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Journal articles on the topic 'New compositional form'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Vereshchaga, Viktor, and Kseniia Lysenko. "ELEMENTS OF COMPOSITE DIFFERENTIATION IN POINT FORM." APPLIED GEOMETRY AND ENGINEERING GRAPHICS, no. 103 (December 23, 2022): 114–22. https://doi.org/10.32347/0131-579x.2022.103.114-122.

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It is emphasized that composite geometry is one of the applied areas of development of point-based BN calculus. Having analyzed the existing methods of differential analysis, we came to the conclusion that it is necessary to develop a method of compositional differentiation. Traditional functional analysis is designed to differentiate and integrate functions. Since the point polynomial is not a function, but is a composition of fractions of all points, the set of which makes up the original geometric object, the development of a new method of compositional differentiation is relevant for the a

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2

Sherkulov, Sardor Komilovich. "10. TRADITIONS OF WILLIAM FAULKNER'S PROSE IN MODERN UZBEK LITERATURE." International journal of word art 5, no. 4 (2022): 61–66. https://doi.org/10.5281/zenodo.6775756.

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In literature, it is important to study literature samples in a system of typological similarities. Literary theory emphasizes that typological similarities derive directly from literary influences and literary connections. This article provides information about the factors of literary influence among writers living in different places and times, works and images written as a result of literary influence in world and Uzbek literature. At the same time, it is outlined the influence of Faulkner's novels on modern Uzbek literature, such as the emergence of a new style of storytelling and a n

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3

Piche, Jean. "Music on Image: Compositional strategies for a new art form." Journal of the Acoustical Society of America 104, no. 3 (1998): 1780. http://dx.doi.org/10.1121/1.424137.

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4

Shinkareva, Maya I. "A Fugue as Art: Between Form and Metamorphoses." Contemporary Musicology, no. 2 (2022): 159–71. http://dx.doi.org/10.56620/2587-9731-2022-2-159-171.

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The article explores the informative value of the most common oppositions “typical vs. individual”, “traditional vs. unique”, “stable vs. dynamic” for the study of evolutionary processes in music. The dichotomous method helps to reveal the dialectic of the general and the individual. On top of that, it is instrumental in discovering new approaches and meanings behind them. At the same time, the concepts of “typical”, “traditional”, and “stable” are understood as a generally accepted, recognizable (at the level of a compositional solution), essential and basic property of the form, while the co

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5

Pogrebnyak, Maryna, Olena Nemkovich, and Valerii Hromchenko. "Author’s dance theatre of the XX – the beg. of the XXI centuries: ‘The idea of freedom in the theory of drama’ and its influence on shape." Revista Amazonia Investiga 13, no. 80 (2024): 176–88. http://dx.doi.org/10.34069/ai/2024.80.08.15.

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This article investigates the influence of the ‘idea of freedom in the theory of drama’ on the form of the author’s dance theatre in the 20th and early 21st centuries. Through analysis of creative works by representatives of modern dance theatre, the study identifies and generalizes key stylistic and compositional features. These include: complete freedom in theatrical form and theme selection; liberation from conventional dance vocabulary in favor of ‘unconditional’ movement; free choice of music, including ‘non-ballet’ music; synthesis of diverse elements such as ritual dances, martial arts

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6

Benai, Hafizullah A., Natalya N. Kharkovskaya, and Timur V. Radionov. "Architecture of new generation research institutions under reconstruction conditions." Urban construction and architecture 14, no. 3 (2024): 117–23. http://dx.doi.org/10.17673/vestnik.2024.03.14.

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In the article, the authors focus on key methods and approaches that ensure optimal organization of space for scientific and research work. This contributes to achieving versatility, flexibility and the ability to transform the internal environment. Modern compositional techniques for the architectural transformation of objects of the type under consideration and methods of their application at various levels of architectural formation and development have been studied. The main criteria for the architectural and spatial formation of new generation research institutions have been identified, t

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7

Buch, Shyamal, Li Fei-Fei, and Noah D. Goodman. "Neural Event Semantics for Grounded Language Understanding." Transactions of the Association for Computational Linguistics 9 (2021): 875–90. http://dx.doi.org/10.1162/tacl_a_00402.

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Abstract We present a new conjunctivist framework, neural event semantics (NES), for compositional grounded language understanding. Our approach treats all words as classifiers that compose to form a sentence meaning by multiplying output scores. These classifiers apply to spatial regions (events) and NES derives its semantic structure from language by routing events to different classifier argument inputs via soft attention. NES is trainable end-to-end by gradient descent with minimal supervision. We evaluate our method on compositional grounded language tasks in controlled synthetic and real

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Sun, Yaozhu, Utkarsh Dhandhania, and Bruno C. d. S. Oliveira. "Compositional embeddings of domain-specific languages." Proceedings of the ACM on Programming Languages 6, OOPSLA2 (2022): 175–203. http://dx.doi.org/10.1145/3563294.

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A common approach to defining domain-specific languages (DSLs) is via a direct embedding into a host language. There are several well-known techniques to do such embeddings, including shallow and deep embeddings. However, such embeddings come with various trade-offs in existing programming languages. Owing to such trade-offs, many embedded DSLs end up using a mix of approaches in practice, requiring a substantial amount of code, as well as some advanced coding techniques. In this paper, we show that the recently proposed Compositional Programming paradigm and the CP language provide improved s

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9

Losada, Catherine. ""Nécessité d'une orientation esthétique": Techniques of Development in the Music of Boulez." Music Theory and Analysis (MTA) 6, no. 1 (2019): 87–129. http://dx.doi.org/10.11116/mta.6.1.3.

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The latter part of the 1950s saw a major change in Boulez's compositional approach: Instead of creating extensive pre-compositional sketches, he increasingly reused previously composed materials as the basis for new works. The shifting aesthetics that characterized this period had a significant influence on Boulez. His works from the late 1950s explore the ideas of mobility embedded in the open work. Balancing the concept of mobility with the ideals of control that form the basis of his compositional ideology led to an economy of means and an associated emphasis on the concept of development i

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10

Koler, Cheryl Akner, and Lars Bergström. "Complex Curvatures in Form Theory and String Theory." Leonardo 38, no. 3 (2005): 226–31. http://dx.doi.org/10.1162/0024094054028985.

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The authors use new aesthetic criteria concerning structures and properties to explain parallel concepts within theoretical astroparticle physics and contemporary form/compositional research. These aesthetic criteria stem from complex curvature models developed both in string theory and in artistic perceptual research on transitional surfaces and concavities. The authors compare the complex curvatures of the mathematically derived Calabi-Yau manifold with one of Akner Koler's sculptures, which explores an organic interpretation of the looping curvature of a Möbius strip. A goal of the collabor

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Qin, Xiaoer, and Li Yan. "Further results on permutation polynomials via linear translators." Journal of Algebra and Its Applications 19, no. 09 (2019): 2050166. http://dx.doi.org/10.1142/s0219498820501662.

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In this paper, by using linear translators, we characterize a new class of permutation polynomials of the form [Formula: see text], which has a more general form than [Formula: see text]. Then, we present the compositional inverses of such permutation polynomials. Furthermore, by specifying the functions [Formula: see text] and [Formula: see text], we can get some new permutation polynomials of the forms [Formula: see text] and [Formula: see text] where [Formula: see text] is the trace function.

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12

Liu, Xu, Peng Zhang, Hao Li, and Wenbing Sun. "Modular Data Plane Verification for Compositional Networks." Proceedings of the ACM on Networking 1, CoNEXT3 (2023): 1–22. http://dx.doi.org/10.1145/3629145.

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Modern networks are increasingly using layering and bridging to form a compositional architecture. Layering protocols like VXLAN create multiple overlay networks on top of a single underlay network infrastructure. This makes network configurations even more complex, and error-prone. To check the correctness of such compositional networks, one needs to model the dependency across multiple layers (underlay and overlay) and multiple domains (different VPNs/VPCs). Existing verifiers, which are optimized to scale in single-layer single-domain networks, exhibit scalability limitations when applied t

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Oliveira Vale, Arthur, Zhong Shao, and Yixuan Chen. "A Compositional Theory of Linearizability." Proceedings of the ACM on Programming Languages 7, POPL (2023): 1089–120. http://dx.doi.org/10.1145/3571231.

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Compositionality is at the core of programming languages research and has become an important goal toward scalable verification of large systems. Despite that, there is no compositional account of linearizability, the gold standard of correctness for concurrent objects. In this paper, we develop a compositional semantics for linearizable concurrent objects. We start by showcasing a common issue, which is independent of linearizability, in the construction of compositional models of concurrent computation: interaction with the neutral element for composition can lead to emergent behaviors, a hi

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Bajwoluk, Tomasz. "Planning of areas in the vicinity of large industrial plants." Technical Transactions 2021, no. 1 (2021): 1–8. http://dx.doi.org/10.37705/techtrans/e2021027.

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Planning space around large industrial plants affects urban development and significantly impacts the integration of industrial areas with a city’s structure. Large industrial plants act as functional and spatial barriers within the urban fabric. Their immediate areas undergo transformation and are currently becoming sites of various uses. New manufacturing technologies limit the nuisance caused by industry and the siting of plants aids in using the areas around them. The objective of this paper is t present an analysis of the transformation of the existing function-spatial structure, transpor

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15

Orr, Raymond I., and Yancey A. Orr. "Compositional Stasis and Flexibility in American Indian Tribes." Ethnohistory 68, no. 2 (2021): 191–213. http://dx.doi.org/10.1215/00141801-8801822.

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AbstractAmerican Indian tribal power has typically expanded since the 1960s. During this period, often referred to as the Self-Determination Era, tribes have regained much of their earlier political centrality. One rarely addressed limitation during this period is the inability of tribal polities to break into smaller units while maintaining recognition as legitimate. This essay identifies the inability of tribes to exercise what the authors call compositional flexibility and fracture to form new polities discrete of the previous tribe. The authors argue the absence of compositional flexibilit

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16

Tavakkol, Ehsan. "STRUCTURE AND FORM BUILDING IN THE DOUBLE CONCERTO „SEGÂH” FOR PERSIAN NEY, KAMANCHEH AND ORCHESTRA BY REZA VALI." Музикознавча думка Дніпропетровщини, no. 19 (December 30, 2020): 203–13. http://dx.doi.org/10.33287/222047.

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The purpose of this represented scientific article is to reveal the specialized peculiarities of the structure and the form concerning the process of formation in the double Concerto for Persian Ney, kamancheh, and the orchestra „Segâh” by famous contemporary composer Reza Vali. There are research methods into the submitted investigative work a namely compositional and dramatic, contributing to the understanding of the laws of the organization of the selected Concert; analysis and synthesis, which help to dismember and generalize certain, most characteristic features of the structure and shape

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17

Chernovalova, Margarita V., Vadim V. Borisov, and Ekaterina A. Vlasova. "Intelligent support for managing the processing of ore raw materials based on case management and ontological models." Journal Of Applied Informatics 18, no. 2 (2023): 16–26. http://dx.doi.org/10.37791/2687-0649-2023-18-2-16-26.

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The article discusses the possibility of applying a precedent approach to improve the efficiency of control of thermophysical and chemical-energy-technological processes of processing ore raw materials. As an example, one of the variants of such processes is considered – heat treatment of pelletized phosphate raw materials. To form the knowledge base of an intelligent system, it is proposed to jointly use a compositional ontological model, which includes two ontologies, each of which is focused on describing one of the subject areas under consideration: thermophysical and chemical-energy-techn

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18

Maurach, Gregor. "Horaz, <i>Carm</i>. II, 9–11: Eine Mitteltrias." Hyperboreus 23, no. 2 (2018): 302–12. https://doi.org/10.36950/wijs9576.

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The three central odes of Horace, book 2 are interpreted in a new way. In contrast to current scholarship, it is shown that Carm. 2. 9–11 form a closely knit triad. If this holds true, it is no longer advisable to lay a compositional break after Carm. 2. 10. The composition of book 2 has to be reconsidered.

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19

ABDULLAHI, Fatjona. "MITRUSH KUTELI AS A NARRATOR AND GENRE TRANSFORMATIONS." International Journal of Human Sciences - Filologjia 12, no. 22-23 (2024): 328–34. http://dx.doi.org/10.62792/ut.filologjia.v12.i22-23.p2534.

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The influence of folklore in literature is not a new or unknown phenomenon, nor has it been so for Albanian writers between the two World Wars. Mitrush Kuteli is known as one of the first founders of Albanian prose of modernism, but at the same time, he is also known as a master storyteller who transcends genre structures and reintroduces popular motifs in the form of literary invariants. We say in the form of literary invariants because despite the literary processing he undertakes, the essence of folk ballads, songs, and tales remains unchanged, preserving even the unmotivated compositional

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20

Balmer, Yves, Thomas Lacôte, and Christopher Brent Murray. "Messiaen the Borrower: Recomposing Debussy through the Deforming Prism." Journal of the American Musicological Society 69, no. 3 (2016): 699–791. http://dx.doi.org/10.1525/jams.2016.69.3.699.

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This article shows, through a new reading of Messiaen's Technique de mon langage musical and examples of his composing with elements found in the music of Debussy, that borrowing plays a more central role in his compositional practices than has previously been recognized. Messiaen's conscious reuse of Debussy's music spans his entire career, and primarily involves passages from Pelléas et Mélisande and a handful of piano works. Using his descriptions of Debussy's influence, his analyses of Debussy, and his own theoretical writings, we examine examples of Messiaen's musical borrowing in terms o

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21

Fisher, Joshua A., and Arnau Gifreu Castells. "The Ethics of Realism as a New Media Language in Immersive Media." Revista FAMECOS 29, no. 1 (2022): e43375. http://dx.doi.org/10.15448/1980-3729.2022.1.43375.

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This work explores the ethical and moral limits of practicing realism in immersive nonfiction. To establish these practices, the nonfiction media ecosystem is analyzed from traditional to emerging immersive forms. Four significant forms of nonfiction works are discussed that reflect different ethics of realism: documentary, journalism, education, and cultural heritage. Through the description and presentation of each form, a provisional set of elements, variables, indicators and parameters that impact practices and ethics of realism are presented. These compositional elements can be implemente

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22

Ferger, Katja, and Michel Hackbarth. "NEW WAY OF DETERMINING HORIZONTAL DISPLACEMENT IN COMPETITIVE TRAMPOLINING." Science of Gymnastics Journal 9, no. 3 (2017): 303–10. https://doi.org/10.52165/sgj.9.3.303-310.

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The assessment criteria for competitive trampolining, which is primarily both a technical and a compositional form of sport, have been extended by the addition of some objectively measurable parameters in recent years. In addition to the degree of difficulty and the movement execution score, which is often perceived as subjective, the actual “time of flight” for the athlete was introduced as an objective (performance) criterion. Beyond this, it is proposed that, in the future, the athlete’s position should be recorded during the routines in the form of a series of positional profiles and that

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23

Kowalska-Zając, Ewa. "Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation." Polski Rocznik Muzykologiczny 22, no. 1 (2024): 164–83. https://doi.org/10.2478/prm-2024-0005.

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Abstract The discussion started by the author will be restricted to the Polish compositional output of the second half of the 20th century, with the subject matter covering the idiomaticity of notation as a consequence of modifications arising from the introduction of new compositional techniques and authors’ original formal solutions. The “fingerprint” in the title of the article encompasses not only individual features of notation, in the form of a specific font or shape of particular elements of the notational system, but also solutions of a systemic nature, allowing to copy the texture or

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WANG, FARN. "INDUCTIVE COMPOSITION OF NUMBERS WITH MAXIMUM, MINIMUM, AND ADDITION: A New Theory for Program Execution-Time Analysis." International Journal of Foundations of Computer Science 15, no. 06 (2004): 865–92. http://dx.doi.org/10.1142/s0129054104002790.

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We extend the classic work of R.J. Parikh on context-free languages with operators min and max on unary alphabet. The new theory is called CAN (Compositional Algebra of Numbers) and can be used to model software processes that can be concatenated, concurrently executed, and recursively invoked. We propose and analyze an algorithm which constructs the execution time sets of a CAN in semilinear form. Finally, we consider several interesting variations of CAN whose execution time sets can be constructed with algorithms.

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Харламова, Татьяна. "Музыкальный текст как результат межкультурной коммуникации: креолизованные тексты в творчестве композиторов Казахстана". Saryn 13, № 2 (2025): 36–56. https://doi.org/10.59850/saryn.2.13.2025.222.

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Creolization represents a key phenomenon of intercultural interaction. This process manifests in communication: through language as a means of interaction, and in cultural products as a result of communication. Compositional creativity is no exception. The fusion of principles from traditional music with compositional techniques of the 20th and 21st centuries at various levels of the text has opened up a vast corpus of experimental works. The analytical discourse of this article encompasses works by composers of Kazakhstan. Some of these pieces have not been thoroughly explored, for example, A

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Qin, Yao, Loo Fung Chiat, Ku Hasnita binti Ku Samsu та Yeoh Pei Sze. "The Musical Expression of “san zu liang er”: New Explorations of Interval and Sonata Form in “鼎”". Asian Culture and History 17, № 2 (2025): 1. https://doi.org/10.5539/ach.v17n2p1.

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Yao Henglu is one of the most distinguished contemporary Chinese composers and educators. His work for Free Bass Accordion, &ldquo;鼎&rdquo;, Ding, (TRIPOD, Sonata No.1 for Free Bass Accordion), is a unique solo repertoire for the instrument. Yao Henglu employs a culturally informed approach to defining musical structures and organizes musical ideas through innovative Interval concepts. This piece reflects the composer&rsquo;s integration of Chinese cultural elements into the framework of Western sonata form and explores innovations in interval relationships. This article examines &

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27

Shlomowitz, Matthew. "NOW IS NOT THE TIME FOR NEO-CLASSICISM: THE CASE FOR NEO-CLASSICISM." Tempo 79, no. 313 (2025): 33–42. https://doi.org/10.1017/s0040298225000154.

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AbstractNeoclassicism is now largely eschewed within New Music. While there seems space in our pluralistic scene for modernist, postmodernist, minimalist, performative and conceptual music, the compositional values of neoclassicism seem out of step and anachronistic. This article advocates that classical principles should be put back on the table, arguing not for a return to a historical neoclassicism but rather for idiosyncratic forms of neoclassicism that emphasise characteristics such as entertainment, playfulness, clarity, forms of tonality and engagement with received form.

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Purik, E. E., M. L. Akhmadullin, M. G. Shakirova, and V. R. Shakirov. "THE METHODS OF DEVELOPING COMPOSITIONAL THINKING OF DESIGN STUDENTS." Bulletin USPTU Science education economy Series economy 4, no. 42 (2022): 168–78. http://dx.doi.org/10.17122/2541-8904-2022-4-42-168-178.

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The article deals the problems of professional artistic training of design students in the process of teaching composition. The composition studies the laws of the creation of an artistic form and the means of artistic expression, organization of image perception. Compositional activity has an artistic and plastic character; it relies on the use of the language of art and consists in creating a new, holistic, original artistic image. The authors identify compositional thinking as one of the most important professional qualities of an artist and designer and reveal the methodology of its format

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Somfai, László. "“…They are full of invention, fire, good taste, and new effects” Two compositional essays in the “Erdődy” quartets Op. 76." Studia Musicologica 51, no. 3-4 (2010): 317–24. http://dx.doi.org/10.1556/smus.51.2010.3-4.6.

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The study revisits Haydn’s Erdődy Quartets with the premise that it was Haydn’s intention to copy the scores of three of the six — in D minor, B-flat and E-flat — as exemplum for his own library, and there is no reason to assume that such scores of the other three once existed. While the compositional tour de force in the D minor is the opening movement, the slow movements of the B-flat and E-flat form a carefully crafted pair of compositional essays (although they exhibit other special features, such as the E-flat’s Alternativo renditions of different lengths). From the same motivic starting

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30

Kondratenko, Yurii A., and Elena N. Antipkina. "Actualization of traditional art practices in contemporary art of Mordovia (in the context of creating choreographic suites)." Finno-Ugric World 12, no. 3 (2020): 314–24. http://dx.doi.org/10.15507/2076-2577.012.2020.03.314-324.

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Introduction. Among the processes that are clearly traced in the modern artistic practices of Mordovia, there is one that draws particular attention – the desire to comprehend folk art in a new way, to actualize the traditional layers of culture within the framework of neo-traditional forms of contemporary art. A folk dance is an example of one of the directions of modern choreography. The purpose of the article is to review the experience of creating choreographic suites in modern dance in Mordovia, based on traditional folklore. This allows studying the techniques of citing traditional forms

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Liang, Percy, Michael I. Jordan, and Dan Klein. "Learning Dependency-Based Compositional Semantics." Computational Linguistics 39, no. 2 (2013): 389–446. http://dx.doi.org/10.1162/coli_a_00127.

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Suppose we want to build a system that answers a natural language question by representing its semantics as a logical forxm and computing the answer given a structured database of facts. The core part of such a system is the semantic parser that maps questions to logical forms. Semantic parsers are typically trained from examples of questions annotated with their target logical forms, but this type of annotation is expensive. Our goal is to instead learn a semantic parser from question–answer pairs, where the logical form is modeled as a latent variable. We develop a new semantic formalism, de

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Goncalves, Claudia, Myungkoo Kang, Byoung-Uk Sohn, et al. "New Candidate Multicomponent Chalcogenide Glasses for Supercontinuum Generation." Applied Sciences 8, no. 11 (2018): 2082. http://dx.doi.org/10.3390/app8112082.

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Broadband supercontinuum (SC) generation requires host material attributes defined by both optical and physical properties and the material’s manufacturability. We review and define the trade-offs in these attributes as applied to fiber or planar film applications based on homogeneous glass property data, and provide a series of examples of how one might optimize such attributes through material compositional and morphology design. As an example, we highlight the role of varying composition, microstructure, and linear/nonlinear optical properties, such as transmittance, refractive index, and t

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Walker, Ann F. "From The Composition of Foods using chemical analysis…to micronutrients and beyond." British Journal of Nutrition 78, s2 (1997): S73—S80. http://dx.doi.org/10.1017/s0007114500020043.

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In the early 1930s, after obtaining her PhD on the carbohydrates in apples, Dr Elsie Widdowson embarked on a postgraduate course in dietetics at King’s College of Household and Social Science, London. During the hospital training element of this course at St Bartholomew’s Hospital, she was appalled at the inaccuracy of the food compositional data being used to formulate medically-prescribed diets. She resolved to change matters, and after she had joined Dr McCance’s team she realized that they had already obtained sufficient new analytical data on the majority of the food groups to form the ba

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Macdonald, R., H. E. Belkin, F. Wall, and B. Baginski. "Compositional variation in the chevkinite group: new data from igneous and metamorphic rocks." Mineralogical Magazine 73, no. 5 (2009): 777–96. http://dx.doi.org/10.1180/minmag.2009.073.5.777.

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AbstractElectron microprobe analyses are presented of chevkinite-group minerals from Canada, USA, Guatemala, Norway, Scotland, Italy and India. The host rocks are metacarbonates, alkaline and subalkaline granitoids, quartz-bearing pegmatites, carbonatite and an inferred K-rich tuff. The analyses extend slightly the range of compositions in the chevkinite group, e.g. the most MgO-rich phases yet recorded, and we report two further examples where La is the dominant cation in the A site. Patchily- zoned crystals from Virginia and Guatemala contain both perrierite and chevkinite compositions. The

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Li, Jianbo, and Yihan Jia. "The Artistic Form and Language Characteristics of Bai Yuping’s Painting Texture." Art and Society 2, no. 4 (2023): 1–5. http://dx.doi.org/10.56397/as.2023.08.01.

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As a representative of the ‘Northern School’ of Chinese landscape painting, Bai Yuping is adept at using extremely thick and thin texture to record the great rivers and mountains of his country, ultimately creating a strong contrast in the picture, creating a special visual sensation for the viewer and creating an emotional resonance between himself and the viewer. Due to Bai Yuping’s special organisation and use of the language of texture gives his landscapes a special charm. On the one hand, this charm is due to the episodic effect of the writing brushstrokes, which to a certain extent break

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Vadhanasiriphongs, Bhannavichaya. "The Refashioning of Thai School Theme Songs: A Case Study of Symphony on a ‘Pin-Hatai’ Theme." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 10 (December 7, 2022): 21–32. http://dx.doi.org/10.30819/aemr.10-4.

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At present, the idea of re-composing school theme songs into more fashionable icons is tenable in the eyes of local composers. In Thailand, although numerous school theme songs are presumably in need of refashioning, yet there are not many where this need has been addressed. A school theme song Pin-Hatai of Triam Udom Suksa School is one of those songs that was successfully re-composed by the author into a sophisticated choral symphony, called Symphony on a Pin-Hatai Theme. There are the compositional techniques such as the use of cyclic form, the intermingling of Thai and Western compositiona

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Morrison, Landon. "Strange yet Familiar Sounds in Zosha Di Castri’s String Quartet No. 1." Circuit 28, no. 2 (2018): 83–98. http://dx.doi.org/10.7202/1051294ar.

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This paper presents a detailed analysis of Zosha Di Castri’s String Quartet No. 1 (2016), situating the work in relation to the composer’s still-nascent oeuvre and showing how it contains a diverse mix of stylistic impulses within its relatively compact form. The concept of defamiliarization, borrowed from literary criticism, provides a useful theoretical basis for understanding the work. By presenting familiar musical figures within strange new contexts, Di Castri effectively bypasses habitual modes of reception and encourages the listener to engage more actively with the work’s multi-coded d

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Grillo, Michael. "Perspective as structured memory in the wake of the Great Plague of 1348." Quart, no. 3(57) (September 1, 2020): 3–18. https://doi.org/10.19195/quart.2020.3.78056.

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The Great Plague of 1348 prompted a cathartic shift in thinking about cities, from organic social networks of individuals, to the remaining buildings indexing the memory of their lost residents. The profound impact of such population loss forced survivors to engage the Classical device of Memory Theater, remembering people by their spatial locations rather than their bodily presence. Engaging this public sensibility, the Trecento reconceptualized how pictorial structure, from one centered around protagonists to a standardized compositional system placing each figure in clearly mapped relations

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Liu, Anthony, Sungryull Sohn, Mahdi Qazwini, and Honglak Lee. "Learning Parameterized Task Structure for Generalization to Unseen Entities." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 7 (2022): 7534–41. http://dx.doi.org/10.1609/aaai.v36i7.20718.

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Real world tasks are hierarchical and compositional. Tasks can be composed of multiple subtasks (or sub-goals) that are dependent on each other. These subtasks are defined in terms of entities (e.g., "apple", "pear") that can be recombined to form new subtasks (e.g., "pickup apple", and "pickup pear"). To solve these tasks efficiently, an agent must infer subtask dependencies (e.g. an agent must execute "pickup apple" before "place apple in pot"), and generalize the inferred dependencies to new subtasks (e.g. "place apple in pot" is similar to "place apple in pan"). Moreover, an agent may also

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Donaldson, C. H., and C. M. B. Henderson. "A new interpretation of round embayments in quartz crystals." Mineralogical Magazine 52, no. 364 (1988): 27–33. http://dx.doi.org/10.1180/minmag.1988.052.364.02.

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AbstractThe surfaces of quartz crystals that were partially dissolved in superheated, H2O-saturated rhyolite melt are covered with hemispherical embayments; each embayment is judged to have formed where a gas bubble in the melt approached the crystal. ‘Flux-line attack’ and ‘upward-drilling’ of the refractory lining of glass tanks are analogous processes. As a bubble nears a dissolving solid it enters a compositional boundary layer in the melt, resulting in melt of variable surface tension surrounding the bubble. This unstable situation results in small-scale convection of the melt about the b

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Gook, Leonid, and Halyna Khavkhun. "APPLICATION OF ART GLASS IN INTERIORS OF PUBLIC BUILDINGS." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 166–71. http://dx.doi.org/10.32347/2519-8661.2021.22-23.166-171.

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The aim of the research is to identify the compositional methods of using art glass in the interiors of public buildings in order to increase their aesthetic expressiveness. In the article the information on the history of art glass development is given. According to the results of the historical analysis, it is concluded that new directions of glass application arose with the development of new technologies of glass production and processing - this process continues to this day. An overview of the state of study of the problem, in particular the research of Kazakova L.V., F.Petryakova, Som-Se

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Danilina, Galina I., and Olga V. Khavraleva. "“The Dispute on Russia” in the Book “Temptation by the Revolution” (2009) by Vladimir Sharov: Tradition and Discourse." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 4 (2019): 98–111. http://dx.doi.org/10.21684/2411-197x-2019-5-4-98-111.

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This article examines the literary and critical heritage of Vladimir Sharov (1952-2018), a contemporary writer and historian. When analyzing his texts in the postmodern paradigm, the authors focus on the urgent literary-theoretical problem of the relationship between genre and discursive traditions. The methodological basis of this research includes M. M. Bakhtin’s idea of separating compositional and architectonic forms in a literary work that opens a new correlation of diachronic and synchronous approaches. The research is based on the book “Temptation by the Revolution” (2009) by Vladimir S

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MacLea, Kyle S., Kacy R. Paul, Zobaida Ben-Musa, et al. "Distinct Amino Acid Compositional Requirements for Formation and Maintenance of the [PSI+] Prion in Yeast." Molecular and Cellular Biology 35, no. 5 (2014): 899–911. http://dx.doi.org/10.1128/mcb.01020-14.

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Multiple yeast prions have been identified that result from the structural conversion of proteins into a self-propagating amyloid form. Amyloid-based prion activity in yeast requires a series of discrete steps. First, the prion protein must form an amyloid nucleus that can recruit and structurally convert additional soluble proteins. Subsequently, maintenance of the prion during cell division requires fragmentation of these aggregates to create new heritable propagons. For theSaccharomyces cerevisiaeprion protein Sup35, these different activities are encoded by different regions of the Sup35 p

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Hromchenko, Valerii, Natalia Bashmakova, and Andrey Tulyantsev. "International festival "music without limits" as a reflection of new political forms of intercultural dialogue." Cuestiones Políticas 40, no. 74 (2022): 531–42. http://dx.doi.org/10.46398/cuestpol.4074.29.

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Using the comparative historical method, the purpose of this article was to detect the new political forms of intercultural dialogue at the time of the classical music festival. The international festival "Music without limits" has not been the subject of scientific research since the moment of its foundation twelve years ago, festival which has an annual presentation at the Dnipropetrovsk academy named after M. Glinka. The authors of this paper have discovered the series of new forms relating to intercultural dialogue in time, one of the most famous classical music festivals in the central re

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Murtazaliev, Ahmed Magomedovich. "AT THE SOURCES OF THE AVAR SOCIAL NOVEL." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 21 (March 16, 2020): 29–35. http://dx.doi.org/10.31029/vestiyali21/5.

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In the first decades of Soviet power, the Avar literature was undergoing the process of formation and development of the novel and its genre varieties. One of the first national masters of the word who turned to a new prose genre in his work was the famous linguist, writer and educator Sh. I. Mikailov, the author of the unfinished social novel “Rust”, which reached the reader in the form of an excerpt from it. The article attempts to give a literary-critical assessment of this passage, to determine its artistic features and genre-compositional originality.

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Nanou, Chrysi, and Rob Hamilton. "Historical Virtualization: Analog and Digital Concerns in the Recreation, Modeling and Preservation of Contemporary Piano Repertoire." Leonardo Music Journal 27 (December 2017): 27–31. http://dx.doi.org/10.1162/lmj_a_01004.

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Modern efforts to preserve and reinterpret canonic musical works in the contemporary piano repertoire often take advantage of new technologies, fundamentally changing core aspects of the works themselves. By approaching preservation as a form of virtualization—in this case the creation of a functional interpretative model of each musical work—artists and researchers can create robust and performable digital versions of important musical systems. This paper introduces the idea of virtualization as a compositional modeling technique and offers three case studies in which digital versions of cont

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Boas, Hans Ulrich. "Constructional productivity in English." Recherches anglaises et nord-américaines 36, no. 2 (2003): 79–91. http://dx.doi.org/10.3406/ranam.2003.1690.

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It is the claim of this paper that in the attempt to capture the linguistic competence of native speakers and their intuitions on the well-formedness of new coinages in particular morphological, syntactic, semantic, and pragmatic contexts, any theory of word formation shoud be flexible enough to account for the full range of productive word formation phenomena and construction types. Thus, the concept of “morphological productivity” is misguided. Productivity can only be determined with respect to particular constructions and construction types which integrate form and meaning in specific conv

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Herr, Christiane Margerita, Thomas Fischer, Stephen Millard, and Andre Brown. "Form and Formalism: On the Future Role of Structural Design in Architectural Education in China." Advanced Materials Research 450-451 (January 2012): 257–62. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.257.

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Architectural designing, creating new form and often unknown structural assemblies, is, we argue, distinct from structural engineering approaches that focus on the dimensioning of members in well-understood kinds of assemblies. Based on a review of compositional approaches, we offer in this paper an appraisal of the dominant educational approaches in structural engineering and architectural design. Based on current trends in both professions, we anticipate a future that sees architectural and structural engineering responsibilities no longer strictly separated but collaboratively integrated, i

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Ленкова, Т., and T. Lenkova. "Unity of Verbal and Nonverbal Composition in Creolized Mediatex." Scientific Research and Development. Modern Communication Studies 7, no. 3 (2018): 39–44. http://dx.doi.org/10.12737/article_5b151b410700c4.33164694.

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The article is devoted to the analysis of the compositional form in the creolized media text on the material of the modern supra-regional press of Germany. The paper deals with the connection between the verbal and nonverbal parts of the creolized media text at the composition level. Along with the traditional composition-linguistic form (CLF), it is proposed to allocate for the first time a composition-visual form (CVF), which is characteristic for creolized media texts as an informational-thematic unity of verbal and visual. In the proposed study, not only the new concept of composition-visu

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Alexander, Roger, and Jeff Offutt. "Coupling-based Testing of O-O Programs." JUCS - Journal of Universal Computer Science 10, no. (4) (2004): 391–427. https://doi.org/10.3217/jucs-010-04-0391.

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As we move from developing procedure-oriented to O-O programs, the complexity traditionally found in functions and procedures is moving to the connections among components. More faults occur as components are integrated to form higher level aggregates. Consequently, we need to place more effort on testing the connections among components. Although O-O technology provides abstraction mechanisms to build components to integrate, it also adds new compositional relations that can contain faults, which must be found during integration testing. This paper describes new techniques for analyzing and t

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