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Relevant bibliographies by topics / New liberator magazine

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Academic literature on the topic 'New liberator magazine'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "New liberator magazine"

1

Smoliński, Sebastian. "Minority Views: “Liberator”, American Cinema, and the 1960s African American Film Criticism." Kwartalnik Filmowy, no. 120 (December 31, 2022): 144–63. http://dx.doi.org/10.36744/kf.1382.

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The article reconstructs the discourse of film criticism in Liberator – a radical African American magazine published between 1961 and 1971. Employing Pierre Bourdieu’s theory of the cultural field, the author situates Liberator within the context of the 1960s, civil rights movement, and Black Arts movement, and analyses the magazine’s role in film culture of the era, as well as the links between the magazine and important black filmmakers and film writers. Four aspects of Liberator’s film criticism are explored: cultural memory of past representations, criticism of genre filmmaking, the need

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Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (2011): 9–16. http://dx.doi.org/10.5816/blackscholar.41.3.0009.

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Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (2011): 9–16. http://dx.doi.org/10.1080/00064246.2011.11413561.

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Stauffer, Andrew M. "“THE KING IS COLD,” BY STODDARD, NOT BROWNING." Victorian Literature and Culture 36, no. 2 (2008): 361–62. http://dx.doi.org/10.1017/s1060150308080224.

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About a decade ago, I discovered an unknown poem attributed to Robert Browning in two New York abolitionist periodicals, and published an article about it here in Victorian Literature and Culture. I made the case that the poem, a dramatic monologue entitled “The King is Cold,” sounds like Browning in ways that suggest either its authenticity or the early familiarity of an American audience with Browning's style; and I closed the article with the statement, “By bringing ‘The King is Cold’ to light, I hope to encourage further speculation and inquiry as to its place either among Browning's colle

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Shin, Jungeun. "A Study on the Formation of Literary Field and Discourse in Children's Magazines in the Liberation Period: Focusing on Children's Magazines in North and South Korea." Korean Society of Culture and Convergence 45, no. 9 (2023): 263–71. http://dx.doi.org/10.33645/cnc.2023.09.45.09.263.

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The purpose of this paper is to discuss the plan pursued by contemporary children's literature through various discourses of children's magazines in South and North Korea during the liberation period. The children's magazines of South and North Korea during the liberation period reveal education, society, literature, and politics as a literary space, and each children's magazine develops various theories and contents of the work.The children's magazines of South and North Korea during the liberation period allowed children of the time to expand their consciousness through 'education', 'culture

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Shin, Soo-kyung. "North Korean Children’s magazines from liberation to the 1960s: A Study on the Bibliography and Visual Culture." Modern Bibiography Review Society 31 (June 30, 2025): 719–64. https://doi.org/10.56640/mbr.2025.31.719.

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This article examines the bibliographic details and cover images of children’s magazines published in North Korea from immediately after liberation to the late 1960s. The first children’s magazine, Ŏrin Tongmu (Children’s Companion), was published in January 1946. This was followed by Children’s Literature, Sonyŏndan (Boys’ Group), and Woori Dongmu (Our Companion) in the late 1940s. In April 1960, a picture magazine for kindergarten children titled Kkotbongori was introduced. An analysis of the bibliographic data of these five children’s magazines reveals differences in aspects such as page co

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Kim, Jin Doo. "A study on reporting Korean magazine the Samchunri’s concept of new Korean woman in 1930’s." Korean Publishing Science Society 113 (December 31, 2023): 5–31. http://dx.doi.org/10.21732/skps.2023.113.5.

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This Study is on Korean magazine the Samchunri’s reporting New Woman in 1930’s. Kim Donghwan who had published this magazine from 1928 to 1941. His motivation to publish magazine the Samchunri is influenced by Shinganwhoi which unite the left and the right movement in 1920’s. The Samchunri reports on woman’s liberation, which divided into two, the nationalist and the socialist. The nationalist efforted on discrimination against woman by address and education. On the other hands, the socialist declare to overcome discrimination against Korean women, they should struggle against Japanese imperia

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Kim, Hyung-tae. "A Study on Yun Dong-ju's Poetry through Bibliographic Data Analysis 4." Korean Society of Culture and Convergence 45, no. 10 (2023): 333–51. http://dx.doi.org/10.33645/cnc.2023.10.45.10.333.

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The purpose of this paper is to shed new light on Yun Dong-ju's life and poetry by analyzing the “Chosun Ilbo”, “Boy”, and “Moon woo”, which are important bibliographic data during Yun Dong-ju's Yeonhui Technical College. This paper examined Yun Dong-ju's “An impression paiting of My younger Brother” published in the “Chosun Ilbo” ‘Student Page’ in October 1938, in connection with the post-impressionism art and discussed Yun Dong-ju's interest in the modern succession of traditional Chosun Dynasty culture. In addition, Yun Dong-ju met Yun Seok-joong when he released ‘A Mountain Cry’ in “Boy” i

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Fatima, Maryam. "Institutionalizing Afro-Asianism: Lotus and the (Dis) Contents of Soviet-Third World Cultural Politics." Comparative Literature Studies 59, no. 3 (2022): 447–67. http://dx.doi.org/10.5325/complitstudies.59.3.0447.

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ABSTRACT This article examines the Afro-Asian Writers’ Association’s (AAWA) magazine, Lotus, as an example of the cultural discourse of Afro-Asianism and the logistical and political challenges of institutionalizing a Third World literary canon within the broader context of Cold War alliances. The author's focus on the magazine’s conceptual vocabulary and its internal mechanisms reveals how anticolonial writers and cultural actors brought their own different (often, competing) versions of Marxism and varying degrees of alignment with Soviet-style socialism to the project of cultural decoloniza

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HOVSEPYAN, KARINE. "SELF-DEFENSE IN 1904 ON THE PAGES OF THE MAGAZINE “DROSHAK”." JOURNAL FOR ARMENIAN STUDIES 1, no. 64 (2024): 224–38. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i64.96.

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The self-defense of Sassoon in 1904 occupies a unique place in the Western Armenian national-liberation struggle. This is one of the unique episodes of the liberation struggle, when the struggle had united, both to all the Hayduks and to the national parties: Hnchakyan, Dashnaktsutyun, despite their obvious differences. The struggle is presented in the article according to "Droshak", which reflected the events of those years with the greatest accuracy, because his information was supplemented by the direct participants of that struggle and with letters from leading figures, which were written

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Books on the topic "New liberator magazine"

1

Tinson, Christopher M. Radical Intellect: Liberator Magazine and Black Activism in The 1960s. University of North Carolina Press, 2017.

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Pelley, William Dudley. Seven Minutes in Eternity: With the Aftermath. TNT Establishments, 2021.

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Hall, Ann C., and Mardia Bishop, eds. Pop-Porn. Praeger, 2007. http://dx.doi.org/10.5040/9798400699085.

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There is a new wave of pornographic entertainment in contemporary American culture. Liberated from X-rated bookstores and strip clubs, porn is everywhere, andPop-Pornseeks to examine this phenomenon in some of its most striking manifestations. Written from a variety of perspectives and on a variety of topics representing the widespread increase of soft-core porn in our culture,Pop-Pornoffers a detailed and complex approach to the porn industry in America. Rather than focusing on the current polarity of basic pro and con views on this topic—a polarity that ultimately hinders discussion—these es

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Gajarawala, Toral Jatin, Neelam Srivastava, Rajeswari Sunder Rajan, and Jack Webb, eds. The Bloomsbury Handbook of Postcolonial Print Cultures. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350261785.

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The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutio

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Book chapters on the topic "New liberator magazine"

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Rusch, Frederik L. "Editor’s Note." In A Jean Toomer Reader. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195083293.003.0002.

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Abstract In August 1920, Toomer had met Frank at a party in New York City given by Lola Ridge, an editor of Broom, a small literary magazine. Their friendship grew intense by 1922, with a mutual fascination and respect for each other’s ideas about life and literature, and Frank, the successful, established author, encouraging Toomer to write and publish. In the fall of 1922, while Toomer was working on Cane, and Frank was writing his novel Holiday, set in the South, the two authors traveled to Spartanburg, South Carolina. At this point in their careers, both deeply immersed in their work, Toom

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Keenaghan, Eric. "“Imaginatively, go trans-ves”." In The Beats, Black Mountain, and New Modes in American Poetry. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979930.003.0007.

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John Wieners embodied the intersection of the Beat Generation and the Black Mountain School, and he drew other arms of the New American Poetry into their orbit. Wieners’ editorship of the little magazine Measure between 1957 and 1962 marked the apogee of his early career and marked the dawn of a less divisive era in the American poetic counterculture. Measure emphasized the scene’s connections and common approaches to reinvigorating the artform, rather than internecine separations and poetic differences. Wieners’ magazine project exemplifies the Beat and Black Mountain poets’ shared formalist

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Aronson, Amy. "Regrouping: The Liberator Years." In Crystal Eastman. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199948734.003.0009.

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On Lincoln’s Birthday, 1918, Crystal and Max Eastman launched the Liberator: The Journal of Revolutionary Progress. The magazine plainly supported Bolshevism, and also served as watchdog for propaganda and misinformation concerning revolutionary revolts. Eastman’s most important writing was her reporting from inside Communist Hungary in August 1919. However, the lived human experiences of revolution she witnessed put her at odds with the Liberator’s star radical, John Reed, and her brother Max. A pacifist and feminist, as well as a radical, she praised the abolition of private property but dep

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"[Charlotte O’Conor Eccles], ‘The Experiences of a Woman Journalist’, Blackwood’s Edinburgh Magazine, 153 (June 1893), 830—8." In Victorian Print Media, edited by Andrew King and John Plunkett. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780199270378.003.0055.

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Abstract O’Conor Eccles (1863—1911) here provides an autobiographical account of her difficulties as a female journalist seeking work in Fleet Street. Beginning on a provincial newspaper, she subsequently worked for the short-lived London edition of the New York Herald (1835—1924), and contributed to many journals, including Sketch and Windsor Magazine. This article, published in the same year that the Society of Women Journalists was launched, shows the increasing number of women working as professional journalists and the effect of the figure of the educated and liberated New Woman, itself l

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Oram, Alison, and Justin Bengry. "The LGBTQ Press in Twentieth-Century Britain and Ireland." In The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0025.

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This chapter examines the development of the ‘gay’ press in Britain and Ireland from the late nineteenth century. Early periodicals that directly addressed gender fluidity and same-sex love were privately circulated; caution and secrecy lasted well into the 1960s. Yet at the same time considerable queer content appeared in some mainstream publications, such as fashion, film and physique magazines in the pre-decriminalisation period. More recognisably lesbian and gay publications from the 1960s sought to achieve political and cultural change and to foster social contacts for lesbians and gay me

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Mills, Dorothy Seymour, and Harold Seymour. "Goldilocks is Benched." In Baseball. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195038903.003.0031.

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Abstract The impression of the twenties as a decade of substantial female liberation derives in part from the fact that the shower of publicity on the decade’s sports titans descended on female champions as well as on male, for instance Glenna Collett (golf), Helen Wills (tennis), and Gertrude Ederle (swimming). Sports clothing for women became more practical and fashionable, and so many popular magazines published articles on “women as athletes”; that in 1922 the Reader’s Guide to Periodical Literature added the term as a new category.

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Zheng, Wang. "Creating a Feminist Cultural Front." In Finding Women in the State. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520292284.003.0004.

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Challenging the assumption of “Party propaganda,” this chapter finds a feminist cultural front in the ACWF’s flagship magazine Women of China and illuminates state feminist discursive maneuvers that targeted masculinist practices in and outside the CCP.State feminist visionswere embodied in the magazine’svisual representation of laboring women who broke gender segregation in public arena, signifying feminist pursuits of women’s double liberation of gender and class, continuing a New Culture anti-feudalistagenda, and shaping new socialist subjectivity. Editors’ practices of the “mass line” in c

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Field, Douglas, and Jay Jeff Jones. "Running with the Underdog." In Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0015.

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Between the 1950s and the 1970s, Harold Norse became a key figure in a generation of American expatriate writers whose work was mainly published through a transatlantic network of little magazines. Referred to as the Mimeo, or Mimeograph Revolution, its publications were essential outlets for writing that was risk-taking in style and content. It also supported innovations such as the cut-up process, which Norse contributed to while living at the Beat Hotel in Paris. Norse’s sojourns in Europe–Italy, France, Greece and North Africa–saw his poetry and prose featured in a number of fugitive, now

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"James Weldon Johnson’s “Harlem: The Culture Capital” 1925." In Milestone Documents in African American History. Schlager Group Inc., 2010. https://doi.org/10.3735/9781935306153.book-part-076.

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The 1920s witnessed a virtual explosion of African American artistic expression of all kinds, which centered in Harlem on New York’s Upper West Side. More popularly known as the Harlem Renaissance, this cultural movement attracted many of the most accomplished black writers, artists, actors, and musicians of the early twentieth century. James Weldon Johnson was one of the movement’s most respected contributors and, in the eyes of many, its godfather and most illustrious statesman. Like thousands of other black Americans who moved to Harlem from the South during the three decades prior to the G

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Goldsmith, Jack, and Tim Wu. "Visions of a Post–Territorial Order." In Who Controls the Internet? Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195152661.003.0006.

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A decade before the Yahoo case, two men in different parts of America began to use the Internet for the first time. One was Julian Dibbell, a New Yorker and pop music writer who covered technology issues for the Village Voice. The other was John Perry Barlow of Wyoming, a libertarian, lyricist, and cattle rancher who looked the years he had spent traveling with the Grateful Dead. Dibbell and Barlow were very different people. Dibbell, born in the 1960s, was a member of what people in the ’90s called Generation X. Barlow was writing rock-and-roll songs when Dibbell was born, and he never lost t

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Reports on the topic "New liberator magazine"

1

Prysyazhna-Gapchenko, Julia. Еміграційні видання для селян: між фаховістю і політикою. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11720.

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In the article rare editions of magazine type are first probed for peasants which nursed in an environment the Ukrainian emigrants in the first post-war years on territory of the American area of occupation in Germany, and also in the USA. Separately paid regard to mision role of magazines in the association of the nebulized peasants round a desire to apply the obtained previous experience and knowledge on strange land, to present the world the Ukrainian peasantry as labour productive force and also round the idea of fight for independence, joining in with political activity of «old» parties a

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Prysyazhna-Gapchenko, Julia. VOLODYMYR LENYK AS A JOURNALIST AND EDITOR IN THE ENVIRONMENT OF UKRAINIAN EMIGRATION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11094.

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In this article considered Journalistic and editorial activity of Volodymyr Lenika (14.06.1922–02.11.2005) – one of the leading figures of Ukrainian emigration in Germany. First outlined basic landmarks of his life and creation. Journalistic and editorial activity of Volodymyr Lenik was during to forty years out of Ukraine. In the conditions of emigration politically zaangazhovani Ukrainians counted on temporality of the stay abroad and prepared to transference of the created charts and instituciy on native lands. It was or by not main part of conception of liberation revolution of elaborate O

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