Relevant bibliographies by topics / "new" Ukrainian cinema

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Academic literature on the topic '"new" Ukrainian cinema'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic ""new" Ukrainian cinema"

1

Alforova, Zoia. ""New" Ukrainian Cinema in the Context of Contemporary Audiovisual Art." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 2 (2020): 213–21. https://doi.org/10.31866/2617-2674.3.2.2020.217646.

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The purpose of the research is to understand the contextual existence of the “new” Ukrainian cinema in the morphology of contemporary audiovisual art in Ukraine. The research methodology is based on the use of the method of morphological analysis, art history monitoring of modern problems of fiction, documentary and animation cinematography in Ukraine. The scientific novelty consists in a certain morphological systematization of the development of the “new” Ukrainian cinema and the identification of its place in the context of audiovisual art.&n
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Polishchuk, Oleksandr, and Rosina Hutsal. "Ukrainian Cinema Formation and Development." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 2 (2019): 173–80. https://doi.org/10.31866/2617-2674.2.2.2019.185697.

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The purpose of the article is to investigate the development of Ukrainian cinema, taking into account historical events and realities, in which took place the of national cinema emergence. Trace the conditions for the new wave of young kin and the emergence of a new hero. Highlighting the historical events of Ukraine at the present stage, which not only changed the ideology of the country, but also became the impetus for new themes in cinema. The research methodology. The analytical and comparative analyses were conducted in the study of Ukrainian cinematography and the following res
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Novokhatko, Leonid, and Valeriia Snopkova. "KEY TENDENCIES AND ACHIEVEMENTS BRAND OF UKRAINIAN CINEMA AFTER A FULL-SCALE RUSSIAN INVASION." Integrated communications 16, no. 2 (2023): 83–88. http://dx.doi.org/10.28925/2524-2644.2023.1610.

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The article examines key trends and achievements of the Ukrainian film brand after the full-scale Russian invasion. The realities of promoting the Ukrainian film brand involve festival engagement and representation of Ukrainian perspectives on international platforms. In Ukraine, a unique cinematic brand is actively developing. Each year sees the creation of new initiatives dedicated to promoting Ukrainian cinema, introducing new talents to the industry. Ukrainian cinema reflects values shaped throughout history, such as resilience, independence, innovation, cultural self-identification, and a
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Rosinska, Olena. "Stereotypical Elements in the Narrative Structure of the Nationally “Other” in Contemporary Polish and Ukrainian Cinema." Roczniki Nauk Społecznych 51, no. 4 (2023): 61–81. http://dx.doi.org/10.18290/rns2023.0047.

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This paper researches topical Ukrainian and Poland cinema narratives related to interaction with the representatives of other nationalities in the territory of one country. The purpose of the research is to analyse changes in intercultural narratives related to the national stereotypes in contemporary films. The current development stage of the world culture requires new narratives –signals about that appear in the world and Ukrainian cinema. For Ukraine, these narratives become especially relevant after 2014. Now, the Ukrainians are thinking over their history and their relationship with thos
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Cherkasova, N. "Peculiarities of Ukrainian Films Distribution at the Present Stage." Culture of Ukraine, no. 73 (September 23, 2021): 113–20. http://dx.doi.org/10.31516/2410-5325.073.16.

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The relevance is determined by the need to reconsider the attitude to the traditional system of film distribution in the new reality. Under conditions of quarantine, the film and the audience actively interact mainly outside of cinemas. Current distribution practices have changed significantly over the last year. Cinemas have almost lost movies and viewers, and filmmakers are trying to minimize the negative effects with new content delivery channels. It is important for various representatives of the film industry to quickly and effectively adapt to new conditions of film consumption.
 Th
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Kokhan, T. G. "CULTUROLOGICAL ORIENTATORS OF MODERN UKRAINIAN CINEMA CRITICS." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 18–22. http://dx.doi.org/10.17721/ucs.2020.1(6).04.

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The article analyses the position of Ukrainian scientists, represented in their works during the first two decades of the XXI century, when the influence of the basis of the cultural analyses on the development of cinema critics has become appreciable. The accent has been made on new approaches both to the history of Ukrainian cinema in trying to understand personalized approach prevails and to the estimation of subject direction of the films shoot on the boundary of the XX – XXI centuries. It is underlined that film expert's attention was concentrated on the further improvement of notion-cate
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7

Е.М., Алієв. "ФЕНОМЕН УКРАЇНСЬКОГО КІНО". Вісник Харківського національного педагогічного університету імені Г.С. Сковороди "Філософія" 2, № 46 (2016): 164–69. https://doi.org/10.5281/zenodo.58735.

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The article deals with the history of Ukrainian cinema from inception to  the present day. The analysis films nineteenth century and their impact  on the consciousness of modern Ukrainian audience. Considered the most famous Ukrainian film directors. Much attention is paid to  contemporary cinema and its main trends. At present Ukrainian cinema is  trying to get back on his feet, but neither the authorities nor our society  do not want this to help people prefer American films, forgetting that our  country takes a decent movie. However, despite all the diffic
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Bakirov, Vil, and Dmytrii Petrenko. "Contemporary Ukrainian Visual Culture on the Way to the International Cultural Space." Perspektywy Kultury 41, no. 2/2 (2023): 91–110. http://dx.doi.org/10.35765/pk.2023.410202.08.

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The article is devoted to the visual culture of Ukraine since independence. It pays special attention to the trends and phenomena of contemporary Ukrainian visual culture that have entered the context of world culture through recognition on international cultural platforms (competitions, festivals, biennials, etc.). The considerations concern the development of various trends in contemporary Ukrainian art, which use various artistic media: photography, installation, performance and film. In particular, Ukrainian conceptual photography was the most interestingly represented by several generatio
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Demydenko, Maksym. "National images and symbols of visual Ukrainian cinematography in the works of foreign scholars." CONTEMPORARY ART, no. 18 (November 29, 2022): 141–50. http://dx.doi.org/10.31500/2309-8813.18.2022.269722.

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The article is devoted to the problem of historical symbolism in the visual language of Ukrainian cinema. The focus is on the foreign historiography of the problem, which today is one of the most relevant areas in the general scientific discourse of the problem. The author notes that at present, the understanding of national imagery and symbolism in cinematography continues within the framework of two parallel strategies: 1) as the still active deconstruction of existing historical images and visual narratives (especially in cinematography and in general within the framework of audiovisual art
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Bodrug, Anatoliy. "THE PHENOMENON OF UKRAINIAN DIASPORIC CINEMA IN THE CONTEXT OF CANADIAN MULTICULTURALISM POLICY." Scientific Herald of Uzhhorod University. Series: History, no. 1 (46) (June 27, 2022): 140–45. http://dx.doi.org/10.24144/2523-4498.1(46).2022.257132.

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The article is devoted to a comprehensive study of the genesis and development of Ukrainian cinema in the conditions of being outside the ethnic territory. The author explores cinema as one of the essential aspects of the national and cultural movement of the Ukrainian diaspora in Canada from the second quarter of the 20th – to the beginning of the 21st century. Particular attention is paid to the phenomenon of Canadian multiculturalism and its role in the development of both Anglo-French and Ukrainian cultural traditions. The relevance of this work is related to the current geopolitical, econ
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Book chapters on the topic ""new" Ukrainian cinema"

1

Besarab, Olena. "UKRAINIAN CINEMA ART AND TV AS A SIGNIFICANT ELEMENT OF SOCIAL DEVELOPMENT". У Іншомовна комунікація: інноваційні та традиційні підходи. Випуск 3, 3-тє вид. Primedia eLaunch LLC, 2024. http://dx.doi.org/10.36074/ikitp.monograph-2024.01.

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The research deals with cinematography and television as significant components of contemporary mass art. An attempt to analyse the origin and main stages of development of the above-mentioned art types is made. Cinema and TV are studied as cultural and social phenomena and their most outstanding representatives are pointed out. As these genres of modern art are not totally studied by the scientists, the popular articles dominate, so there is a wide range of aspects to analyse in this and many other following works. The first part of the work offers an overview of main stages of the cinema art
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"“Wanna Be in the New York Times?”: Epic History and War City as Global Cinema." In Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004311749_004.

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