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Relevant bibliographies by topics / New Theatre (Brisbane, Qld.)

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Journal articles

Academic literature on the topic 'New Theatre (Brisbane, Qld.)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "New Theatre (Brisbane, Qld.)"

1

Hands, Karen. "The royal New Wave: Aubrey Mellor and Queensland Theatre Company, 1988–1993." Queensland Review 22, no. 2 (2015): 157–67. http://dx.doi.org/10.1017/qre.2015.28.

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AbstractWhen Aubrey Mellor returned to Brisbane in 1988 to become the second artistic director of Queensland Theatre Company (QTC), the company had been under the direction of a British-born and trained director since its formation in 1969. QTC was part of the national state theatre company network established as a result of postwar cultural planning. The network was charged with promoting national drama and producing theatre to a high artistic standard, but this objective imposed very specific constraints around the companies' programming. This was particularly observable at QTC: the company

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2

Bartholomaeus, Faerlie, Kerrie Davies, Weimin Ye, Natsumi Kanzaki, and Robin M. Giblin-Davis. "Schistonchus virens sp. n. (Aphelenchoididae) and Parasitodiplogaster australis sp. n. (Diplogastridae) from Ficus virens (Moraceae) in Australia." Nematology 11, no. 4 (2009): 583–601. http://dx.doi.org/10.1163/138855409x12465362560638.

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Abstract A new species each of Schistonchus and Parasitodiplogaster were recovered from the sycones of Ficus virens from St Lucia, Brisbane, QLD, Australia. This is also the first record of Parasitodiplogaster from Australia. The species are described here as Schistonchus virens sp. n. and Parasitodiplogaster australis sp. n. Schistonchus virens sp. n. is differentiated from other species of the genus by a combination of morphological characters, including C-shaped females and males, excretory pore opening located near the head, a short post-vulval uterine sac, rose-thorn-shaped spicule, amoeb

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3

Kelly, Veronica. "The Globalized and the Local: Theatre in Australia and Aotearoa/New Zealand Enters the New Millennium." Theatre Research International 26, no. 1 (2001): 1–14. http://dx.doi.org/10.1017/s0307883301000013.

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Late in 1999 the Commonwealth of Australia's Department of Communications, Information Technology and the Arts released Securing the Future, the final Report of the Major Performing Arts Enquiry chaired by Helen Nugent (commonly referred to as the Nugent Report). The operations of the committee and the findings of the Report occasioned considerable public debate in the Australian arts world in the late 1990s, as the Enquiry solicited and analysed information and opinion on the financial health and artistic practices of thirty-one national major performing arts companies producing opera, ballet

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4

Fotheringham, Richard. "The Great War and popular modernism: Pat Hanna's Louis XI." Queensland Review 23, no. 2 (2016): 133–42. http://dx.doi.org/10.1017/qre.2016.25.

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AbstractPat Hanna's Famous Diggers, a professional vaudeville theatre troupe comprising ex-Great War Anzac soldiers (initially, mainly New Zealanders, as Hanna was himself) played for nearly two years (1923–24) at the old Cremorne Theatre in Brisbane. One item Hanna premiered at the Cremorne was Louis XI, a short (ten-minute) comic sketch he wrote himself. Modernism in the inter-war years, given its usual location within avant-garde aesthetics, high culture, internationalism and radical politics, is not — with the notable exception of Brecht's cabaret work in the 1920s — usually associated wit

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5

Ziviani, Jenny, Shelley A. Wilkinson, Fiona Hinchliffe, and Rachel Feeney. "Mapping allied health evidence-based practice: providing a basis for organisational realignment." Australian Health Review 39, no. 3 (2015): 295. http://dx.doi.org/10.1071/ah14161.

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Objective Ahead of the convergence of two major paediatric services, we examined evidence-based practice (EBP) self-efficacy, outcome expectancy, knowledge and use among allied health (AH) staff in two major Queensland (Qld) paediatric services. This was to determine whether any differences existed based on organisational affiliation, profession and any previous training to inform a strategy to enhance AH EBP within the new organisational setting. Methods All AH staff from the two Brisbane (Qld) tertiary paediatric hospitals were invited to participate in the survey. Using a cross-sectional de

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6

McDonald, A., and J. M. Kaldor. "37. MONITORING HIV TRANSMISSION AMONG MEN SEEN AT METROPOLITAN SEXUAL HEALTH CLINICS IN AUSTRALIA, 1996-2005." Sexual Health 4, no. 4 (2007): 299. http://dx.doi.org/10.1071/shv4n4ab37.

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National surveillance for newly diagnosed HIV infection indicates an increasing trend in Queensland, South Australia and Victoria but not in New South Wales. It was not clear if trends in newly diagnosed HIV infection were due to different patterns of HIV antibody testing. We report the pattern of HIV antibody testing among people seen through a network of sexual health clinics in Australia. Six public metropolitan sexual health clinics (Sydney Sexual Health Centre (SSHC), South West Sexual Health Centre (SSWSHC), NSW; Brisbane Sexual Health Clinic (BSHC), Gold Coast Sexual Health Clinic (GCSH

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7

Makeham, Paul Benedict, Bree Jamila Hadley, and Joon-Yee Bernadette Kwok. "A "Value Ecology" Approach to the Performing Arts." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.490.

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In recent years ecological thinking has been applied to a range of social, cultural, and aesthetic systems, including performing arts as a living system of policy makers, producers, organisations, artists, and audiences. Ecological thinking is systems-based thinking which allows us to see the performing arts as a complex and protean ecosystem; to explain how elements in this system act and interact; and to evaluate its effects on Australia’s social fabric over time. According to Gallasch, ecological thinking is “what we desperately need for the arts.” It enables us to “defeat the fragmentary a

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8

Felton, Emma. "Brisbane: Urban Construction, Suburban Dreaming." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.376.

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When historian Graeme Davison famously declared that “Australia was born urban and quickly grew suburban” (98), he was clearly referring to Melbourne or Sydney, but certainly not Brisbane. Although the Brisbane of 2011 might resemble a contemporary, thriving metropolis, its genealogy is not an urban one. For most of its history, as Gillian Whitlock has noted, Brisbane was “a place where urban industrial society is kept at bay” (80). What distinguishes Brisbane from Australia’s larger southern capital cities is its rapid morphology into a city from a provincial, suburban, town. Indeed it is Bri

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9

Heim, Caroline, and Christian Heim. "Marginalising the Mainstream: A Signed Performance of The Miracle Worker Places Deaf Issues Centre-Stage." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.265.

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Partaking of theatrical events is something that hearing and seeing members of the community can largely take for granted. In Australia, this is still not accessible to all. Crossbow Production’s 2009 staging of William Gibson’s The Miracle Worker offered the opportunity not only to explore the issues of the play, but this issue of accessibility for whom the protagonist can be considered the exemplary role-model. Crossbow’s aim was to introduce a mainstream audience to some of the world experience of those living with disabilities. This was achieved through the exploration of objects apart fro

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10

Western, Melissa. "Can't We Talk It Over in Bed?" M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1770.

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A backyard sprinkler ... flower-headed fools jumping through a mist of crystal drops ... the constant buzz of giggling beneath a familiar tune, sung with pavlova-coated breath. Sound like an Australian childhood memory? Perhaps, but not quite. This was the final scene in the recent Belvoir St production of As You Like It, and was quite possibly the most enjoyable moment of theatrical magic I have experienced in a long time. Apart from being suitably impressed by the set -- a stage carpeted with real grass and fallen leaves, a working sprinkler and a brilliant midnight-blue tarpaulin sky filled

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