreover, the presence of irritability might constitute a specific marker to differentiate neurasthenia from chronic fatigue syndrome (CFS). No significant sample differences were found in the factor structure of neurasthenia, as well as its pattern of relationships with the relevant mood, personality and cognitive variables between the two Chinese samples. The most striking sample difference pertained to a general tendency for the Changsha sample to endorse a lower level of distress on both somatic and psychological symptoms than the Hong Kong sample.<br>Wong, Kit Ching.<br>"May 2008."<br>Adviser: Helen Chiu.<br>Source: Dissertation Abstracts International, Volume: 70-03, Section: B, page: 1587.<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2008.<br>Includes bibliographical references (p. 158-178).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstracts in English and Chinese.<br>School code: 1307.
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Held, Lisa. "Symptoms in search of a disease : neurasthenia, chronic fatigue syndrome, and the meaning of illness from modernity to postmodernity /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38781.

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Thesis (M.A.)--York University, 2008. Graduate Programme in Psychology.<br>Typescript. Includes bibliographical references (leaves 125-146). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38781
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17

Rosenblatt, Nina L. "Photogenic neurasthenia aesthetics, modernism and mass society in France, 1889-1929 /." 1997. http://catalog.hathitrust.org/api/volumes/oclc/47441949.html.

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18

Walker, Melissa. "On Their Own: The Single Woman, Feminism, and Self-Help in British Women's Print Culture (1850-1900)." Thesis, 2012. http://hdl.handle.net/10214/3581.

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Cultural and historical accounts of self-help literature typically describe its development and focus in terms of the autonomous, public male subject of the nineteenth century. This literary study recognizes that as masculine self-help discourse became widely accessible in the mid nineteenth century, mid-Victorian feminist novels, periodicals, and tracts developed versions of self-help that disrupted the dominant cultural view that the single female was helpless and “redundant” if she did not become a wife and mother. I argue that the dual focus of Victorian self-help discourse on the ability to help oneself and others was attractive for Victorian feminist writers who needed to manipulate the terms of the domestic ideal of woman as influential helpmeet, if women’s independence and civic duty were to be made culturally palatable. Chapter One focuses on how Dinah Mulock Craik drew on self-help values popularized in mid-century articles and collective biographies by Samuel Smiles, while rejecting the genre of biography for its invasiveness into female lives. By imagining a deformed single artist heroine in the context of her 1851 bildungsroman, Olive, Craik highlighted and contested the objectification of women within Victorian culture while reproducing other forms of female difference based on dominant constructions of class, sexuality, and race. Chapter Two extends formal and thematic considerations of self-help discourse to a comparison of masculine colonial accounts of class-climbing and the projection of a self-reliant, yet deeply unstable, domestic female by Maria Rye and the Female Middle-Class Emigration Society. Chapter Three exerts critical pressure on the tension between individual and mutual help by charting the debate that raged between liberal individualism and collectivism in the labour movement, particularly in The Women’s Union Journal. Returning to a focus on the binary of female aberrance and normalcy within Victorian culture, Chapter Four analyzes late-century case studies of nervous illnesses alongside Ella Hepworth Dixon’s 1894 New Woman novel that promoted self-help for women as desirable yet unattainable in a society still largely structured around the domestic ideal. At its broadest, this dissertation explores points of convergence and departure between Victorian masculine and feminine self-help texts, and touches on reverberations of this Victorian discourse in today’s self-help works directed at women in Western culture.
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19

Blanchette, Gisèle. "Neurasthénie sous influence? : l'appropriation d'une maladie «moderne» par les classes moyennes du Viêt Nam colonial (1925-1945)." Thèse, 2015. http://hdl.handle.net/1866/13682.

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Au tournant du XXe siècle, la neurasthénie – ou épuisement nerveux – est devenue une maladie populaire en Occident et jusqu’au Japon en raison de son association avec la modernité. De nombreux rapprochements ont été faits entre ce diagnostic introduit en 1869 aux États-Unis et certaines maladies contemporaines comme la dépression, le syndrome de fatigue chronique, l’épuisement professionnel et toute la panoplie des maladies causées par le stress. Les transformations socioculturelles qu’a connues le Viêt Nam sous colonisation, principalement au cours des décennies 1920 et 1930, ont été propices à la dissémination du langage des nerfs et à l’appropriation du diagnostic de neurasthénie. Ce mémoire de maîtrise en histoire se penche sur les transformations sociales survenues sous le gouvernement colonial français, dont l’urbanisation et l’instruction publique, au milieu desquelles ont émergé les nouvelles classes moyennes urbaines qui ont adopté le diagnostic de neurasthénie. À partir de la presse vietnamienne de la période, ce travail met l’accent sur l’appropriation, les causes et les traitements de la maladie. Utilisant une approche comparant la neurasthénie en Occident, au Japon et en Chine, pour ensuite présenter son entrée au Viêt Nam, il montre que la domination et donc la subalternité ont compliqué l’accès des colonisés au diagnostic de la maladie moderne neurasthénie, de même qu’à la modernité. Il fournit toutefois un éclairage sur les débuts de l’histoire du diagnostic, encore utilisé de nos jours au Viêt Nam, d’une maladie appelée « la maladie de l’époque ».<br>At the turn of the 20th century, the diagnostic term neurasthenia – or nervous exhaustion coined by American neurologist George Miller Beard in 1869 – was associated with modern civilization. Hence, the term rapidly spread to most Western countries and as far as Japan. Our contemporary language of stress, burn-out, depression and chronic fatigue syndrome has a history that goes back to the birth of the term neurasthenia. As Vietnam underwent deep sociocultural transformations during the French colonial era, especially during the 1920s and 1930s, life conditions became increasingly conducive to the dissemination of the language of nerves and to the appropriation of the term neurasthenia by middle class Vietnamese. This Master’s thesis on the early history of neurasthenia in Vietnam looks into the social transformations effected by the French colonial government, mainly urbanization and public education, which lead to the emergence of a new vietnamese urban middle class. Based on the vietnamese press of the period, it analyzes the appropriation of the diagnostic term neurasthenia by the Vietnamese, the causes to which they attributed neurasthenia, as well as the main treatments proposed by Vietnamese doctors. After comparing how neurasthenia was appropriated in a few Western countries, as well as in Japan and China, and then showing its appropriation in Vietnam, it shows that colonized status meant a somehow limited access to the “modern” disease neurasthenia, somehow similar to the access to “modernity”, due to political domination. The thesis then sheds light on the early history of a diagnosis still used nowadays in Vietnam, of a disease still called there “the disease of our time”.
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Schriewer, Miriam Leoni. ""Kann der Körper genesen, wo die Seele so gewaltig krankt?" - Weibliche Gemüts- und Nervenleiden in der Patientenkorrespondenz Hahnemanns am Beispiel der Kantorstochter Friederike Lutze (1798-1878)." Doctoral thesis, 2011. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-56662.

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Gegenstand der Untersuchung ist die Patientenkorrespondenz von Samuel Hahnemann mit seiner Patientin Friederike Lutze in der Zeit von 1831 bis 1833. Anhand von Briefen und Tagesberichten werden die Symptome der Patientin, die nach gegenwärtigem Ermessen hauptsächlich psychischer Natur waren, dargelegt und analysiert. Hierbei wird versucht, die zugehörigen Medizinkonzepte und zeitgenössischen Wissensbestände herauszufiltern. Der Zeitraum der Korrespondenz stellt eine Umbruchphase in der Deutung von Gemütssymptomen dar, so dass sowohl humoralpathologische Vorstellungen, wie auch die "Vapeurs" und Nervenleiden als Konzept aufzufinden sind. Selbst die noch in den Kinderschuhen befindliche Psychologie wird von der Patientin aufgegriffen und im Rahmen des Arzt-Patientenverhältnisses thematisiert. Abgeschlossen wird die Arbeit von der Edition aller verfügbaren Krankenberichte und Briefe der Korrespondenz<br>The subject of the study is the patient correspondence between Samuel Hahnemann and Friederike Lutze in the period from 1831 to 1833. On the basis of letters and daily descriptions the perceptions of the patient are shown and analysed. These symptoms were mainly of a mental or psychic nature regarding the current point of view. Hereby among others the medical concepts and contemporary knowledge are focused. The period of time, in which the correspondence took place, represents a time of change concerning the interpretation of mental sensations and perceptions. The tradition of humoral pathology as well as the "vapeurs" and the rise of the "nerves" can be found in the descriptions of the patient. Friederike Lutze even addresses the incipient discipline "psychology", it becomes an important issue in the doctor-patient relationship. The last part of the dissertation represents the transcription of the handwritings
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