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Journal articles on the topic 'New liberator magazine'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Smoliński, Sebastian. "Minority Views: “Liberator”, American Cinema, and the 1960s African American Film Criticism." Kwartalnik Filmowy, no. 120 (December 31, 2022): 144–63. http://dx.doi.org/10.36744/kf.1382.

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The article reconstructs the discourse of film criticism in Liberator – a radical African American magazine published between 1961 and 1971. Employing Pierre Bourdieu’s theory of the cultural field, the author situates Liberator within the context of the 1960s, civil rights movement, and Black Arts movement, and analyses the magazine’s role in film culture of the era, as well as the links between the magazine and important black filmmakers and film writers. Four aspects of Liberator’s film criticism are explored: cultural memory of past representations, criticism of genre filmmaking, the need

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2

Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (2011): 9–16. http://dx.doi.org/10.5816/blackscholar.41.3.0009.

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Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (2011): 9–16. http://dx.doi.org/10.1080/00064246.2011.11413561.

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Stauffer, Andrew M. "“THE KING IS COLD,” BY STODDARD, NOT BROWNING." Victorian Literature and Culture 36, no. 2 (2008): 361–62. http://dx.doi.org/10.1017/s1060150308080224.

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About a decade ago, I discovered an unknown poem attributed to Robert Browning in two New York abolitionist periodicals, and published an article about it here in Victorian Literature and Culture. I made the case that the poem, a dramatic monologue entitled “The King is Cold,” sounds like Browning in ways that suggest either its authenticity or the early familiarity of an American audience with Browning's style; and I closed the article with the statement, “By bringing ‘The King is Cold’ to light, I hope to encourage further speculation and inquiry as to its place either among Browning's colle

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Shin, Jungeun. "A Study on the Formation of Literary Field and Discourse in Children's Magazines in the Liberation Period: Focusing on Children's Magazines in North and South Korea." Korean Society of Culture and Convergence 45, no. 9 (2023): 263–71. http://dx.doi.org/10.33645/cnc.2023.09.45.09.263.

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The purpose of this paper is to discuss the plan pursued by contemporary children's literature through various discourses of children's magazines in South and North Korea during the liberation period. The children's magazines of South and North Korea during the liberation period reveal education, society, literature, and politics as a literary space, and each children's magazine develops various theories and contents of the work.The children's magazines of South and North Korea during the liberation period allowed children of the time to expand their consciousness through 'education', 'culture

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Shin, Soo-kyung. "North Korean Children’s magazines from liberation to the 1960s: A Study on the Bibliography and Visual Culture." Modern Bibiography Review Society 31 (June 30, 2025): 719–64. https://doi.org/10.56640/mbr.2025.31.719.

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This article examines the bibliographic details and cover images of children’s magazines published in North Korea from immediately after liberation to the late 1960s. The first children’s magazine, Ŏrin Tongmu (Children’s Companion), was published in January 1946. This was followed by Children’s Literature, Sonyŏndan (Boys’ Group), and Woori Dongmu (Our Companion) in the late 1940s. In April 1960, a picture magazine for kindergarten children titled Kkotbongori was introduced. An analysis of the bibliographic data of these five children’s magazines reveals differences in aspects such as page co

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Kim, Jin Doo. "A study on reporting Korean magazine the Samchunri’s concept of new Korean woman in 1930’s." Korean Publishing Science Society 113 (December 31, 2023): 5–31. http://dx.doi.org/10.21732/skps.2023.113.5.

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This Study is on Korean magazine the Samchunri’s reporting New Woman in 1930’s. Kim Donghwan who had published this magazine from 1928 to 1941. His motivation to publish magazine the Samchunri is influenced by Shinganwhoi which unite the left and the right movement in 1920’s. The Samchunri reports on woman’s liberation, which divided into two, the nationalist and the socialist. The nationalist efforted on discrimination against woman by address and education. On the other hands, the socialist declare to overcome discrimination against Korean women, they should struggle against Japanese imperia

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Kim, Hyung-tae. "A Study on Yun Dong-ju's Poetry through Bibliographic Data Analysis 4." Korean Society of Culture and Convergence 45, no. 10 (2023): 333–51. http://dx.doi.org/10.33645/cnc.2023.10.45.10.333.

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The purpose of this paper is to shed new light on Yun Dong-ju's life and poetry by analyzing the “Chosun Ilbo”, “Boy”, and “Moon woo”, which are important bibliographic data during Yun Dong-ju's Yeonhui Technical College. This paper examined Yun Dong-ju's “An impression paiting of My younger Brother” published in the “Chosun Ilbo” ‘Student Page’ in October 1938, in connection with the post-impressionism art and discussed Yun Dong-ju's interest in the modern succession of traditional Chosun Dynasty culture. In addition, Yun Dong-ju met Yun Seok-joong when he released ‘A Mountain Cry’ in “Boy” i

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Fatima, Maryam. "Institutionalizing Afro-Asianism: Lotus and the (Dis) Contents of Soviet-Third World Cultural Politics." Comparative Literature Studies 59, no. 3 (2022): 447–67. http://dx.doi.org/10.5325/complitstudies.59.3.0447.

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ABSTRACT This article examines the Afro-Asian Writers’ Association’s (AAWA) magazine, Lotus, as an example of the cultural discourse of Afro-Asianism and the logistical and political challenges of institutionalizing a Third World literary canon within the broader context of Cold War alliances. The author's focus on the magazine’s conceptual vocabulary and its internal mechanisms reveals how anticolonial writers and cultural actors brought their own different (often, competing) versions of Marxism and varying degrees of alignment with Soviet-style socialism to the project of cultural decoloniza

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HOVSEPYAN, KARINE. "SELF-DEFENSE IN 1904 ON THE PAGES OF THE MAGAZINE “DROSHAK”." JOURNAL FOR ARMENIAN STUDIES 1, no. 64 (2024): 224–38. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i64.96.

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The self-defense of Sassoon in 1904 occupies a unique place in the Western Armenian national-liberation struggle. This is one of the unique episodes of the liberation struggle, when the struggle had united, both to all the Hayduks and to the national parties: Hnchakyan, Dashnaktsutyun, despite their obvious differences. The struggle is presented in the article according to "Droshak", which reflected the events of those years with the greatest accuracy, because his information was supplemented by the direct participants of that struggle and with letters from leading figures, which were written

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Tymoshyk, Mykola. "London Magazine "The Ukrainian Review" as a Promoter of the Idea of Ukrainian Statehood in the Western World." Ukrainian Information Space, no. 2 (December 20, 2018): 59–77. https://doi.org/10.31866/2616-7948.2.2018.151683.

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The article is written on the basis of the library and archive collections in London during the author’s UK internship. Its value lies in the fact that this is the first special study of the history of the English-language magazine of Ukrainians, published inLondonfor almost 40 years in the second half of the twentieth century and intended for a foreign reader. The author formulates three main reasons why Ukrainians founded such a magazine in London: to break the stereotype of the world’s perception of Eastern Europe through the prism of the Russian Empire, to remind Europe ab

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Kallander, Amy. "Transnational Intimacies and the Construction of the New Nation." French Politics, Culture & Society 39, no. 1 (2021): 108–31. http://dx.doi.org/10.3167/fpcs.2021.390106.

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Abstract This article examines love as a facet of nation building in constructions of modern womanhood and national identity in the 1950s and 1960s. In Tunisia and France, romantic love was evoked to define an urban, middle-class modernity in which the gender norms implicit in companionate marriage signaled a break with the past. These ideals were represented in fiction and women's magazines and elaborated in the novel genre of the advice column. Yet this celebration was interrupted by concern about “mixed marriage” and the rise of anti-immigrant discrimination targeting North Africans in Fran

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Kallander, Amy. "Transnational Intimacies and the Construction of the New Nation." French Politics, Culture & Society 39, no. 1 (2021): 108–31. http://dx.doi.org/10.3167/fpcs.2020.390106.

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This article examines love as a facet of nation building in constructions of modern womanhood and national identity in the 1950s and 1960s. In Tunisia and France, romantic love was evoked to define an urban, middle-class modernity in which the gender norms implicit in companionate marriage signaled a break with the past. These ideals were represented in fiction and women’s magazines and elaborated in the novel genre of the advice column. Yet this celebration was interrupted by concern about “mixed marriage” and the rise of anti-immigrant discrimination targeting North Africans in France. Refer

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Niri, Virginia. "From revolution to liberation. Feminist consciousness-raising and sexuality in the 1970s." ITALIA CONTEMPORANEA, no. 303 (April 2024): 55–80. http://dx.doi.org/10.3280/icyearbook2022-2023-oa003.

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This article examines the "sexual revolution" of the 1960s and 1970s in Italy from the perspective of emotional history. Drawing mainly on unpublished oral sources and advice columns in women's magazines, it assesses the contribution of the feminist method of consciousness-raising to the reception of and reaction to the so-called sexual revolution. Focusing on the ‘long 1968' as it unfolded in Italy, I analyse how the new models of an apparently freer sexuality were appropriated and adapted to the emotional counter-community created by feminists practising consciousness-raising towards what wo

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Woodward, Guy, and James Smith. "“A sort of secret, hidden propaganda of a cultural kind”: The Political Warfare Executive, Choix , and Literary Propaganda in the Second World War." Modernism/modernity 31, no. 3 (2024): 419–45. https://doi.org/10.1353/mod.2024.a956648.

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Abstract: This article undertakes a case-study of the production and dissemination of Choix , a literary magazine produced by secret British propaganda agency the Political Warfare Executive (PWE), for distribution in France towards the end of the Second World War. One of many PWE-sponsored cultural publications that circulated in newly liberated Europe in 1944–46, Choix reprinted material by many of the most significant mid-century Anglophone and European authors, including T. S. Eliot, Ernest Hemingway, Antoine de Saint-Exupéry, and Virginia Woolf, and achieved impressive circulation figures

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Batista Bortolotti, João Antônio. "Revista Charrua – relativizações das retóricas de intelectual revolucionário e literatura de combate (1977-1986)." Revista Discente Ofícios de Clio 5, no. 9 (2021): 39. http://dx.doi.org/10.15210/clio.v5i9.19766.

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Este artigo objetiva contextualizar e analisar os significados da Revista Charrua (1984-1986), periódico idealizado e publicado por um grupo de jovens escritores imbuídos de ideias e intenções de demarcar um novo momento da literatura moçambicana, distanciando-se das retóricas de intelectual revolucionário e poesia de combate, caras ao projeto nacional do Estado-Frelimo. Para tal, contextualizo brevemente o momento da formação da Frente de Libertação de Moçambique, e mais amplamente o período após a independência, marcado pelo início de uma guerra civil, bem como por um projeto nacionalista au

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Shragai, Atalia. "Reading Ms. Magazine in San José: Transnational Gender-Work Among US American Women in 1970s Costa Rica." Frontiers: A Journal of Women Studies 45, no. 3 (2024): 100–128. https://doi.org/10.1353/fro.2024.a952258.

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Abstract: Examining the weekly column, "Women's Lib and You," (WLAY) published in the Tico Times , the most widely read English-language newspaper in Costa Rica, between February 1972 to September 1972, this article explores the ways in which US American women and men living in Costa Rica negotiated and interpreted the transnational flow of the core ideas and practices of Second Wave feminism from the United States. Contributors to the columns, hiding behind the pseudonym "Anne Eliot," were a group of young, college-educated women, familiar with the Women's Lib movement in the United States, w

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Šuvaković, Miško. "The logic of entrapment: Digital proletarians; digital fascism; symbiosis between a virus and autocracy." Maska 35, no. 200s3 (2020): 98–108. http://dx.doi.org/10.1386/maska_00047_1.

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Abstract This text was written on the occasion of the 200th issue of Maska magazine. My goal is to identify and interpret the time when the text is written and when the 200th issue of Maska will be published. I identified a situation of sociability at the time of the coronavirus pandemic and the dominance of digital/postdigital communications. I am interested in the difference between media representation, virus events and political-or-artistic interpretation of modern and transitional forms of human life. If we are talking about digital art/culture/society in relation to the technological tur

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Del Greco, Robert Joseph. "Generational Struggle: Postwar Korean Views of Anti-colonial Violence in Minshu Chōsen and Hinawajū no uta." Japanese Language and Literature 59, no. 1 (2025): 163–96. https://doi.org/10.5195/jll.2025.384.

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Considering a variety of historical incidents, this study examines how liberated Koreans living in postwar Japan wrote about resistance movements of the colonial period. I argue that as part of the mission to develop a new founding mythos for the modern Korean nation (envisioned as a single unified state) several of these authors focused on establishing the necessity for violent anti-Japanese resistance, valorizing the historical incidents of it, and tying these acts to the development of Marxist political consciousness. By juxtaposing the agitprop editorials of a Korean centered postwar magaz

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KRAMER, Derek J. "Waiting for the End: An Annotated Translation of “Hiroshima’s Last Day”." Seoul Journal of Korean Studies 38, no. 1 (2025): 69–88. https://doi.org/10.1353/seo.2025.a965182.

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Abstract: This article presents an English translation of the essay “Hiroshima’s Last Day.” Published by the Seoul-based magazine New World in January 1950, the work was the first widely circulated long-form account of the atomic bombings by a Korean survivor. Then as now, it offers readers a rare window into the complex experiences of non-Japanese individuals who, having endured the attacks, later had to navigate the shifting social and cultural currents of a postcolonial East Asia. The account highlights themes of memory, trauma, and solidarity, shedding light on the entangled forces of libe

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Bolotova, Elena V. "About an Honorary Citizen and Happy Mother: The Evolution of the Image of Soviet Woman in the 1930s." Observatory of Culture 16, no. 3 (2019): 300–309. http://dx.doi.org/10.25281/2072-3156-2019-16-3-300-309.

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The images constructed in the Soviet period occupy a special place in contemporary Russian culture. Our culture retains links with them whether they continue to exist or attempts are made to deny or overcome them. The article is devoted to the formation of the concept of “Soviet man”, which is often interpreted in a generalized sense in modern Humanities. The novelty of the research is that it focuses on the image of “Soviet woman”, a gender stereotype introduced by all power of propaganda machine. The work recorded the enrichment of the “working woman” image with new meanings of “socially a

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Abhishek, Pramanik. "Na Sahityer Akhyan: Nimsahityer Galpo Bunan." Trivium A multi disciplinary journal of humanities of Chandernagore College 2, no. 3 (2018): 76–86. https://doi.org/10.5281/zenodo.13827020.

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Protests, movements have changed the rulers, but they have crossed the boundaries of politics and knocked on the door of the cultural world many times and successfully informed their existence and one of its partners has been literature. The movement has expressed its greatness in the liberation of literature of various languages of different countries of the world. Looking at this literary-cultural movement and the political history of the time, it can be seen that the mindset of the newly liberated people of different countries is associated with it. It may be the opposition between the ideo

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Belousov, M. S., A. S. Belousov, and A. I. Kuru. "Creation of the Kingdom of Poland in the Discourse of the Russian Press." Nauchnyi dialog, no. 3 (March 27, 2021): 309–27. http://dx.doi.org/10.24224/2227-1295-2021-3-309-327.

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This article is devoted to the analysis of the rhetoric presented in the Russian press in 1814—1818 regarding the imperial policy in the newly annexed Kingdom of Poland. The aim of the authors is to show that it is necessary to separate the real policy of the Russian autocracy in this territory from the images created first by French publicists, and then repeatedly exaggerated by Russian journalists. It is noted that Alexander I in 1814—1818 appears on the pages of French publications as a tsar-liberator. It is shown that these stories were quickly picked up by Russian newspapers and magazines

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Van Bruinessen, Martin. "Editorial." Kurdish Studies 2, no. 1 (2014): 1–3. http://dx.doi.org/10.33182/ks.v2i1.375.

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Almost a century ago, Memduh Selim wrote in the Kurdish magazine Jîn, which appeared in Istanbul, about the importance of festivals and commemorations for national awareness, and he urged the Kurds to follow the example of other nations and cultivate their national days. The mobilising potential of such celebrations and the various symbols associated with them has been amply proven in the case of the Kurds. As the major festivals to be celebrated, Memduh Bey mentioned Kurdish New Year (sersal) and the day of Kawa the Blacksmith, the hero who slew the tyrannical king Zahhak. He believed that th

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Turner, Nan. "Disco: When fashion took to the dance floor." Clothing Cultures 8, no. 1 (2021): 5–26. http://dx.doi.org/10.1386/cc_00042_1.

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Discothèques, fuelled by sexual liberation (both gay and straight), influenced fashion, music, nightlife entertainment, dancing and society for several years during the 1970s. New York City (NYC) was the epicentre of the disco scene. Sexual freedoms, fuelled by the birth control pill and the repeal of laws in NYC against same-sex dancing, played out in the hedonistic disco venues, the most infamous, Studio 54. The 1977 film, Saturday Night Fever, inspired by the popularity of disco dancing in New York, introduced the dance phenomena to the world, spawning a slew of copycats. The fashion world

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Hewitt, Nicholas. "Introduction: Popular Culture and Mass Culture." Contemporary European History 8, no. 3 (1999): 351–58. http://dx.doi.org/10.1017/s096077739900301x.

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At the end of the Second World War, the countries of Western Europe found themselves in a state of economic and physical ruin and, in the cases of Germany, Italy and France, in a position of, at best, moral and political ambiguity and, at worst, outright bankrupcy. Only Britain emerged from the war with its political regime intact and its moral purpose vindicated, although paradoxically its economy was to prove the most severely wounded. Perhaps because of the very scale of the disaster, however, Western Europe embarked upon a process of reconstruction, aided financially by the Marshall Plan,

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Sathees, Murukaiya. "ஈழத்துப் புலம்பெயர்ந்தோர் தமிழிலக்கிய ஆய்வுகள் - ஒரு விமர்சன நோக்கு (Studies in Tamil Literature of Eelam Immigrants - A Critical Perspective)". Journal of Tamil Peraivu 12, № 1 (2023): 34–43. https://doi.org/10.22452/jtp.vol12no1.3.

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Fearing the war situation in Eelam, many Tamils migrated to India and other European and North American countries after the 1970s. These included intellectuals and writers who lived in the diaspora and produced creative literary works known as migrant literature. Research efforts on such Eelam refuge Tamil literature have been carried out at many sites. These reviews often reflect themes such as life experiences, cultural practices, social problems, political-economic risks, refugee life with homeland memory, international outlook, new contextual expressions, women's awareness and liberation,

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İlimen, Ezgi. "Gertrude Atherton’s Modern New Women in The Sisters-in-Law and Black Oxen." Anglia 142, no. 4 (2024): 793–815. https://doi.org/10.1515/ang-2024-0065.

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Abstract Gertrude Atherton (1857–1948) was a notable and highly prolific American woman writer of novels, short stories, articles, and essays. Atherton’s writing was published in popular magazines of the time. She addressed women’s lives and traditional circumstances, liberating potential and desired progress ranging from socioeconomic opportunities and intellectual growth to political awareness and active roles in public life. To this end, her novels reflect a unique interpretation of American society, cultural traditions and politics with her progressive vision. In The Sisters-in-Law: A Nove

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Sribnyak, Ihor, Natalia Yakovenko, and Viktor Matviyenko. "Methods of struggle of the Russian Black Hundreds against Ukrainians in the prisoner-of-war camps in Austria-Hungary and Germany (1914-1917)." Eminak, no. 3(39) (October 7, 2022): 95–112. http://dx.doi.org/10.33782/eminak2022.3(39).593.

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The article is aimed at analyzing forms and methods of struggle of the Russian Black Hundreds against Ukrainian activists of the tsarist army in the prisoner-of-war camps on the territory of Austria-Hungary and Germany (Freistadt, Rastatt, Wetzlar, Salzwedel), being ukrainized at the end of 1914-1915, which was accompanied by the removal of ethnic Russians from those camps. The research novelty of the article lies in the objective evidence of those factors that initially made it almost impossible to carry out cultural and educational work among captured Ukrainians, as well as the reconst

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McGill, Meredith L., and Andrew Parker. "The Future of the Literary Past." PMLA/Publications of the Modern Language Association of America 125, no. 4 (2010): 959–67. http://dx.doi.org/10.1632/pmla.2010.125.4.959.

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[B]y carrying us beyond paper, the adventures of technology grant us a sort of future anterior: they liberate our reading for a retrospective exploration of the past resources of paper, for its previously multimedia vectors.—Jacques Derrida, Paper MachineThis essay explores some of the ways that the contemporary mediascape has begun to transform the questions we can ask of our students and ourselves. Our subject derives from an undergraduate English course, Literary History and/as Media History, that we designed to address the lack of critical attention paid in the curriculum to the media of l

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Golik, V. I., A. V. Titova, and G. I. Titov. "On utilization of concentration tailings of non-ferrous metal ores." Mining Industry Journal (Gornay Promishlennost), no. 5/2023 (November 15, 2023): 96–101. http://dx.doi.org/10.30686/1609-9192-2023-5-96-101.

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One of the issues of non-ferrous metallurgy is the high losses of metals during concentration as part of complex processing of the ores. The mineral resource base of non-ferrous metals in Russia is affected by the shortcomings of certain concentration processes that have a negative impact on the efficiency of commodity production. Human-generated wastes of non-ferrous metallurgy industries often form reserves that are comparable to the natural deposits of primary ores. In addition to the economic losses from incomplete metal recovery, dumping of mining waste creates environmental problems. Cur

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Kozlov, A. E. "Satirical Weekly “Iskra”: Post-Folklore, Post-Irony and Post-Modern." Vestnik NSU. Series: History and Philology 20, no. 6 (2021): 19–34. http://dx.doi.org/10.25205/1818-7919-2021-20-6-19-34.

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Purpose. The reputation of the satirical weekly Iskra is traditionally determined by the political context of the Russian Empire in 1860s. Despite the fact that in the first years of its existence, the publication attracted writers of various fractions, views, and convictions, Iskra was perceived as a radical magazine, “…another department of Sovremennik”. Moreover, Iskra’s defamations and attacks against provincial and capital officials, and writers have become an inte gral part of the everyday life of the 1860s. Individual articles and whole issues have been banned and censored, though this

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Lee, Sung-Jae. "Patriotism in American Pin-Up Girls during World War II." Korea Association of World History and Culture 68 (September 30, 2023): 245–74. http://dx.doi.org/10.32961/jwhc.2023.09.68.245.

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During World War II, Pin-Ups played a big role in military propaganda. At the time, Pin-Ups weren’t just about comforting soldiers on the battlefield. Therein lay a uniquely American patriotism. In a liberal country like the United States, it is difficult to ask citizens to defend the country, so American politicians had to appeal to private obligations, first and foremost the moral obligations that exist between men and women. Pin-Ups were a useful tool to arouse men’s patriotism by conveying the message that they should defend their wives and girlfriends on the mainland. Meanwhile, Ame

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Iaruchyk, Olga. "IDEOLOGICAL AND AESTHETIC POSITIONS OF POLISH REPRESENTATIVES OF THE POETRY GROUP „SCAMANDER”." Polish Studies of Kyiv, no. 37 (2021): 377–91. http://dx.doi.org/10.17721/psk.2021.37.377-391.

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The literary life of the whole Western Europe considerably revived in the first half of the twentieth century. This influenced the dynamic development of publishing, dramaturgical, literary activity of Polish artists and their search for new forms of expression of reality. A unique phenomenon of the interwar period a twenty years in Poland was the emergence of a new poetic movement “Scamander”. This movement was closely linked to reality and conveyed the spirit of the era. However, each of the representatives of the Scamander movement performed it in their own way at different stages of their

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Massimkhanuly, D., and A. Abidenkyzy. "The spread of the national idea of Alash among the Kazakhs of East Turkestan." BULLETIN of L.N. Gumilyov Eurasian National University. HISTORICAL SCIENCES. PHILOSOPHY. RELIGION Series 135, no. 2 (2021): 26–34. http://dx.doi.org/10.32523/2616-7255-2021-135-2-26-34.

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The ideas of Alash are the spiritual value of the Kazakh people, which determine the development priorities of our state and historical policy. The formation of the USSR and the subsequent totalitarian vector of development conditioned the persecution and exilement of the Alash national intelligentsia. As the result of the repressive policy the majority of the best sons of Kazakh nation were arrested, shot, exiled to camps and forced to flee abroad. There in a foreign land, including in the territory of Xinjiang in China, they continued to spread the progressive ideas of Alash. The authors bel

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AlGhamdi, Kholoud. "Between Hegemonic Masculinity and New Man-ism: The Shift from ‘Owning’ the Gaze to Being the ‘Object’ of the Gaze in the Representation of the Western Male in Men’s Health Magazine." Sumerianz Journal of Education, Linguistics and Literature, no. 64 (November 12, 2023): 77–82. http://dx.doi.org/10.47752/sjell.64.77.82.

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This essay discusses how the representation of the Western male has shifted from one of hegemonic masculinity to one of new man-ism by exploring the British edition of Men’s Health magazine (henceforth MH). Beginning with a brief definition of the key terms, the essay explores how such a change has occurred via cultural construction by borrowing a theoretical perspective from Judith Butler, of how all forms of identity are not ‘fixed’, but are rather discursively ‘produced’ by popular culture media: ‘There is no gender identity behind the expression of gender; that identity is performatively c

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Bąbel, Agnieszka. "Ulotne jak dym? Kryptoreklama i przemiany obyczajów – o kampanii Polskiego Monopolu Tytoniowego na łamach "Kobiety Współczesnej" w latach 1931-1932 [Ephemeral as smoke? Crypto-advertising and change of customs – about Polish Tobacco Monopoly campaigns in a magazine "Kobieta Współczesna" [Modern Woman] in 1931-1932]." Napis XXII (2016) (December 30, 2016): 150–78. https://doi.org/10.18318/napis.2016.1.10.

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The paper is a dispute with the theses propagated in 1930s about backwardness and primitivism of Polish press advertising. The analysis of a series of texts published in the Warsaw’s weekly “Kobieta Współczesna” [Modern Woman] between October 1931 and November 1932 indicates astonishing similarity to the methods used in the USA by Edward L. Bernays, the father of <em>public relations</em>, in 1928-1929. The texts camouflaged as feature articles about fashion, good manners and decency or quasi stories and health warnings are aiming to create in female readers positive a

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Lalosevic, Dusan. "Scientific importance of Serbian Pasteur institutes." Archive of Oncology 18, no. 4 (2010): 125–27. http://dx.doi.org/10.2298/aoo1004125l.

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Only 12 years after Paris, the first Pasteur Institute in Serbia and the Balkans was founded in Nis, in 1900. Its contribution to preventive medicine of Serbia was enormous, primarily in production of vaccine against variola and rabies. After the liberation in 1919, the Pasteur Institute was re-established and it continued its scientific work under the management of Gerasim Alivizatos, a Greek who had come to help Serbian people. He is the author of the so-called mixed method in rabies prophylaxis, in which he combined dilution of live vaccine with concentrated ether treated vaccine. He publis

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Коzak, Serhiy. "The Newspaper “Ukrainian News”: the American Period (1978–2000)." Scientific notes of the Institute of Journalism, no. 1 (76) (2020): 66–75. http://dx.doi.org/10.17721/2522-1272.2020.76.5.

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The purpose of this article is to elucidate the peculiarities of the functioning of Ukrainian News/“Ukrainski Visti” in the American period through the prism of publications (1978-2000). In order to realize the goal, the forms of subscription organization were investigated, measures aimed at strengthening the material base of the magazine, a considerable array of publications of that time were analyzed (their systematic index was prepared), and the role of the publication in shaping the cultural and spiritual heritage of the Ukrainian diaspora in the USA and other countries during the mentione

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Ryzova, Lucie. "Unstable Icons, Contested Histories." Middle East Journal of Culture and Communication 8, no. 1 (2015): 37–68. http://dx.doi.org/10.1163/18739865-00801004.

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This essay discusses the contemporary circulation of digitized historical photographs in the Egyptian online world. On countless Facebook pages and blogs, vintage photographs of multiple genres—including “orientalist” photographs sold in late 19th century to western tourists, early 20th century postcards of the colonial metropolis, advertising shots published in mid-20th century Egyptian magazines, and private family photographs—are being unearthed, reactivated, and assigned with new meanings that are acutely contemporary. “Freed” from the confines of old dusty archives that once constrained t

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Syrota, Liliia. "Presentation Activities of the Lviv Literary and Art Associations at the Beginning of the 1920s." Culture and Arts in the Modern World, no. 21 (July 22, 2020): 264–80. https://doi.org/10.31866/2410-1915.21.2020.208265.

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The purpose of the article is to reveal the peculiarities of the presentation activities of the Ukrainian centres of Lviv in the early 1920s, to promote understanding of the Ukrainian cultural life of this city. Periodical publications of that period were used for the analysis. The defining methodological principle of this study has been the principle of historicism, which allowed us to determine the meaning, place and consequences of the presentation activities as a new form of communication of creative associations. A systematic approach made it possible to determine the interaction of creat

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Milovanovic, Milan. "The publication Starinar as an organ of the SAS Institute of Archaeology." Starinar, no. 74 (2024): 341–51. https://doi.org/10.2298/sta2474341m.

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The lack of appropriate conditions for the work of the Serbian Archaeological Society after Liberation led to new chapters in the history of Serbian archaeology. One of the basic plans during the reorganisation of the Academy of Sciences in the new state was related to the establishment of an institute modelled on the Academy in the USSR. In this paper, we assumed that the process of establishing the Institute of Archaeology SAS, as the future leading institution of its kind in the country, influenced the termination of the Serbian Archaeological Society. This decision was made at the conferen

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Paduchowski, Wojciech. "Jan Kotyza, żołnierz Armii Krajowej, Batalionów Chłopskich, ludowego Wojska Polskiego – zarys biograficzny." Przegląd Historyczno-Wojskowy 21, no. 4 (2020): 146–69. http://dx.doi.org/10.32089/wbh.phw.2020.4(274).0005.

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The article presents a biographical outline of Jan Kotyza, a soldier of the Home Army, Peasants’ Battalions and the Polish People’s Army. He was born in Bieńczyce near Cracow in a peasant family. Thanks to the persistence of his parents and teachers he finished high school and then studied physical education at the Jagiellonian University. Just before the outbreak of World War II, Kotyza took over the position of manager of the newly built city stadium at 3 Maja Avenue in Cracow. He was a reserve officer but did not take part in the Polish campaign of 1939. During the occupation he got involve

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Iaruchyk, Olga, and Viсtor Iaruchyk. "POLISH LITERARY GROUP “SCAMANDER”: REQUIREMENTS FOR EMERGENCE." Polish Studies of Kyiv, no. 40 (2024): 602–16. https://doi.org/10.17721/psk.2024.40.602-616.

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“Scamander” as a literary phenomenon derived its origins from French poetry. The literary life of the entire Western Europe significantly revived in the first half of the 20th century. This influenced the dynamic development of the publishing, dramatic, and literary activities of Polish artists and their search for new forms of expressing reality. Before the First World War, Polish literature was also characterized by the desire to create a new direction of poetry, which fully manifested itself precisely in the era of the interwar twenty years. They were reflected in two main currents – classi

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Elmaliach, Tal. "Jewish Radicals: Zionism Confronts the New Left, 1967–1973 A Comparative Look: Introduction." Hebrew Union College Annual 93 (June 1, 2023): 187–98. http://dx.doi.org/10.15650/hebruniocollannu.93.2022/0187.

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The identity crisis that many Jewish radicals in the West grappled with in the 1960s and early 1970s was the subject of Sol Stern’s essay “My Jewish Problem – and Ours,” which appeared in the August 1971 issue of Ramparts, one of the most important organs of the American New Left.1 Stern, a key New Left activist and a former editor of the magazine, pointed to a paradox at the root of this crisis. Classical Marxism viewed Jewish nationalism as diametrically opposed to Marxist ideology. Nonetheless, in the wake of the Holocaust and the founding of the state of Israel, the global Left supported t

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Aksenov, Alexander. "Genre-Style Peculiarities of Ukrainian Composers' Works of the Late Nineteenth and Early Twentieth Centuries." Bulletin of KNUKiM. Series in Arts, no. 37 (December 10, 2017): 167–75. https://doi.org/10.31866/2410-1176.37.2017.155635.

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The aim of this article is elucidation of the reasons for the active development of Ukrainian musical creativity at the end of the nineteenth and early twentieth centuries, the actualization of popular folk traditions in the leading composers’ music during this era, comprehension of its genre, style and thematic palette, determination of artists’ innovation. Research methodology. The analysis of literary sources is the main approach. A lot of publications on the subject (magazines, newspaper articles, brochures) have been reviewed. This methodological approach allows us to study th

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Kuznetsova, Elena Yu. "The History of Ex-Libris as the History of the Country (Browsing Through the Pages of the Catalogue of the Murmansk Regional Scientific Library)." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 5 (2024): 423–33. http://dx.doi.org/10.25281/0869-608x-2024-73-5-423-433.

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In June 2023 in Murmansk at the All-Russian Library Congress: 27th Annual Conference of the Russian Library Association Murmansk State Regional Universal Scientific Library (MSRUSL) presented a new printed catalogue of book marks from the collection of rare books. The catalogue includes more than 400 Russian owner’s marks of the 19th — the first half of the 20th century, identified in the course of the research activities of the MSRUSL to study the history of rare editions. These are artistic (armorial, plot, monogram) and typographic ex-libris, applied to editions in the form of paper labels,

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Zubko, Olha. "Biographies of Ukrainian emigrants of interwar Czechoslovachchyna: silence and mystifications (1919 – 1939)." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (362) (2024): 128–49. http://dx.doi.org/10.12958/2227-2844-2024-3(362)-128-149.

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When formalizing and verifying both published and unpublished biographical data of public and political figures, scientists, and specialists, it turns out that many elements of their biographies (dates of birth and death, place of birth, social or professional status, citizenship, etc.) come from sources of personal origin – obituaries, memoirs, research publications and even Curriculum Vitae written by emigrants themselves) are strikingly differen. The network of biographical inconsistencies is explained by two reasons. Firstly, due to the natural errors of human memory, which is capable of d

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Sulyak, Sergey G. "Julian Yavorsky - a scholar, social and political activist of Carpathian Rus." Rusin, no. 68 (2022): 70–130. http://dx.doi.org/10.17223/18572685/68/5.

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Julian A. Yavorsky (1873-1937) was a Carpatho-Russian scholar, social and political activist, son of a Greek Catholic priest. He graduated from Chernivtsi University in 1896. In 1903, he defended his doctoral dissertation “The Life of Peter and Fevronia of Murom as a Monument of Old Russian Narrative Literature” at the University of Vienna under the supervision of Vatroslav Jagic. After returning to Galicia, he taught in Polish gymnasiums. Since school, he participated in the Russian movement of Galicia. For his convictions, Yavorsky was expelled from the Drohobych, Sambir, and Lviv gymnasiums

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Kim, jeong-nam. "A study on the labor reality in Lee Buk-myeong’s novels: Focused on the process of change in social situation and labor reality." Korean Language and Literature 121 (July 30, 2022): 141–74. http://dx.doi.org/10.21793/koreall.2022.121.141.

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The purpose of this study is to examine the changes in the labor reality in Lee Buk-myeong's novels according to social situations. Novelist Lee Buk-myung started as a literary writer who embodies the vivid reality of workers lives in relation to the Bolshevik line of KAPF in the colonial era. His literary flow can be brought up by the following periodical segmentation. First, in the novel by Lee Buk-myung, the oppression mechanism that he directly or indirectly experienced while working as a worker at the Joseon Nitrogen Fertilizer Factory in Noguchi(野口) Konzern for three years from 192

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