Relevant bibliographies by topics / New Market Theater (Portland, Or.)

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'New Market Theater (Portland, Or.)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "New Market Theater (Portland, Or.)"

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Zhao, Shuhang. "Analysis of the Psychological Characteristics of the Audience in Contemporary Chinese Theater Space." Transactions on Social Science, Education and Humanities Research 7 (May 6, 2024): 285–89. http://dx.doi.org/10.62051/n667xz18.

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Since the beginning of 2023, the number of theatre performances in China has increased year by year, and a new round of " theatre defense war " is about to be opened. Whether the operators can keep up with the favorable policies, take advantage of the wind, grasp the new market competition situation, and make timely market response has become a key factor. This paper focuses on the current audience viewing psychology dimension for data sampling and analysis, in order to put forward constructive suggestions. The purpose of this project research is based on the current situation investigation an
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Rachman, Taufiq Nur. "Theather Association of The Religious Groups in Yogyakarta During 1960s." SHAHIH: Journal of Islamicate Multidisciplinary 4, no. 2 (2019): 75–91. http://dx.doi.org/10.22515/shahih.v4i2.1875.

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This research focuses on the dynamics of theaters based on religious groups (Teater Muslim, Starka, Teater KristenTeater Kristen and Sthemka) in Yogyakarta, which initially adopted realist theater and then turned into an experimental theater, from the 1950s to the 1960s. The 1950s was a time when realism exploded in Indonesian theater. Whereas the 1960s was a period when theater groups began to adapt new forms and were called the experimental theater period. For this reason, this research takes place in the 1950s to 1960s. To cover the idea of writing, research uses the theory of dramaturgy fr
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BORIÇI, Dritan. "Close up theater – an innovation in stage art studies." Polis 21, no. 1 (2022): 128–37. http://dx.doi.org/10.58944/rshg1308.

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In this article we will try to offer a new perspective on the theater, and we will try to include the theater in other spaces to create artistic values, including digital technology. Since its beginning, the theater space has been a place to see, to watch, to present, to perceive, to understand. So, in a basic sense, theater has been and is a first pathway. At the core of the theatrical experience – as Peter Brook suggests – is the act of watching and being watched. Throughout the history of Western culture, the theater has been a primitive dance circle, a Greek amphitheater, a church, an Eliz
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Aranyossy, Marta. "Technology Adoption in the Digital Entertainment Industry during the COVID-19 Pandemic: An Extended UTAUT2 Model for Online Theater Streaming." Informatics 9, no. 3 (2022): 71. http://dx.doi.org/10.3390/informatics9030071.

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While the digitalization of products and services in the entertainment industry has gained momentum in the last decades, online theater streaming is a relatively new phenomenon boosted by the COVID-19 restrictions, which created new market opportunities—and demand—for theaters’ online presence. This study investigates a new online platform providing theater streaming services in Hungary from a customer-centric, technology acceptance point of view. The survey-based study is designed to examine which factors of the Unified Theory of Acceptance and Use of Technology 2 (UTAUT2) model are—and were—
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Wang, Jingyao. "A Comprehensive Review of Research Literature on the Development of Childrens Drama in China -Using the Example of the Play Malanhua." Communications in Humanities Research 14, no. 1 (2023): 329–34. http://dx.doi.org/10.54254/2753-7064/14/20230513.

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Childrens theater plays a significant role in the cultural landscape of theater and has a major impact on childrens education. In this study, the author uses a literature review method, focusing on the play Malanhua, to review the research progress in Chinese childrens theater, specifically in terms of script content, themes and so on. The research results on the innovation and development of stage design, characterization, and main theme of Chinese childrens theatre represented by Malanhua are summarized and concluded. With the changes in the times and the evolving societal needs, the perspec
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Lam, Tszyan. "A Study on Immersive Experiences in Chinese Musicals in the Digital Media Environment: Taking the Immersive Small Theater at Shanghai Asia Mansion as an Example." Lecture Notes in Education Psychology and Public Media 106, no. 1 (2025): 72–80. https://doi.org/10.54254/2753-7048/2025.cb25104.

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Against the backdrop of rapid development in digital media, immersive theater has reshaped the relationship between audiences and performances by breaking down traditional boundaries between spectators and performers, becoming an important phenomenon in contemporary urban culture in China. Taking the immersive theater musical series Star Space at Shanghai Asia Mansion as its research object, this paper explores the characteristics of immersive experiences and the reconstruction of audience-performance relationships in Chinese musical theater within a digital media environment. Based on the Use
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Okuno, N., Y. Ishikawa, A. Shimizu, and M. Yoshida. "Utilization of sludge in building material." Water Science and Technology 49, no. 10 (2004): 225–32. http://dx.doi.org/10.2166/wst.2004.0650.

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Several thermal solidification processes have been developed mainly in Japan. They are lightweight aggregates, brick, interlocking tile, char, and slag. A full-scale plant of them has been successfully operated for more than 10 years. The quality of the end products is better than the traditional ones. They are all substitutive to existing ones. The Japanese experience proves that all the processes are technically feasible, but not economically. Their manufacturing cost is always higher than market price. In addition, they consume large amounts of energy. However, if they are identified for a
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Ushkarev, A. A. "Digital Theater. Conceptualization the phenomenon." Art & Culture Studies, no. 2 (June 2023): 58–91. http://dx.doi.org/10.51678/2226-0072-2023-2-58-91.

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An overview of the main trends in understanding the digital forms of theatre existence is made on the basis of scientific publications of recent years in Europe and the United States. It demonstrates the breadth of the subject field and author’s approaches, and the diversity of theoretical concepts and methods of studying digital hypostases of theatrical life. There are no immutable truths or taboos in the social sciences today, and interpretations of empirical facts are often polemical, depending on the author’s beliefs and attitude to social justice and inequality — social, racial, gender —
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Dritan, BORIÇI. "Close up theater - an innovation in stage art studies." Polis 21, no. 2022 (2022): 128–37. https://doi.org/10.5281/zenodo.7557218.

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<strong>Abstract</strong> In this article we will try to offer a new perspective on the theater, and we will try to include the theater in other spaces to create artistic values, including digital technology. Since its beginning, the theater space has been a place to see, to watch, to present, to perceive, to understand. So, in a basic sense, theater has been and is a first pathway. At the core of the theatrical experience &ndash; as Peter Brook suggests &ndash; is the act of watching and being watched. Throughout the history of Western culture, the theater has been a primitive dance circle, a
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Balaban, O. I., O. M. Venher, and O. B. Opanasyk. "Market fundamentals of organization of work in the field of stage and audio-visual arts and production." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 200–214. http://dx.doi.org/10.34064/khnum1-53.12.

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Background. Survival and further development is an acute problem for any modern Ukrainian repertory theater. According to the Law (which is only a framework, since it does not answer all the questions that arise), repertory theaters are non-profit organizations and exist for budget funds. The latter are steadily declining and depreciating in the conditions of market relations exist in modern Ukraine. The purpose of the article is to consider and propose methodological approaches to the development and implementation of innovations in the organization of cultural institutions in the field of cu
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Dissertations / Theses on the topic "New Market Theater (Portland, Or.)"

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Waddell, Jane Therese. "The Village Market| New Columbia Goes Shopping for Food Justice." Thesis, Portland State University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10192781.

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<p> The Village Market is a nonprofit Healthy Corner Store that has been open since May of 2011 in the mixed-use, mixed-income New Columbia housing development in Portland, Oregon&rsquo;s Portsmouth neighborhood. The venture began as a &ldquo;community-led&rdquo; effort in partnership with Janus Youth Programs and Home Forward. The project was conceived after a private enterprise in the small grocery space designed into the development failed, leaving the neighborhood without easy access to healthy foods. This dissertation is a case study of the development process, the operation of the market
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Books on the topic "New Market Theater (Portland, Or.)"

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Grand Army of the Republic Dept of. Decoration Ceremonies, at Lone Fir Cemetery and New Market Theatre, Portland, Ore. , May 30 1882. Creative Media Partners, LLC, 2023.

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Grand Army of the Republic Dept of. Decoration Ceremonies, at Lone Fir Cemetery and New Market Theatre, Portland, Ore. , May 30 1882. Creative Media Partners, LLC, 2023.

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Read it and weep. Berkley Prime Crime mass-market edition., 2013.

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Monod, David. Vaudeville and the Making of Modern Entertainment, 1890-1925. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660554.001.0001.

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Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville bec
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Holmes, Sean P. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037481.003.0008.

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This epilogue traces the collapse of the old theatrical economy after the onset of the Great Depression and assesses its impact on the men and women of the American stage. Highlighting the huge decline in employment opportunities in a perennially overcrowded labor market in the wake of the Great Crash, it argues that the brand of occupational unionism that had underpinned the activities of the Actors' Equity Association (AEA) in the 1920s ceased to meet the needs of the theatrical rank and file. In the highly politicized environment of the 1930s, traditional patterns of deference within the ac
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Klapper, Melissa R. Ballet Class. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190908683.001.0001.

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Surveying American ballet in 1913, Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. A century later, ballet is everywhere. There are ballet companies across the United States; ballet is commonly featured in film, television, literature, and social media; professional ballet dancers are spokespeople for all kinds of products; nail polish companies market colors like “Ballet Slippers”; and, most importantly, millions of American children have taken ballet c
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Woodworth, Steven E. Decision in the Heartland. Praeger, 2008. http://dx.doi.org/10.5040/9798400638534.

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The verdict is in: the Civil War was won in the West—that is, in the nation's heartland, between the Appalachian Mountains and the Mississippi River. Yet, a person who follows the literature on the war might still think that it was the conflict in Virginia that ultimately decided the outcome. Each year sees the appearance of new books aimed at the popular market that simply assume that it was in the East, often at Gettysburg, that the decisive clashes of the war took place. For decades, serious historians of the Civil War have completed one careful study after another, nearly all tending to in
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Smith, Briana J. Free Berlin. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14167.001.0001.

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An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity. In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city's state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Bri
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Book chapters on the topic "New Market Theater (Portland, Or.)"

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Coulson, Carolyn. "Perpetual Invention and Performance-Based Research." In The Ballad of the Lone Medievalist. punctum books, 2018. https://doi.org/10.21983/p3.0205.1.09.

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When I was in graduate school, I had a secret, albeit not a very well-kept one. Before I moved across the country to study the Middle Ages, I was an actor and director, working consistently in California’s regional theaters. I had always been torn between my creative instincts and my intellectual pursuits, and, when I entered my MA program, I thought that intellect had prevailed and I had left theater behind for good. I remember that, when my peers in the English department would lament the state of the academic job market, I would shrug and think, “I was an actor. The job market doesn’t get w
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Nieuwkerk, Karin van. "Chapter 6. Of Morals, Missions, and the Market: New Religiosity and “Art with a Mission” in Egypt." In Muslim Rap, Halal Soaps, and Revolutionary Theater. University of Texas Press, 2011. http://dx.doi.org/10.7560/726819-008.

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Scott, Michelle R. "T.O.B.A. Forms." In T.O.B.A. Time. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252044885.003.0004.

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Chapter three examines the economic motivations for creating the Theater Owners’ Booking Association (T.O.B.A.) and determines how successful the institution was as a black-serving business between late-1920 and 1925. After merging with a competing vaudeville circuit, T.O.B.A. established its three national regions, developed a multiracial executive board, and planned to capture a market of black Southerners. By acquiring new theater franchises and following blues music’s rising popularity, the circuit rose to new heights by 1925. Yet in this same season the Colored Actor’s Union (C.A.U.) aros
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Avila, Eric. "2. Mass culture and mass politics, 1800–1860." In American Cultural History: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780190200589.003.0003.

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In the aftermath of the American Revolution, the framers of the Constitution confronted the task of forging a new national identity. “Mass culture and mass politics, 1800–1860” describes a surging phase of modernization in the United States between the Revolution and the Civil War, fueled by new technologies of communication and transportation. It outlines the burgeoning working class and a new middle class born of a market revolution and abstract economic forces. The impact of the developing theater arts, the influence of African Americans on the regionally distinct Southern culture, and the
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Smith, Christopher J. "Blackface Transformations I." In Dancing Revolution. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042393.003.0007.

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This chapter investigates movement vocabularies associated with early-twentieth-century North American African American dance, particularly as specific performers adapted these exceptionally influential vocabularies in order to employ them for expressive and political purposes beyond the street: in the vaudeville theater, the Hollywood soundstage, and the mixed-race nightclub. This chapter suggests that these performers--Bill Robinson, Josephine Baker, and the Marx Brothers--possessed a sophisticated understanding of the transgressive power of African American street dance and deployed those m
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Paranhos, Kátia Rodrigues. "Companhia Teatro Moderno de Lisboa (TML): engagement, resistance and cultural creation in the 1960s." In DEVELOPMENT AND ITS APPLICATIONS IN SCIENTIFIC KNOWLEDGE. Seven Editora, 2023. http://dx.doi.org/10.56238/devopinterscie-081.

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Social theatre and politically engaged theatre are two designations that gained acceptance amid a lively debate that went on throughout the late 19th century and consolidated in the 20th century. Its turning point lay in the structure of the relations between theatre and politics or even between theatre and propaganda. This text addresses what resistance and political-cultural protest meant to Grupo Teatro Moderno de Lisboa (TML), from Lisbon/Portugal, in the 1960s, based on the interviews and discourses about their collective creation processes, theoretical research, and social intervention.
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Bell, Derrick. "Searching for Effective Schools in the Post-Brown Era." In Silent Covenants. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195172720.003.0018.

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In 1980 I Had Resigned My Faculty Position at the Harvard University Law School in order to accept the deanship at the University of Oregon’s law school. Following the public announcement, I received an urgent request from Ron Herndon, a militant black leader in Portland, Oregon. Herndon explained that the school board there was resisting the black community’s efforts to interpret Brown as requiring improve­ments in the mainly black schools rather than integrating them under a plan blacks feared would close many of them and reassign their children to white schools where they did not wish them
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Hudson, Berkley. "Catfish Alley Fire." In O. N. Pruitt's Possum Town. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0012.

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From the late nineteenth through the mid-twentieth century, Catfish Alley was a strip of flourishing Black businesses, a product of racial segregation: restaurants, pool halls, the town’s first Black-run drugstore, barbershops, honky-tonks, a birthing center, and Black doctors’ offices. This was a small-town version of Black business districts elsewhere, whether Harlem in New York City or Sweet Auburn in Atlanta. On Catfish Alley, Blacks could go to a medical clinic and be treated without having to go into a separate-but-unequal entrance at the two white hospitals. In Pruitt’s photograph, you
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Conference papers on the topic "New Market Theater (Portland, Or.)"

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Cubeta, R. A. "The Uses of Precast Polymer Concrete Shapes." In CORROSION 1987. NACE International, 1987. https://doi.org/10.5006/c1987-87162.

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Abstract The advent of new technology in the non-metallic corrosion resistant masonry market gave birth to the term "polymer concrete". This term or "catch phrase" was very easy to market since the Portland cement and Redi-mix concrete industry had already coined the phrase by introducing additives such as epoxies, latex and acrylics to Portland cement. This in turn helped accelerate the curing process and increased strengths and density for their end products. However, in the world of corrosion resistance, the term "polymer concrete" is often a misnomer. For use in severe corrosion environmen
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2

Wen, Jorden, and Lihung Cheng. "Innovation in e-Government Initiatives: New Website Service Interfaces and Market Creation - The Taiwan Experience." In PICMET '07 - 2007 Portland International Conference on Management of Engineering & Technology. IEEE, 2007. http://dx.doi.org/10.1109/picmet.2007.4349621.

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Liu, Wei, and Xianjun Li. "The Mechanism and Path of the Cross-Market Innovation for Catching-Up Firms: A Case Study on New Chinese Electric Vehicle OEMs." In 2022 Portland International Conference on Management of Engineering and Technology (PICMET). IEEE, 2022. http://dx.doi.org/10.23919/picmet53225.2022.9882824.

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Bannò, Mariasole, and Giorgia Maria D'Allura. "Art-based methods: Theatre Teaches and Business Theatre." In Fifth International Conference on Higher Education Advances. Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9249.

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The paper aims to investigate the use of arts in teaching, specifically the art of theater, to provide the new skills searched from the job market. Our work compares the two experiences of the Theatre Teaches performed at University of Brescia and of Business Theatre at University of Catania. The idea of the paper is based on the scientific collaboration among the two co-authors involved, during the last 10 years, on the development of innovative method of teaching focused on non- technical skills. After depicting the incumbent needs of non-technical skills searched from the job market, the co
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