Relevant bibliographies by topics / New Orleans Opera Association

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'New Orleans Opera Association'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "New Orleans Opera Association"

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THOMPSON, BRIAN C. "Journeys of an Immigrant Violinist: Jacques Oliveira in Civil War–Era New York and New Orleans." Journal of the Society for American Music 6, no. 1 (February 2012): 51–82. http://dx.doi.org/10.1017/s175219631100040x.

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AbstractThis article explores the U.S. career of the Dutch immigrant violinist Jacques Oliveira. Following successful performances in Britain, Oliveira sailed for the United States in the fall of 1859. Under P.T. Barnum's management, the twenty-three-year-old became a fixture on New York's theatrical scene, as an instrumental soloist with Tom Thumb's company, with the Drayton Parlor Opera troupe, and with Hooley and Campbell's Minstrels. After a year, he traveled south, settling in occupied New Orleans, where he had family connections. Despite the economic difficulties of the time, he soon became an important figure in the city's cultural life, only to die during an outbreak of cholera and yellow fever in the summer of 1867.In the absence of letters or diaries, the article relies heavily on close examination of period newspapers, city directories and census data to reconstruct Oliveira's world. Oliveira's activities, his successes and struggles, offer insights into the place of the working musician, newly arrived in the Unites States in the late 1850s. Examining the events of his life enables us to contrast cultural life in New York and New Orleans at the time of the Civil War. The article illuminates the place of the instrumentalist in the theater, reveals how attitudes toward music were influenced by a cultural hierarchy, provides insights into the place of the violin in the musical life of the United States, and examines the impact of the Civil War on musical life in New Orleans.
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BELSOM, JACK. "En Route to Stardom: Adelina Patti at the French Opera House, New Orleans, 1860–1861." Opera Quarterly 10, no. 3 (1994): 113–30. http://dx.doi.org/10.1093/oq/10.3.113.

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Hanggi-Myers, Laura. "The Howard Association of New Orleans?Precursor to District Nursing." Public Health Nursing 12, no. 2 (April 1995): 78–82. http://dx.doi.org/10.1111/j.1525-1446.1995.tb00128.x.

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Belsom, J. "From Bourbon Street to Paradise The French Opera House of New Orleans and Its Singers, 1859-1919." Opera Quarterly 15, no. 4 (January 1, 1999): 749–53. http://dx.doi.org/10.1093/oq/15.4.749.

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Amaki, Makoto, Nao Konagai, Masashi Fujino, Shouji Kawakami, Kazuhiro Nakao, Takuya Hasegawa, Yasuo Sugano, Yoshio Tahara, and Satoshi Yasuda. "Report of the American Heart Association (AHA) Scientific Sessions 2016, New Orleans." Circulation Journal 81, no. 1 (2017): 22–27. http://dx.doi.org/10.1253/circj.cj-16-1222.

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&NA;, &NA;. "Award Recipients at the 1989 American Burn Association Meeting, New Orleans, Louisiana." Journal of Burn Care & Rehabilitation 10, no. 3 (May 1989): 19A—27A. http://dx.doi.org/10.1097/00004630-198905000-00001.

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van Holm, Eric Joseph, and Christopher K. Wyczalkowski. "Gentrification in the wake of a hurricane: New Orleans after Katrina." Urban Studies 56, no. 13 (December 11, 2018): 2763–78. http://dx.doi.org/10.1177/0042098018800445.

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Hurricane Katrina struck the city of New Orleans in August of 2005, devastating the built environment and displacing nearly one-third of the city’s residents. Despite the considerable literature that exists concerning Hurricane Katrina, the storm’s long-term impact on neighbourhood change in New Orleans has not been fully addressed. In this article we analyse the potential for Hurricane Katrina to have contributed to patterns of gentrification during the city’s recovery one decade after the storm. We study the association between Hurricane Katrina and neighbourhood change using data on the damage from the storm at the census tract level and Freeman’s (2005) gentrification framework. We find that damage is positively associated with the likelihood of a neighbourhood gentrifying in New Orleans after one decade, which drives our recommendations for policy makers to take greater concern for their communities during the process of rebuilding from storm damage.
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Clark, Robyn. "Report from the Twenty-Second Annual National Teaching Institute of the American Association of Critical-Care Nurses – New Orleans (AACN NTI 1995 New Orleans)." Australian Critical Care 8, no. 3 (September 1995): 8–9. http://dx.doi.org/10.1016/s1036-7314(95)70283-1.

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Wright, Eugene P. "Presidential Remarks: South Central Modern Language Association Convention November 11, 1994, New Orleans." South Central Review 12, no. 1 (1995): 43. http://dx.doi.org/10.2307/3189732.

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Crosby, Ellen, and Mary Engle. "LITA ONLINE CATALOG INTEREST GROUP. AMERICAN LIBRARY ASSOCIATION MIDWINTER MEETING, NEW ORLEANS, JANUARY 1998." Technical Services Quarterly 17, no. 1 (December 17, 1999): 37–52. http://dx.doi.org/10.1300/j124v17n01_05.

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Dissertations / Theses on the topic "New Orleans Opera Association"

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Dennis, Mary Elizabeth. "New Orleans Opera Association." ScholarWorks@UNO, 1996. http://scholarworks.uno.edu/aa_rpts/47.

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This report is based on a three month internship at the New Orleans Opera Association during the summer of 1996. In this report, the intern has attempted to present the Opera's past practices while comparing them to its current ideologies and projecting where the company is headed in the future. She has highlighted the Opera's strengths and objectively analyzed the areas of concern. At the same time she has emphasized the fact that the New Orleans Opera Association is and will remain an extremely successful opera company with loyal and generous supporters. The Association shows every promise of continuing to provide New Orleans and the Gulf South region with first class opera performances by hiring some of the finest voices in the opera world and staging theatrical extravaganzas that will entertain and delight audiences well into the 21st century.
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Cho, Jinman. "The New Orleans Opera Association." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/aa_rpts/10.

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This detailed report of a registration internship at the New Orleans Opera Association includes an organizational profile, a description of the activities performed during the internship, an analysis of an organization, recommendations for improvement, and a discussion of the short and long term effects of the internship.
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McCall, Sarah. "New Orleans Opera Association: An Internship Report." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/184.

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As one of the requirements to complete a Master of Arts in Arts Administration, this internship report presents a thorough discussion and analysis of my experience as an intern with the New Orleans Opera Association between May 2015 and August 2015. The focus of the internship was production, and the report reflects this emphasis. In addition, the report presents an overview of the organization, a SWOT analysis, and a discussion of best practices with recommendations for the organization’s improvement.
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Hamilton, Jenny Ruth. "A report on an Arts Adminstration internship with New Orleans Opera Association, New Orleans, LA, Spring, 1992." ScholarWorks@UNO, 1992. http://scholarworks.uno.edu/aa_rpts/57.

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This report is a description of a three-month internship from January 20, 1992 through April 20, 1992 with the New Orleans Opera Association where the intern was the assistant to the Director of Development/Marketing/Public Relations. The New Orleans Opera celebrates 50 years of financial and artistic success in the 1992/93 season and serves as an example to other arts organizations not only in New Orleans but throughout the United States. Over this fifty-year life, however, the organization has not adjusted its managerial practices sufficiently to compensate for the change throughout the business and arts-related industries; consequently, the Association operates with outdated thoughts and customs. Within the scheme of operations, however, is a very successful fundraising organization buttressed by the support of extremely loyal patrons and sold-out houses. The intern will give an overview of the organization and explain her duties and responsibilities with short and long-term effects on the Association.
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Liu, Danqian. "A Report on an Internship with the New Orleans Opera Association." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/aa_rpts/140.

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This paper is based on my internship at the New Orleans Opera Association, which took place from May 16th to October 31st, 2012. The primary activity of the New Orleans Opera Association is to produce three to four mainstage operas each season. The Opera Association is a vital part of the cultural and economic life of the City. The New Orleans Opera Association is governed by a Board of Directors and a General and Artistic Director heading a staff of eight. This report includes detailed information about the organization's history and current programs. It also includes a description of my internship, a S.W.O.T analysis, best practices and my recommendations which are based on my practical work in the organization as well as the knowledge I learned in the Arts Administration program.
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Workman, Megan. "New Orleans Ballet Association." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/aa_rpts/98.

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The following report documents the internship performed by Megan Workman at the New Orleans Ballet Association (NOBA) in New Orleans, Louisiana from January 5, 2009 to May 31, 2009. Since 1970, NOBA has existed as a non-profit organization devoted to the presentation of dance and related services to the surrounding Central Gulf region. NOBA currently operates from its offices in the Patrick Taylor Building at One Lee Circle. During this time with NOBA, I worked closely with the Development department and was responsible for the creation and completion of many grant requests, as well as several final reports for funders and additional development research as needed. This report includes information regarding NOBA's history and organizational structure. It catalogues the duties I performed and the extent of my contribution. It discusses NOBA's strengths, opportunities, weaknesses, and threats. Finally, it examines current best practices in the nonprofit field, and makes recommendations for NOBA based on this research.
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Barrios, Brooke Alicia. "The New Orleans Ballet Association." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/aa_rpts/147.

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The purpose of this thesis is to investigate the central issues and management structure of the New Orleans Ballet Association (NOBA), apply them to industry best practices, and make recommendations for improvement. The initial investigation occurred during a 480-hour internship in the Education Department from January-April 2013, under NOBA’s Executive Director and Education Coordinators. The thesis is enhanced through a prior 240-hour practicum in the Development department and position as Site Monitor for the Pre-Professional Program, which provided hands-on experience. The thesis will show a working knowledge of the organization, reflection on its practices, and a look towards the future.
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Floyd, Ashley. "Internship Report for the New Orleans Ballet Association." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/aa_rpts/132.

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The following internship report documents my marketing internship with the New Orleans Ballet Association in the summer of 2011. Incorporated in 1969, NOBA is one of the few organizations in the Central Gulf region dedicated solely to dance. During my internship, I worked with the Marketing Coordinator and Executive Director on culminating events centered around NOBA's season of dance and education programs. My primary goals were to create and distribute marketing material concerning the upcoming season and to assist the Marketing Coordinator with event promotions. This internship report provides an overview of NOBA based on observational research and in-depth analysis concluded by me. The report examines internal and external issues, researched explanations of best practices performed by similar organizations, and recommendations for improvement within the organizations future contributions to the city of New Orleans.
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Bentley, Charlotte Alice. "Resituating transatlantic opera : the case of the Théâtre d'Orléans, New Orleans, 1819-1859." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274098.

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This thesis examines the production and reception of French opera in New Orleans in the first half of the nineteenth century, through a focus on the city’s principal French-language theatre from 1819 to 1859, the Théâtre d’Orléans. Building on the small body of existing scholarship concerning the theatre’s history and repertoire, here I draw upon a greatly expanded range of sources—including court cases, sheet music, and novels—in order to understand more about the ways in which operatic culture shaped and was shaped by city life in this period. New Orleans’s operatic life relied on transatlantic networks of people and materials in order to thrive, and this thesis explores the city’s place within growing global operatic systems in the nineteenth century. The five chapters each reflect on different aspects of operatic translocation and its significance for New Orleans. The first two argue for the centrality of human agency to the development of transatlantic networks of production and performance by examining the management of the theatre and the international movement of singers in turn. Chapter 3 investigates the impact of French grand opéra on New Orleans, arguing that the genre provided a focus for the negotiation of local, national, and international identities among opposing critical (and linguistic) factions within the city, while also providing an impetus for the development of a material culture of opera. Chapter 4 explores opera-inspired composition in New Orleans through a focus on popular sheet music for the piano, in order to problematise our expectations of ‘local creativity’. Finally, Chapter 5 examines travel writing from both sides of the Atlantic in which the Théâtre d’Orléans features, arguing that the ‘idea’ of opera—including the imagined experience of Parisian opera-going— played an important role in articulating the authors’ perceptions of inter-cultural encounter in New Orleans. This thesis, therefore, seeks to unpick the processes involved in transatlantic opera from a number of angles. I resituate New Orleans, arguing that the city was not simply on the musical periphery, but that it was instead an integral part of an increasingly connected operatic world, which nonetheless sustained its own individual theatrical culture. This work, therefore, helps us both to challenge and expand ingrained ideas about French centralisation, North American cultural development, and cultural transfer up to the mid-nineteenth century.
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Smallwood, Betty A. "Milneburg, New Orleans: An Anthropological History of a Troubled Neighborhood." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1393.

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For nearly 200 years, there has been a neighborhood in New Orleans, Louisiana named Milneburg, which has been constantly reimagined by its inhabitants and others. From its inception as a port of entry in 1832 until the 2011, it has been called a world-class resort, the poor-man's Riviera, a seedy red-light district, a cradle of jazz, a village, a swath of suburbia and a neighborhood. It has been destroyed eight times due to storms, fires, and civic or governmental neglect. Each time its residents have rebuilt it. In its last iteration as a post-Katrina neighborhood, the residents reestablished the Milneburg Neighborhood Association in order to define its boundaries, gain control of its redevelopment and restrict who lived there as well as what activities were permitted. This is a case study of the trajectory of Milneburg and the cultural adaptations of its residents to keep it distinct, vital and respectable.
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Books on the topic "New Orleans Opera Association"

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Belsom, Jack. Opera in New Orleans. New Orleans, LA (333 St. Charles Ave., Suite 907, New Orleans 70130): New Orleans Opera Association, 1993.

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American Association of Zoo Veterinarians. Conference. Proceedings: American Association of Zoo Veterinarians, International Association for Aquatic Animal Medicine, joint conference, New Orleans, Louisiana, September 17-21, 2000. Edited by Baer Charlotte Kirk, Patterson Rhonda A, and International Association for Aquatic Animal Medicine. [United States: The Associations, 2000.

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Meeting, American Finance Association. Papers and proceedings: Forty-fifth annual meeting, American Finance Association, New Orleans, Louisiana, December 28-30, 1986. Edited by Roll Richard and Keenan Michael. New York: American Finance Association, 1987.

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Meeting, American Animal Hospital Association. Scientific presentations of the 53rd Annual Meeting of theAmerican Animal Hospital Association, 22-28 March, 1986, New Orleans, Louisiana. Denver (Colo.): American Animal Hospital Association, 1986.

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International Erosion Control Association (Conference) (19th 1988 New Orleans, Louisiana). Erosion control: Stay in tune : proceedingsof conference XIX International Erosion Control Association February 25-26, 1988 New Orleans, Louisiana. Steamboat Springs, Colo: International Erosion Control Association, 1988.

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American Water Resources Association. Spring Specialty Conference. Coastal water resources: Proceedings, American Water Resources Association, 2002 Spring Specialty Conference, May 13-15, 2002, New Orleans, Louisiana. Middleburg, Va: The Association, 2002.

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American Animal Hospital Association. Meeting. Scientific presentations of the 59th Annual Meeting of the American Animal Hospital Association, 25-30 April, 1992, New Orleans, Louisiana. Denver (Colo.): American Animal Hospital Association, 1992.

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Association of Avian Veterinarians. Conference. Proceedings of the 1992 Annual Conference of the Association of Avian Veterinarians, held 1-5 September, in New Orleans, Louisiana. Lake Worth (Fla.): Association of Avian Veterinarians, 1992.

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American Translators Association conference (31st 1990 New Orleans). Looking ahead: Proceedings of the 31st annual conference of the American Translators Association, New Orleans, Louisiana, October 17-21, 1990. Medford, NJ: Learned Information, 1990.

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Symposium on Computer Applications in Medical Care (19th 1995 New Orleans, Louisiana). Toward cost-effective clinical computing: Nineteenth annual Symposium on Computer Applications in Medical Care : a conference of the American Medical Informatics Association, proceedings, October 28-November 1, 1995, New Orleans Hilton, Riverside Hotel, New Orleans, Louisiana. Philadelphia: Hanley & Belfus, Inc., 1995.

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Book chapters on the topic "New Orleans Opera Association"

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"The Louisiana Association of Cooperatives and Gathering Tree Growers’ Collective:." In Cooperatives in New Orleans, 150–78. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctv11sn69j.9.

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Vidal, Cécile. "“Everybody Wants to Be a Merchant”." In Caribbean New Orleans, 329–68. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469645186.003.0008.

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This chapter claims that commerce contributed more than any other activity to alleviating the racial divide in French New Orleans. On the one hand, participation in the market was to a large extent determined by status, race, class, and gender; on the other, the surge in commercial exchanges provided a set of circumstances in which social and racial boundaries were more easily negotiated. Yet whites were the ones who benefited the most from this situation: by the end of the French period a powerful corporate body of self-identified merchants and traders of European descent had emerged, and they were able to challenge the traditional conception of commerce as an infamous occupation. In contrast, whereas a few slaves managed to purchase their freedom thanks to their participation in an informal economy, they were unable to weaken the long-lasting association whites made between slavery and dishonor.
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Gessler, Anne. "The Louisiana Association of Cooperatives and Gathering Tree Growers’ Collective: Rebuilding a Cooperative Food Economy in Katrina’s Aftermath." In Cooperatives in New Orleans, 150–78. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827616.003.0006.

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Chapter five documents the legacy of hybrid racial justice cooperatives on the post-Hurricane Katrina recovery projects the Gathering Tree Growers Collective and the Louisiana Association of Cooperatives. New racial justice cooperatives reenacted the historical circulation of goods, people, and ideas across neighborhood, national, and international channels to thread seemingly isolated ethnic enclaves into a robust regional network promoting egalitarian food policy into city and state economic development, labor policies, and land-use plans. In keeping with the International Cooperative Alliance’s aims, minority cooperative activists like Harvey Reed have opened autonomous food cooperatives that spread workplace democracy regionally, nationally, and internationally.
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Gessler, Anne. "The Brotherhood of Co-operative Commonwealth: Modernizing Infrastructure and Public Welfare at the Dawn of the Twentieth Century." In Cooperatives in New Orleans, 23–48. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827616.003.0002.

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In 1897, the confluence of a four-year national depression; interracial violence; unpredictable flooding and epidemics; and legalized segregation and disenfranchisement spelled intense social disruption for New Orleanians of color and impoverished whites. Trem-based Creoles of color joined a renewed effort to bring utopian socialism to bear on state-sanctioned economic and political oppression. Meeting in integrated labor halls and saloons, multiracial socialists and labor activists translated American, Caribbean, and European utopian socialist theory into a cooperative blueprint for equitably integrating unemployed workers into the city’s economic structure. These interracial utopian socialists, called the Brotherhood of Co-operative Commonwealth, and later, the Laboring Men’s Protective Association, built coalitions with labor, women’s rights, and political reform allies to temporarily reknit the city’s fractured labor movement, improve the city’s crumbling infrastructure, and implement an egalitarian public welfare system to benefit all New Orleanians.
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"Rebuilding New Orleans Public Schools: The Case of Algiers Charter School Association." In The Elusive What and the Problematic How, 85–98. Brill | Sense, 2008. http://dx.doi.org/10.1163/9789087905705_007.

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"Draft Circular Letter From Robert Leslie Craigie, British Embassy, to C. Braithwaite Wallis, British Consul General, New Orleans." In The Marcus Garvey and United Negro Improvement Association Papers, Volume XII, 87–88. Duke University Press, 2014. http://dx.doi.org/10.1215/9780822376187-025.

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"W. J. H. Taylor, British Vice-Consul, Key West, Florida, to Tom Ffennell Carlisle, British Consul, New Orleans." In The Marcus Garvey and United Negro Improvement Association Papers, Volume XII, 331–32. Duke University Press, 2014. http://dx.doi.org/10.1215/9780822376187-153.

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Demas, Lane. "Real Democracy is Found on the Links." In Game of Privilege. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469634227.003.0001.

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This chapter charts the earliest examples of African American involvement with golf, ranging from the eighteenth century to World War I. It argues that black people shaped the American game from its very beginning as caddies, players, and course designers in the South (like Joseph Bartholomew in New Orleans). It also explores how middle-class black players became some of the first golf enthusiasts of any race in northern cities, like George Franklin Grant (Boston) and Walter Speedy (Chicago). It concludes by introducing some of the first black professional players, including John Shippen, and analyzing their relationship with the early United States Golf Association (USGA) and Professional Golfers’ Association (PGA).
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Wilson, Charles Reagan. "7. Hybrid sounds." In The American South, 100–113. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780199943517.003.0008.

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‘Hybrid sounds’ highlights southern music. The first association of music with the American South came from the presence of African American slaves. The pre-Civil War blackface minstrel shows displayed southern connections in its imagery of the plantation. After emancipation, African Americans gained employment in such groups as the Georgia Minstrels, as they moved to New Orleans, Memphis, and St. Louis, where they adopted the trumpet, the piano, and other instruments that soon became familiar in the music of black southerners. Sacred music, blues music, jazz, and folk music were all important musical genres which shaped Southern culture and the importance of the commercialization of African American music played a role.
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Willinger, Beth. "Where Women Live." In Sweet Spots, 151–72. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817020.003.0008.

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The years of the late 19th and early 20th centuries were defined in part by a national obsession with domesticity and respectability and a redefinition of public/private spheres. Beginning with the efforts of the Christian Woman’s Exchange, and continuing with the work of the Traveler’s Aid Society, the Catholic Woman’s Club, the Catherine Club, and the Young Women’s Christian Association, reform-minded women in New Orleans organized to promote white women’s economic security and provide respectable and affordable residences as alternatives to prostitution. This essay considers women’s organizing and institution-building as creating an unchartered, interstitial spatial territory situated in-between the geographically-defined private household and the public boarding houses and brothels of Storyville.
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Conference papers on the topic "New Orleans Opera Association"

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Pinelis, Evgeny, Sean Studer, and Christina Migliore. "Uncommon Association." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a1950.

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Mehra, Reena, Amy Storfer-Isser, Russell Tracy, Nancy Jenny, and Susan Redline. "Association Of Sleep Disordered Breathing And Oxidized LDL." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a2474.

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Zorzetto, Michele, Stefania Ottaviani, Claudia Bonino, Carlomaurizio Montecucco, Lorenzo Cavagna, Elena Paracchini, Ernesto Pozzi, Annalisa De Silvestri, and Maurizio Luisetti. "Association Of CR2/CD21 Polymorphisms With Systemic Sclerosis." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a2355.

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Sánchez, Silvia, Celia Pinedo, Rosa Girón, Carolina Cisneros, Cristina Martín, Maria del Puerto Cano, Rosa Mar Gomez, and Julio Ancochea. "Bronchiectasis And Asthma: It Is A Frequent Association?" In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a3179.

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Sørheim, Inga-Cecilie, Michael H. Cho, Ane Johannessen, Sreekumar Pillai, Wayne Anderson, David Lomas, Amund Gulsvik, Per S. Bakke, and Edwin K. Silverman. "Genome-Wide Association Study Of Lung Function In COPD." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a4009.

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Schneider, Alexandra E., Taina Siponen, Regina Hampel, Susanne Breitner, Ute Kraus, Lucas M. Neas, Margaret Herbst, et al. "VASCULAR FUNCTION IN DIABETIC INDIVIDUALS IN ASSOCIATION WITH PARTICULATE MATTER." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a1710.

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Papadimitriou, Vaios, Fragkiskos Sofras, Izolde Bouloukaki, Konstantinos Stamatiou, Emmanouil Mavromanolakis, Nikolaos Siafakas, Elina Vlachaki, Nikolaos Tzanakis, and Sophia Schiza. "Association Between Obstructive Sleep Apnea Hypopnea Syndrome And Erectile Dysfunction." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a3687.

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Mandhane, Piush J., Justina M. Greene, and M. R. Sears. "Association Between Atopy And Sleep Disordered Breathing In Young Adults." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a3690.

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Forno, Erick, Jessica A. Lasky-Su, Clare D. Ramsey, John Brehm, Barbara J. Klanderman, John P. Ziniti, Benjamin Raby, Scott T. Weiss, and Juan C. Celedon. "Genomewide Association Study Of Age Of Onset In Childhood Asthma." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a3729.

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Dijkstra, Akkelies. "Genetic Susceptibility For Chronic Bronchitis: A Genome-Wide Association Study." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a3834.

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Reports on the topic "New Orleans Opera Association"

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Banta, G. R., and C. E. Englund. American Psychological Association 1989 Annual Convention on Sustained Operations Research: A Blend of Psychology and Physiology Held in New Orleans, Louisiana on 11-15 August 1989. Fort Belvoir, VA: Defense Technical Information Center, December 1989. http://dx.doi.org/10.21236/ada223930.

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