Academic literature on the topic 'New orleans jazz fest'

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Journal articles on the topic "New orleans jazz fest"

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Hobson, Vic. "New Orleans Jazz and the Blues." Jazz Perspectives 5, no. 1 (April 2011): 3–27. http://dx.doi.org/10.1080/17494060.2011.590676.

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Robertson, Clyde C. "New Orleans Jazz in the World." Journal of African American History 103, no. 4 (September 2018): 664–74. http://dx.doi.org/10.1086/699960.

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Ainsworth, Alan John. "Early New Orleans band photography." Jazz Research Journal 11, no. 1 (July 7, 2017): 28–61. http://dx.doi.org/10.1558/jazz.33607.

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Bender, Eve. "Local Musicians Jazz Up New Orleans Institute." Psychiatric News 42, no. 22 (November 16, 2007): 4. http://dx.doi.org/10.1176/pn.42.22.0004a.

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Miller, Shani. "New Orleans Jazz & Heritage Foundation Archive." Music Reference Services Quarterly 22, no. 1-2 (April 3, 2019): 80–85. http://dx.doi.org/10.1080/10588167.2019.1606181.

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Traynor, Kate. "Festival atmosphere prevails in New Orleans during Vax Fest." American Journal of Health-System Pharmacy 78, no. 13 (May 6, 2021): 1160–62. http://dx.doi.org/10.1093/ajhp/zxab188.

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Carney, Court. "New Orleans and the Creation of Early Jazz." Popular Music and Society 29, no. 3 (July 2006): 299–315. http://dx.doi.org/10.1080/03007760600670331.

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Veillon, Joshua, Juliette W. Ioup, and Michael White. "Signal analysis of New Orleans jazz clarinet sounds." Journal of the Acoustical Society of America 142, no. 4 (October 2017): 2605. http://dx.doi.org/10.1121/1.5014533.

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Kalifa, Dominique, and Ludovic Tournes. "New Orleans sur Seine. Histoire du jazz en France." Vingtième Siècle. Revue d'histoire, no. 71 (July 2001): 139. http://dx.doi.org/10.2307/3772556.

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Goetschel, Pascale, and Ludovic Tournes. "New Orleans sur Seine. Histoire du jazz en France." Le Mouvement social, no. 200 (July 2002): 208. http://dx.doi.org/10.2307/3779836.

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Dissertations / Theses on the topic "New orleans jazz fest"

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Morris, Rebecca. "The New Orleans Jazz and Heritage Festival and Foundation." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/aa_rpts/115.

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The internship report contains an analysis of The Jazz & Heritage Festival and Foundation as applied to the author's internship with the non-profit organization from January through May 2010. Included are a brief organizational history and a description of the intern's duties as assistant to both the gallery director and development associate. An analysis of the Foundation will be discussed as well as researched best practices for similar festivals, non-profit professionals, and other art organizations. The report will conclude with recommendations for organizational growth and improvement.
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Falk, Leon. "à la New Orleans." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3053.

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In this bachelor project, Leon Falk has examined the interplay and collective improvisation in New Orleans jazz and related genres - in particular the interplay among the wind instrumentalists in New Orleans jazz and brass bands. The main goal has been to develop as a trombone player and ensemble musician.This reflective thesis includes a description of the process of the project and the exam concert, a historical reflection about the New Orleans jazz and brass band tradition and an analysis of 9 interviews with contemporary musicians playing traditional jazz: Jens "Jesse" Lindgren, Björn Ingelstam, Ulf Johansson Werre, Joakim Falk, Claes Ringqvist, Klas Lindqvist, Hans Ingelstam, Niklas Carlsson and Örjan Kjellin. The thesis ends with a conclusive reflection about the project as a whole and Leon Falk's own play style in ensemble with other wind instruments.

Repertoar examenskonsert: St James Infirmiry (trad), Room Rent Blues (Irving Newton), At the Georgia Camp Meeting (Kerry Mills), Should I Reveal (Nacio H Brown / Arthur Freed), Savoy Blues (Edward Kid Ory), While We Danced At the Mardi Gras (Alfred M Opler / John H Mercer), Cash is King (Leon Falk), Girl Of My Dreams (Sunny Clapp).Musiker examenskonert: Leon Falk (trombon/sång), Adam Falk (klarinett/tenorsaxofon), Erik Tengholm (trumpet/kornett), Jocke Falk (trumpet/kornett), Uno Dvärby (kontrabas/banjo), Sara Karkkonen (piano), Jonathan Leidecker (trummor).

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Bowie, Elizabeth. "The New Orleans Jazz and Heritage Festival and Foundation: the Jazz and Heritage Gallery." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/aa_rpts/99.

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The New Orleans Jazz & Heritage Foundation is a non-profit 501 (c) (3) organization. The Foundation presents the famous New Orleans Jazz & Heritage Festival and utilizes the proceeds from the Festival for year-round community development programs in the areas of education, economic development and culture. The Foundation also owns the broadcast license of radio station WWOZ 90.7. The Foundation is constantly seeking to expand its involvement with the local community. Thus, Mr. Don Marshall, Executive Director of the Foundation, created the Jazz & Heritage Gallery. My internship position was as the first Gallery Director for the newly created Jazz & Heritage Gallery. Throughout the course of my internship I successfully curated three exhibitions: Inspiration Exhibition, Femme Fest 2009, and Outside the Tent. I also managed the various business affairs of the Jazz & Heritage Gallery, including communications with artists and the public, and collaboration with numerous local organizations and seeking grants. This report includes the Foundation and Festival's history, organizational structure, current programming and my contributions to the Foundation. It also includes detailed recommendations based on the SWOT analysis of the Foundation as well as best practices suggestions.
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Andrews, Lori B. "The New Orleans Jazz and Heritage Festival and Foundation, Inc." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/aa_rpts/117.

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This report is the analysis of a three month internship with the Development Department of the New Orleans Jazz & Heritage Festival and Foundation, Inc., This report includes an organizational profile, description of the development department, S.W.O.T. analysis, best practices, and intern recommendations as applied to my experiences with the organization from May 21 to August 10, 2010.
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Torregano, Michael James Sr. "The history of jazz education in New Orleans: an investigation of the unsung heroes of jazz education." Thesis, Boston University, 2014. https://hdl.handle.net/2144/11064.

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Thesis (D.M.A.)--Boston University
This study contributes to the literature on New Orleans jazz by providing a chronological documentation of the contributions of teachers and mentors who provided jazz education outside of public or private schools. This study documents the pedagogical styles and techniques used by teachers and mentors who transferred the jazz style and tradition to young students in New Orleans. The jazz education of students in New Orleans has been a comprehensive effort consisting of schoolteachers, private tutors, and community groups teaching the jazz style and tradition to young musicians. Jazz educators have risen above the obstacles offunding and slow acceptance ofjazz by the public schools to maintain a rich musical heritage in the city. The efforts of these teachers and mentors, have contributed to New Orleans maintaining an active and viable jazz community.
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Lester, Charlie. "The New Negro of Jazz: New Orleans, Chicago, New York, the First Great Migration, and the Harlem Renaissance, 1890-1930." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101257.

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Stevens, Clifford. "New Orleans to Bop and beyond : a comprehensive jazz instructional programme for secondary level students." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0002/MQ40233.pdf.

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Smallwood, Betty A. "Milneburg, New Orleans: An Anthropological History of a Troubled Neighborhood." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1393.

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For nearly 200 years, there has been a neighborhood in New Orleans, Louisiana named Milneburg, which has been constantly reimagined by its inhabitants and others. From its inception as a port of entry in 1832 until the 2011, it has been called a world-class resort, the poor-man's Riviera, a seedy red-light district, a cradle of jazz, a village, a swath of suburbia and a neighborhood. It has been destroyed eight times due to storms, fires, and civic or governmental neglect. Each time its residents have rebuilt it. In its last iteration as a post-Katrina neighborhood, the residents reestablished the Milneburg Neighborhood Association in order to define its boundaries, gain control of its redevelopment and restrict who lived there as well as what activities were permitted. This is a case study of the trajectory of Milneburg and the cultural adaptations of its residents to keep it distinct, vital and respectable.
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Solano, Callie M. "Satchmo." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1578.

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Beddok, Virgile C. "The Gems of Jazz." ScholarWorks@UNO, 2013. https://scholarworks.uno.edu/td/1714.

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The Gems of Jazz is a prospective TV series that features local New Orleans Jazz musicians. The purpose of the show, created and hosted by Virgile Beddok, is to look into the lives of the people who make the New Orleans Jazz scene all that it is, and has been. This paper delves into each stage of the creative and production processes that enabled the completion of this pilot episode which features master drummer Herlin Riley as a guest.
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Books on the topic "New orleans jazz fest"

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New Orleans Jazz Fest: A pictorial history. Gretna, La: Pelican Pub. Co., 1991.

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P, Smith Michael. Jazz fest memories. Gretna, La: Pelican Pub. Co., 1997.

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ill, Henriquez Emile F., ed. D.J. and the Jazz Fest. Gretna: Pelican Pub. Co., 1997.

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Branley, Edward J. New Orleans jazz. Charleston, South Carolina: Arcadia Publishing, 2014.

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Bienville, Arnaud. New Orleans. Paris: Editions de l'Instant, 1989.

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Koenig, Karl. Jazz map of New Orleans. Covington, LA (1627 S. Van Buren, Covington 70433): Basin Street Press, 1991.

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The jazz people of New Orleans. New York: Pantheon Books, 1992.

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Charters, Samuel Barclay. New Orleans: Playing a jazz chorus. New York: Marion Boyars Publishers, 2006.

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Historic photos of New Orleans jazz. Nashville, Tenn: Turner Publishing, 2009.

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New Orleans: Playing a jazz chorus. New York: Marion Boyars Publishers, 2006.

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Book chapters on the topic "New orleans jazz fest"

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Barker, Danny. "California, New Orleans and the Capitol sides." In A Life in Jazz, 178–87. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-09936-8_22.

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Barker, Danny. "Return to New Orleans and the Jazz Museum." In A Life in Jazz, 193–99. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-09936-8_24.

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Pearson, Nathan W. "Sources of the Early Kansas City Jazz Style: Ragtime and New Orleans Jazz." In Goin’ to Kansas City, 24–32. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09677-0_2.

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Raeburn, Bruce Boyd. "Jamming with Disaster: New Orleans Jazz in the Aftermath of Hurricane Katrina." In Forces of Nature and Cultural Responses, 169–84. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5000-5_9.

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Watts, Lewis, and Eric Porter. "Reflections on Jazz Fest 2006." In New Orleans Suite, 12–32. University of California Press, 2013. http://dx.doi.org/10.1525/california/9780520273870.003.0002.

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"Section 2: Reflections on Jazz Fest 2006." In New Orleans Suite, 9–31. University of California Press, 2019. http://dx.doi.org/10.1525/9780520955325-004.

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Hobson, Vic. "New Orleans." In Creating Jazz Counterpoint, 109–25. University Press of Mississippi, 2014. http://dx.doi.org/10.14325/mississippi/9781617039911.003.0008.

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"New Orleans 1976." In On Jazz, 20–31. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108992473.003.

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Wagner, Bryan. "A Jazz Origin Myth." In New Orleans, 148–64. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108632690.013.

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Maharidge, Dale. "New Orleans Jazz." In Someplace Like AmericaTales from the New Great Depression, 144–52. University of California Press, 2011. http://dx.doi.org/10.1525/california/9780520262478.003.0021.

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