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Relevant bibliographies by topics / New Comedy

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Academic literature on the topic 'New Comedy'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "New Comedy"

1

Lowe, N. J. "III New Comedy and Menander." New Surveys in the Classics 37 (2007): 63–80. http://dx.doi.org/10.1017/s0017383508000454.

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After Aristophanes' Wealth (388), our next complete surviving comedy is Menander's Dyskolos from 316: a gap longer than the period spanned by our entire corpus of surviving tragedy. The lost lifetime of ‘Middle Comedy’ is far from a desert; though papyrus texts are scarce, quotations in later Greek texts are very numerous, with Athenaeus' ten-book dialogue Deipnosophistae or ‘Dinner-Party Scholars’ (c. 200 AD) a particularly rich source of snippets concerned with all aspects of food, drink, and the symposium – themes which, even allowing for Athenaeus' specialized interests, seem to have been

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Teague, Frances. "Othello and New Comedy." Comparative Drama 20, no. 1 (1986): 54–64. http://dx.doi.org/10.1353/cdr.1986.0051.

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Ma, Ye. "A comparative and acceptance study of women’s discourse in Chinese-American online stand-up comedy." SHS Web of Conferences 174 (2023): 02014. http://dx.doi.org/10.1051/shsconf/202317402014.

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As an emerging form of comedy, stand-up comedy has developed rapidly and attracted widespread attention in various countries today through the production and dissemination mode of new media. In order to better understand the cultural characteristics of stand-up comedy and provide methodological inspiration for contemporary feminist public expression, this essay focuses on online stand-up comedy in China and the United States. Drawing on relevant theories from feminism, gender sociology, reception aesthetics, and communication studies, this essay uses textual close reading and comparative analy

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Greene, A. "THE NEW COMEDY OF MANNERS." Theater 23, no. 3 (1992): 79–83. http://dx.doi.org/10.1215/01610775-23-3-79.

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Rosivach, Vincent J. "The Audiences of New Comedy." Greece and Rome 47, no. 2 (2000): 169–71. http://dx.doi.org/10.1093/gr/47.2.169.

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There is a school of thought which attributes the more refined discourse of New Comedy (compared with that of the Old) at least in part to a change in the composition of Athenian theatre audiences. This way of thinking assumes that payment for attending theatre performances (the so-called theōrikon) was discontinued along with other payments for i public service under the oligarchic regimes Macedonia imposed upon Athens in the late fourth century B.C.; and it further assumes that with the elimination of this subsidy many of the poor could no longer afford to attend the theatre. The first of th

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Zhang, Fan, and Jingyu Lu. "“Post-Truth”: Diversified Visual Expression of Social Issues." Journal of Education, Humanities and Social Sciences 34 (July 9, 2024): 96–100. http://dx.doi.org/10.54097/x1kbt785.

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The movie “Post-Truth” was released in 2023, which, as always, continues its director Da Peng’s direction of comedy creation while having a new expansion. In this commercial comedy film, Da Peng incorporates emerging elements such as livestreaming and room escape, and shows social issues such as cyber violence, rumor spreading, and school bullying, which are closely related to the current reality. The film expresses serious social issues in a comedic way. This article will focus on the Chinese chivalrous spirit, genre hybridity, audiovisual presentation and imagery expression of the film, anal

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Gianvittorio, Laura. "New Music and Dancing Prostitutes." Greek and Roman Musical Studies 6, no. 2 (2018): 265–89. http://dx.doi.org/10.1163/22129758-12341323.

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Abstract Old Comedy often brings prostitute-like dancers on stage while parodying the New Music. This paper argues that such dances were reminiscent of sex practices, and supports this view with dance-historical and semantic evidence. For the history of Greek dance, I survey the literary evidence for the existence of a dance tradition that represents lovers and their acts, and which would easily provide Comedy with dance vocabulary to distort. The semantic analysis of three comic passages, all criticising the New Music in sexual terms, shows a consistent overlapping between the semantic fields

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Manuwald, Gesine. "Roman Comedy." Brill Research Perspectives in Classical Poetry 1, no. 2 (2020): 1–88. http://dx.doi.org/10.1163/25892649-12340002.

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Abstract This contribution provides an introduction to all varieties of ‘Roman comedy’, including primarily fabula palliata (‘new comedy’, as represented by Plautus and Terence) as well as fabula togata, fabula Atellana, mimus and pantomimus. It examines the major developments in the establishment of these dramatic genres, their main characteristics, the performance contexts for them in Republican Rome, and their reception. The presentation of the key facts is accompanied by a description of the influential turns and recent trends in scholarship on Roman comedy. The essay is designed for schol

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Warońska, Joanna. "Kobiecość a płeć żeńska. Komediopisarki dwudziestolecia międzywojennego wobec dyskursu emancypacyjnego." Wielogłos, no. 2 (44) (2020): 91–116. http://dx.doi.org/10.4467/2084395xwi.20.013.12404.

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Femininity and the Female Gender: Female Comedy Writers of the Interwar Period in Relation to the Emancipation Discourse The article presents an analysis of selected interwar comedies written by women – Marcelina Grabowska, Maria Morozowicz-Szczepkowska, Maria Pawlikowska- -Jasnorzewska and Magdalena Samozwaniec – and dealing with issues related to the emancipation discourse: motherhood, abortion, shaping a new female role model, and relationships in women’s groups. The heroines of those plays, increasingly liberated and self-aware, demanded the rights traditionally assigned to men, while tryi

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Warońska, Joanna. "Kobiecość a płeć żeńska. Komediopisarki dwudziestolecia międzywojennego wobec dyskursu emancypacyjnego." Wielogłos, no. 2 (44) (2020): 91–116. http://dx.doi.org/10.4467/2084395xwi.20.013.12404.

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Femininity and the Female Gender: Female Comedy Writers of the Interwar Period in Relation to the Emancipation Discourse The article presents an analysis of selected interwar comedies written by women – Marcelina Grabowska, Maria Morozowicz-Szczepkowska, Maria Pawlikowska- -Jasnorzewska and Magdalena Samozwaniec – and dealing with issues related to the emancipation discourse: motherhood, abortion, shaping a new female role model, and relationships in women’s groups. The heroines of those plays, increasingly liberated and self-aware, demanded the rights traditionally assigned to men, while tryi

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Dissertations / Theses on the topic "New Comedy"

1

Sinner, Megan. "FEMINISM IN THE FILMS OF NEW GERMAN COMEDY." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1146072869.

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Baker, Clara Adams. "A New Woman: The Heroine of Screwball Comedy." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/311752.

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May, Regine. "A comic novel? : Roman and new comedy in Apuleius' Metamorphoses." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270113.

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Petrides, Antonios Kyprou. "Faces of allusion : intertextuality and the mask of new comedy." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615067.

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Wickham, Philip John. "British situation comedy and "the culture of the New Capitalism"." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/8983.

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This study examines British television situation comedy over the last fifteen years and analyses the genre as part of a discourse about the nature of modernity. In this period globalisation, technology and the rapid reassessment of formerly established social structures have created new modes of everyday existence that represent significant changes to people’s lives. The thesis argues that contemporary sitcoms address these shifts in social understanding and anxieties about contemporary British life. A wide range of texts are discussed, four in particular detail; Peep Show, Love Soup, Saxondal

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Hudson, Ben. "The new comedian : media and technology in stand-up comedy." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/50238/.

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This thesis is an investigation of media and technology in stand-up comedy performance and a reflection on Practice as Research undertaken at the University of Kent, UK. Using case studies of experimental stand-up practice and the work of professional comedians, I examine the application of technology in stand-up comedy and analyse the performance dynamics of mediatized stand-up. The framework of this study is formed by three Practice as Research performances, considering issues of time, body and space fundamental to live performance and media theory. Ben Hudson’s Super Media World (2012) used

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Boyle, Bridget C. "Bits and bumps: Understanding gender in contemporary physical comedy." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/83638/1/Bridget_Boyle_Thesis.pdf.

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This study investigates how the gender of a performer affects the way they produce physical comedy in a theatrical context, framed through Kristeva's theory of abjection and Butler's notion of gender as performance. As a thesis by creative work, it produced an original piece of theatre, The Furze Family Variety Hour, which featured a male/ female comic duo, where the female performer enjoyed an equal share of the punch lines. The study generates a new understanding of how the body operates in physical comedy, namely, a system of bodily registers, as well as a new understanding of the female gr

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Cinaglia, Valeria. "Aristotle and Menander on the ethics of understanding." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3182.

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This doctoral thesis explores a subject falling in the interface between ancient Greek philosophy and literature. Specifically, I am concerned with common ground between the New Comedy of Menander and aspects of Aristotle’s philosophy. The thesis does not argue that the resemblance identified between the two writers shows the direct influence of Aristotle on Menander but rather thay they share a common thought-world. The thesis is structured around a series of parallel readings of Menander and Aristotle; key relevant texts are Menander’s "Epitrepontes", "Samia", "Aspis", "Perikeiromene" and "D

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Sander, Johanna. "The television series Community and Sitcom : A case study aimed at the genre of contemporary American Sitcom television series." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-15067.

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This thesis is asking whether the television series Community (2009-) can be defined as a Sitcom, combined with a look at how other genres that generally are considered to be non-comic are incorporated in the series and how those are identifiable as well as whether or not they compromise Community’s possible label as a Sitcom. In seeking to define this show’s place in its own genre I found that whilst Community does not follow the archetypal technical conventions of Sitcom, it still does follow some of its setups, tropes and ideas. It does not suffice as a classical Sitcom, but it does lean on

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Torrissen, Wenche. "The Gaiety girl as a new, 'new woman' : pleasure, female desire and sexual subversion in late-Victorian and Edwardian musical comedy." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521776.

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Books on the topic "New Comedy"

1

Kanin, Garson. Peccadillo: A new comedy. S. French, 1990.

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Webster, T. B. L. Monuments illustrating new comedy. 3rd ed. Institute of Classical Studies, University of London School of Advanced Study, 1995.

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Ivens, Michael. The new divine comedy. Mammon Press, 1990.

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Edahl, Ed. Comedy explosion: A new generation. Thunder's Mouth Press, 1991.

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Geoghan, Jim. Only kidding!: A new comedy. Fireside Theatre, 1990.

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6

1863-1957, Pathe? Charles, Ambrosio Arturo, Gaumont Leon 1864-1963, et al., eds. Comedy, spectacle and new horizons. Kino on Video, 2002.

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7

Simon, Neil. Biloxi blues: A new comedy. French, 1987.

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8

Regina, Barreca, ed. New perspectives on women and comedy. Gordon and Breach, 1992.

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Barreca, Regina. New Perspectives on Women and Comedy. Routledge, 2022. http://dx.doi.org/10.4324/9781003273714.

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Geoghan, Jim. Only Kidding!: A new comedy by. Fireside Theatre, 1987.

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Book chapters on the topic "New Comedy"

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Beare, W. "Greek New Comedy." In The Roman Stage. Routledge, 2024. http://dx.doi.org/10.4324/9781003482192-6.

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Ilott, Sarah. "Multicultural British Comedy/The Comedy of Multicultural Britain." In New Postcolonial British Genres. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137505224_5.

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Kay, Kavyta. "Women in Internet Comedy." In New Indian Nuttahs. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97867-3_3.

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Kay, Kavyta. "The Currency of Comedy." In New Indian Nuttahs. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97867-3_5.

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Norrish, Peter. "Eugène Ionesco: New Comedy." In New Tragedy and Comedy in France 1945–70. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06780-0_6.

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West, Ben. "The New Musical Comedy." In The American Musical. Routledge, 2024. http://dx.doi.org/10.4324/9781003094548-23.

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James, Sharon L. "Elegy and New Comedy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch16.

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Wild, Jonathan. "What Was New About the ‘New Humour’?: Barry Pain’s ‘Divine Carelessness’." In Victorian Comedy and Laughter. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-57882-2_11.

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Brown, Peter. "Terence and Greek New Comedy." In A companion to Terence. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118301975.ch1.

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Norrish, Peter. "Introduction: New Tragedy and Comedy." In New Tragedy and Comedy in France 1945–70. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06780-0_1.

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Conference papers on the topic "New Comedy"

1

Denisovich, Veronika, Yuliya Grafova, Ilyos Abdullayev, Nadezhda Muratova, and Konstantin Muratov. "Metacommunications: New Horizons of Professional Interaction in Virtual Worlds." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971307.

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Enger, Thomas. "Respirable Crystalline Silica, It’s History, Disease and Osha’s New Standards Understanding the New Regulations." In SSPC 2017 Greencoat. SSPC, 2017. https://doi.org/10.5006/s2017-00020.

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The Occupational Safety and Health Administration issued its new Silica ruling on June 23, 2015 in which industries have one to five years to comply with most requirements. The Construction Industry has until June 23, 2016, while Maritime and General Industry has until June 23, 2017. OSHA estimates that the rule will save over 600 lives and prevent more than 900 new cases of silicosis each year. The Final Rule is projected to provide net benefits of about $7.7 billion, annually. However those oppose to this new regulation believe it is not only technologically and economically infeasible, but

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Martyanov, Denis S., and Galina V. Lukyanova. "Breaking News as a Factor of Media Temporality in Telegram." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971328.

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Hradziushka, Aleksandr A., Ina I. Minchuk, and Yuliya A. Hurava. "News Distribution in the Digital Environment: The Growing Dependence on Platforms." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971320.

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Bykov, Ilya A., and Sergei V. Kurushkin. "Communication Strategy of AI-application in News Reporting: Human Values or Technological Effectiveness?" In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971293.

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Boyer, Charles C. "Waterborne Maintenance Coatings - a New Alternative." In CORROSION 1985. NACE International, 1985. https://doi.org/10.5006/c1985-85009.

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Abstract Waterborne maintenance coatings have finally "come of age." Driven by air pollution regulations, coatings manufacturers and their suppliers have worked to develop waterborne coatings that satisfy the demanding performance requirements of maintenance coatings. These new coatings offer a viable alternative to solvent borne coatings plus the advantages only water can provide.

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Primeaux, Dudley J. "My “Poly” Has Bubbles: the Continued Challenge of Pinholes & Bug Holes with Thick-Film Concrete Coating Work." In Coatings+ 2021. SSPC, 2021. https://doi.org/10.5006/s2021-00025.

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Abstract With coating and lining of concrete, while it may seem like a simple, novel task, there are always challenges. Even though concrete may be one of the largest construction materials used today, it is a complex structural matrix that can be ever changing even in a single placement. The need for coating concrete to either waterproof, or extend the life of the structure is not new to our industry. However, there seems to still be misunderstandings related to problems that may be encountered during application work with high-solids, thick-film, thermoset coating systems. This specifically

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Kuijvenhoven, Cor, and Hongwei Wang. "Bacteria and Microbiologically Induced Corrosion Control in Unconventional Gas Field." In CORROSION 2011. NACE International, 2011. https://doi.org/10.5006/c2011-11236.

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Abstract The unconventional gas field comes with the new energy opportunity but also presents new challenges. One of the challenges is the bacteria and Microbiologically Induced Corrosion (MIC) control due to its more complex water production and use system when the frac fluid reuse a large amount treated produced water compared to the conventional gas field. In the Pinedale field, biocide treatment was applied both to the frac fluids and produced fluids handled in the surface facilities to limit MIC and reservoir souring. After several years of operation treatment regime was such that yearly

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Duggan, Lauren, Perry Comeau, Mark White, and Christopher Dadswell. "Development of a New Pilot Workload Rating Scale." In Vertical Flight Society 81st Annual Forum and Technology Display. The Vertical Flight Society, 2025. https://doi.org/10.4050/f-0081-2025-180.

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Pilot workload assessment has been a keen area of research for many years and has key applicability in flight testing. This paper outlines the development of a novel workload rating scale and index, the Comeau-Duggan Pilot Workload Index, which bridges gaps, such as causal factor identification, between some of the most widely used rating scales in flight test. The conceptualization and evolution of this index has been a multi-year and multi-nation research effort that has built upon the foundation and fundamental principles that underpin current widely accepted workload rating scales used in

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Sen, Wang. "AN ANALYSIS OF THE PRODUCING MECHANISM OF HOMOPHONIC WITTICISM FROM THE PERSPECTIVE OF VERBAL COMMUNICATION：TAKING ROAST AND TALK SHOW CONGRESS AS AN EXAMPLE." In Chinese Studies in the 21st Century. Buryat State University Publishing Department, 2022. http://dx.doi.org/10.18101/978-5-9793-1802-8-2022-186-191.

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With the make complaints about comedy show in the two stage of Tucao con-ference and talk show Congress, the frequent "homophonic witticism" has also been wide-ly watched and imitated by the public. As the dissemination of information,"homophonic witticism" is a kind of innovation in language form, which has a unique expression func-tion. In addition to the classification and analysis of "homophonic witticism" in form, its internal mechanism is also worth exploring. The "homophonic witticism" in talk show is more used by talk show actors to express their attitude towards post-modern social lif

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Reports on the topic "New Comedy"

1

Echenard, Bertrand. Charged Lepton Flavor Violation and the New Mu2e and COMET Experiments. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1579239.

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Freeman, Richard, Emily Jin, and Chia-Yu Shen. Where Do New US-Trained Science-Engineering PhDs come from? National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10554.

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MacGregor, James K. Civilian Personnel Administration: The Time Has Come for a New Paradigm. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada251054.

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Ketterer, Juan Antonio. Digital Finance: New Times, New Challenges, New Opportunities. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0007028.

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Since the end of the great crisis of 2007-10, the financial services industry began a process of accelerating change. New business models based on convergent technological developments are challenging the status quo of a long-established and traditional industry. The purpose of this document is to consider the latest developments in the financial services industry and to discuss how they might affect the ability for firms--particularly small- and medium-sized enterprises (SMEs)--and individuals to access financing. It concludes that the transformative developments in the financial services ind

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Majchrowska, Justyna. TESTIMONIAL IN (NEW) MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11109.

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The linguistic research of (the new) media so far has mainly focused on the analysis of content from broadcasters – people publishing on the Internet in order to convince the potential recipients to enter the website, read articles, explore the website as well as return after leaving it – in exchange for the material or financial benefit. Several years of observation of a variety of text types existing in the media shows that not only texts from broadcasters make it possible to notice and maintain this attention of recipients. Nowadays, similarly as in marketing and advertising, in the media (

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Montgomery, Denise, Peter Rogovin, and Neromanie Persaud. WHEN IT COMES TO ARTS PROGRAMS, KIDS HAVE “SOMETHING TO SAY” KNOWLEDGE IN BRIEF, Key findings from Wallace. The Wallace Foundation, 2013. http://dx.doi.org/10.59656/a-ya1597.002.

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Canzoneri, Matthew, Robert Cumby, and Behzad Diba. The Need for International Policy Coordination: What's Old, What's New, What's Yet to Come? National Bureau of Economic Research, 2002. http://dx.doi.org/10.3386/w8765.

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Johnson, Paul. A new era of higher pay deals should come soon, but with fairer reforms. The IFS, 2017. http://dx.doi.org/10.1920/co.ifs.2024.0728.

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Chang, Charles C., Luis Servén, and Eduardo Fernández-Arias. Measuring Aid Flows: A New Approach. Inter-American Development Bank, 1998. http://dx.doi.org/10.18235/0010758.

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The debate on the effectiveness of foreign aid has intensified in recent years as aid has come under increasing budgetary pressures in donor countries. Whatever the merits of the opposing arguments, the fundamental issue arises of whether conventionally-used measures of aid such as ODA, which lump together grants and loans, accurately reflect true aid flows. This paper analyzes the methodological shortcomings of conventional aid measures, and proposes a new valuation approach that measures official aid flows as the sum of grants and the grant equivalents of official loans. This conceptually su

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Kalyani, Aakash, Nicholas Bloom, Marcela Carvalho, Tarek Hassan, Josh Lerner, and Ahmed Tahoun. The Diffusion of New Technologies. Institute for New Economic Thinking Working Paper Series, 2024. http://dx.doi.org/10.36687/inetwp222.

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We identify phrases associated with novel technologies using textual analysis of patents, job postings, and earnings calls, enabling us to identify four stylized facts on the diffusion of jobs relating to new technologies. First, the development of economically impactful new technologies is geographically highly concentrated, more so even than overall patenting: 56% of the most economically impactful technologies come from just two U.S. locations, Silicon Valley and the Northeast Corridor. Second, as the technologies mature and the number of related jobs grows, hiring spreads geographically. B

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