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Journal articles on the topic 'New Orleans Opera Association'

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Published: 4 June 2021

Last updated: 9 February 2022

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1

THOMPSON, BRIAN C. "Journeys of an Immigrant Violinist: Jacques Oliveira in Civil War–Era New York and New Orleans." Journal of the Society for American Music 6, no. 1 (February 2012): 51–82. http://dx.doi.org/10.1017/s175219631100040x.

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AbstractThis article explores the U.S. career of the Dutch immigrant violinist Jacques Oliveira. Following successful performances in Britain, Oliveira sailed for the United States in the fall of 1859. Under P.T. Barnum's management, the twenty-three-year-old became a fixture on New York's theatrical scene, as an instrumental soloist with Tom Thumb's company, with the Drayton Parlor Opera troupe, and with Hooley and Campbell's Minstrels. After a year, he traveled south, settling in occupied New Orleans, where he had family connections. Despite the economic difficulties of the time, he soon became an important figure in the city's cultural life, only to die during an outbreak of cholera and yellow fever in the summer of 1867.In the absence of letters or diaries, the article relies heavily on close examination of period newspapers, city directories and census data to reconstruct Oliveira's world. Oliveira's activities, his successes and struggles, offer insights into the place of the working musician, newly arrived in the Unites States in the late 1850s. Examining the events of his life enables us to contrast cultural life in New York and New Orleans at the time of the Civil War. The article illuminates the place of the instrumentalist in the theater, reveals how attitudes toward music were influenced by a cultural hierarchy, provides insights into the place of the violin in the musical life of the United States, and examines the impact of the Civil War on musical life in New Orleans.

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BELSOM, JACK. "En Route to Stardom: Adelina Patti at the French Opera House, New Orleans, 1860–1861." Opera Quarterly 10, no. 3 (1994): 113–30. http://dx.doi.org/10.1093/oq/10.3.113.

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3

Hanggi-Myers, Laura. "The Howard Association of New Orleans?Precursor to District Nursing." Public Health Nursing 12, no. 2 (April 1995): 78–82. http://dx.doi.org/10.1111/j.1525-1446.1995.tb00128.x.

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4

Belsom, J. "From Bourbon Street to Paradise The French Opera House of New Orleans and Its Singers, 1859-1919." Opera Quarterly 15, no. 4 (January 1, 1999): 749–53. http://dx.doi.org/10.1093/oq/15.4.749.

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5

Amaki, Makoto, Nao Konagai, Masashi Fujino, Shouji Kawakami, Kazuhiro Nakao, Takuya Hasegawa, Yasuo Sugano, Yoshio Tahara, and Satoshi Yasuda. "Report of the American Heart Association (AHA) Scientific Sessions 2016, New Orleans." Circulation Journal 81, no. 1 (2017): 22–27. http://dx.doi.org/10.1253/circj.cj-16-1222.

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6

&NA;, &NA;. "Award Recipients at the 1989 American Burn Association Meeting, New Orleans, Louisiana." Journal of Burn Care & Rehabilitation 10, no. 3 (May 1989): 19A—27A. http://dx.doi.org/10.1097/00004630-198905000-00001.

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7

van Holm, Eric Joseph, and Christopher K. Wyczalkowski. "Gentrification in the wake of a hurricane: New Orleans after Katrina." Urban Studies 56, no. 13 (December 11, 2018): 2763–78. http://dx.doi.org/10.1177/0042098018800445.

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Hurricane Katrina struck the city of New Orleans in August of 2005, devastating the built environment and displacing nearly one-third of the city’s residents. Despite the considerable literature that exists concerning Hurricane Katrina, the storm’s long-term impact on neighbourhood change in New Orleans has not been fully addressed. In this article we analyse the potential for Hurricane Katrina to have contributed to patterns of gentrification during the city’s recovery one decade after the storm. We study the association between Hurricane Katrina and neighbourhood change using data on the damage from the storm at the census tract level and Freeman’s (2005) gentrification framework. We find that damage is positively associated with the likelihood of a neighbourhood gentrifying in New Orleans after one decade, which drives our recommendations for policy makers to take greater concern for their communities during the process of rebuilding from storm damage.

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8

Clark, Robyn. "Report from the Twenty-Second Annual National Teaching Institute of the American Association of Critical-Care Nurses – New Orleans (AACN NTI 1995 New Orleans)." Australian Critical Care 8, no. 3 (September 1995): 8–9. http://dx.doi.org/10.1016/s1036-7314(95)70283-1.

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Wright, Eugene P. "Presidential Remarks: South Central Modern Language Association Convention November 11, 1994, New Orleans." South Central Review 12, no. 1 (1995): 43. http://dx.doi.org/10.2307/3189732.

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Crosby, Ellen, and Mary Engle. "LITA ONLINE CATALOG INTEREST GROUP. AMERICAN LIBRARY ASSOCIATION MIDWINTER MEETING, NEW ORLEANS, JANUARY 1998." Technical Services Quarterly 17, no. 1 (December 17, 1999): 37–52. http://dx.doi.org/10.1300/j124v17n01_05.

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Lam, S. "American Diabetes Association - 76th Scientific Sessions (June 10-14, 2016 - New Orleans, Louisiana, USA)." Drugs of Today 52, no. 6 (2016): 361. http://dx.doi.org/10.1358/dot.2016.52.6.2516437.

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12

Arsenio Nicolas, Zhang Jian,. "Zhuang Opera --- A study of Chinese Minority Arts in Guangxi Province, China." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 6 (April 5, 2021): 2900–2912. http://dx.doi.org/10.17762/turcomat.v12i6.5799.

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This article is a study of Zhuang Opera in the Guangxi Province in China. There are three general genres of Zhuang Opera, the analysis of selected musical pieces of these four types focuses on the music structure of Pingban melody, and the rhyme of the song texts --- Yaojiaoyun. This study is a pioneering work on the Zhuang Opera's musical form as there is currently no published work on the music of the opera and its association with related music categories. Except for very few research collections on national opera, most studies mainly focus on the history, literature, and folklore of traditional Zhuang Opera. In general, this study utilized new research methodologies producing different results from previous research, while at the same time, confirming earlier studies on the music and performance styles of the opera.

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13

Scimecca, Joseph A. "Presidential Address Delivered to the Association for Humanist Sociology November 5, 1988 New Orleans, Louisiana." Humanity & Society 13, no. 1 (February 1989): 3–15. http://dx.doi.org/10.1177/016059768901300102.

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14

Mastoroudes, C. C. "The annual meeting of the American Evaluation Association (AEA), 27‐29 October 1988, New Orleans." Development Southern Africa 6, no. 1 (February 1989): 122–27. http://dx.doi.org/10.1080/03768358908439453.

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Cruces, E. "American Heart Association (AHA) - Scientific Sessions 2016. New Orleans, Louisiana, USA - October 12-16, 2016." Drugs of the Future 41, no. 12 (2016): 747. http://dx.doi.org/10.1358/dof.2016.041.12.2571709.

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16

Varavkina-Tarasova, Nadiya. "Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 19–35. http://dx.doi.org/10.34064/khnum2-49.02.

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The article examines the spiritual symbols of the musical and sound structure of Joan’s Aria No. 7 " Forgive me, hills and native fields " from the opera "The Maid of Orleans" by P. Tchaikovsky. The subject of the study is the iconic expositional characteristics of the dramatic development of the image of the protagonist of the opera as a vividly representative historical and symbolic phenomenon, expressed through the centuries-old context of musical spiritual symbols. "Liturgy of John Chrysostom" and "The Maid of Orleans" were marked by a powerful creative core, bravely creating a new level of thinking, opening new opportunities for the Transfiguration. P. Tchaikovsky reflected deeply on the spiritual quality of the man. By the wisdom of the Gospel postulates, one can realize how indissolubly these two works have merged together: "Divine Liturgy" and the history of the Divine feat of the main heroine of the opera. The birth of a new spiritual quality in Tchaikovsky’s music was accompanied by a sufficiently strong resistance of the surrounding psychological field of belief and world outlook. The composer had been working on the opera for about 9 months, which is associatively comparable to the bearing and birth of his "spiritual child". The spiritual meaning of the genre canvas of Aria is liturgical which is the canon of repentance. Syncretism of symbols manifested in systems of semantic and genre assimilation is represented by rhetorical signs and baroque genres. The ostinato spiritual and psychological Credo of the personality of Joan of Arc is explained - 1) in her legendary 19-year-old life, a young peasant girl who could not read and write possessed the greatest gift of purity of thoughts and an unshakable faith in the Spiritual World, which governs the earth; 2) she had intuitive-hearted Mercy to her persecutors, enemies, executioners; 3) she subtly felt the highest signs and symbols that were inaccessible and incomprehensible to her surroundings and contemporaries; 4) Joan at her own and sole discretion considered the form, colors and meanings of her symbols – a white embroidered banner, a coat of arms with holy symbols and a sword that she used only to defend and repel the blows. We should pay attention to the fact that both the composer and the heroine of the the "font" of the spirit materializes. Hence, perhaps, the source of the inner potential of spirituality for the related and beloved female images in his works, embodied by the composer one after another – Tatiana and Joan, – being so distant historically and socially from one another are both so close to the great spiritual potential and victorious level of morality, invigorated by the naturalness of the free space of nature, the inner beauty and sincere kindness, concealing the heroic courage of female charm behind the delicate refinement, able to illuminate many generations of people with the centuries-old example to follow. The 18-year-old Joan at the moment of exhibiting the image in the first act of the opera is shown in the vital fullness of a thinking person, who can follow her Divine Principle. The dramaturgic line of Joan is a mono opera of Spirit in the whole opera. In the context of the analysis of the melody, there attracts attention the symbol of harmony of the "lyrics of light" with the intonations of the achieved through much suffering world of the loving heart – the rhetorical formula of the Baroque era - the figures of "pathopoija:" the excitement of passions " parrhesa "," relatio non harmonia ". In the melody of Aria, there is a tension that arises under another symbol, but does not go into it, but psychologically preserves the previous harmony through inclination to the main tonic. This symbol in music of different styles and creative interpretation in the article is defined as "trial under the sign" - powerful in its might, which originates from the environment of reflective knowledge of the Spirit. In the Aria melody, the symbol tirata is not associated, as is customary, with a "shot" or "lightning," but is a symbol of a sparkling spiritual instrument – a sword. Such is embodied in a rather rare image of St. Nicholas the Miracle-Worker, for example, on the icon in the Church of the Holy Trinity in the monastery of St. Iona in Kiev. Saint Nicholas is depicted with a mighty sword, passionately raised vertically upward in the name of protecting holy justice. The sword is also associated with the power of the spiritual thought-arrow, reflected in the symbols of the graphic hooked notation of Kievan Rus.

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17

Davis, John. "Call for papers - Annual allied social sciences association meetings New Orleans, LA, January 4–6, 2008." Review of Social Economy 65, no. 1 (March 2007): 139–40. http://dx.doi.org/10.1080/00346760701235402.

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&NA;. "Pictorial of the Annual Meeting of the American Association of Pediatric Plastic Surgeons 1999—New Orleans." Journal Of Craniofacial Surgery 11, no. 3 (May 2000): 298–99. http://dx.doi.org/10.1097/00001665-200011030-00016.

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19

Dixit, Neal, Kristen Whalen, and Chayan Chakraborti. "Lack of Association Between Meteorological Factors and Internal Medicine Admissions in New Orleans: Residents Perceptions Differ." Journal of General Internal Medicine 34, no. 10 (June 12, 2019): 1975–76. http://dx.doi.org/10.1007/s11606-019-05091-7.

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20

Miller, Barbara Stoler. "Presidential Address: Contending Narratives—The Political Life of the Indian Epics." Journal of Asian Studies 50, no. 4 (November 1991): 783–92. http://dx.doi.org/10.2307/2058541.

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Unlike edward cameron dimock, Henry David Thoreau never traveled to India, but he imagined Yankee merchant ships transporting ice blocks from Walden Pond to New Orleans and Calcutta, where the pure Walden water would mingle with the sacred water of the Ganges. Less romantically, one can imagine the Walden ice mingling with British gin and tonic in clubs of the East India Company. In our own time, Ed Dimock has brought America and India together in more significant ways. I'm delighted that he is in New Orleans today—honoring him seems a wonderful way of celebrating ourselves on this fiftieth anniversary of the Association for Asian Studies.

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21

Mielke, Howard W., Chris R. Gonzales, Eric Powell, Morten Jartun, and Paul W. Mielke. "Nonlinear association between soil lead and blood lead of children in metropolitan New Orleans, Louisiana: 2000–2005." Science of The Total Environment 388, no. 1-3 (December 2007): 43–53. http://dx.doi.org/10.1016/j.scitotenv.2007.08.012.

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22

&NA;. "Association for Convulsive Therapy 2001 ANNUAL MEETING Sunday, May 6, 2001 • New Orleans, Louisiana CALL FOR ABSTRACTS." Journal of ECT 16, no. 4 (December 2000): 425–26. http://dx.doi.org/10.1097/00124509-200012000-00017.

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23

Leete, Art, Elo-Hanna Seljamaa, and Laur Vallikivi. "A Few Impressions and Reflections American Anthropological Association: 109th Annual Meeting. November 17–21, 2010. New Orleans." Folklore: Electronic Journal of Folklore 47 (2011): 185–90. http://dx.doi.org/10.7592/fejf2011.47.circulation.

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24

Beaubien, Sarah, and Michael Priehs. "Report of the ALCTS Scholarly Communications Interest Group Meeting. American Library Association Annual Conference, New Orleans, June 2018." Technical Services Quarterly 36, no. 3 (July 3, 2019): 306–8. http://dx.doi.org/10.1080/07317131.2019.1621572.

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25

A. Edwards, Kimberley. "Report of the ALCTS catalog management interest group meeting. American library association annual meeting, New Orleans, June 2018." Technical Services Quarterly 36, no. 3 (July 3, 2019): 317–18. http://dx.doi.org/10.1080/07317131.2019.1621581.

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26

Johnson, Jessica L., Melanie Canterberry, Uyen L. Vu, and Thomas W. Carton. "Positive association between neighborhood retail alcohol outlet access and hospital admissions for alcohol withdrawal syndrome in New Orleans." Journal of Addictive Diseases 38, no. 3 (April 2, 2020): 311–16. http://dx.doi.org/10.1080/10550887.2020.1762029.

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27

Williams, Lavon. "The Association for the Advancement of Applied Sport Psychology National Conference September 27 - October 1,1995 New Orleans, Louisiana." Women in Sport and Physical Activity Journal 5, no. 1 (April 1996): 99–104. http://dx.doi.org/10.1123/wspaj.5.1.99.

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Rabasseda, X. "A report from the American Association of Urology Annual Meeting 2015 (May 15-19 - New Orleans, Louisiana, USA)." Drugs of Today 51, no. 5 (2015): 331. http://dx.doi.org/10.1358/dot.2015.51.5.2336329.

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29

Vasquez, John A. "The Probability of War, 1816-1992. Presidential Address to the International Studies Association, March 25, 2002, New Orleans." International Studies Quarterly 48, no. 1 (March 2004): 1–28. http://dx.doi.org/10.1111/j.0020-8833.2004.00289.x.

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Warry, Wayne. "2009 American Anthropological Association Meeting, New Orleans, LA, Session on Culture, Health and Aging in Native North American Communities." Anthropology & Aging 33, no. 1 (February 1, 2012): 10–22. http://dx.doi.org/10.5195/aa.2012.47.

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Introduction: Wayne WarryMarie’s Story Of Aging Well: Toward New Perspectives on the Experience Of Aging For Aboriginal Seniors in CanadaSyvia Abonyi Marie Favel, Ile a la CrosseMistreatment and the Meaning of Respect for Native EldersLori L. Jervis William Sconzert HallForgetting and Forgotten: Dementia in Aboriginal SeniorsKristen Jacklin and Wayne WarryUnderstanding Aging: Culture, Cognitive Health and Contemporary Aboriginal People’s Experience with DementiaJessica PacePerspectives on Brain Autopsy, Diabetic Amputation, and End-of-Life Issues among Elderly American Indian People Neil Henderson, L. Carson Henderson, Ryan Blanton and Steven GomezDiscussion: Robert C. Harman and Wayne Warry

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Kim, Bohyun. "A Report of the LITA Mobile Computing Interest Group Meeting, American Library Association Annual Conference, New Orleans, June 2011." Technical Services Quarterly 29, no. 2 (March 5, 2012): 148–50. http://dx.doi.org/10.1080/07317131.2012.650950.

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McGuire, Constance. "Report of the ALCTS CaMMS Catalog Management Interest Group Meeting, American Library Association Annual Conference, New Orleans, June 2011." Technical Services Quarterly 29, no. 3 (June 5, 2012): 219–22. http://dx.doi.org/10.1080/07317131.2012.681288.

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Stiefelhagen, P. "Neue Studienergebnisse zu aktuellen Fragen in der Kardiologie 73. Jahrestagung der American Heart Association in New Orleans, 11.–15.11.2000." Zeitschrift für Kardiologie 90, no. 3 (March 2001): 238–41. http://dx.doi.org/10.1007/s003920170188.

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Traboulsee, Anthony, Douglas Arnold, Eric C. Klawiter, Eva Havrdova, Damian Fiore, Ray Zheng, Laura Julian, and Gavin Giovannoni. "060 Association of brain volume loss and neda outcomes in patients with relapsing multiple sclerosis in the opera i and opera ii studies (ENCORE)." Journal of Neurology, Neurosurgery & Psychiatry 89, no. 6 (May 24, 2018): A25.1—A25. http://dx.doi.org/10.1136/jnnp-2018-anzan.59.

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IntroductionBrain volume loss (BVL) occurs in multiple sclerosis (MS) patients, reflecting irreversible tissue damage. No evidence of disease activity (NEDA), a composite measure assessing absence of clinical and magnetic resonance imaging (MRI) disease activity has emerged as important treatment goal in MS and may be associated with preservation of brain tissue and BVL prevention.MethodsPatients in OPERA-I/II (NCT01247324/NCT01412333) received 600 mg ocrelizumab (intravenous) very 24 weeks or 44 µg subcutaneous interferon beta-1a (IFNβ-1a) 3x-weekly for 96 weeks. Brain MRI assessments were completed at baseline and 24/48/96 Weeks. Brain volume normalised for head size was measured using SIENAX software. Percent change in whole brain volume (WBV) was determined using SIENA software, changes in cortical grey (GMV) and white (WMV) matter volumes were measured using validated, locally developed Jacobian integrator atrophy software. NEDA was defined as absence of relapses, 12-week confirmed disability progression, T1 Gd–enhancing lesions and new and/or enlarging T2-lesions. Changes from baseline in brain volume were examined in NEDA patients and those with evidence of disease activity (EDA), using the mixed-effects model for repeated measures method.ResultsThe analysis included 1520 patients (ocrelizumab-761; IFNβ-1a-759). Over 96 weeks, 569 (37%) patients [ocrelizumab-363 (48%); IFNβ-1a-206(27%); p<0.001] had NEDA. Compared with EDA patients, NEDA patients had significantly less WBV loss from baseline (30%-reduction; p<0.001). In the NEDA group, ocrelizumab patients had significantly less WBV loss (32%-reduction; p<0.001), WMV loss (34%-reduction; p=0.044) and GMV loss (30%-reduction; p<0.001) from baseline than IFNβ-1a patients. In the EDA group, ocrelizumab patients had significantly less WBV loss (11%-reduction; p=0.047) and GMV loss (21%-reduction; p<0.001) but not WMV loss (1.03%-increase; p=0.90) from baseline than IFNβ-1a patients.ConclusionThese findings highlight the importance of NEDA as treatment goal with respect to brain tissue preservation regardless of treatment choice. Ocrelizumab may confer additional benefits in NEDA patients NEDA beyond what is observed with IFNβ-1a.

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Counselors for Social Justice. "A Call for Social Justice in the American Counseling Association (ACA)." Journal for Social Action in Counseling and Psychology 12, no. 1 (August 5, 2020): 2–12. http://dx.doi.org/10.33043/jsacp.12.1.2-12.

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Leaders and members of seven social justice-oriented divisions of the American Counseling Association (ACA) met at a Social Justice Summit called by the Counselors for Social Justice in March 2019 at the ACA National Convention in New Orleans. The goal of the summit was to create conversations among members of these seven divisions around ways to improve social justice within the ACA. These discussions at the summit were transcribed and summarized for the purpose of creating a document to outline how ACA could improve its social justice practice. The resulting call for social justice in ACA includes three topics derived from discussions of social justice in the counseling profession: social justice in the organization of ACA, social justice for the people in ACA, and social justice at the ACA conference. Implications for improved social justice practice in the organization are provided.

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Kotovich, Tatiana V. "The Opera “Victory over the Sun” as the Crucial Artistic Event of Malevich’s School (UNOVIS)." ICONI, no. 4 (2019): 45–52. http://dx.doi.org/10.33779/2658-4824.2019.4.045-052.

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February 2020 will mark the centennial of the UNOVIs, the school of Malevich, the Vitebsk association of the Asserters of New Art, a unique attempt of collective artistic thinking. They were bellicose in their arrow-headed motion, in its aggressive stance, in its effectual rhythm, in following the program, in their possession of young arms – the energy of sincere faith. The evening of February 6, 1920 featured a crucial event in the transformation of the Vitebsk artistic school, a significant subject in its history and, most importantly, the meaning-bearing phenomenon in absorbing the Vitebsk artistic milieu. The author of the article examines the creation of the Vitebsk version of the futurist opera “Victory over the Sun” as a starting position of creature of a new form of artistic association, as well as the forms of Kazimir Malevich’s initial actions in Vitebsk, as an assertion of the center of an entire system of formation, direction and artistic utterance.

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Mak, Lucas. "Report of the ALCTS Technical Services Workflow Efficiency Interest Group Meeting. American Library Association Annual Conference, New Orleans, June 2018." Technical Services Quarterly 36, no. 2 (April 3, 2019): 201–4. http://dx.doi.org/10.1080/07317131.2019.1585000.

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Béquet, Gaëlle. "Report of the ALCTS Publisher/Vendor/Library Relations Interest Group Meeting. American Library Association Annual Meeting, New Orleans, June 2018." Technical Services Quarterly 36, no. 3 (July 3, 2019): 296–99. http://dx.doi.org/10.1080/07317131.2019.1621559.

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Grauer, Anne L. "Proceedings of the Eighty-Sixth Business Meeting of the American Association of Physical Anthropologists New Orleans, Louisiana April 21, 2017." American Journal of Physical Anthropology 165, no. 2 (December 14, 2017): 378–408. http://dx.doi.org/10.1002/ajpa.23354.

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40

Wolverton, Robert E. "RDA is on the Way! Report on Sessions Attended at the American Library Association 2011 Annual Conference, New Orleans, Louisiana." Journal of Electronic Resources Librarianship 23, no. 4 (October 2011): 419–23. http://dx.doi.org/10.1080/1941126x.2011.627820.

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41

Zahran, Sammy, Howard W. Mielke, Christopher R. Gonzales, Eric T. Powell, and Stephan Weiler. "New Orleans before and after Hurricanes Katrina/Rita: A Quasi-Experiment of the Association between Soil Lead and Children’s Blood Lead." Environmental Science & Technology 44, no. 12 (June 15, 2010): 4433–40. http://dx.doi.org/10.1021/es100572s.

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42

Crawford, Libbie. "Report of the ALCTS Creative Ideas in Technical Services Interest Group Meeting, American Library Association Annual Conference, New Orleans, June 2011." Technical Services Quarterly 29, no. 1 (January 2012): 77–80. http://dx.doi.org/10.1080/07317131.2012.624470.

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43

Parr, Sean M. "Dance and the Female Singer in Second Empire Opera." 19th-Century Music 36, no. 2 (2012): 101–21. http://dx.doi.org/10.1525/ncm.2012.36.2.101.

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Abstract A vogue for coloratura dance arias began in the 1850s. This emerging genre combined melismatic singing with two hugely popular social dance genres: the bolero and the waltz. Scholars have observed an association between these social dances and a certain euphoric feminine sensuality, but the connection between this youthful ebullience in dance and virtuosic female vocality has been largely ignored. Dancing was notorious in the nineteenth century because of its dangerously arousing and vertiginous effects. As dances increased in speed and difficulty, so too did the singing of sopranos in midcentury Paris. In exploring relationships between dance, femininity, and singing, this article situates coloratura dance arias in the Paris of Napoléon III's Second Empire, a city sometimes condemned for its decadent materialism or dismissed because of its political impotence, in spite of its cultural, architectural, and technological importance. I argue for a connection between coloratura and the female body in precisely the era when the venerable singing style became the almost exclusive domain of the female singer and, simultaneously, reached its apogee in a Paris devoted to all the joy and glamour it could afford. Specific performers such as Marie Cabel and Caroline Carvalho were key to the success and even creation of these dance arias. These sopranos were certainly objectified in a problematic manner, but they were also “envoiced” (Carolyn Abbate's term) as wielders of a compelling musical power: coloratura. In providing virtuosic and luxurious expressions of femininity, these coloratura dance arias established a new sense of female vocality in the aural imagination of the Second Empire.

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dos Santos, Silvio Joséé. "Marriage as Prostitution in Berg's Lulu." Journal of Musicology 25, no. 2 (2008): 143–82. http://dx.doi.org/10.1525/jm.2008.25.2.143.

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Abstract Writing to Schoenberg on August 7, 1930, Berg explained the differences between the libretto for his new opera and the original plays by Frank Wedekind, and in particular the return of Lulu's ““victims”” (her husbands) as her clients in the final scene of the opera. While Berg sought to create a large-scale symmetry with this return, he also posited a link between marriage and prostitution that did not exist in Wedekind's texts. Significantly, Berg was not alone in equating these two institutions; numerous Victorian writers had already made arguments in this regard. In fin-de-sièècle Vienna this issue was widely debated and reflected some prevailing views of female sexuality, including those expressed in the influential works of Otto Weininger and Karl Kraus. Indeed, as is well documented, Berg was keenly engaged in these issues. The association of marriage with prostitution was a crucial element in Berg's conception of the opera. Evidence found in the autograph manuscripts and the finished work confirms that Berg represented these institutions as essentially the same at several levels of the work. This is revealed in his musical portrayal of Lulu, the Prince, the Man servant, and the Marquis, as well as in such musical choices as his borrowing of Wagner's wedding march from Lohengrin and his use of Wedekind's Konfession, a song about prostitution. Indeed, the representation of the two institutions is directly linked to the opera's musical language, particularly the transition from tonal to twelve-tone structures in the final act. Most importantly, this representation reflects Berg's construction of identities for the main characters in the opera and, by extension, the sociocultural issues portrayed in this seminal work.

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Spyers-Duran, Peter. "Report of the ALCTS Technical Services Managers in Academic Libraries Interest Group Meeting. American Library Association Annual Conference, New Orleans, June 2018." Technical Services Quarterly 36, no. 2 (April 3, 2019): 196–201. http://dx.doi.org/10.1080/07317131.2019.1584999.

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Errico, Lisa A. "Report of the ALCTS CaMMS Cataloging and Classification Research Interest Group (CCRIG) Meeting. American Library Association Annual Conference, New Orleans, June 2018." Technical Services Quarterly 36, no. 3 (July 3, 2019): 308–11. http://dx.doi.org/10.1080/07317131.2019.1621575.

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Fernandez, Michael, and Shannon Tharp. "Report of the ALCTS Collection Management and Electronic Resources Interest Group (CMERIG) Meeting. American Library Association Annual Conference, New Orleans, June 2018." Technical Services Quarterly 36, no. 3 (July 3, 2019): 312–17. http://dx.doi.org/10.1080/07317131.2019.1621579.

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Parham, Loretta. "Robert W. Woodruff Library of the Atlanta University Center, Custodian of the Morehouse College Martin Luther King, Jr. Collection: “Until Further Notice”." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 2 (September 1, 2007): 156–66. http://dx.doi.org/10.5860/rbm.8.2.289.

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On June 23, 2006, the American Library Association was holding its Annual Conference in New Orleans, Louisiana, the first major conference to return to the city post Hurricane Katrina. My scheduled visit of four days was abruptly cut short as a result of two communications: a call from Walter Massey, President of More-house College in Atlanta, Georgia, and an e-mail from William Potter, Dean of the University of Georgia Libraries. By the time the day was over, I learned that a collection of manuscripts and books documenting many of the writings, speeches, and notes of Dr. Martin Luther King, Jr. . . .

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Loch, Michelle Marie, John Estrada, Thomas Reske, Xiangrong Li, Vivien Chen, and Xiao-cheng Wu. "Triple negative breast cancer in African American women: Disparity between women in New Orleans versus Louisiana." Journal of Clinical Oncology 31, no. 15_suppl (May 20, 2013): e12501-e12501. http://dx.doi.org/10.1200/jco.2013.31.15_suppl.e12501.

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e12501 Background: For years clinicians have made the empirical observation that there is an unusually high number of African American women (AAW) with triple-negative (Tneg) breast cancer (BC) in New Orleans (NO). Knowing the rate of Tneg BC in AAW is higher than white women (WW), we explored the hypothesis that AAW in NO have a higher rate of Tneg BC when compared to AAW in the rest of Louisiana (LA). Methods: We analyzed data from the Louisiana Tumor Registry, one of the NCI funded SEER registries, for the tumor characteristics of invasive female BC diagnosed in 2010, focusing on racial disparities; HER2 status was not available for prior to 2010 diagnosis. We explored the association of HER2 status with age, race, ER, PR, HER2, T, N, M to determine crude and adjusted odds ratios and rate distribution of subtypes using SEER*Stat and SAS programs. Results: Overall age-adjusted incidence rate of Tneg BC in AAW was 30 per 100,000 in NO, which was 24% higher than that in AAW in the rest of LA and two-fold the rate in WW of both NO and LA. The highest rate of Tneg BC was seen in AAW aged 65-69 in NO (184.97 per 100,000) compared with 81.5 per 100,000 in AAW aged 55-59 in LA. AAW with Tneg BC in NO were more likely to have more aggressive BC. Young age, black race, large tumor size, higher grade and TNM stage were significantly associated with the high risk of Tneg BC. After adjusting for age, geographic area, and other tumor characteristics, the higher risk of Tneg BC in AAW remained in NO compared with the rest of LA (OR=1.4; 95% CI: 1.01-1.87). Conclusions: AAW in NO are more likely to have poorly differentiated and Tneg BC compared to AAW in the rest of LA. This disparity remains when comparing our data to previously published literature in other parts of the US. We plan to continue our data analysis and compare NO data to the national average as the HER2 data become available in the SEER Program to better characterize the disparity. This newly identified disparity in the AAW population in NO has clinical implications and translational research potential as it enables us to broaden the understanding and treatment of this aggressive disease.

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Bermejo, Javier, Javier Segovia, and Fernando Alfonso. "Summary of the Clinical Studies Reported in the Annual Scientific Sessions of the American Heart Association (New Orleans, USA, November 7-10, 2004)." Revista Española de Cardiología (English Edition) 58, no. 1 (January 2005): 54–64. http://dx.doi.org/10.1016/s1885-5857(06)60235-1.

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