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1

Zhao, Shuhang. "Analysis of the Psychological Characteristics of the Audience in Contemporary Chinese Theater Space." Transactions on Social Science, Education and Humanities Research 7 (May 6, 2024): 285–89. http://dx.doi.org/10.62051/n667xz18.

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Since the beginning of 2023, the number of theatre performances in China has increased year by year, and a new round of " theatre defense war " is about to be opened. Whether the operators can keep up with the favorable policies, take advantage of the wind, grasp the new market competition situation, and make timely market response has become a key factor. This paper focuses on the current audience viewing psychology dimension for data sampling and analysis, in order to put forward constructive suggestions. The purpose of this project research is based on the current situation investigation an
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Rachman, Taufiq Nur. "Theather Association of The Religious Groups in Yogyakarta During 1960s." SHAHIH: Journal of Islamicate Multidisciplinary 4, no. 2 (2019): 75–91. http://dx.doi.org/10.22515/shahih.v4i2.1875.

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This research focuses on the dynamics of theaters based on religious groups (Teater Muslim, Starka, Teater KristenTeater Kristen and Sthemka) in Yogyakarta, which initially adopted realist theater and then turned into an experimental theater, from the 1950s to the 1960s. The 1950s was a time when realism exploded in Indonesian theater. Whereas the 1960s was a period when theater groups began to adapt new forms and were called the experimental theater period. For this reason, this research takes place in the 1950s to 1960s. To cover the idea of writing, research uses the theory of dramaturgy fr
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BORIÇI, Dritan. "Close up theater – an innovation in stage art studies." Polis 21, no. 1 (2022): 128–37. http://dx.doi.org/10.58944/rshg1308.

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In this article we will try to offer a new perspective on the theater, and we will try to include the theater in other spaces to create artistic values, including digital technology. Since its beginning, the theater space has been a place to see, to watch, to present, to perceive, to understand. So, in a basic sense, theater has been and is a first pathway. At the core of the theatrical experience – as Peter Brook suggests – is the act of watching and being watched. Throughout the history of Western culture, the theater has been a primitive dance circle, a Greek amphitheater, a church, an Eliz
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Aranyossy, Marta. "Technology Adoption in the Digital Entertainment Industry during the COVID-19 Pandemic: An Extended UTAUT2 Model for Online Theater Streaming." Informatics 9, no. 3 (2022): 71. http://dx.doi.org/10.3390/informatics9030071.

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While the digitalization of products and services in the entertainment industry has gained momentum in the last decades, online theater streaming is a relatively new phenomenon boosted by the COVID-19 restrictions, which created new market opportunities—and demand—for theaters’ online presence. This study investigates a new online platform providing theater streaming services in Hungary from a customer-centric, technology acceptance point of view. The survey-based study is designed to examine which factors of the Unified Theory of Acceptance and Use of Technology 2 (UTAUT2) model are—and were—
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Wang, Jingyao. "A Comprehensive Review of Research Literature on the Development of Childrens Drama in China -Using the Example of the Play Malanhua." Communications in Humanities Research 14, no. 1 (2023): 329–34. http://dx.doi.org/10.54254/2753-7064/14/20230513.

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Childrens theater plays a significant role in the cultural landscape of theater and has a major impact on childrens education. In this study, the author uses a literature review method, focusing on the play Malanhua, to review the research progress in Chinese childrens theater, specifically in terms of script content, themes and so on. The research results on the innovation and development of stage design, characterization, and main theme of Chinese childrens theatre represented by Malanhua are summarized and concluded. With the changes in the times and the evolving societal needs, the perspec
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Lam, Tszyan. "A Study on Immersive Experiences in Chinese Musicals in the Digital Media Environment: Taking the Immersive Small Theater at Shanghai Asia Mansion as an Example." Lecture Notes in Education Psychology and Public Media 106, no. 1 (2025): 72–80. https://doi.org/10.54254/2753-7048/2025.cb25104.

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Against the backdrop of rapid development in digital media, immersive theater has reshaped the relationship between audiences and performances by breaking down traditional boundaries between spectators and performers, becoming an important phenomenon in contemporary urban culture in China. Taking the immersive theater musical series Star Space at Shanghai Asia Mansion as its research object, this paper explores the characteristics of immersive experiences and the reconstruction of audience-performance relationships in Chinese musical theater within a digital media environment. Based on the Use
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Okuno, N., Y. Ishikawa, A. Shimizu, and M. Yoshida. "Utilization of sludge in building material." Water Science and Technology 49, no. 10 (2004): 225–32. http://dx.doi.org/10.2166/wst.2004.0650.

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Several thermal solidification processes have been developed mainly in Japan. They are lightweight aggregates, brick, interlocking tile, char, and slag. A full-scale plant of them has been successfully operated for more than 10 years. The quality of the end products is better than the traditional ones. They are all substitutive to existing ones. The Japanese experience proves that all the processes are technically feasible, but not economically. Their manufacturing cost is always higher than market price. In addition, they consume large amounts of energy. However, if they are identified for a
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Ushkarev, A. A. "Digital Theater. Conceptualization the phenomenon." Art & Culture Studies, no. 2 (June 2023): 58–91. http://dx.doi.org/10.51678/2226-0072-2023-2-58-91.

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An overview of the main trends in understanding the digital forms of theatre existence is made on the basis of scientific publications of recent years in Europe and the United States. It demonstrates the breadth of the subject field and author’s approaches, and the diversity of theoretical concepts and methods of studying digital hypostases of theatrical life. There are no immutable truths or taboos in the social sciences today, and interpretations of empirical facts are often polemical, depending on the author’s beliefs and attitude to social justice and inequality — social, racial, gender —
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9

Dritan, BORIÇI. "Close up theater - an innovation in stage art studies." Polis 21, no. 2022 (2022): 128–37. https://doi.org/10.5281/zenodo.7557218.

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<strong>Abstract</strong> In this article we will try to offer a new perspective on the theater, and we will try to include the theater in other spaces to create artistic values, including digital technology. Since its beginning, the theater space has been a place to see, to watch, to present, to perceive, to understand. So, in a basic sense, theater has been and is a first pathway. At the core of the theatrical experience &ndash; as Peter Brook suggests &ndash; is the act of watching and being watched. Throughout the history of Western culture, the theater has been a primitive dance circle, a
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10

Balaban, O. I., O. M. Venher, and O. B. Opanasyk. "Market fundamentals of organization of work in the field of stage and audio-visual arts and production." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 200–214. http://dx.doi.org/10.34064/khnum1-53.12.

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Background. Survival and further development is an acute problem for any modern Ukrainian repertory theater. According to the Law (which is only a framework, since it does not answer all the questions that arise), repertory theaters are non-profit organizations and exist for budget funds. The latter are steadily declining and depreciating in the conditions of market relations exist in modern Ukraine. The purpose of the article is to consider and propose methodological approaches to the development and implementation of innovations in the organization of cultural institutions in the field of cu
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Rodiņa, Ieva. "Vēsturiskā atmiņa Latvijas teātra jaunās paaudzes mākslinieku darbos: izrādes „Dvēseļu utenis” piemērs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 269–75. http://dx.doi.org/10.37384/aplkp.2020.25.269.

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The aim of the research “Historical Memory in the Works of the New Generation of Latvian Theater Artists: The Example of “The Flea Market of the Souls” is to focus on the current but at the same time little discussed topic in Latvian theater – the change of generations and the social processes connected to it, that are expressed on the level of world views, experiences, intergenerational relationships. Most directly, these changes are reflected in the phenomenon of historical memory. The concept of “postmemory” was defined by German professor Marianne Hirsch in 1992, suggesting that future gen
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Jakovljevic, Branislav. "Theater of Atrocities: Toward a Disreality Principle." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1813–19. http://dx.doi.org/10.1632/pmla.2009.124.5.1813.

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In October 1992, the united nations security council requested the secretary-general to appoint an impartial commission to examine and record the atrocities committed in the wars in the former Yugoslavia. Two years later, this commission produced its final report. Some of the goriest pages in this catalogue of infamy are dedicated to the explosion on the Markale open-air market in central Sarajevo that took place around noon on Saturday, 5 February 1994. The report describes it as “the worst attack on civilians during the siege” of Sarajevo, citing that it killed at least 66 persons and wounde
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Oliveira, Danielle Nascimento Silva, Gelmires Araújo Neves, Ulisses Targino Bezerra, Alexsandra C. Chaves, and B. Silveira Lira. "Portland Cement for the Cementing of Oil Wells Developed with the Aid of the Rietveld Refinement Method." Materials Science Forum 805 (September 2014): 350–55. http://dx.doi.org/10.4028/www.scientific.net/msf.805.350.

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The use of the Rietveld refinement method has been highlightened as essential in the characterization of polycrystalline materials. With the aid of this method, combined with the application of the X-ray diffraction, it was possible to develop a type of cement that can temporarily substitute the Portland cement for Oil well. This cement was developed from the mixture of Portland cements commonly found in the market. The cements were passed through various sieves, then characterized by X-ray diffraction, being identified the main phases (C3A, C4AF, C3S and C2S) and quantified by the Rietveld re
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14

Widiharto, Sindhunata Gesit, and Trisno Santoso. "Pakeliran Sampakan “Sang Panggung”." Gelar : Jurnal Seni Budaya 19, no. 1 (2021): 15–20. http://dx.doi.org/10.33153/glr.v19i1.3534.

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The combination of puppetry and theater creates an alternative offering a new style of treatment in the form of contemporary theater called “Pakeliran Sampakan”. Pakeliran sampakan carries the mission of modernizing traditional art with the hope of being able to answer the public's saturation regarding spectacle that smells Indonesian culture, especially wayang kulit with the target market the young people. “Sang Panggung” is an adaptation of a story from “Nyi Panggung” written by Eko Tunas which tells about the life behind the scenes of the group of tobong Ketoprak Eka Mardhika. The results o
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15

Lewis, Paul. "Archaeology in the home: neoclassical ceramics for new audiences in mid-nineteenth-century Britain." Bulletin of the Institute of Classical Studies 63, no. 1 (2020): 72–88. http://dx.doi.org/10.1093/bics/qbaa008.

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Abstract For audiences not familiar with antiquity, the shattering of the Portland Vase at the British Museum in 1845 raised awareness of a classical past which was claimed by many European nations as their cultural heritage. This article explores how the British ceramics industry quickly exploited a ready market, prompted by such interest. A new genre of wares was produced industrially, mainly in Stoke-on-Trent until the 1870s, although manufacture continued sporadically until 1900. Modern techniques, including moulding and transfer-printing, allowed the creation of versions of black- and red
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16

Angelopoulos, Tasos. "Supermarket theatres, oversupply of labour and new holders of capital in Greek theatre during the debt crisis (2010-2019)." Politea 12, no. 24 (2022): 11–28. http://dx.doi.org/10.5937/politeia0-35550.

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Using Pierre Bourdieu's field methodology, the article tries to chart the rearrangements within the theatrical field in Greece during the decade of the economic crisis (2010-2019). The article identifies the distortions of the Greek theatrical market, such as the oversupply of labour and the replacement of theatres with an artistic imprint by the here called "supermarket" theatres. In addition, we follow the attempt of the "Stegi" by the Onassis Foundation to emerge as the central holder of the (symbolic) capital within this theatrical field, occupying the place Amore Theater used to have. Fin
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17

Huang, Bei. "Study of Francis Bacon's "Four Illusions" from a Psychological Perspective." International Journal of Education and Humanities 8, no. 3 (2023): 97–99. http://dx.doi.org/10.54097/ijeh.v8i3.8393.

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In the development history of modern Western materialism, Francis Bacon is undoubtedly one of the most outstanding philosophers. He devoted all his life to the realization of the "great revival" of science, for which he wrote a masterpiece "The Great Revival" with "New Tools" as the main body, and put forward the "four illusion theory" and scientific induction in "New Tools". Bacon, through the analysis of the collective illusion, caves illusion, market illusion and delusion theater, showed that illusion hindered the people on the correct understanding of things, but the illusion couldn't be e
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18

Wang, Di. "Traditional Chinese Opera in the 21st Century: “Environmental Theatre”." Культура и искусство, no. 5 (May 2025): 26–40. https://doi.org/10.7256/2454-0625.2025.5.74129.

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The article examines innovative practices in the development of Yue Opera through the example of the Environmental Theater production New Dragon Gate Inn (2023), directed by the renowned performer Mao Weitao. This production, based on the 1992 film of the same name, integrates elements of traditional Chinese opera and has garnered significant audience interest, overcoming the challenges of the contemporary theater market. The show consistently demonstrates strong box office performance and receives positive reviews, becoming a notable cultural phenomenon. Although traditional forms of Chinese
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19

Gao, Hui. "Analysis of Art Economics of the Spring Willow Society based on SWOT Theory." Highlights in Business, Economics and Management 1 (November 28, 2022): 8–13. http://dx.doi.org/10.54097/hbem.v1i.2310.

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The Spring Willow Society opened a dialogue between China and theater. Although it lasted only three years before the government ordered it to stop, it laid the foundation for the future development of Chinese performing arts. It played a part in the creation of new plays. However, most scholars take The Spring Willow Society's drama and performing arts as the research object, while a few studies it from the perspective of art economics. This paper attempts to analyze the core competitiveness of the art market of The Spring Willow Society from the perspective of art economics and further broad
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20

Gao, Chaomeng. "Contemporary Chinese Animation Design as a Reinterpretation of Traditional Cultural Connotations Based on Shadow Puppet Theater." Культура и искусство, no. 9 (September 2024): 121–36. http://dx.doi.org/10.7256/2454-0625.2024.9.71442.

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The object of the research is modern Chinese animation design and its evolution over the past 70 years. The subject of the research is the potential for rethinking traditional cultural connotations of Chinese shadow theater in modern animation design. The synthesis of the canonical principles of shadow theater with modern animation technologies enhances the expressiveness of cartoons and their ability to convey philosophical, ethical, artistic and technological values. The theoretical analysis of the problem and the practical development of innovative methods of animation design by the author
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21

Lappo, Irina. "The Independent Belarusian Theater in Poland: Three Seasons in Exile." Studia Białorutenistyczne 18 (January 8, 2025): 193–222. https://doi.org/10.17951/sb.2024.18.193-222.

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The article is dedicated to Belarusian theatre in Poland following the 2020 protests. The author examines the repertoire of exile theatre, studies both quantitative and qualitative aspects of its functioning within a foreign culture and a market-based economy. Independent Belarusian theatre, destroyed, banned, and exiled from its homeland, has been reborn in Poland. Over the past three seasons (2021–2024), thanks to the solidarity of the people of Polish theatre and support of the Polish state in the form of a system of grants and residencies, several new theatre groups and creative associatio
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Trubnikova, Nina, and Severyan Tsagareyshvili. "Digital challenges for creative industries: case of opera." SHS Web of Conferences 114 (2021): 01008. http://dx.doi.org/10.1051/shsconf/202111401008.

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Digital technologies today are seen as a powerful driving force of creative industry growth. The authors reveal the development of operatic theatre as a significant entity of a new market reality - the economy of impressions. Notwithstanding the fact that the majority of opera houses are state funded, the issue of economic efficacy is gaining relevance for theaters; increasingly more attention is paid to promoting theatrical product. Despite the fact that the eliteness of operatic art and loyalty to tradition poses restrictions on implanting new instruments of theater branding. active digitiza
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Denrell, Jerker, and Chengwei Liu. "When Reinforcing Processes Generate an Outcome-Quality Dip." Organization Science 32, no. 4 (2021): 1079–99. http://dx.doi.org/10.1287/orsc.2020.1414.

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When does market success indicate superior merit? We show that when consumer choices between products with equal prices depend on quality but also on past popularity, more popular products are not necessarily of higher quality. Rather, a medium level of popularity may be associated with lower quality than lower levels of popularity. Using a formal model, we show that this kind of nonmonotonic association occurs when reinforcing processes are strong. More generally, a dip can occur when outcomes depend on both quality and resources and the latter are allocated bimodally, with some being given a
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Nehdi, Moncef L., and Abdallah Yassine. "Mitigating Portland Cement CO2 Emissions Using Alkali-Activated Materials: System Dynamics Model." Materials 13, no. 20 (2020): 4685. http://dx.doi.org/10.3390/ma13204685.

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While alkali-activated materials (AAMs) have been hailed as a very promising solution to mitigate colossal CO2 emissions from world portland cement production, there is lack of robust models that can demonstrate this claim. This paper pioneers a novel system dynamics model that captures the system complexity of this problem and addresses it in a holistic manner. This paper reports on this object-oriented modeling paradigm to develop a cogent prognostic model for predicting CO2 emissions from cement production. The model accounts for the type of AAM precursor and activator, the service life of
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Schrock, Greg, Marc Doussard, Laura Wolf-Powers, Stephen Marotta, and Max Eisenburger. "Appetite for Growth: Challenges to Scale for Food and Beverage Makers in Three U.S. Cities." Economic Development Quarterly 33, no. 1 (2018): 39–50. http://dx.doi.org/10.1177/0891242418808377.

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Food and beverage (FaB) manufacturing represents a promising opportunity for small-scale “makers” and local economic development. The growth of entrepreneurial maker businesses can be understood in terms of segmentation of market demand, emergence of new intermediaries, and availability of affordable production infrastructure. Yet the ease of starting maker businesses stands in contrast with the challenges of achieving growth and scale as a manufacturer. Through semistructured interviews with 31 FaB makers in Chicago, New York City, and Portland, Oregon, the authors analyze the challenges faci
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SIMILEANU, Vasile. "ROMANIA IN THE GAME OF THE RUSSIAN FEDERATION480." STRATEGIES XXI - National Defence College 1, no. 72 (2021): 284–302. http://dx.doi.org/10.53477/2668-5094-21-20.

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The new geostrategic architecture and the redesign of geopolitical spaces have reopened the "Pandora's box" of Eastern Europe, crushed by political, ethno-confessional andterritorial interests, giving free rein to the manifestation of incredible and unrealistic scenarios regarding the "new regional order". This space, former theater of war in the two world wars, remained a space of dispute between East and West, which reactivated the imperial claims of some state actors with interests for the states in the region. Currently, a new Cold War or the continuation of the old one is foreshadowed...
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Baryshnikov, Mikhail N. "Cement production in Russia: Stakeholders and effectiveness ofregional business atthe end of the XIX century." Izvestiya of Saratov University. History. International Relations 24, no. 3 (2024): 284–93. http://dx.doi.org/10.18500/1819-4907-2024-24-3-284-293.

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The activities of “Petersburg Company for the production of Glukhoozersky Portland cement and other building materials” between 1879 and 1899, although only a initial period segment in its history, provides a holistic overview of phase that enterprise underwent on their path to becoming a large industrial firm. This study aims to improve and expand knowledge about the capacity and difficulties of industrial company to adapt to market changes and maintain their competitiveness, interregional coherence and organizational flexibility. This article explores changes in ownership and management stru
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Tsoumas, Johannis. "Designing for the Land of Affluence: The Postwar American Dream through Synthetic Fabrics." International Journal of Arts Architecture & Design 2, no. 1 (2024): 19–30. http://dx.doi.org/10.62030/2024januaryarticle2.

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After World War II, overproduction and overconsumption overshadowed the ascetic period 1940-1945, as new commodities such as houses, new technological house equipment, cars and other vehicles, travel, frozen food, fast food, but also plastics realized the dreams and expectations of middle class Americans, fulfilling their purchasing desires. Synthetic fabrics constituted a great part of this new socioeconomic and cultural phenomenon and symbolized the US’s emergence from years of deprivation, austerity, depression and war. In the 1950s and 1960s the American market was flooded with man-made ma
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Kasianova, Olena. "The Concept of Training a Doctor of Art from Music Directing." Ukrainian musicology 47 (October 21, 2021): 17–27. http://dx.doi.org/10.31318/0130-5298.2021.47.256713.

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The relevance of the research is due to need to train highly qualified professionals in today's sociocultural challenges, able to generate creative ideas in the implementation of creative projects, able to respond quickly to changes in the market of theater services, to be competitive in the fleeting space. Scientific novelty - outlining the concept of formation of professional competencies of the artist in the synthesis of domestic traditions and foreign innovations, taking into account the specifics of the mental perception of works by the Ukrainian audience. Main objectives of the research
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Breytburg, Kimol A. "Broadway musical commercial theater in the context of the socio-cultural environment of the 70s of the XX century." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 46 (2022): 182–95. http://dx.doi.org/10.17223/22220836/46/15.

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Broadway musicals created in the 70s of the XX century are a reflection of many socio-cultural phenomena taking place in the USA at that time. Their dynamic, originally formed musical dramaturgy, an appeal to topical topics consonant with the public consciousness of the era of the 70s, makes this period of development truly unique. The works created during these years by Stephen Sondheim, Stephen Schwartz, John Kander, Fred Ebb, Marvin Hamlisch, Edward Kleban greatly influenced the development of the musical genre, enriching it with new musical and dramatic techniques, a fundamentally new worl
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R, Balamuralikrishnan, and Saravanan J. "Effect of Alccofine and GGBS Addition on the Durability of Concrete." Civil Engineering Journal 5, no. 6 (2019): 1273–88. http://dx.doi.org/10.28991/cej-2019-03091331.

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Portland cement is the most important ingredient of concrete. A large scale production of cement plant consume large amount of energy and produce a number of undesirable products ( which negatively affect the environmental and depletion of natural resources. This treat to ecology has to lead to researchers to use industrial by-products as supplementary cementitious material in making concrete. In view this silica fume (SF), ground granulated blast furnace slag (GGBS), rice husk ash, fly ash (FL), metakolin, alccofine (AL), micro fine material, etc.; are tried out for replacing cement partially
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Canonico, Fulvio, Sabine Mutke, Araceli Pablos Martín, and Alberta Pellegrino. "Opportunities and barriers of pozzolanic cements." ce/papers 6, no. 6 (2023): 127–39. http://dx.doi.org/10.1002/cepa.2828.

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AbstractNatural pozzolans have been used as building materials since ancient times. They are used as a supplementary cementitious material in combination with portland clinker to produce cements, characterized by high mechanical strengths and good durability performance. In the past the production of pozzolanic cement was mostly restricted to countries with natural pozzolan availability (Italy, Turkey, Greece, Philippine for example) and considered or even rejected in other countries that had the possibility of using other types of SCMs such as slag or fly‐ash. The market acceptance of natural
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Kimbro, Devori, Michael Noschka, and Geoffrey Way. "Lend Us Your Earbuds: Shakespeare/Podcasting/Poesis." Humanities 8, no. 2 (2019): 67. http://dx.doi.org/10.3390/h8020067.

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Podcasts by nature break down traditional economic barriers to making and accessing content. With low costs to both distribute and access, does podcasting provide a new outlet for academics, practitioners, and audiences to explore typically “high-minded” art or scholarly discussions usually blocked by the price of a theater ticket or a subscription to a paywalled database? To answer these questions, we define a poetics of podcasting—one that encourages humanities thinking par excellence—and, more importantly, carries with it implications for humanities studies writ large. To think in terms of
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Roudabush, William G. ""This is and is not Cressid": Seeing Double in Shakespeare's Troilus and Cressida." Shakespeare Bulletin 41, no. 2 (2023): 223–46. http://dx.doi.org/10.1353/shb.2023.a910440.

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Abstract: This article offers a new interpretation of Shakespeare's Troilus and Cressida in the context of "that terrible Poetomachia " at the turn of the seventeenth century. It argues that Shakespeare stages a microcosm of the poets' war between the recently revived children's companies and the professional theater. Shakespeare appropriates conventions from the boy company repertories to defend against their caricatures of professional playing and its system of apprenticeship. Reading the play as a whole, and the character of Cressida in particular, as perspectival double images, it shows ho
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Jeong, Dong-Jun. "Historical Research on the Parisian Café Procope." Korea Association of World History and Culture 64 (September 30, 2022): 179–206. http://dx.doi.org/10.32961/jwhc.2022.09.64.179.

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The visit of Soliman Aga(1669) is the starting-point of the development of coffee culture in Paris. As the ambassador of Ottoman Empire, he was granted an audience with Louis XIV in Versailles. His task was to read the king’s thoughts : If my empire attacks Vienna, Louis will intervene in the war? But Soliman Aga did not accomplish his mission. He went and stayed in Paris for 10 months with more than two dozen attendants. During that time, in a Turkish room he served Turkish coffees very carefully to the ladies of Paris high society. Soliman Aga could infer information about Louis’s mind from
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Chen, Man, Xiaomin Han, Xinguo Zhang, and Feng Wang. "The business model of Chinese movies." Journal of Contemporary Marketing Science 2, no. 3 (2019): 246–61. http://dx.doi.org/10.1108/jcmars-02-2019-0015.

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Purpose The motion picture industry is a cultural and creative industry. Unlike its US counterpart, the Chinese motion picture industry is still developing. Therefore, learning from the US market, the purpose of this paper is to analyze the business model of Chinese movies from the perspective of new product diffusion. Design/methodology/approach Based on 66 movies released in the US and 21 movies released in China, this paper first compares the diffusion curves of Chinese and US movies through the movie life cycle and box office trends. Next, it analyzes the moviegoing behaviors of Chinese an
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Faleschini, Flora, Klajdi Toska, Mariano Angelo Zanini, et al. "Assessment of a Municipal Solid Waste Incinerator Bottom Ash as a Candidate Pozzolanic Material: Comparison of Test Methods." Sustainability 13, no. 16 (2021): 8998. http://dx.doi.org/10.3390/su13168998.

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New generations of green concretes are often consuming large amounts of industrial waste, as recycled or manufactured aggregates and alternative binders substituting ordinary Portland cement. Among the recycled materials that may be used in civil engineering works, construction and demolition waste (C&amp;DW), fly ashes, slags and municipal solid waste incinerator bottom ashes (MSWI BA) are those most diffused, but at the same, they suffer due to a large variability of their properties. However, the market increasingly asks for new materials capable of adding some specific features to construc
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Appleby, Joyce. "Jean-Christophe Agnew. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750. New York: Cambridge University Press. 1986. Pp. xvi, 262. $24.95." Albion 19, no. 1 (1987): 81–83. http://dx.doi.org/10.2307/4049681.

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Oluremi, Johnson R., Rafat Siddique, and Ekundayo P. Adeboje. "Stabilization Potential of Cement Kiln Dust Treated Lateritic Soil ." International Journal of Engineering Research in Africa 23 (April 2016): 52–63. http://dx.doi.org/10.4028/www.scientific.net/jera.23.52.

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A dark reddish-brown lateritic soil collected from existing borrow pit abandoned by Reynold Construction Company Ltd behind New WAZOBIA Market on Latitude 08008′N and Longitude 04014′E along Ogbomoso-Ilorin Express road, Ogbomoso, Oyo State. Nigeria was treated with cement kiln dust (CKD), a by-product of long wet kiln, obtained from West African Portland Cement Organisation (WAPCO), Ewekoro, Ogun State, Nigeria, under varying moulding water content.The results show gradual reduction in the plasticity index of the samples, decrease in the maximum dry densities (MDD) with corresponding increase
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Chabrowski, Igor Iwo. "Reforming the State and Constructing Commercial Opera in Sichuan, 1902–1920s: An Entangled History of Performing Arts and Administrative Reforms." Modern China 45, no. 1 (2018): 64–90. http://dx.doi.org/10.1177/0097700418782874.

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This article analyzes the thorough reformulation of opera in Sichuan in the first two decades of the twentieth century. It argues that theater developed in Sichuan during the eighteenth century as a part of the social and religious life of market towns and cities and that it was indivisibly connected with the political and administrative structure of the country. As such, it was fragmented along musical, dialectic, and geographic lines. The introduction of the New Policies in 1905, which most affected the largest urban centers such as Chengdu and Chongqing, was the main cause of organizational
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Brovko, О., Т. Virchenko, R. Kozlov, О. Hruzdova, and N. Rosinkevych. "LITERARY THEATER IN THE EDUCATIONAL PROCESS: EXPERIENCE OF THE UNIVERSITY COLLEGE AND TRAINING OF NON-PHILOLOGICAL SPECIALISTS." Pedagogical education: theory and practice. Psychology. Pedagogy, no. 32 (2019): 39–46. http://dx.doi.org/10.28925/2311-2409.2019.32.5.

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Globalization processes along with a dynamic life inevitably set new challenges for universities. The content of educational programs should be oriented not only to meet the needs of society in the modern world, but also to be predicted for the future. The institution of higher education should be open to the needs of the labour market, innovations and public queries. When preparing a specialist in a particular field of knowledge, the university is supposed to lay the foundations for adoption of innovations, continuous education, etc. One of the means of realizing the set goals is the introduc
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Nurtanti, Nurtanti, and Gloria Angelita. "Implementation of the Rebranding Stages of Taman Ismail Marzuki Becoming an Urban Theater Using the Race Model." International Journal of Research and Scientific Innovation XI, no. XII (2025): 745–52. https://doi.org/10.51244/ijrsi.2024.11120066.

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Change is inevitable, everything on earth will experience changes with time and time that continues to roll forward. The form of change can be in the form of rebranding, repositioning, transformation, shifting, each has different stages and goals. Change has a strong meaning, such as something that must be fixed, rejuvenated, reshaped or a shift occurs due to market demands, nature, culture and business competition, even a crisis, so it needs to be reorganized so that it can be saved. Taman Ismail Marzuki is a center of culture and art located in the middle of Jakarta City which has been estab
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Ponomarenko, Olena. "Opera House in the social communication system of modern Italy." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 121–29. http://dx.doi.org/10.31318/2522-4190.2023.136.276568.

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Relevance of the study. Communication processes in the organization of modern cultural projects are becoming increasingly important. In the new economic and sociocultural conditions, various types of communication, in particular in the Italian opera house, are carried out not only in traditional forms, they are undergoing major changes, require new management decisions, significantly transforming its established organizational structure. This issue has been little studied, although, in our opinion, it is important and relevant for characterizing the functioning of the opera house in the social
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Umani, Vittoria. "A Foam of Blocks: Lawrence Halprin’s Architectural Language:A Crossing through the Venetian Wilderness: Architectures 1979-1999." Athens Journal of Architecture 10, no. 4 (2024): 391–406. http://dx.doi.org/10.30958/aja.10-4-3.

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This paper is part of a bigger study on Lawrence Halprin, conducted through the analysis of his personal archives present at the University of Pennsylvania, Philadelphia, and the Seattle’s City archives, together with trips and dedicated surveys for some of his projects. Many of Halprin’s urban projects are culturally linked to the 60s and 70s: the assassination of Martin Luther king Jr in Memphis and of Robert Kennedy in Los Angeles, the student protests against the Vietnam War, and the subsequent occupying of university campuses, and the violent clashes between protesters and the police. Yet
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S.Iu., Akimov. "The technology of dry construction mixtures of quartz cements with various chemical additives." Ekologiya i stroitelstvo 2 (2015): 8–12. http://dx.doi.org/10.35688/2413-8452-2015-02-002.

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Technology of production of dry building mixtures is of great importance in the promotion of domestic and foreign market of construction materials. Currently, the dry mixtures are of great importance in the decoration of buildings and premises. It is noted that the basis to meet the new needs of builders is the production of dry building mixtures. Dry mixes have recently become to be used as thermal insulation materials, improving the efficiency of construction. This article discusses the use of dry construction mixtures with quartz cements with various chemical additives. It is noted that the
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Saim, Mohamed. "The Effectiveness of Sustainable Construction Materials by Using U-Shaped Composite Spacer Block (UCop)​." Journal of Engineering and Science Research 3, no. 1 (2019): 7–10. http://dx.doi.org/10.26666/rmp.jesr.2019.1.2.

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Nowadays in construction development, the needs of construction materials that have a unique reinforced concrete design with good quality, reasonable market price, and easy installation techniques has been prioritized. Therefore, this study aimed to produce an alternative new construction material that can fulfill the requirements. The U-shaped composite spacer block (UCop) through the production of Cement Bonded Particle Board (CBPB) as a specimen block was produced from the wood waste of carpentry work combined with Shorea spp. (Seraya red and white) particle size approximately 0.4mm - 2.00
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Martina, Sauer, Günther Elisabeth, Günther Sven, et al. "Material Image. Affordances as a New Approach to Visual Culture Studies." Art Style, Art & Culture International Magazine 7, no. 7 (2021): 236. https://doi.org/10.5281/zenodo.6377137.

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Special Issue&nbsp; |&nbsp; Volume 7&nbsp; |&nbsp; Issue 7 Art Style | Art &amp; Culture International Magazine Editor-in-Chief and Creative Director: Christiane Wagner Co-Editor for this Special Issue: Elisabeth G&uuml;nther Senior Editor: Martina Sauer For more information about the board, please click on&nbsp;Editorial Team&nbsp;and&nbsp;Art Style Magazine&rsquo;s Scientific&nbsp;Committee &nbsp; Art Style | Art &amp; Culture International Magazine&nbsp;is&nbsp;an&nbsp;open&nbsp;access,&nbsp;biannual, and peer-reviewed online&nbsp;magazine that aims to bundle cultural diversity.&nbsp;All va
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Kwon, Choong-hyun. "Where was the picture on the back of the Korean 1,000 won banknote drawn from? - Gyesangseodang or Dosanseodang? -." Yeongnam Toegye Studies Institute 35 (December 31, 2024): 7–33. https://doi.org/10.33213/thlj.2024.0.35.7.

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In 2007, a new Korean 1,000 won banknote was issued. In a currency design briefing before issuing the new bill the Bank of Korea(BOK) said that the picture on the back of it is the Gyeomjae Jeongseon's Gyesangjeonggeodo (溪上靜居圖) depicting Dosanseodang(陶山書堂). Then, there was a counterargument that Gyesangjeonggeodo depicts Gyesangseodang(溪上書堂), not Dosanseodang(陶山書堂). Then the BOK changed its original position to ‘Gyesangjeonggeodo depicting Gyesangseodang’ in the new banknote issuance explanation leaflet. Dosan Seowon Management Office thereupon claimed that it is clear that the picture on the
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Teubner, Timm. "The web of host–guest connections on Airbnb: a network perspective." Journal of Systems and Information Technology 20, no. 3 (2018): 262–77. http://dx.doi.org/10.1108/jsit-11-2017-0104.

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Purpose The purpose of this paper is to explore Airbnb’s inherent network structure emerging from transactions between hosts and guests and provide comprehensive background information on the underlying data basis. Design/methodology/approach The analysis is based on actual Airbnb data from 16 major US cities (Asheville, Austin, Boston, Chicago, Denver, Los Angeles, Nashville, New Orleans, New York City, Oakland, Portland, San Diego, San Francisco, Santa Cruz, Seattle and Washington DC), available at InsideAirbnb.com, comprising a total of 135 thousand listings and 2.7 million transactions. Th
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Bergua, José Ángel, Miguel Montañés, and Juan Miguel Báez. "Riders, algoritmos y negociación de la realidad." Empiria. Revista de metodología de ciencias sociales, no. 59 (September 1, 2023): 81–102. http://dx.doi.org/10.5944/empiria.59.2023.37939.

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La economía de las plataformas utiliza datos relativos a los hábitos y vidas de los usuarios que son tratados por algoritmos. Aunque permitido crear un novedoso mercado de predicciones conductuales en el que se compran y venden datos de comportamientos que interesan tanto a los servicios de inteligencia estatales como a los departamentos de publicidad, también el management está sacando provecho a este novedoso instrumento. Es el caso del sector rider. El artículo analiza las artimañas y trucos utilizados por los empleados de una empresa de servicio de comida a domicilio radicada en una ciudad
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