Relevant bibliographies by topics / New statesman (Television program)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'New statesman (Television program)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "New statesman (Television program)"

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Kozlova, Maria Alekseevna. "Oksana Pushkina: TV presenter, public and statesman." Век информации (сетевое издание) 4, no. 3(12) (2020): 46–54. http://dx.doi.org/10.33941/age-info.com43(12)4.

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Despite the multifaceted study of television journalism "perestroika", researchers have not paid much attention to deep analysis of the creative development of Oksana Pushkina as a journalist. Bridging this scientific gap is important for modern television journalism, because the main emphasis in the works is on the well-known program "Women's View with Oksana Pushkina", but its materials have not been considered for the most part until that time. We see only the flowering of the work of a journalist, and for the younger generation of this profession it is important to trace the path of its fo
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Natalia, El Chris. "ETHICS IN CHILD PROGRAM IMPRESSIONS ON TELEVISION." Emerging Markets : Business and Management Studies Journal 3, no. 1 (2018): 28–37. http://dx.doi.org/10.33555/ijembm.v3i1.68.

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Although nowadays the new media comes to exist in the society, the conventional media like television is still be a part of Indonesian society, especially is the areas that is untouched by the internet. Television still has its own audience. Television is obliged to perform its functions in providing information, educate, entertain, control and also as a social adhesive. Children as one of television audiences always get more attention because children are the next generation who are very easily influenced by this audiovisual media. Children are the easiest figure to imitate what they see on t
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Hussein Saado, Kovan, and Ebtisam Ismaeil Qadr. "Media encounters: Models of TV program adaptation to digital platforms." Journal of University of Raparin 12, no. 2 (2025): 397–421. https://doi.org/10.26750/vol(12).no(2).paper19.

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This paper aims to articulate the media evolution on how the old media species compete with new ones to adapt to the new conditions of the media ecology, in an ecosystem, when new media species emerge, old species try to adopt to the new paradigm. In this case, how Television deals with the new media environment? What are the main methods that television has to deal with to adopt to the new condition of media environments? in what ways, television has to alter programming and distribution strategies and practices to follow the new media species characteristics. The Television adaptation in the
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Eaton, B. Carol. "Prime-Time Stereotyping on the New Television Networks." Journalism & Mass Communication Quarterly 74, no. 4 (1997): 859–72. http://dx.doi.org/10.1177/107769909707400413.

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This content analysis examines portrayals of women in prime-time promotional announcements broadcast on five television networks (ABC, NBC, CBS, FOX, and UPN) during one week in 1995. Findings supported the hypotheses that (1) women are underrepresented in all television networks' promotional announcements, and that (2) stereotypical portrayals of women in these announcements varied due to the television network's target audience. Specifically, television program promotional announcements on networks that seek a younger male audience contained more stereotypical female characters than other ne
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Yakusheva, Viktoriya Vladimirovna, and Victoria Yakusheva. "The mediabrend is urgency of the development in new economicalconditions." Journal of Flm Arts and Film Studies 2, no. 1 (2010): 120–29. http://dx.doi.org/10.17816/vgik21120-129.

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The article analyzes the main trends of the development of Russia's television during the financial crisis. The structure of broadcasting is shown in terms of branding and a unique method of developing a television brand is suggested. The author considers this technology as one of the strategic measures, maintaining a stable position on the media market. The article analyses the television brand "What? Were? When?», because this program is very famous in the cognitive-game content. The practical application of the technology of forming a television brand is illustrated on the stage of creative
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Kotliar, Svitlana, and Viktoria Fedorenko. "Author's Program as a Face of Domestic Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 5–17. https://doi.org/10.31866/2617-2674.1.2018.140831.

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The purpose of the research is to review and analyze the creation and maintenance of authoritative television programs by well-known Ukrainian television broadcasters on justification the main trends in the influence of domestic television on the worldview of spectators. The methodology of the research is based on an experimental method (to define the specificity of the influence of author’s TV programs on the educational direction on national and regional television channels in Ukraine); method of analysis (to study the practical experience of creating author’s TV p
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Azzahra, Tasya Yuni, and Berlian Primadani Satria Putri. "AKTIVITAS KOMUNIKASI PEMASARAN PT ARAH DUNIA TELEVISI PADA PROGRAM RAMADHANKU DI JOGJA." Metacommunication; Journal of Communication Studies 8, no. 2 (2023): 125. http://dx.doi.org/10.20527/mc.v8i2.16736.

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In the current digital era, new media, such as social media, have emerged abundantly. These new media platforms serve similar functions to television, providing information and entertainment, and can be seen as potential substitutes for television due to their accessibility and availability anywhere. To remain relevant in this evolving era, television networks have adapted to the trends by shifting towards digital television that can be accessed through gadgets. ADITV is one of the local Islamic television stations in Yogyakarta that has made this transition to digital television. One of ADITV
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Wekesa, Everlyne, Hellen Mberia, and Augustus Nyakundi. "The Influence Of New Media Technology on Television Content Sourcing in Kenya." African Multidisciplinary Journal of Research 1, no. 1 (2024): 297–312. https://doi.org/10.71064/spu.amjr.1.1.279.

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Advancements in technology are shaping the way things are done in the media at a very high rate. It has led to a proliferation of devices that have greatly changed the processes of content sourcing, producing and disseminating. This paper was born of a pilot study that aimed at exploring ways in which the new media technology has influenced television content sourcing in Kenya. The study was informed by The Technological Determinist Theory and the Media Determinism Theory. It was conducted in Nairobi County, being the centre of technological innovation in Kenya. The study adopted the descripti
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Rusnac, Ludmila. "The television program on the theme of health: a structural-discursive approach." Studia Universitatis Moldaviae. Științe Economice și ale Comunicării, no. 11(01) (July 2023): 119–25. http://dx.doi.org/10.59295/sum11(01)2023_16.

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The popularity of television programs on health topics is argued by the constant interest of viewers in the field of health and medicine, also corroborated with the trends of the time to pay more attention to education in the field of health and healthy lifestyle. During its evolution, the television program on the topic of health has configured new particularities, because the functions it performs have also expanded and in some places even bifurcated: if at the beginning this type of show aimed to inform the population, to educate them, to familiarize them with the spectrum of health problem
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Reinhard, Joel, and Agustrijanto Agustrijanto. "Strategi Kreatif Daily Lifestyle sebagai Program Unggulan di MNC Channels." KALBISIANA Jurnal Sains, Bisnis dan Teknologi 10, no. 2 (2024): 224–35. http://dx.doi.org/10.53008/kalbisiana.v10i2.1479.

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Strategy is important in every situation, including television. Creativity is also needed when running a television program with the aim of achieving the target being achieved. Creative strategy is a concept created to achieve the goals of a television program. The purpose of this study was to determine the daily lifestyle creative strategy as a flagship program in MNC Channels. Although this program is a new program, this program has a fairly good rating. The methodology in this research is descriptive with data collection through observation and interviews. By using Peter Pringle's program s
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Dissertations / Theses on the topic "New statesman (Television program)"

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Sadler, Joel A., and Mika A. Tomczak. "Designing episode content for Design Squad, a new educational engineering children's television program : the human powered water pump as a design challenge." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/36704.

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Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2006.<br>Includes bibliographical references (p. 53).<br>In recent years, problems have emerged in the realm of engineering and engineering education in the United States. Technology literacy is low, there are insufficient numbers of engineering students, and there are misconceptions surrounding the engineering profession. To remedy these problems, WGBH Boston and MIT have created a reality-style engineering-based television program for 9- to 13-year-old children, entitled Design Squad. One episode of the sh
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Jonker, Francois. "The men in our living room : masculinities and the struggle for a 'new' South African hegemony in 'Egoli: place of gold' 1994." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96873.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: In this study I analyse the 1994 episodes of the popular soap opera Egoli: Place of Gold that coincide with the so-called ‘birth’ of the New South Africa. This moment in media history is characterised by a heightened sense of anticipation surrounding Egoli as the first local soap opera created by Franz Marx at the pinnacle of his career for the relatively new – and only – independent broadcaster in the country, M-Net. Because of the reliance of this genre on perceived realism, Egoli offers a historically significant televisual me
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi
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Chang, Chih Chieh. "Foxification a new global phenomenon of television news program /." 2005. http://wwwlib.umi.com/dissertations/fullcit/1427807.

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Thesis (M.A.)--State University of New York at Buffalo, 2005.<br>Title from PDF title page (viewed on Feb. 1, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Junhao Hung. Includes bibliographical references.
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Tully, Meg E. (Margaret E. ). "The season of the vagina : a third-wave feminist analysis of the television series New girl and Girls." 2013. http://liblink.bsu.edu/uhtbin/catkey/1713808.

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This thesis examines two of the female-driven sitcoms from the 2011-2012 season, New Girl and Girls. I analyze both series from a third-wave feminist perspective, looking at how each series portrays its respective lead character, Jess and Hannah, and how each series portrays funny women in general. Through these analyses, I ultimately argue that Jess on New Girl represents a much more promising feminist icon than Hannah on Girls. This is mainly because Jess is driven by self-love and self-confidence while Hannah is so defined by her self-hatred that she becomes difficult for viewers to relate.
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Huang, Chih-Wei, and 黃治偉. "The report of a digital Television program production with the case of Formosa Television produced“Digital New Life”." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/37448264121240641479.

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碩士<br>世新大學<br>廣播電視電影學研究所(含碩專班)<br>94<br>In July 2004, Taiwan launched digital terrestrial television broadcasting that lead Taiwan television industry to diversified operation. The hardware of digital TV (DTV) transmission was established, but we still produce TV programs by traditional analogue ways. Hence, DTV programs should be produced more that can help audiences understand the value of DTV. The video clip project-“New Digital Life” which sponsor by Government Informant Office provided producers DTV programs producing environment to study DTV content production. The project help advance D
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Blažková, Michaela. "V zajetí televize. Aktéři, televizní žánry a programy v USA a Československu ve 2. polovině 20. století." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-389860.

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ÚSTAV HOSPODÁŘSKÝCH A SOCIÁLNÍCH DĚJIN ANOTACE DIZERTAČNÍ PRÁCE V zajetí televize Aktéři, televizní žánry a programy v USA a Československu v 2. polovině 20. století CAPTURED BY TELEVISION ACTORS, TELEVISION GENRES AND PROGRAM IN THE US AND CZECHOSLOVAKIA IN THE SECOND HALF OF THE 20TH CENTURY Mgr. Michaela Blažková Vedoucí dizertační práce: Doc. PhDr. Michal Pullmann, Ph.D. Praha 2018 Summary Against the backdrop of political, economic and cultural changes, changes have been taking place in the United States of America in the 1950s, even at the level of whole society. One of the crucial chang
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Books on the topic "New statesman (Television program)"

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Carrazé, Alain. The Avengers companion. Titan, 1997.

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Rogers, Dave. The complete Avengers: Everything you ever wanted to know about the Avenger and the New Avengers. Boxtree, 1989.

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Crosdale, Darren. Dawson's Creek: The all new official companion. Ebury, 2001.

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O'Connor, Martha. The real housewives get personal: Orange County, New York, Atlanta, New Jersey. Chronicle Books, 2010.

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Morris, Holly. Adventure divas: Searching the globe for a new kind of heroine. Villard, 2005.

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Irwin, Walter. The best of Trek #13: A brand new collection for star trek fans. New American Library, 1988.

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1966-, Rigelsford Adrian, ed. Calling the Shots: Directing the New Series of Doctor Who. Reynolds & Hearn, 2007.

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Donn, Cortez, and Wilson Leah, eds. Investigating CSI: Inside the crime labs of Las Vegas, Miami, and New York. BenBella Books, 2006.

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Rogers, Dave. The complete Avengers: Everything you ever wanted to know about The Avengers and The New Avengers. Boxtree, 1989.

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Burk, Graeme. Who is the doctor: The unofficial guide to Doctor Who, the new series. ECW Press, 2012.

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Book chapters on the topic "New statesman (Television program)"

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ten Kate, Warner, Arno Schoenmakers, Nick de Jong, Helen Charman, and Pete Matthews. "trigg&link a new dimension in television program making." In Multimedia Applications, Services and Techniques — ECMAST '97. Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0037344.

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"Wilson’s Program and the New Freedom." In The President as Statesman. University Press of Kansas, 1998. http://dx.doi.org/10.2307/j.ctv1p2gjwf.10.

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Fuller-Seeley, Kathryn H. "Jack Benny’s Turn Towards Television." In Jack Benny and the Golden Age of American Radio Comedy. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520295049.003.0010.

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The new medium of television was to cause Jack Benny much consternation in how to best adapt his iconic radio program after 18 years to the new visual medium. Benny fretted and delayed his entry into New York City-based TV broadcasting until October 1950, meantime remaining radio’s top comic. But industrial pressures to switch networks (in Benny’s momentous move to CBS) and move to television, while trimming radio production budgets, and chasing audiences flocking to TV, pressed Benny to act. Benny struggled against critical expectations, and critical disdain, to find a way to merge the best o
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Noam, Eli. "A Model for the Analysis of Broadcast Structures." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0004.

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Abstract Given the heated rhetoric surrounding broadcasting and new electronic media, it is surprising how few analytic tools exist for an evaluation of media structure and its change. A television set is enshrined in almost every home, and households allocate extraordinary portions of their disposable time to its viewing. Few disagree that television is a major factor in modern society, with a pervasive influence on politics, culture, economics, and social affairs. Economists, however, have taken little interest in the study of the medium, particularly in the more theoretical aspects of progr
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Jankowski, Gene F., and David C. Fuchs. "Television and Its Critics." In Television Today and Tomorrow. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195074871.003.0006.

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Abstract The most prestigious gathering in television is the annual convention of the National Association of Broadcasters. Everybody who is anybody goes-the station owners, the general managers, the program directors, the news directors, the sales managers, the top executives of the networks, the program producers, the hardware makers, the top advertising people, the station representative organizations, the trade groups, the regulators, the lawyers for everybody, the consultants for everybody, the press, and everyone who counts from Washington, New York, and Los Angeles, the three power cent
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Prata, Alcina. "Interactive Television Research Opportunities." In Encyclopedia of Multimedia Technology and Networking, Second Edition. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch103.

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There is no doubt that interactive TV (iTV), which may be defined as a TV system that allows the viewer to interact with an application that is delivered simultaneously, via a digital network, in addition to the traditional TV signal (Perera, 2002), will replace traditional passive TV viewing habits. In fact, this technology enables a wide range of new interactive services, applications, and features that are becoming increasingly successful. In regard to interactive services, we have the traditional iTV service (which implies interacting with an application that is simultaneously broadcasted
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Cayrol, Roland. "Problems of Structure, Finance and Program Quality in the French Audio-Visual System." In Broadcasting Finance in Transition. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195050899.003.0008.

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Abstract At the end of 1985 the French television system consisted of three national networks (all public)-TF 1, Antenne 2,and FR3-and a coded Hertzian network, Canal Plus.Stimulated by the decision to open television to private financing and because of the new perspectives offered by cable and satellite, issues of television financing and program quality became, at that time, a major subject of French political debate. Through the desire of President Mitterrand and the Socialist majority in Parliament, two new, completely private television networks, Channel 5and Channel 6, were born in the f
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Noam, Eli. "Three Efforts at European Integration." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0027.

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Abstract From the beginning, European broadcasters collaborated with each other. In 1925, at the BBC’s initiative, the International Broadcasting Union (IBU) was established. One of the early functions of the Geneva-based organization was to draft a frequency allocation plan. It also tried, unsuccessfully, to reduce commercial as well as propaganda broadcasting across national frontiers and initiated a program exchange, mostly of concerts (Eugster, 1983). During World War II, the IBU was largely dormant, but it was revived afterward along with a new organization, the International Broadcasting
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Praveen, Roopa, Dilip Aher, and Nilesh Anute. "Sony Pictures Network— A New PMA Philosophy." In Indian Business Case Studies Volume V. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869418.003.0001.

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Abstract Sony Pictures Networks India (SPN has several channels including Sony Entertainment Television SET and SET HD), one of India’s leading Hindi general entertainment television channels. SPN reaches out to over 700 million viewers in India and is available in 167 countries. The PESTEL/PESTLE analysis of Sony Corporation reveals a number of significant opportunities and threats that shape the electronics, gaming, entertainment, and financial services markets. As part of its talent development program schedules, SPN are also upskilling their current employees by providing alternate learnin
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Long, Kathryn T. "A New Departure." In God in the Rainforest. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190608989.003.0004.

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This chapter introduces two women and two closely affiliated organizations that would play a significant role in missionary contact with the Waorani. The women were a missionary, Rachel Saint (sister of slain pilot Nate Saint), and Dayomæ, a young Wao woman who was Rachel Saint’s language helper. The two organizations were the Wycliffe Bible Translators, a group raising funds and recruiting personnel to translate the Bible into the languages of tribal peoples, and the Summer Institute of Linguistics, which supervised the work of linguists and Bible translators recruited by WBT abroad. Both gro
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Conference papers on the topic "New statesman (Television program)"

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Nikolajević, Snežana. "Dragutin Gostuški’s Television Narrative." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.303n.

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The selection of music combined with the text about music is very important for the effect on the viewer of the television music programs. The interaction between music and text turns into an action towards the viewer, and that action is, in fact, the essence of the television medium. The words about music hold great importance, almost like the music itself, and their mutual influence leads to a new quality – to a new television music form. To achieve the most suitable effect and the highest range from that combination requires great erudition, skilful use of various elements and their connect
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Pernisa Júnior, Carlos, Marcelo F. Moreno, Stanley Cunha Teixeira, and Cristiane Turnes Montezano. "Possibilities for the New Viewer / Interactor Journey in TV 3.0." In Anais Estendidos do Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/webmedia_estendido.2023.236167.

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This study, conducted within the Digital Media Laboratory (LMD) at the Federal University of Juiz de Fora (UFJF), explores the potential transformations in the viewer / interactor’s journey in the context of TV 3.0. Within this article, we analyze key aspects of this evolving journey and its broader implications for the future of TV consumption. Our investigation delves into several critical considerations, including the potential disruption of established television norms, the need to address viewers’ challenges and desires, the possibility of departing from traditional programming schedules,
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Başaran, Meltem. "An Investigation on the Netflix Platform in the Context of Flow Theory." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.025.

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Today, with the development of technology, many developments and changes have been experienced in mass media. In the traditional period, content could only be accessed from sources such as television, newspapers, magazines, and radio, while the digital platforms that emerged with the era of the so-called new media enabled people to acquire the content they wanted at any time. Netflix, one of these digital platforms, is a video streaming service that offers on-demand access to individuals. Netflix, which first started selling DVD subscriptions by mail in 1998, has turned into a platform that se
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Montezano, Cristiane Turnes, Carlos Pernisa Júnior, and Marcelo F. Moreno. "Uma análise de plataformas de streaming e as possibilidades para um guia de programação na TV 3.0." In Anais Estendidos do Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/webmedia_estendido.2024.244578.

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This study explores the presence and role of the Electronic Program Guide (EPG) in streaming platforms, aiming to understand how the next-generation television, known as TV 3.0, might adapt to content organization. With the advent of TV 3.0, new requirements emerge, such as app-driven navigation and the integration of OTA (over-the-air) and OTT (over-the-top) content, necessitating significant transformations in the viewer experience. We believe that streaming platforms offer an initial model that can guide these changes, bringing the TV 3.0 interface closer to the established format of curren
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Cohen Zilka, Gila. "The Elements Way: Empowering Parents, Educators, and Mentors in the Age of New Media." In InSITE 2017: Informing Science + IT Education Conferences: Vietnam. Informing Science Institute, 2017. http://dx.doi.org/10.28945/3701.

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[This Proceedings paper was revised and published in the journal Issues in Informing Science and Information Technology] Aim/Purpose: This study was designed to examine the effectiveness of mentor’s work with immigrant children and adolescents at risk, using the Elements Way. Background: The New Media offers our “screen kids” a lot of information, many behavioral models, and a new type of social communication. The Elements Way is an educational method designed to enhance openness, development, breakthroughs, goal achievement, and transformation in the age of media and social networks. Methodol
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Schauer, Raymond H., and Leah K. Richter. "Breaking Ground for a New 3,000 Ton Per Day Waste to Energy Facility." In 20th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/nawtec20-7040.

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Created in 1978, the Solid Waste Authority of Palm Beach County (Authority) has developed an “award winning” solid waste management system that includes the following facilities to service the residents and businesses in Palm Beach County, Florida: • North County Resource Recovery Facility (NCRRF); • Residential and Commercial Recovered Materials Processing Facility; • Six Transfer Stations; • Class I Landfill; • Class III Landfill; • Biosolids Processing Facility; • Ferrous Processing Facility; • Woody Waste Recycling Facility; • Composting Facility; and • Two Household Hazardous Waste Facili
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Shamsunder, Saritha, Kavita Agarwal, Archana Mishra, and Sunita Malik. "Sample survey of cancer awareness in health care workers." In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685266.

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Objective: To see the awareness about cancer in women among ASHA workers. Place of Study: Awareness Sessions at Safdarjung Hospital, New Delhi. Background: ASHA workers are the first point of contact for women in the community &amp; bridge the back between the hospital and women. They have been instrumental in the success of the family planning programme &amp; polio eradication program in India. Materials and Methods: A questionnaire about educational status, awareness about breast &amp; cervical cancer statistics, methods of screening and diagnosis was distributed to Accredited Social Health
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Reports on the topic "New statesman (Television program)"

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Meade, Roger Allen. Empire: New Mexico's First Television Program. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1332210.

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2

Katumbi, Lara, Salome Njambi, Anushka Ghosh, Shilvaan Patel, and Nicolas Bottan. Estimating the impact of educational television on literacy, gender, and SEL. Busara, 2024. http://dx.doi.org/10.62372/gkqn1155.

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Abstract:
This paper presents evidence from a large randomized controlled trial (RCT) in Kenya, investigating the effects of watching a new children’s educational TV show at home. One novel aspect of the show is that, besides being instructional, it focuses on changing children’s mindsets about reading, gender attitudes, and socioemotional learning. We recruited 4,300 children from 346 public schools. Students in randomly selected treatment schools received encouragement to watch the publicly broadcasted TV show. We sent parents biweekly SMS reminders about the time and channel the TV show aired. Studen
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