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Relevant bibliographies by topics / New French Extremity

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Academic literature on the topic 'New French Extremity'

Author: Grafiati

Published: 24 April 2022

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Journal articles on the topic "New French Extremity"

1

Resmini, Mauro. "Reframing the New French Extremity: Cinema, Theory, Mediation." Camera Obscura: Feminism, Culture, and Media Studies 30, no. 3 90 (2015): 161–87. http://dx.doi.org/10.1215/02705346-3160685.

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Stańczyk, Marta. "Liberté, égalité, sororité. Kobiece gatunki cielesne i francuskie „ekstremistki”." Literatura i Kultura Popularna 24 (April 18, 2019): 97–112. http://dx.doi.org/10.19195/0867-7441.24.8.

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Liberté, Égalité, Sororité: Female body genres and the women of the New French ExtremityIn the essay Film Bodies: Gender, Genre, and Excess, Linda Williams coins the concept of body genres. These genres include melodrama, horror and porn, which are linked through their impact on the spectator’s body and intensifying viewing experiences. According to Williams, these three film genres emphasize the notion of spectacle, but they place the female body in its centre. The female body is moving and is being moved, which causes its vulnerability to the hegemony of the male gaze. But we can conduct res

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Varmazi, Eleni, Şirin Fulya Erensoy, and G. Eda Özgül Tahan. "Reflecting anxieties during the first twenty years of the twenty-first century: Three European cinematic waves." International Journal of Media & Cultural Politics 17, no. 1 (2021): 35–51. http://dx.doi.org/10.1386/macp_00037_1.

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The article lays out the only three European cinematic waves that emerged in the first twenty years of the twenty-first century and examines them in relation to their sociopolitical context. The way in which these particular contexts have influenced the production of the films, the thematic and aesthetic explorations of the filmmakers and their presence within the wider cinematic spectrum is detailed in the analysis. The New French Extremity, the Romanian New Wave and the Greek Weird Wave are thus considered as significant manifestations of anxieties and concerns relating to the particular his

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HAINGE, GREG. "“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context." Australian Journal of French Studies 58, no. 1 (2021): 100–116. http://dx.doi.org/10.3828/ajfs.2021.09.

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Reading Gaspar Noé’s 2018 film Climax against the grain of the majority of critical reactions and the director’s own pronouncements, this article argues that this is a deeply political film. In line with West’s analysis of the films of the New French Extremity as works that are not (as suggested by Quandt) passive but a committed and politically engaged form of cinema, this article suggests that Climax can be read as an allegory of France’s current Realpolitik. Noé’s vision of this reality is revealed to be particularly bleak, for in line with the metaphysical stance of his other films, his is

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González-Álvarez, Paula. "Dentro y fuera del umbral: la mujer como simulacro en el Nuevo Extremismo Francés." Desigualdades de género en la comunicación y cultura digitales, no. 16 (October 26, 2021): 98–120. http://dx.doi.org/10.24137/raeic.8.16.6.

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La figura de la mujer se ha representado históricamente como signo, como simulacro cultural dentro del orden patriarcal, ocupando un espacio significativo sin tener realidad. Dentro del ámbito de las representaciones audiovisuales, las mujeres se configuran a través de una mirada masculina, que también se articula desde la posición de las espectadoras. Esto se amplifica cuando se tratan historias que, de una manera o otra, trabajan con temas que giran en torno a la sexualidad gráfica, objeto de controversia a lo largo de la historia del cine y del desarrollo de las teorías fílmicas feministas.

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Abu Hishmeh, M., P. Srivastava, Q. Lougheide, M. Srinivasan, and S. Murthy. "Massive Spontaneous Hemothorax as a Complication of Apixaban Treatment." Case Reports in Pulmonology 2018 (October 16, 2018): 1–4. http://dx.doi.org/10.1155/2018/8735036.

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Introduction. Hemothorax is usually related to chest or iatrogenic trauma from procedures such as central lines and thoracentesis. Spontaneous hemothorax is defined as pleural fluid hematocrit greater than 50% of serum hematocrit in absence of natural or iatrogenic trauma affecting the lung or pleural space. Coagulopathy secondary to anticoagulant use has been associated with spontaneous hemothorax. We present a case of spontaneous hemothorax in a patient taking apixaban for venous thromboembolism disease. To our knowledge, this is the first case report of apixaban as a cause of spontaneous he

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Houtum, Henk Van, and Rodrigo Bueno Lacy. "The political extreme as the new normal: the cases of Brexit, the French state of emergency and Dutch Islamophobia." Fennia - International Journal of Geography 195, no. 1 (2017): 85. http://dx.doi.org/10.11143/fennia.64568.

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In this article we carry out a geopolitical analysis of the turbulent breeze driving the EU into uncharted extremes. To do this we zoom in on three cases that we deem both a response to political extremism and a source of political extremism in themselves: France’s state of emergency, Brexit and the pyrrhic victory over the far-right in the Dutch elections of 2017 . Our analysis suggests that even though the political forces behind these events have praised their policies or electoral victories as bulwarks to keep extremism in check, the sort of extremism that they try to keep at bay is not as

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Baker, Paul, and Rachelle Vessey. "A corpus-driven comparison of English and French Islamist extremist texts." International Journal of Corpus Linguistics 23, no. 3 (2018): 255–78. http://dx.doi.org/10.1075/ijcl.17108.bak.

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Abstract Using corpus linguistics and qualitative, manual discourse analysis, this paper compares English and French extremist texts to determine how messages in different languages draw upon similar and distinct discursive themes and linguistic strategies. Findings show that both corpora focus on religion and rewards (i.e. for faith) and strongly rely on othering strategies. However, the English texts are concerned with world events whereas the French texts focus on issues specific to France. Also, while the English texts use Arabic code-switching as a form of legitimation, the French texts u

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STANOVAÏA, LYDIA ANATOLIEVNA. "CLARIFICATION ON THE TERM “FRANCIAN”." Theoretical and Applied Linguistics, no. 4 (2020): 210–12. http://dx.doi.org/10.22250/2410-7190_2020_6_4_210_212.

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The extremely critical attitude to the traditional history of the French language and the understanding of the Franciеn dialect as the dialect basis for the formation of the French National Language led to the emerging of some factual errors that could not be doubted due to the authority of foreign scientists who introduced this information into scientific use. The study of the authorship of the term ‘francien’ showed that it was not G. Paris who invented and introduced this new term into romanistics. The analysis showed that the new term arose as a result of P. Monet's translation from German

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Zacharow, Sebastian. "Retoryka mediów wobec zagadnienia Deportacji Akadian na przykładzie wybranych artykułów z "La Presse i Le Journal de Montréal"." Acta Neophilologica 2, no. XXIII (2021): 241–54. http://dx.doi.org/10.31648/an.6669.

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The purpose of this article is to demonstrate, based on the example of two Canadian journals, how memory remains alive after the events of 1755, when the deportation of the Acadians took place. In spite of the 250 years which have passed since the event, the French-language press in Canada remains extremely sensitive to the topic of the expulsion of the French from New Brunswick and Nova Scotia by the British, and it frequently expresses its attachment to the memory of the Acadians.

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Dissertations / Theses on the topic "New French Extremity"

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Giera-Pander, Aleksandra. "Transgresje tabu w New French Extremity." Doctoral thesis, Katowice : Uniwersytet Śląski, 2014. http://hdl.handle.net/20.500.12128/5738.

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Pracę chciałabym podzielić na dwie części. Pierwszej nadać charakter terminologiczny i systematyczny. Istotną kwestią będzie w niej zebranie informacji na temat definicji transgresji, rozumienia i ewolucji jej znaczenia. Postaram się przybliżyć stanowiska badaczy, kształtujące się na przestrzeni lat. Chciałam przedstawić różne podejścia naukowców, autorów i badaczy, ich interpretacje i ocenę koncepcji transgresji, a przy tym wyłonić rys historyczny. W części teoretycznej chciałam zawrzeć również najważniejsze koncepcje dotyczące zagadnień transgresyjnych, które pojawiły się także (oprócz akad

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Butler, Christopher. "Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4648.

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New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films with clues to France's past and how it still has implications in the present. This thesis was written to point out how New French Extremity films offer spectators the potential to reincorporate traumatic moments in French history by juxtaposing them against present day social, political, and economic ideologies. The purpose for this course of study was to investigate historical encounters that are present in New Frenc

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Gamarra, Reyes Kiandra. "Cine y realidad en Gaspar Noé." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655755.

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Gaspar Noé, a French-Argentine director, is known for the controversial themes and scenes in his filmography, where violence is the first thing that stands out. However, other elements can be identified that have equal relevance in the structure of his films. The human body is one of them. Noé presents the pleasure and suffering of his characters closely so that the viewer perceives them first-hand. He seeks to shock the viewer with scenes that are difficult to see and hear. The director exhibits things in a transgressive way to show the malaise that exists within France. This thesis offers a

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Books on the topic "New French Extremity"

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Hawthorne, Nathaniel. The scarlet letter: With an introduction and contemporary criticism. Edited by Pearce Joseph 1961- and Reichardt Mary R. Ignatius Press, 2009.

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Hawthorne, Nathaniel. The scarlet letter. Penguin Books, 2009.

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Hawthorne, Nathaniel. The scarlet letter. Belknap Press of Harvard University Press, 2009.

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Hawthorne, Nathaniel. The Scarlet Letter. Edited by Brian Harding. Oxford University Press, USA, 2007.

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Hawthorne, Nathaniel. Hong zi. Zhi wen chu ban she, 1994.

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Hawthorne, Nathaniel. The Scarlet Letter: Complete Text with Introduction, Historical Contexts, Critical Essays. Houghton Mifflin, 2002.

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Hawthorne, Nathaniel. Hong zi: The scarlet letter. Xi dai shu ban gu fen you xian gong si, 1999.

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Hawthorne, Nathaniel. The scarlet letter. Oneworld Classics, 2008.

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Hawthorne, Nathaniel. The scarlet letter. ICON Classics, 2005.

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Hawthorne, Nathaniel. The scarlet letter. Thomson Wadsworth, 2005.

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Book chapters on the topic "New French Extremity"

1

Nayman, Adam, and Andrew Tracy. "Arthouse/Grindhouse: Claire Denis and the ‘New French Extremity’." In The Films of Claire Denis: Intimacy on the Border. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755698721.ch-015.

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Mcgillvray, Maddi. "10. The Feminist Art Horror of the New French Extremity." In Women Make Horror. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9781978805156-010.

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Hobbs, Simon. "Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility." In Cultivating Extreme Art Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427371.003.0006.

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This chapter continues the selective history of extreme art cinema instigated in Chapter 3. Focusing predominantly on the releases of Artificial Eye and Tartan Video, the chapter details the re-emergence of extremity in France during the late 1990s and early 2000s, and looks at the paratextual treatment of Gaspar Noé, Catherine Breillat, and Claire Denis. Thereafter, the chapter expands its geographic lens, and examines extreme art production across Europe, with analysis of The Idiots, Man Bites Dog, Tesis, A Hole in my Heart and Dogtooth. The separation of New French Extremity from other forms of European extremity allows the French films’ impact to be appropriately measured. In essence, the chapter argues that the success of the New French Extremity changed paratextual representations of extremism, making them more popular, common and commercially viable. Thereafter, the chapter considers extreme horror narratives such as Martyrs, Frontier[s], and Switchblade Romance, outlining the way they influence and become influenced by paratextual images of extreme art cinema. By adopting this structure, the chapter again exposes the importance of both highbrow and lowbrow taste within the conceptualisation of extreme art cinema.

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McGillvray, Maddi. "‘It’s So Easy to Create a Victim’: Subverting Gender Stereotypes in the New French Extremity." In Gender and Contemporary Horror in Film. Emerald Publishing Limited, 2019. http://dx.doi.org/10.1108/978-1-78769-897-020191002.

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"Monstrous Embodiments of Post-Modern Capitalism and Corporatism in the Cinema of the ‘New French Extremity’." In Monstrous Reflection. BRILL, 2014. http://dx.doi.org/10.1163/9781848884076_005.

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Quandt, James. "Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema." In The New Extremism in Cinema. Edinburgh University Press, 2011. http://dx.doi.org/10.1515/9780748647095-003.

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Quandt, James. "Flesh and Blood: Sex and Violence in Recent French Cinema1." In The New Extremism in CinemaFrom France to Europe. Edinburgh University Press, 2011. http://dx.doi.org/10.3366/edinburgh/9780748641604.003.0002.

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Smith, Craig Bruce. "The Old World Meets the New." In American Honor. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469638836.003.0002.

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This chapter stretches from the early eighteenth century to the end of the French and Indian War. With a focus on how European ideals permeated early American society, Chapter 1 traces Washington and Franklin’s individual definitions of honor and virtue and how they changed over time. It discusses how their mindsets were largely the result of self-education and personal experience, allowing for a comparison between the northern and southern colonies. It also illustrates the extremely early emergence of an American concept of honor, highlighted by Franklin’s 1723 original concept of merit-based “ascending honor”. The chapter shows Americans as first moving closer to Europe ideologically, before a transformation in ethical ideals saw a greater divergence from the mother country. It also frames the Revolution as being sparked by these preexisting ethical changes.

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Devellennes, Charles. "A Renewal of the Social Contract." In The Gilets Jaunes and the New Social Contract. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529212204.003.0007.

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This chapter provides a reflection on the new social contract, taking Diderot as dialectician of change, and offer ways to think about the future of the tradition. It shows that such a model is possible. A new social contract will take into account the need for liberty, democracy and economic justice. Most working class people have finished high school and been awarded a Baccalauréat, and many are home-owners of one of the millions of bungalows built throughout peripheral France. Yet their ability to secure economic independence, a promise of the Enlightenment, has not materialized. Many are worse off than their parents, and those without family assistance are extremely exposed to the ebb and flow of macro-economic trends such as global slowdown and recession. A social contract of the future has to address these needs that were posited as the sine qua non condition for social advancement more than two centuries ago. The revolt of the gilets jaunes against rent-seeking economic actors, such as landlords, motorway management companies, insurance and mortgage companies, and utilities, is testament to the economic plight that needs redressing. Although the gilets jaunes have failed to organize themselves politically in the traditional sense, they have provided one of the strongest political challenges to the very existence of the French state as it currently stands. It is this new form of politics, which does not go through political parties but demands social and economic justice directly, that is at the centre of the new social contract they demand.

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Sherratt, Thomas N., and David M. Wilkinson. "Is Nature Chaotic?" In Big Questions in Ecology and Evolution. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780199548606.003.0010.

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Centuries before King Harold of England famously received an arrow in the eye (AD 1066), Chinese officials in the T’ang dynasty (AD 618–907) began collecting annual reports on the abundance of migratory locusts. The primary aim of this initiative was to make sense of the changes over time (the dynamics) of this devastating agricultural pest, and thereby predict the timing and intensity of outbreaks. Now, despite a staggering 1,300 years of faithful recording, few patterns are evident and the data look decidedly messy. Irregular climatic fluctuations, particularly those involved in the drying up of grasslands on river deltas, may explain some of the variability. However, one might wonder whether some of this ‘messiness’ was internally driven, caused by some sort of ‘feedback’ arising within the dynamics themselves. Many long-term data sets on population dynamics have these extremely messy qualities, ranging from the daily number of damselfish reaching maturity on the Great Barrier Reef to the number of feral sheep on Scottish Islands, and it is important to know where it all comes from. The study of ‘chaos’ (easiest to define negatively as an absence of order, but we will get to a more formal definition later) has its roots in precisely the type of feedback processes referred to above, reflecting what mathematicians call ‘non-linearities’ (relationships that are not straight lines). Several mathematicians, most notably, the eminent French mathematician Henri Poincaré (1854–1912), had long noted that non-linear systems could generate some extremely unusual dynamics, such that the precise trajectory a system took was highly sensitive to the initial conditions. However, observations such as these were largely overlooked by ecologists until a new generation of researchers, notably Robert May (a physicist turned ecologist, now Lord May of Oxford), began toying with their own simple ecological models and appreciating that the behaviour of these models was not always simple. Until ecologists were made aware of the potential effects of non-linearities in the 1970s, the prevailing view was that complex dynamics must have complex causes.

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Conference papers on the topic "New French Extremity"

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Gros, Jean-Pierre. "Lessons Learned From the Operation of Large-Scale Reprocessing-Recycling Facilities in France: What Is in It for China?" In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-68004.

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AREVA has been running since decades nuclear reprocessing and recycling installations in France. Several industrial facilities have been built and used to this aim across the time. Following those decades and with the more and more precise monitoring of the impact of those installations, precise data and lessons-learned have been collected that can be used for the stakeholders of potential new facilities. China has expressed strong interest in building such facilities. As a matter of fact, the issue of accumulation of spent fuel is becoming serious in China and jeopardizes the operation of sev

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Banchet, Julien, David Tisseur, and Pierre Guillermier. "X-Ray Radiography: An Alternative Method for Determining HTR Fuel Particle Coating Layer Thickness and Density." In Fourth International Topical Meeting on High Temperature Reactor Technology. ASMEDC, 2008. http://dx.doi.org/10.1115/htr2008-58091.

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The HTR TRISO particle consists of a fissile kernel and surrounding layers, whose density and thickness are among the key fuel parameters. Destructive methods i.e. the sink float method and image analysis of ceramography, were developed in the past and are still used to evaluate these particle parameters. Although exhibiting great accuracy, these methods generate effluents and wastes, and are extremely cost/time consuming. In the framework of the AREVA NP HTR R&D program, the development of nondestructive evaluation methods as alternatives to destructive methods is carried out and aims at

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