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Dissertations / Theses on the topic 'New classicism'
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Pliam, Steven L. "Cosmographic Origins for a New Classicism." Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/35809.
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The spirit of the Latin 'classicus' as a broad ideology has in one sense existed through every age of modern human history. It could begin to be described as an attitude that is resistant to sudden change and is not interested in dramatic breaks with tradition or the avant garde. It embraces the methodical evolution of aesthetic and artistic values that are connected at their origin to a cosmography which is conceived within every given age. This large-scale conception of existence which encompasses all of what is known in the cosmos is a primary manifestation of every culture.
Several systems of ideas are given by 20th century theoretical physics. They are the foundation of our science and provide an explicit basis for all branches of scientific endeavor. Taken as a whole, they constitute the current understanding of our universe--our world. What emerges from the ideas given by relativity theory, quantum physics, string theory, and the mathematics of astro-physics is a profound and far reaching cosmography resembling nothing like that of the Renaissance or of classical Greece. Non-Euclidean geometry and the math of higher dimensional space begin to break free of their abstract character as these symbolic disciplines now inform and reconcile the reality of cosmic space.
It is therefore appropriate to understand the cosmography of today in relation to the new science paradigm. As cosmic space and conceptual space have always been intimately connected in architecture of the classical spirit, this new cosmography then becomes a viable basis for reestablishing a classical expression.Master of Architecture
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Stewart-MacDonald, Rohan Horace. "Towards a new ontology of musical classicism : sensationalism, archaism and formal grammar in the music of Clementi, Hummel and Dussek - and parallels with Haydn, Beethoven and Schubert." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401533.
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Cappelle, Laura. "Nouveaux classiques. La création de ballets dans les compagnies de répertoire." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA157.
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Cette thèse a pour objet d’étude les processus d’élaboration de nouveaux ballets dans les compagnies de répertoire. À travers une enquête internationale, elle se propose d’interroger dans une perspective sociologique la situation de création spécifique qui est celle des chorégraphes de formation classique, insérés dans des institutions vouées principalement à l’entretien d’un répertoire d’œuvres existantes. Leurs trajectoires professionnelles et les différences genrées qu’elles mettent en évidence y sont élucidées, ainsi que la dimension fondamentalement collective d’un travail artistique qui implique la coopération d’autres acteurs, notamment les interprètes et les répétiteurs. À partir des formes d’incorporation et de circulation du mouvement, des logiques de création se dégagent, qui permettent d’interroger la nature de l’autorité créative du chorégraphe.Appuyé sur l’observation des répétitions de cinq créations au Ballet du Bolchoï, au Ballet de l’Opéra de Paris, à l’English National Ballet et au New York City Ballet, ce travail est complété par 29 entretiens et une base de données recensant toutes les créations des compagnies étudiées entre 2000 et 2016. Ces données croisées permettent de faire ressortir l’imaginaire commun qui sous-tend le travail des chorégraphes au XXIe siècle, les différences entre les quatre pays ainsi que les tensions propres à une forme de création identifiée comme classiqueCreativity within classical art forms is often underrated, and little is known about what it takes to craft a new ballet. This thesis explores the process of making new works in ballet companies today from a sociological perspective. Drawing on original field work in four countries, it looks at the specificity of the creative endeavours of ballet-trained choreographers, who work in institutional contexts where creation is allowed only limited space in comparison to the existing repertoire. The career trajectories of classical choreographers are addressed along with gender biases in the field. An in-depth look at the ways in which movement is shared, shaped and incorporated in the studio reveals the collective nature of creative processes which closely involve dancers and ballet masters.In addition to sustained periods of observation related to five creations at the Bolshoi Ballet, English National Ballet, New York City Ballet and the Paris Opera Ballet, the data gathered includes 29 interviews and a database listing every ballet created by the four companies above between 2000 and 2016. These findings shed light on the classical imaginary – a network of images and models, I argue, underpinning the work of 21st-century ballet choreographers – and highlight the complexity of classical artistic identities today
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Roberts, Deborah Hazel. "The early chamber music of Darius Milhaud : style and stucture." Thesis, King's College London (University of London), 1991. https://kclpure.kcl.ac.uk/portal/en/theses/the-early-chamber-music-of-darius-milhaud--style-and-stucture(7ade4439-0553-4616-8124-537582654dbc).html.
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Steve, Michel. "Rene sergent et le neo-classicisme 1900." Paris 4, 1993. http://www.theses.fr/1994PA040061.
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L'architecture de rene sergent (1865-1927) est peu connue. Cet artiste a etudie dans un contexte de commandes privees puisqu'il a commence comme collaborateur de sanson. Sa formation et ses tendances en font le meilleur representant de l'ecole neo-classique historiciste, a clientele de particuliers fortunes. L'evocation de l'oeuvre de ses confreres plus celebres comme les destailleur, parent, sanson et mewes, permet de cerner les differentes sensibilites de ce courant ainsi que ses fondements ideologiques, financiers et artistiques (premiere partie). La production de l'architecte est constituee d'un nombre appreciable de chateaux, crees ou remanies, et d'une majorite d'hotels particuliers parisiens, son programme de predilection. Les immeubles de rapport et professionels traduisent dans une moindre mesure la meme sensibilite neo-classique. Le catalogue raisonne de l'ensemble de sa production (seconde partie) permet de caracteriser l'evolution de son style depuis un neo-louis xiv composite jusqu'au neo-louis xvi epure des annees 1920. Le style mis au point est egalement analyse (troisieme partie) d'un point de vue purement architectural. Une attention particuliere est portee aux modalites d'imitation des architectes du xviiie siecle et surtout de a. J. Gabriel, obsession de sergent. Plus largement, le principe de l'imitation est etudie. L'ensemble de ce travail, outre le catalogue de l'oeuvre de sergent, tend a montrer le caractere creatif de l'imitation formelle en architectureThe architect rene sergent (1865-1927) begun his work as sanson's collaborator. Trough his studies he appears like the best architect of the french historicist neoclassical group. Most of his customers were private and rich. The evocation of the most famous works of the architects in the same style illustrates the different expressions of this tendance and the ideological, financial and artistic backgrounds (first part). Sergent's work includes some castles, built or restored, and many parisians private hotels, what he prefered. The complete list of his work (second part) showes the evolution of his style, from a neo-louis xiv style to a neo-louis xvi. The third part is an analysis of sergent's architectural style and particularly his imitation of the xviiith century's architects
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Suen, Chung Keung Daniel, and 孫頌強. "Taoism in project management: a post-modernist approach or neo-classicism?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31251560.
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Zelikovsky, Melanie, and Melanie Zelikovsky. "Beyond the Sun: A New Approach to the East-West Orientation of Archaic Greek Temples." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/620699.
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The east-west alignment of Archaic Greek temples is a feature of their architecture that has not been discussed within its archaeological or historical contexts. Scholars have attempted to discern reasons behind the fact that most Archaic Greek temples face east. But, these explanations are limited in that they do not take into account that an east-west alignment persisted as an architectural feature from the Late Bronze Age through to the Archaic Period. The rise of the Greek polis or city-state also plays a vital role in the development of Greek sacred architecture; by the end of the eighth century when aristocratic control results in the unification of villages to form the polis as we know it, temple architecture develops into the canonical Doric or Ionic forms. Orientation is no exception to this standardization.I have conducted a statistical analysis of 84 cult buildings from the Late Bronze Age, Early Iron Age, eighth century BCE, and Archaic period. Not only is there a consistent trend for Greek cult buildings to be aligned along an east-west axis, but this trend is not random. The deliberate choice to align temples and cult buildings on this axis certainly has religious significance and may well incorporate many factors, such as topographical and climatic concerns, and the position of various astronomical bodies. However, this thesis provides not only a new interpretation of Greek temple orientation, but also a survey of Greek architectural trends that span a millennium.
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Dotte, Isabelle. "Architectures balnéaires à Arcachon. Du néo classicisme aux prémices de l'art nouveau." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1034/document.
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Par tradition, les habitants de La Teste se baignaient depuis bien longtemps sur la plage d’Arcachon, où, dès le début du XIXe siècle, une cabane de résinier fut louée à des « estrangers » ayant osé s’aventurer sur ces rives inconnues. Il fallut attendre les années 1820 pour que les premiers hébergements liés aux bains de mer soient mis en place. Leurs constructions répondaient aux codes néo-classiques, conformes aux pratiques architecturales de l’époque. Les premiers « chalets », influencés par ce style, surent, néanmoins apporter quelques particularités. Mais ce ne fut qu’avec l’invention de la Ville d’Hiver, quartier de cure édifié à partir de 1863, pour accueillir des malades atteints de tuberculose, que la variété architecturale fut consacrée. Chalets suisses, castelets, formes éclectiques, prirent place au milieu des pins, dans les dunes, offrant à la récente commune d’Arcachon (1857), une nouvelle dimension médicale, et un élan architectural au goût du jour. Le style pittoresque obtint, là, un succès à la mesure de celui qu’il eut sur toutes les plages de l’Atlantique et de la Manche, envahissant progressivement toute la ville. Jusqu’à l’apparition des formes régionales – néo-landaise, néo-basque-, à partir de 1920, il fut le style employé dans toutes les réalisations des nouveaux quartiers, de la ville d’automne ou de printemps, et du Moulleau, démontrant ainsi sa parfaite adaptation au milieuTraditionally, the inhabitants of La Teste used to bathe on the beach of Arcachon. As early as the beginning of the 19th century, a wooden hut was rented out to foreigners who dared to visit this unknown shore of the bay. The first accommodations in relation with sea bathing appeared not before the 1820 s’. These buildings reflected the neoclassical features, according to the architectural standards of the time. Most of the first 'chalets' were built in the same style, some of them showing some additional details. An architectural diversity was really settled in 1863 with the creation of the Winter Town, a medical district designed to cure tuberculosis. 'Swiss chalets', cottages and other eclectic constructions erected among the pines on the sand dunes gave to the recent town of Arcachon (1857) a new medical dimension and a modern architectural development. As anywhere else along the western shores of France, the picturesque style was so successful as to invade every part of the town. Till local styles - néo-landais, néo-basque- appeared in the1920 s, it was the only one used in the buildings of the new districts in the autumn and spring towns, as well as in Moulleau. Which can mean it was the best answer at this time, in terms of seaside architecture
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Morris, Allan Scott. "The wellsprings of neo-classicism in music, the nineteenth-century suite and serenade." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/NQ41477.pdf.
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Cha, Joohang. "The Civilizing Project in Medieval Korea: Neo-Classicism, Nativism, and Figurations of Power." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11600.
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This dissertation examines the adoption and maturing of a neoclassical form of Confucianism in medieval Korea (875-1545) in relation to the long and complex roads to building a centralizing aristocratic order. In the tenth and eleventh centuries, Koryŏ (918-1392) sought to build a new type of government after overthrowing the bone-rank oligarchy of middle and late Silla (654-935), which proved irreplaceable. This institutional challenge prompted the Koryŏ court to turn to Neo-Classicism, a resurgent brand of Confucian nativism from the Northern Song (960-1127) that provided a range of ideas and blueprints for building a stable bureaucratic state. Koryŏ's Neo-Classicists envisioned a sociopolitical order in which the king and his courtiers enjoyed an institutionalized protection of their status and a recruitment system that drew staff from a pool of provincial candidates. Two bouts of reform contributed to the gradual realization of this vision. The First Wave (1046-1122) bolstered the monarchy's fiscal capacity and military capabilities, and the Second Wave (1170-1258) expanded the influence of the civil examination system to an unprecedented scale. However, the Mongol rule between 1258 and 1351 proved to be the cataclysmic moment. In a hostile environment, yangban courtiers serving both Mongol and Korean rulers perfected a patrimonial order based on patronage, marriage, and Neo-Classicist learning. The late-Koryŏ yangban completed the localization of Neo-Classicism with a new collective identity and converted Neo-Classicism into an ideology for legitimating the state's aggressive acculturation of the subject population. In 1392, the dynastic change to Chosŏn (1392-1910) happened despite the opposition of most yangban. Nonetheless, the early Chosŏn court eventually incorporated the yangban into the central bureaucracy and the late-Koryŏ Neo-Classicist ideas laid the new regime's institutional and ideological foundation.East Asian Languages and Civilizations
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Kim, Sooyoung. "Perspectives on the Symbiosis of Traditional and Modernist Techniques in Four Violin Compositions by Sergei Prokofiev." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918892.
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Colombo, Angelo. "La philologie dantesque a milan et la naissance du convito. Culture et civilisation d'une ville italienne entre l'experience napoleonienne et l'age de la restauration." Caen, 1999. http://www.theses.fr/1999CAEN1254.
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Cette recherche est consacree au developpement de la philologie dantesque a milan entre l'epoque napoleonienne et la restauration: d'abord capitale du royaume d'italie, ensuite du royaume lombardvenitien, milan fut le centre des travaux menes sur dante et ses oeuvres. Le sommet de ces travaux fut atteint en 1826-1827 par l'edition du convito, mais ce resultat avait ete prepare par une longue campagne d'etudes philologiques sur la litterature italienne (des origines au xviiieme siecle) et la tradition classique (homere, callimaque, catulle, perse). Apres la victoire de marengo (1800) et au cours des annees suivantes, les lettres italiens se plongerent dans l'etude des auteurs anciens et modernes ainsi que dans l'engagement politique et civil. Cet esprit renouvele par l'experience politique, survivant a la defaite de napoleon et de son gouvernement, se manifesta aussi dans les travaux menes d'abord sur dante et, par la suite, sur son convito. En tant que dantologues s'interessant a juste titre a la restauration du texte de cette oeuvre, les intellectuels de milan n'oublierent pas de prendre part a la vie culturelle et politique de leur patrie: a partir d'une attention vive pour les ideaux du liberalisme europeen, jusqu'aux conspirations anti, autrichiennes de la charbonnerie. Les protagonistes de cette aventure culturelle portent des noms plus ou moins connus: g. Ferrario, r. Gironi, u. Foscolo, v. Monti, g. Perticari, g. G. Trivulzio, f. Federici, d. Francesconi; tout pres d'eux, une foule de personnages mineurs qui entretinrent avec ceux-la des rapports d'amitie, de collaboration, d'occasionThis research concerns the development of the philologic studies on dante performed in milan between napoleon's age and the restoration: milan, which at first was capital-city of the 'kingdom of italy' and afterwards of the so-called lombard-venetian kingdom, was a flourishing center of studies on dante and his works. The most important result of these studies was achieved in 1826-1827, with the edition of the convito. However, such a result was not an isolated case, but it represents the last stage of a long period of philologic studies regarding on the one hand the italian literature (since its beginning until xviii century), on the other hand the classical tradition (homer, callimachus, catullus, persius). After the victory at marengo (1800) and during the following years, the italian literati were deeply involved in their studies of the ancient and modern authors and in political life as well. Their state of mind, renewed by the political experience and long survived notwithstanding the defeat of napoleon, also reveals itself in their scholarly activities concerning dante and his convito. While making efforts to restore the text of dante's convito, the intellectuals in milan did not neglect to partecipate in the cultural and political life of their own country, supporting the ideas of european liberalism and, afterwards, even being active members in the antiaustrian conspiracies promoted by the carbonari movement. The leading scholars of this cultural adventure bear more or less known names: g. Ferrario, r. Gironi, u. Foscolo, v. Monti, g. Perticari, g. G. Trivulzio, f. Federici, d. Francesconi; besides them a crowd of less important personages who had friendship, collaboration and occasional relations with them
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Dolan, Brian. "Governing matters : the values of English education in the Earth Sciences, 1790-1830." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/273089.
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Doran, Robert. "The sublime and modern subjectivity : the discourse of elevation from neo-classicism to Fench romanticism." Paris 3, 2003. http://www.theses.fr/2003PA030123.
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Cette étude a pour but de réinterpréter la notion du sublime par rapport à la subjectivité moderne. Ce but implique dans un premier temps de redéfinir le sublime en síntéressant aux divers aspects de l'histoire de cette notion, qui ont souvent été traités de façon hétérogène. Discours de l'élévation, le sublime tel quíl est envisagé à l'époque moderne a pour qualité essentielle de concilier les notions d'autonomie et de transcendance, dans le contexte de la sécularisation. Cette conciliation joue un rôle majeur dans la définition de l'individualisme moderne sur les plans esthétique et anthropologique. Considéré comme lémblème des valeurs héroi͏̈ques, le sublime permet à líndividu de se penser autonome et auto-transcendant. Cependant, à l'époque romantique, les valeurs attachées à l'héroi͏̈sme se révèlent anachronique : le sublime devient alors la figure d'une modernité en déclin. Avec le bouleversement des hiérarchies sociales et lávènement du système capitaliste au dix-neuvième siècle, la possibilité du sublime se perd dans la banalité et la médiocrité d'une société dominée par un individualisme égoi͏̈ste et sans grandeurThis study reinterprets the notion of the sublime in relation to modern subjectivity. This goal implies a unified conception of the sublime, thereby connecting the diverse aspects of its history, often treated as heterogeneous. Seen as a discourse of elevation, what characterizes the sublime in the modern era is its ability to reconcile the notion of autonomy with that of transcendence, in the context of secularization. This reconciliation figures in important ways in thinking the modern individual from an aesthetic and an anthropological perspective. As an emblem of heroic values, the sublime allows the individual subject to be thought as autonomous and self-transcending. However, during the time of the Romantics, heroic values are seen as anachronistic; sublimity becomes the figure of a modernity in decline. With social dehierarchization and the increasing importance of the economic system, the possibility of sublimity is lost in the mediocrity and banality of a society dominated by an egotistical individualism without grandeur
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Smith, Anthony David Stephen. "Patriotism and neo-classicism : the 'historical revival' in French and English painting and sculpture, 1746-1800." Thesis, University College London (University of London), 1987. http://discovery.ucl.ac.uk/1317949/.
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The aim of this thesis is to explore the links between historicism and patriotism in French and English painting and sculpture From 1748 to 1800. It argues that the reaction to Rococo hedonism took the Form of an 'historical revival' to rejuvenate European culture and society by a return to an heroic morality for the individual and the community. While artists generally Followed historians and poets in their choice of themes, they managed to produce images that defined and diffused the exemplary heroic virtues, and to endow different periods of history with tangibility and verisimilitude. While patriotic sentiments antedated the artistic 'historical revival', the latter was important in enlarging and deepening that patriotism to include an historical ethnic nationalism. Part I of the thesis uses a quantitative approach to analyse the numbers,types, themes and dates of 'history' paintings and sculptures exhibited at the Paris Salons and London Academies until 1800, revealing that, though 'history' works are in a clear minority in relation to 'non-public' genres of art, they, and their heroic cults, Form an influential and distinguished segment of French and English art of the period. Part II analyses in depth the main historical themes within some basic moral categories of the period to reveal both the common moral framework, and the vital stylistic and iconographical differences, ofFrench and English art. Part III charts the emergence of different styles for different historical periods, and some of the differences between a more literary English medievalism and a more historical French classicism. Finally, the role of key art critics and theorists reveals that while the French sought to revive an earlier era of national and artistic grandeur, their English counterparts, riding the crest of a wave of national glory, sought to enhance it by founding a native school of history painting and sculpture; but both encouraged artists to pursue the ideal of moral historicism avant Winckelmann, backed by their respective states and Academies, and so give deeper historical and ethnic content to a swelling civic patriotism.
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Fernández, Almoguera Adrián. "De l’Académie des beaux-arts aux chantiers de l’Empire : Madrid et la construction d’une nouvelle pensée architecturale en Espagne (1770-1814)." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL099.
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La création de l’Académie de San Fernando en 1752 marque un tournant dans l’histoire de l’architecture en Espagne. Elle devient rapidement un centre de création, de débat et de diffusion d’une nouvelle pensée architecturale, en lien avec les autres modèles européens. L’Académie instaure une nouvelle culture architecturale à partir d’un modèle pédagogique propre complété par des expériences telles que le voyage à Rome, dont témoignent les nombreux concours qu’elle organise. À côté de ces transformations artistiques, l’Académie s’empare à partir des années 1770 d’un pouvoir inédit en matière de définition du métier d’architecte et de contrôle de l’architecture publique espagnole. Cela entraine l’intensification des rapports entre l’Académie et les acteurs du milieu urbain, notamment à Madrid, ville où l’on entame alors un important processus d’embellissement et d’équipement. Dans ce contexte d’échange entre la pensée académique et la transformation de Madrid, les pouvoirs publics de la fin du XVIIIe siècle, structurés autour d’une administration de gestion du projet architectural réformée, encouragent la construction d’une série de grands monuments à travers lesquels se constate l’évolution théorique et stylistique du nouveau classicisme espagnol de la fin des Lumières. En 1808, l’annexion de Madrid au système du Premier Empire marque un point d’inflexion dans ce processus entamé depuis les années 1770. Madrid fait alors l’objet de profondes transformations institutionnelles, urbaines et architecturales qui la rapprochent davantage encore des expériences européennes, et marquent l’évolution postérieure de cette capitale à partir de la Restauration de 1814The opening of the Academy of San Fernando in 1752 marks a turning point in the history of architecture in Spain. It quickly became a center of creation, debate and diffusion of a new architectural thought inspired by the European models. The Academy introduced a new architectural culture from a pedagogical model complemented by experiences such as travel to Rome, and attested in architectural competitions. Alongside these artistic transformations, from the 1770s on, the Academy took on an incredible power in defining the profession of architect and control of Spanish public architecture. This is where the relationship between the Academy and the urban environment intensified, especially in Madrid, where a great process of embellishment and equipment began during the same period. In this context of exchange between academic thought and the transformation of Madrid, the public authorities of the late eighteenth century, structured around a management administration of the architectural project renovations, encouraged the construction of a series of great monuments, through which we can see the theoretical and stylistic evolution of the new Spanish classicism of the end of the Enlightenment. In 1808, the incorporation of Madrid into the First Empire system marks a turning point in this process begun since the 1770s. Madrid is then the subject of profound institutional, urban and architectural transformations that brings it closer to European experiences, completing previous experiences and mark the subsequent evolution of this capital from the Restoration of 1814
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Yi, Kwi-suk. "Aspects of neo-classicism in the first movements of piano sonatas by Barber, Sessions, Copland, and Stravinsky /." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1242747182.
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Lee, Gui Sook. "Aspects of neo-classicism in the first movements of piano sonatas by barber, sessions, copland and stravinsky." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1242747182.
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Trotter, Michael Robert. "Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5853.
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In 1941 a large cache of papyri preserving the writings of Origen and Didymus the Blind were discovered in Tura, Egypt. 43 years later 22 signatures from the Tura papryi containing Ps. 26:10–29:2, 36:1–3 from Didymus the Blinds' commentary on Psalms were acquired by Brigham Young University. These signatures remain unpublished at present. This paper examines Didymus' use of the New Testament in this hitherto unpublished section of his commentary and seeks to reevaluate past scholarship on the New Testament text of Didymus in light of this new data. In addition to providing an inventory of all the New Testament references and significant textual variants used by Didymus in this section of his commentary, this paper will also analyze the consistency, or lack thereof, with which Didymus referenced the New Testament throughout his five Tura commentaries. This analysis will show that previous conclusions on the New Testament text of Didymus the Blind need to be reevaluated in a manner that takes into account the significant lack of consistency with which he referenced the New Testament in his classroom lectures as opposed to his published works that were intended for circulation.
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Barney, Justin Asay. "PHerc. 698 Cr. 3-4: A New Edition." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5886.
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The following is a new edition of PHerc. 698 cr. 3-4, including an introduction, English translation and commentary. An in-line reprint of PHerc. 19, including a new English translation, is also included for continuity of thought and language.
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Kim, Sarm. "Works for violin from distinct European compositional traditions in the first half of the 20th century nationalism, impressionism, and neo-classicism /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3190.
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N'Gbesso, Hélène. "Nouvelles tendances de la poésie écrite en Afrique noire francophone de 1970 à 2000." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030064.
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Cette thèse sur la poésie écrite a pour sujet, la connaissance du genre dans la période comprise entre 1970 et 2000. Elle propose sur une base d’auteurs et de textes une ébauche de critique des styles et des formes comme celle du contenu. Quatorze pays qui composent le corpus. Il s’agit du Benin, Burkina Faso, du Cameroun, de la Centrafrique, du Congo, de la RD Congo, de la Cote d’lvoire, du Gabon, de la Guinée, du Mali, du Niger, du Sénégal, du Tchad et du Togo. Ce travail est traité sur trois parties : les itinéraires littéraires, les thèmes importants et les styles.Du point de vue thématique, les poèmes ont permis de déceler plusieurs itinéraires dont le plus pertinent montre les étapes de la déliquescence sociale. Depuis les années 70 se sont succédé les thèmes du désenchantement, du désarroi et du mal-être correspondant aux périodes des années 70/80 ; 80/90 et de 90 à 2000. Toutes ses idées étaient étiquetées dès les premières œuvres de Tchicaya U Tamsi, le précurseur de cette génération de poètes. Parallèlement, se développe une autre orientation qui, elle, donne sur l’espoir. Ce sont les thèmes de la race, de l’amour et de la révolution. Quant à l’écriture poétique, il se passe une éclosion de formes dont certaines revêtent des caractères de plus en plus osés. Très souvent, l’imagination va puiser, dans les tréfonds des cultures, des matériaux de création. Des poèmes intégralement allégoriques (oscillant entre rêve et réalité) aux poèmes, fusion parfaite entre plusieurs genres poétiques (là où on est amené à parler d’influence de la poésie orale sur la poésie écrite) à côté des poèmes plus classiques bâtis sur la recherche de formes fixesThis thesis on written poetry has for object the knowledge of the kind between 1970 and 2000. It provides on a base of authors and texts, critical insight of the styles and the shapes like the content’s. Fourteen countries are included in the corpus. There are Benin, Burkina Faso, Cameroon, Central Afiican Republic, Congo, DR Congo, Cote d'Ivoire, Gabon, Guinea, Mali, the Niger, Senegal, Chad and Togo. This work is treated in three parts : the literary routes, important themes and the styles. On the thematic point of view, the poems have helped identify several routes of which the most relevant shows stages of the social deliquescence. Since the 70, themes of disillusionment, dismay and discomfort succeeded one another, corresponding to periods of the years 70/80, 80/90 and the 90s to 2000. All this ideas were labeled in the early works of Tchicaya U Tamsi, the precursor of this generation of poets. Meanwhile, a different trend, which carries hope, develops itself. These are the themes of race, love and revolution. As for poetry writing, an outbreak of forms happens, some carries more and more daring characters. Very often, the imagination will draw from the depths of cultures from creation materials. From fully allegorical poems (oscillating between dream and reality) to poems, perfect fusion between several poetic genres (where one is led to speak of the influence of oral poetry on written poetry) alongside more traditional poems built on the quest of fixe shape
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Lee, Hyung-Goo. "How "authentic" was Russian Neo-Classicism? : a re-examination of the sources and dissemination of Classical knowledge and the problem of literary taste /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/7171.
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Bell, Inna A. "Building the New Rome: Charles Cameron as the Architect of Catherine the Great's New Eternal City." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3388.
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Catherine the Great, The Empress of Russia, considered herself to be an enlightened ruler. Like many enlightened minds of the eighteenth century, she was fascinated with classical antiquity, especially with ancient Rome. In 1779, she invited a Scottish architect named Charles Cameron to complete a series of building projects for her that would create a "second Rome" in Tsarskoye Selo and in Pavlovsk, Russia. Cameron, an expert on classical antiquity because of his studies of the Roman ruins and the publication of his book, The Baths of the Romans, had a special interest in and a dedication to classical antiquity, desiring to make Catherine's Rome as "authentic" as possible. Cameron's expertise was not the only reason why Catherine hired him and made him her imperial architect; Catherine was also fascinated with his background as a Scottish aristocrat and the leader of the Lochiel clan in exile. However, Cameron falsified his identity as a Highlander to make himself more attractive to Catherine; in addition, his own skill in creating an entirely new identity made him more qualified to produce a simulation of Rome that would seem real. Catherine's fascination with Cameron could also be explained by the fact that both Catherine and Cameron were foreigners trying to validate their presence in Russia through their identities. But regardless of Cameron's true identity, his wonderful buildings are great contributions to the eighteenth century neoclassicism.
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Caboverde, Enrique III. "A Graduate Guitar Recital Consisting of Works by Leo Brouwer and Mario Castelnuovo-Tedesco with Extended Program Notes." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/640.
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This thesis presents extended program notes for a recorded graduate classical guitar recital consisting of the following works for solo guitar with string quartet and chamber orchestra: Mario Castelnuovo-Tedesco: Quintet for Guitar and Strings, Op. 143; Leo Brouwer: Concerto No. 3 (“Elegiaco”). Both works are pioneering and invaluable contributions to guitar literature. Tedesco’s Quintet for Guitar and Strings, Op. 143 is the first quintet ever composed to properly showcase the virtuosity of the guitar within a chamber setting. Concerto “Elegiaco” demonstrates the refinement of Leo Brouwer’s use of post-modern tonality and minimalism within classical form, and showcases his unique compositional style.
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Tumblin, Jericha Brenn. "Paul in the Gentile Synagogue: The Areopagus Episode (Acts 17:16-34) in its Literary and Spatial Context." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556299519527043.
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Lucas, David John. "Neo-classicism : historical and modern perspectives : a comparative study of two piano concertos of 1924 by Igor Stravinsky and Paul Hindemith. Commentaries on the folio of compositions." Thesis, University of Reading, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440083.
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Snow, Megan Ashley. "The Unexpected Symbol of the New Woman: Ella Ferris Pell's Salome." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6371.
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This thesis argues that Ella Ferris Pell's 1890 painting, Salome, provides a unique interpretation of the ideals of the New Woman, specifically in terms of reclaiming female power through Salome's confidence in her sexuality. By examining the cultural context in which Pell exhibited her painting, as well as her background as an artist, I hope bring to the light the significant ways in which Pell's Salome participates in the construction of the New Woman in late nineteenth-century culture. Since Pell was an American woman who trained and exhibited in both the United States and France, this paper explores the significance of the New Woman in both countries. Through the examination of these ideas, we can better appreciate the way in which Pell approached her painting and why it was not well received in Paris—despite its popular subject matter, technical execution, and relevance to the popular topic of the women's movement. Drawing upon the rich visual culture of this era, I offer a comparative study of how both images of women and actual women embraced sexuality and femininity as a means of exerting influence over men, and by so doing, carved out a sphere of influence in a male-dominated society.
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Hill, Robert Stephen. "Duae M. A. Mureti Orationes in Platonis Rem Publicam Commentariis Instructae." UKnowledge, 2016. http://uknowledge.uky.edu/mcllc_etds/4.
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Marcus Antonius Muretus, qui inde ab anno 1526o usque ad 1585m vixit, modo Latine scribendi optimo insignis et apud aequales et apud posteriores, annis 1573o et 1574o duas in Platonis Rem Publicam habuit orationes. Quarum contextus in hoc opusculo editur commentariisque instruitur, quo facilius a lectoribus hodiernis sententiae Mureti legantur ac intellegantur. In praefatione quam huic opusculo adiunximus tractantur etiam res nonnullae quae ad Muretum et ad has orationes de Platone habitas pertinent: videlicet Mureti vita, sententiae eius ad artem rhetoricam pertinentes, controversiae Ciceronianae, studia Graeca, philosophia Platonica, denique ratio quam ad hanc editionem perficiendam adhibuimus.
Marc-Antoine Muret (1526-1585), known for his excellent Latin style both in his own time and afterwards, gave two inaugural speeches on Plato's Republic in 1573 and 1574. This thesis contains an edition of these speeches together with a commentary aimed at readers comfortable in classical Latin but perhaps new to Muret and to Renaissance studies. In a preface to this edition and commentary, several subjects are discussed that are essential for understanding Muret and the context of these speeches: Muret's life; his views on rhetoric and the imitation of Cicero; Greek studies in the Renaissance; Platonic philosophy; and finally the text of the speeches and other matters specific to this edition.
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García, Córdoba Miguel. "Ornamentación arquitectónica: del racionalismo al art Nouveau. Concreción en la arquitectura cartagenera del eclecticismo y el modernismo." Doctoral thesis, Universidad de Murcia, 2009. http://hdl.handle.net/10803/10882.
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La evolución de los planteamientos arquitectónicos tras el Barroco derivó, tras un complejo periodo de análisis, en una nueva arquitectura apoyada en unos condicionantes absolutamente nuevos. Criterios revisionistas, historicistas, técnicos o simplemente apoyados en la intencionalidad estética o expresiva dieron lugar a un nuevo estilo de difícil y, desde luego, amplia definición. A finales del XIX, también como respuesta a un largo periodo de indefinición y dogmatismos, surge el Art Nouveau.La ciudad de Cartagena presenta algunas notables singularidades en este último periodo que la hacen especialmente interesante en el campo de la ornamentación y estética arquitectónica. Sus condiciones económicas, geográficas y la personalidad de algunos de los arquitectos afincados, determinaron el desarrollo de un eclecticismo y modernismo singulares que acabaron por fundirse, generando a partir de los primeros años del siglo XX, un panorama estético digno de análisis.The evolution of architectural approaches after the Baroque period resulted, after a complex period of analysis, in a new architecture supported by some entirely new constrains. Revisionism, historicist, technical or simply based on a aesthetic or expressive intentions criteria led to a new kind of style which was difficult to define. In the late nineteenth century, partly in response to a long period of uncertainty and dogmatism, emerged the Art Nouveau.In this period, the city of Cartagena presents some remarkable peculiarities which makes especially interesting in the field of aesthetic and architectural ornamentation. Its economic and geographic conditions, together with the personality of some of the architects settled, determined the development of a unique eclecticism and modernism that eventually merged, resulting, from the early twentieth century, in an aesthetic landscape worthy of analysis.
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Andersson, Oskar. "A moderate excess : Argumentation and conceptual change in the luxury debate in Swedishdissertations, 1722–1779." Thesis, Uppsala universitet, Historiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-294861.
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Research into the luxury debate in 18th century Sweden has focused on poetry and literature, the wording of decrees and the minutes of the Swedish riksdag. One source material largely left unexplored is the body of dissertations published by Swedish universities of the time. Not only is this an unfortunate omission as the universities were important intellectual centres, but also because they had a distinct culture, heavily influenced by Latin and the classics, in which luxury condemnations played a pivotal role. Building on the notion that ideas are best studied as arguments in debates, this master’s thesis examines twelve dissertations published in Sweden in the years 1722–1779 using models of conceptual change and argumentation analysis as theoretical approaches. The results indicate that the academic debate on luxury, through its focus on classical antiquity and conceptual definition, distinguished itself from other contemporary Swedish contributions to the debate, and that the interpretation of its characteristics must proceed from both the dissertation genre and the learned culture of university. The investigation furthermore stresses the importance of the university as a venue for reception of ideas in the latter part of the Early Modern Period and emphasises the dissertations as a central medium in this process.
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Manuel, Daniel. "Les correspondants français de Canova (1785-1822) : contribution à une histoire sociale et matérielle du goût au tournant du XIXe siècle." Thesis, Brest, 2018. http://www.theses.fr/2018BRES0104.
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Le sujet inédit de la thèse repose sur un fonds d’archives. Il questionne la réception du sculpteur néoclassique italien Antonio Canova (1757-1822) dans les cercles et salons mondains à travers la correspondance de personnalités françaises aux profils multiples, du Consulat, de l’Empire et de la Restauration. Au gré des lettres, se dessine l'image d’un artiste aux prises avec des intérêts économiques, artistiques et sentimentaux. La séduction opère auprès des Napoléonides lui assurant protection et commandes ; elle gagne aussi les représentants du pouvoir à Rome et les salonnières pris au jeu de la délicatesse et du charme des compositions de l’Italien. La recommandation apparaît comme un mode de communication privilégié entre artistes et reflète la vitalité de ce type de lettre ainsi que la diversité des réseaux. La correspondance met en évidence le changement de statut de l’artiste qui adapte sa célébrité aux exigences de ses commanditaires en devenant un véritable homme d’affaires. Partagé entre désir d’émancipation et fidélité aux choix esthétiques de son mentor Quatremère de Quincy, Canova livre une production polymorphe qui le fait apprécier de la critique et du public qui cherche à voir en lui l’héritier moderne des sculpteurs grecs : mais ses rares présences et expositions à Paris limitent son impact. L’influence du premier romantisme dans la peinture néoclassique imprègne la production canovienne lui conférant son originalité. L’étude des missives fait surgir des questionnements historiques, matériels et esthétiques dont les épistoliers de Canova sont les témoinsThe novel subject of this thesis is based upon archive material. It is centered on how the work of Italian neo-classical sculptor Antonio Canova was received in the most glamorous clubs and salons, through the study of letters exchanged by French celebrities from different walks of life during upon the periods of the Consulate, the Empire and the Restauration. Letter after letter, the image of an artist confronted with économie, artistic and sentimental challenges emerges. He succeeds in winning over the Napoleonides who grant him their patronage and their protection. He also gains the support of government représentatives in Rome and of fashionable women who are enraptured by the charm and the refinement of the Italian sculptor’s compositions. Référencés appear as a privileged form of exchange between artists, and reflect the vitality of this type of letter, and the variety of networks.Correspondence demonstrates the changing status of the artist who adjusts his réputation to the demands of his patron, thus becoming a true businessman. Torn between his longing forfreedom and his commitment to the artistic leanings of his mentor Quatremère de Quincy, Canova's production has many facets, which endear him to critics and to the public who wishes to see him as the modem heir of Greek sculptors. Yet as he rarely visits Paris and his work is rarely exhibited there, his impact is limited. The influence of early romanticism on ne classical painting permeates Canova’s works, and is a tribute to his originality. Studying these letters brings to light historical, material and esthetic questions that their authors bear witness to
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Toscano, Dennis. "Carthago Indiarum Obsessa, Sed Non Expugnata: Praefatio, Editio Critica, Commentarius, Paraphrasis Versuum Quibus Celebratur Victoria Hispanorum a Britannis Anno 1741 Reportata." UKnowledge, 2016. http://uknowledge.uky.edu/mcllc_etds/5.
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Opus cui titulus est "Carthago Indiarum obsessa sed non expugnata" est carmen divulgatum sine nomine auctoris saeculo duodevicesimo ad celebrandam vic- toriam quam Hispani a Britannis Carthagenae Indiarum anno 1741 in bello auris illius Ienkins (vulgo, the War of Jenkins’ Ear) reportaverunt. In hac thesi tractantur modo satis compendiario res gestae huius proelii quo melius lectores carmen ipsum possint intellegere. Necnon hic inveniuntur ea quae spectant ad huius opusculi genus, indolem et momentum litterarium. Postremo, praebetur hic editio critica, paraphra- sis Latina, commentarius in hoc carmen scriptus. Ex hoc carmine potest conspici quomodo litterarum Latinarum patrimonium pertineat ad omnes aetates, ad omnes gentes, ad omnes patrias.
The work Carthago Indiarum obsessa, sed non expugnata ("Cartagena de Indias, Assailed but not Captured") is an eighteenth century anonymous poem that celebrates the Spanish victory over the English at Cartagena de Indias during the War of Jenkins’ Ear in 1741. This thesis presents a summary of the battle in order to contextualize the significance of the poem. It further presents a literary analysis of the poem’s genre, characteristics, and literary importance, as well as a critical edi-tion, a paraphrase in Latin prose, and a commentary. From analyzing this poem, one can see some ways in which the Latin literary patrimony brought from the ancients pertains to all ages, peoples, and nations.
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Kerby, Erik R. "Negotiating Identity in the Transnational Imaginary of Julia Alvarez's and Edwidge Danticat's Literature." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1402.
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The increased contact between nations and cultures in the globalization of the twenty-first century requires an increased accountability for the ways in which individuals and countries negotiate these points of contact. New World and Caribbean Studies envision the cross-cultural and transnational encounters between indigenous, European, and African peoples as important contributors to a paradigm within which identity in relation offers an alternative to identities rooted in national and filial frameworks. Such frameworks limit the ability to construct identity without relying upon static representations of history, culture, and ethnicity that tend to privilege one group over another. In the literature of Edwidge Danticat and Julia Alvarez, however, a fictional space is created that rewrites national histories and problematizes rooted identities through their novels' characterization. This fictional space is a transnational paradigm that—in the vocabulary of the critical theories of Édouard Glissant, Antonio Benítez-Rojo, and David A. Hollinger—explores the effects of cultures founded on ideas of relation and affiliation rather than on rooted socio-cultural legitimacy and ethno-political authority. Danticat and Alvarez's characters engage in a process of present living that allows them to negotiate their experience of diaspora and maintain a stable construction of identity in relation.
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黃梓勇. "章太炎、劉師培《春秋左傳》學研究 : 清末民初經學轉型抉微 = A new discussion on the transition of classical studies in late Qing and early Republic China : the case of Zhang Taiyan's and Liu Shipei's scholarship on the Zuo commentary." HKBU Institutional Repository, 2011. http://repository.hkbu.edu.hk/etd_ra/1244.
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Starý, Jan. "Historický vývoj výstavby bytových domů a jeho vliv na tržní ceny bytů v současnosti v Liberci." Master's thesis, Vysoké učení technické v Brně. Ústav soudního inženýrství, 2013. http://www.nusl.cz/ntk/nusl-232777.
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This thesis on historical development of the construction of residential buildings and its effect on market prices of dwellings currently in Liberec accompanies the issue of correlation between architectural styles and price currently. It is divided into two parts, theoretical and practical. The theoretical part is focused on explaining concepts such as housing, housing stock, housing market and its failure, which follows the historical description of the construction of residential buildings. In other chapters of this part is talking about urban planning and housing policy. The practical part looks at this issue from the perspective of a particular town, which is Liberec. For him the basic information about the local conditions, history of architecture and subsequently through the commodities market tested real estate prices mentioned correlation and era of construction. The main source of research is in the thesis comparing average prices per m2 for each building type. During and at the end, the results are commented and compared.
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Nava, Tomas Hidalgo. "Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima"." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/146.
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This study offers a comparative analysis of Rosario Castellanos' Balún-Canán and Rudolfo Anaya's Bless Me, Ultima, novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow and develop in a context where they need to build bridges between their European and Amerindian roots in the middle of external influences that complicate the construction of a new mestizo consciousness. In order to attain that consciousness and free themselves from their divided selves, these children receive the aid of an indigenous mentor who teaches them how to establish a dialogue with their past, nature, and their social reality. The protagonists undertake that negotiation by transgressing the rituals of a society immersed in colonial dual thinking. They also create mechanisms to re-interpret their past and tradition in order to create an image of themselves that is not imposed by the status quo.
In both novels, the protagonists have to undergo similar processes to overcome their identity crises, including transculturation, the creation of sites of memory, and a transition from orality to writing. Each of them resorts to creative writing and becomes a sort of shaman who pulls together the "spirits" from the past, selects them, and organizes them in a narration of childhood that is undertaken from adulthood. The results of this enterprise are completely different in the cases of both protagonists because the historical and social contexts vary. The boy in Bless Me, Ultima can harmoniously gather the elements to construct his identity, while the girl in Balún-Canán fails because of the pressures of a male-centered and highly racist society.
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Fanning, Sarah Elizabeth. "Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8524.
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The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel.
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Heyl, Christoph. "The Pastoral Pipes: A New Musical Instrument and the Aesthetics of Neo-Classicism." 2020. https://slub.qucosa.de/id/qucosa%3A73210.
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Houston, Bradford R. "The marketplace as a vehicle for social and economic revitalization a new market hall for LaGrange, Georgia /." 2006. http://etd.nd.edu/ETD-db/theses/available/etd-04212006-005302/.
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Hsieh, Lan-li, and 謝蘭莉. "Neo-Classicism in Hindemith’s Flute Sonata, First Movement." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/73939953313540074990.
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Mendonça, Luís Guilherme Jordão de. "As Imagens de Morris Engel e Ruth Orkin: O Berço da Modernidade no Cinema." Master's thesis, 2010. http://hdl.handle.net/10362/123981.
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Esta dissertação debruça-se sobre a obra de Morris Engel e Ruth Orkin. Com base em textos e teorias de André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul e Richard Leacock, procuramos dar sustentabilidade à ideia (apontada por estes autores) que Little Fugitive (1953) é o “elo que falta” entre a fotografia de rua, o neo-realismo italiano e o nascimento do cinema independente norte-americano tal como da Nouvelle Vague francesa; e que se deve a Morris Engel a paternidade do primeiro sistema síncrono som-imagem inteiramente móvel, posto à prova na sua última longa-metragem, Weddings and Babies (1958).This dissertation deals with the work of Morris Engel and Ruth Orkin. Supported by the texts and theories of André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul and Richard Leacock, I try to sustain the idea (pointed out by these authors) that Little Fugitive is the “missing link” between street photography, the Italian neorealism and the birth of the American independent cinema as such as the French New Wave; and that Morris Engel is the inventor of the first fully mobile, synchronous sound-and-picture system, which was tested in his last movie, Weddings and Babies (1958).
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Kutílková, Dagmar. "Předpoklady vzniku novodobého pánského obleku(Obecné a jedinečné v typologii mužského dvorského, vojenského a církevního oděvu ve světle ikonografických a písemných pramenů v českých zemích raného novověku v rámci evropské kultury odívání)." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-326731.
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v anglickém jazyce The dissertation thesis with title "Presumptions of the formation of the modern men's suit" elaborates the general and unique features in the typology of men's court, military and ecclesiastical clothes. Research, which is based on written, iconographical and material sources, is aimed at environment at the court of the Austrian Habsburgs in early new ages from the end of the 15th century till beginning of the 90s of the 18th century having respect to history of clothing in the in Czech countries in the context with European clothing culture. The conception of the thesis goes out from the approach to men's suit in the history of clothing as to the cultural discipline. The main theoretic-metodological basis is investigsation of the general and the unique features in the concrete types of the men's clothing, which are characterized most of all of the contemporary construction (cut), material (cloth) and colours of the men's clothing and which has got the style-forming importance by means of these general features. The results of the research work amplifies not only the knowledge in the area of the clothing history, but also brings the possibility of practical application of this knowledge to increase of the cultural values of written, iconographical and material memories with time,...
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"The classics and the contemporary--a new blend of small group theory." Alfred P. Sloan School of Management, Massachusetts Institute of Technology, 1992, 2003. http://hdl.handle.net/1721.1/2423.
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Wu, Chia-hsin, and 吳家馨. "A Study of Melodic Development and Voice Relationship of Neo Classicism in Stravinsky’s Suite Italienne." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/28820723677447786981.
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Smrz, Jiri. "Symphonic Stalinism : Claiming Russian musical classics for the new Soviet listener, 1932-1953." 2005. http://proquest.umi.com/pqdweb?did=1268594061&sid=2&Fmt=2&clientId=12520&RQT=309&VName=PQD.
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吳依凡. ""The New Meanings on Three Classics" and the construction of Wang Anshi Xinxue." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/97449839023037449099.
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Sun, Kan-Hsi, and 孫甘惜. "A Study on the Neo-Classicism in Piano Music: Stravinsky's Tango and Kabalevsky's Piano Sonata No.3, Op.46." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/01148302395962200031.
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Chueh, Li-Min, and 闕麗敏. "The New Viewpoints of “Zhengjia and Jiju” in the TCM classics during the Sui and Tang Dynasties." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4b4uzy.
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Mesquita, Jorge Manuel Simão. "Fundamentos da cultura Greco-romana no Bom Jesus do Monte." Master's thesis, 2018. http://hdl.handle.net/1822/60362.
Full textAbstract:
Dissertação de mestrado em Património CulturalO Bom Jesus do Monte é um santuário de excelência que se localiza nos arredores da cidade de Braga e que merece a atenção e admiração dos bracarenses, assim como dos inúmeros turistas, crentes e não crentes, que se deslocam ao local. Esta pesquisa tem como objetivo estudar alguns aspetos da cultura greco-romana presentes no Bom Jesus do Monte, em Braga. Existem vários estudos sobre este sacro-monte, porém as referências à mitologia clássica presentes no local são um ponto pouco explorado e abordado nestes estudos. Neste sentido, deu-se especial atenção aos ornamentos que aludem a figuras da mitologia greco-latina, sendo necessário referi-los e estudá-los, destacando-os pela sua importância e simbologia, em articulação com o local ao qual foram destinados, e explorando aspetos que ainda não tenham sido apreciados em estudos anteriores. As inscrições epigráficas também são um ponto abordado nesta investigação, uma vez que, estando presentes, o seu entendimento se torna indispensável para os que queiram tentar compreender as intenções que nortearam a criação dos vários programas que integram o conjunto total deste sacro-monte tal como ele se nos afigura hoje. A preservação do local, mudanças a que esteve sujeito e os sinais visíveis de erosão do tempo são também abordados neste estudo. Deu-se também especial atenção à criação de uma proposta de rota para turistas aplicada ao percurso deste sacro-monte para facilitar uma maior compreensão da evolução do local das origens e até à atualidade e sua importância. Em suma, o Bom Jesus do Monte é um local sagrado que passa direta e indiretamente uma mensagem impressionante de uma obra de arte completa, que reflete e comunica a cada instante um discurso tanto religioso como artístico a quem lá passa, pelo que é importante tentar estudá-la, percebê-la e comunicá-la aos visitantes interessados.
Bom Jesus do Monte is a sanctuary of excellence in the city of Braga that deserves the attention and admiration of the various tourists, believers and non-believers, who explore this place. This research aims at a study on some aspects of Greco - roman culture present in Bom Jesus do Monte, Braga. There are several studies about this sacrum-mount but the allusions at aspects of classical mythology present in this place are seldom explored and mentioned in these studies. Therefore, special attention was paid to the ornaments that refer to classical mythology; this research meant to identify the mythological goddesses, gods and heroes alluded to in various elements present in this architectural and landscape complex, paying attention to the relation between mythological figures and their placement and exploring aspects that were not yet referred to in previous studies. Latin epigraphic engravings were also studied because, having been intended and done, if one wants to get a glimpse into the intentions of the mentors, one has also to understand them within the overall arrangement of this heritage site. The preservation of the place, changes over time and the visible signs of erosion are also addressed in this study. Attention was also paid to the creation of a proposal for a tourist route along this sacrum-mount with the intention of providing information for a better understanding of various levels of meaning and the evolution of this complex. Bom Jesus do Monte is a sacralised place that conveys, directly and indirectly, an impressive message of a total art work that, at every moment, provides discourses both religious and artistic to those who wander there, reasons why it is so important to try to study and to try to understand it.