Relevant bibliographies by topics / New worlds (London, England)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'New worlds (London, England)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "New worlds (London, England)"

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Pleck, Elizabeth. "Slavery in Puritan New England." Journal of Interdisciplinary History 49, no. 2 (August 2018): 305–13. http://dx.doi.org/10.1162/jinh_a_01270.

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Wendy Warren’s deeply researched New England Bound: Slavery and Colonization in Early America depends on investigation of handwritten texts rather than the several new databases about slavery and the slave trade. Warren has tracked down references in the extant literature and added research in unpublished court cases, wills, probate inventories, and private papers in New England as well in London. With her ability to convert a line or two in a court deposition or a will into an argument about the nature of New England slavery, Warren successfully circumvents the illegibility of the archive. The theme of this highly accessible study is how the immoral conjunction of cultivating staple crops for export and racialized slavery reshaped the entire Atlantic world, beginning with a fateful exchange of goods and people between the Caribbean and New England.
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Garrison, Wade. "David D. Hall. Ways of Writing: The Practice and Politics of Text-Making in Seventeenth Century New England. Philadelphia: University of Pennsylvania Press, 2008. 233 p. ISBN 978-0812241020. $49.95." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 12, no. 1 (March 1, 2011): 55–58. http://dx.doi.org/10.5860/rbm.12.1.349.

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Expanded from a series of three lectures given in 2007, Hall describes the political, social, and cultural forces that influenced modes of authorship, publishing, and dissemination in 17th-century New England. Separate, but not wholly apart, Hall delineates how writing in New England developed along a different trajectory from the center of the English-speaking world in London. Hall begins by asserting that two keys to understanding New England’s text-making culture have been undervalued. The first is the essentially collaborative culture of how texts were written, spoken, shared, transcribed, annotated, and rewritten. The second is the fundamentally handwritten or scribal practices that . . .
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Jenner, Mark S. R. "Print Culture and the Rebuilding of London after the Fire: The Presumptuous Proposals of Valentine Knight." Journal of British Studies 56, no. 1 (January 2017): 1–26. http://dx.doi.org/10.1017/jbr.2016.115.

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AbstractHistories of the Great Fire of London regularly mention and reproduce Valentine Knight's scheme for London's reconstruction, published in 1666, and note that he was imprisoned for his pains. His proposal, with new streets laid out on a rough grid and a canal through the heart of the city, has attained a walk-on part in longue durée histories of urban planning. However, Knight has remained a mysterious and little studied figure; the significance of his imprisonment and of the fact that his was the only scheme to be published remain unexplored. By reconstructing his biography and discovering the reason for his incarceration, and by relating his and the other proposals for the rebuilding of the capital after the fire to the history of public opinion, this article uses this episode to explore the tacit rules governing the discussion of public affairs in Restoration England. Further, by examining the publication history of all the immediate post-fire schemes for rebuilding London from 1666 to 1750, it traces how architectural plans gradually became objects for critical discussion in the worlds of print and periodical.
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LAHAV, AVITAL. "QUANTITATIVE REASONING AND COMMERCIAL LOGIC IN REBUILDING PLANS AFTER THE GREAT FIRE OF LONDON, 1666." Historical Journal 63, no. 5 (May 20, 2020): 1107–31. http://dx.doi.org/10.1017/s0018246x20000059.

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ABSTRACTRebuilding plans submitted after the Great Fire of London in 1666 have been widely treated by historians of the Great Fire and in wide-scope histories of London and modern city planning. However, few attempts have been made to assign an overarching logic to all of them, while paying attention to their texts as well as to their maps. The following article highlights certain common features in these abortive efforts to plan London, assigns a common logic to all of them, and traces the origins of this logic. Such an analysis illuminates the economic principles in plans that are usually examined for their architectural features, and places them in a different historical context. Rather than seeing them as manifestations of contemporary architectural trends, or as a continuation of ongoing attempts to regulate London's cityscape, the plans are presented here as a response to emerging ideas in mid-seventeenth-century England about the nature of value and the economic function of cities within the world of commerce. Such a view reveals the complex interplay between London's early modern growth and the emergence of new forms of knowledge in seventeenth-century England and reasserts the importance of these plans as forerunners of present-day city planning.
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Wolfreys, Julian. "‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape." Victoriographies 5, no. 1 (March 2015): 17–35. http://dx.doi.org/10.3366/vic.2015.0181.

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Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.
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Warlick, Steven R. "Military Use of Nasopharyngeal Irradiation with Radium during World War II." Otolaryngology–Head and Neck Surgery 115, no. 5 (November 1996): 391–94. http://dx.doi.org/10.1177/019459989611500504.

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Published reports of the military use of nasopharyngeal irradiation during World War II include treatment of U.S. aviators in England, the aerotitis control program of the Army Air Forces, treatment of Navy submarine trainees at New London, Connecticut, and other miscellaneous reports. In England, Army aviators developed hyperplastic lymphoid tissue in the nasopharynx. Radon applicators were used to treat 220 Army aviators from 1942 to 1944. The radium applicator provided a much more stable applicator and allowed much shorter exposure times, making it suitable for field use. From 1944 to 1945 the Army Air Forces had an aerotitis control program that was developed on the recommendations of an expert panel convened by the air surgeon. Nasopharyngeal radium was used to treat 6881 aviators. Hyperplastic lymphoid tissue was also a problem in submarine escape training at New London. Reports indicate that 732 Navy submariners were treated with nasopharyngeal radium. Other documented military use included 60 Navy aviators by Northington and 277 aviators in the Pacific theater. The total number of U.S. military personnel treated in World War II is 8170. After the war, there were no indications that the Army or Air Force continued to use nasopharyngeal radium, but it was used by the Navy at New London for some time. Precise numbers treated are unknown, and it is unclear when use of nasopharyngeal radium irradiation was stopped.
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Tingle, Jacob K., Callum Squires, and Randall Griffiths. "London Calling: A Semester in the World’s Sporting Capital." Case Studies in Sport Management 9, no. 1 (January 1, 2020): 1–6. http://dx.doi.org/10.1123/cssm.2019-0004.

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This case follows four American college students from a small, Liberal Arts institution during a semester-long, faculty-led study abroad trip to London, England. The case presents the experiences of these students as they integrate into London society. Mainly viewed through the lens of sport, the students encounter many differences to their preconceived notion of how sports work, providing an obvious platform for discussion and comparison of how sport is organized in different parts of the world. Specifically, the case offers students the opportunity to learn about new sports they may not have encountered before, evaluate the U.S. system of sport management, and suggest ways to improve sports both at home and abroad. The international aspect of this case also provides an added cultural element by focusing on specific events in the United Kingdom sporting calendar that can be used to teach students about another country’s sporting identity.
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Malone, Carolyn. "Sensational Stories, Endangered Bodies: Women’s Work and the New Journalism in England in the 1890s." Albion 31, no. 1 (1999): 49–71. http://dx.doi.org/10.1017/s0095139000061949.

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The cry of labor has seized the world’s ear. The Press, the Legislature, and the world at large is listening to the voice of labor…. When this journal first resolved to secure a hearing for all working-class questions, there was scarcely a column of a leading London newspaper which was then open. Now, following our lead, every great daily paper has its labor section…. Nor is it only the press which is watchful. It is the readers of the Press….This self-promoting editorial in the Star in 1891 made a critical point: labor issues were becoming a standard feature in daily newspapers. Sweating, loopholes in factory legislation, and the famous Dock and Match Girls’ strikes were among the subjects found in the pages of papers such as the Star. This trend in reporting was part of the “New Journalism” that developed in England between the 1880s and 1914. In an attempt to cater to the tastes of mass audiences, there was a shift in emphasis from parliamentary and political news to sports, gossip, crime, and sex. Papers, for instance, reported on the brutal Jack the Ripper murders in the East End of London. New journalists and editors, like W. T. Stead and Thomas P. O’Connor, also produced interviews, exposes, and political editorials in order to influence public opinion and promote what Stead called “government by journalism.” Stead produced what has been called the most successful piece of scandal journalism of the nineteenth century, “The Maiden Tribute of Modern Babylon,” which depicted young girls for sale to older men. Passage of the 1885 Criminal Law Amendment Act, which raised the age of consent for sex to sixteen, was one of its political consequences.
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SAMPSON, MARGARET. "‘THE WOE THAT WAS IN MARRIAGE’: SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE." Historical Journal 40, no. 3 (September 1997): 811–23. http://dx.doi.org/10.1017/s0018246x97007437.

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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9. £25.00.Sex and subjection: attitudes to women in early modern society. By Margaret R. Sommerville. London: Edward Arnold, 1995. Pp. 287. ISBN 0-340-64574-1. £14.99.
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Maxwell, Anne. "OCEANA REVISITED: J. A. FROUDE'S 1884 JOURNEY TO NEW ZEALAND AND THE PINK AND WHITE TERRACES." Victorian Literature and Culture 37, no. 2 (September 2009): 377–90. http://dx.doi.org/10.1017/s106015030909024x.

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In his popular Romance of London (1867), John Timbs refers to Thomas Babington Macaulay's oft-repeated metaphor of a “New Zealander sitting, like a hundredth-century Marius, on the mouldering arches of London Bridge, contemplating the colossal ruins of St Paul's” (290). Originally intended as an illustration of the vigor and durability of the Roman Catholic Church despite the triumph of the Reformation, Macaulay's most famous evocation of this idea dates from 1840, the year of New Zealand's annexation; hence it is reasonable to suppose that this figure is a Maori (Bellich 297–98). For Timbs and subsequent generations, however, the image conveyed the sobering idea of the rise and fall of civilizations and in particular of England being invaded and overrun, if not by a horde of savages, then by a more robust class of Anglo-Saxons from the other side of the world.
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Dissertations / Theses on the topic "New worlds (London, England)"

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Murray, Narisara. "Lives of the zoo charismatic animals in the social worlds of the Zoological Gardens of London, 1850--1897 (England) /." [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162254.

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Thesis (Ph.D.)--Indiana University, 2004.
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0316. Chair: Thomas F. Gieryn. Title from dissertation home page (viewed Oct. 12, 2006).
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Vaughan, Jonathan Blake. "No Peace in New London: Mather Byles, the Rogerenes, and the Quest for Religious Order in Late Colonial New England." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249065038.

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Wallace, Derron Orlando. "The politics of panic & praise : exploring ethnic exceptionalism in the schooling of black Caribbean youth in London & New York." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709333.

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Walford, Rex. "'As by magic' : the growth of 'new London', north of the Thames 1918-1945 and the response of the Church of England." Thesis, Anglia Ruskin University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269156.

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Khankeldiyev, Khasan A. "A content analysis of news coverage of Operation Iraqi Freedom by the New York times, the Times of London, and Arab news." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1293373.

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Contemporary researches on news coverage of Persian Gulf Wars have shown many controversial results in examining how U.S. newspapers covered war events during the wartime. This study examined the coverage of Operation Iraqi Freedom by the newspapers of the United States, Britain, and Saudi Arabia.Three prominent newspapers, the New York Times, the Times of London and Arab News, were selected for content analysis of their coverage of Operation Iraqi Freedom between March 20 and May 1, 2003. The percentage breakdown of positive, negative and neutral paragraphs coded from composite two weeks of publications by all three newspapers was studied.The goal of the study was to determine if the coverage of the 2003 Iraq war by the New York Times and the Times of London were more favorable than that Arab News. The Arab News was used as a basis for comparison of American and British newspapers for this study.The results of the study showed that the three newspapers covered the Operation of Iraqi Freedom in a neutral manner.Ball State UniversityMuncie, IN 47306However, the Times of London treated the Iraq war coverage with more positive news rather than the New York Times and Arab News did, respectively. On the other hand, Arab News appeared to have devoted the lowest favorable news stories after the Times of London.
Department of Journalism
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Collins, Samantha Lillian. "What future worlds of work do women executives aspire to and how might they be accomplished? : an exploratory study within banking and professional service companies in London and New York." Thesis, London Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499579.

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Goncalves, De Aranjo Passos Stéphanie. "Une guerre des étoiles: les tournées de ballet dans la diplomatie culturelle de la Guerre froide, 1945-1968 /cStéphanie Gonçalves de Aranjo-Passos." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209106.

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Ma thèse de doctorat explore les tournées de ballet des « six grandes » compagnies mondiales pendant la Guerre froide (1945-1968) :ballet de l’Opéra de Paris, Royal Ballet de Covent Garden, Bolchoï et Kirov, New York City Ballet et American Ballet. Elle envisage le ballet comme un outil de diplomatie culturelle transnationale, avec un focus particulier sur les acteurs, qu’ils soient institutionnels, artistiques ou commerciaux. Outre un aspect quantitatif qui nous a amené à cartographier les tournées, il s’agit d’une histoire incarnée par des femmes et des hommes − les danseurs − dont le métier est de tourner sur les scènes internationales, encadrés par des administrateurs et des gouvernements, qui n’ont pas les mêmes priorités et agendas les uns et les autres.

Cette recherche met justement en avant les tensions, les difficultés et les dynamiques entre les différents acteurs. La thèse se construit autour de tournées représentatives du lien ténu entre danse et politique, des épisodes qui mettent en valeur les points chauds de cette Guerre froide, ayant comme point de départ ou d’arrivée Londres et Paris.

La description de la danse comme un langage, une pratique physique et un métier permet de comprendre en quoi la danse peut être un outil de communication politique et comment il a été utilisé comme tel dans la longue durée et en particulier pendant la guerre froide. Les différentes échelles – le passage régulier de la macro-histoire à la micro-histoire et inversement ainsi que les flux d’échanges culturels multiples à l’échelle internationale – ont permis de mettre en avant une multiplicité d'acteurs (artistiques, gouvernementaux, commerciaux). La constitution du mythe de la danseuse étoile, et ses représentations, résonne également avec d’autres figures mythiques construites dans la Guerre froide, comme celle de l’astronaute.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Kim, Seung Woo. "The Euromarket and the making of the transnational network of finance, 1959-1979." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276574.

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This thesis analyses the role of the Euromarket, an offshore market for Eurodollars or expatriate US dollars, in the re-emergence of global finance during the 1960s and 1970s. It charts not only its Cold War origins and the development of various markets for Eurodollars, but also institutions and policies that shaped them from the return to convertibility in 1958 to the ill-fated efforts to regulate the nascent market by international financial institutions. By examining the nature of Eurodollars as both a US and global currency, the thesis sheds light on the changing features of the governance of global finance and its relationship with the economic sovereignty of nation-states. It argues that the Euromarket underwent repeated contestations as politicians, bankers, and economists vested their political ambitions and cultural assumptions in it. The popular, academic, and policy debates challenged the speculative nature of Eurodollars which would destabilise the domestic as well as the international monetary system of the Bretton Woods system. Without a single monetary authority, the tendency of the Euromarket to transcend the order of capitalist nation-states constrained national governments’ capacity to control capital flows and the autonomy of domestic monetary policy. However, nation-states were not impotent but deliberately sought to exploit the liquid pool of capital in Eurodollars. It was not merely the US government that benefited from the seigniorage of Eurodollars and the City of London which was reborn as the international financial centre in the Euromarket. Continental European countries that were hesitant about European economic integration, the UK Labour government, developing countries in the Global South, and even the Communist bloc, resorted to the Euromarket for their national interests. The ambivalent attitudes of national governments and their conflict of interests resulted in the failure of coordinated efforts to introduce the rules of the game but facilitated the transnational network of finance in Eurodollars.
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Thompson, Doreen Helen. "Propriety and passion: images of the new woman on the London stage in the 1890s." Thesis, 1992. https://dspace.library.uvic.ca//handle/1828/9572.

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The emergence of the New Woman in the 1890s was the result of a broad spectrum of feminist demands: equal advantages with men in education, entrance into "male" professions, and a share in the government of the country. Women's desire for personal freedom led to the removal of conventional restrictions with regard to dress, manners, and modes of living and to a rebellion against inequalities in marriage and double standards of morality. Within the theatre community, bold new patterns of thought developed out of a growing discontent with outworn forms. The New Drama and the New Woman became inseparable in the public mind, and socially aware dramatists attempted to create a contemporary heroine who would reflect the way modern woman was perceived. The first chapter, "Relics of the Past," documents legal and social changes in woman's status prior to 1900 and reveals how the 19th century woman was held back, not only by men claiming educational and political advantages by virtue of male superiority, but by other women who fought against any change to well-defined sex roles, and by her own reluctance to free herself from conventional patterns. The second chapter, "Removal of Ancient Landmarks," is concerned with women in the creative arts who seized the opportunities for female emancipation that life in the artistic community promised, particularly to those in the theatre. The third chapter, "Treading on Dangerous Ground," links the impact of Ibsen on British drama with the new breed of actresses who were willing to represent the New Woman on stage and to replace the feminine ideal with their defiant portrayals of selfhood. The next three chapters explore dramatic images of the New Woman as she was depicted in plays written for the London stage in the 1890s. In Chapter IV, "Shall We Forgive Her?," the former "fallen" woman of fiction and melodrama, now updated to the "Woman with a past," demonstrates the extent to which prior sexual misdemeanours make her a social outcast, even if the playwright does not condemn her to an untimely death, insanity, or suicide. Chapter V, "New Lamps for Old," deals with the "advanced" woman who is either aggressive in courtship or chooses a career over marriage, overturns parental authority, engages in activities formerly reserved for males, and often talks and dresses like a man. By pushing against conventional boundaries which define woman's intellectual and moral territory, she seeks to overthrow the patriarchal system and to upset the double standard. In Chapter VI, "A Modern Eve," another aspect of the New Woman manifests in the married heroine who attempts to establish greater freedom for herself within the old patterns of respectability yet must face the psychological pressures which tend to keep women in their traditional place. Throughout the decade, proponents of the New Drama allowed the heroine to express her own mind as a necessary step towards selfhood. Conservative playwrights clung to legal marriage and most assumed that a woman's role was decreed by Nature and was basically unchangeable. More progressive playwrights advocated free union and accepted the premise that freedom is attained only when both sexes are released from bondage to old ideals.
Graduate
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Books on the topic "New worlds (London, England)"

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1844, Stone Sarah d., ed. Sarah Stone: Natural curiosities from the new worlds. London: Merrell Holberton, 1998.

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Globalization and the Great Exhibition: The Victorian new world order. New York: Palgrave Macmillan, 2009.

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Five cities that ruled the world: How Jerusalem, Athens, Rome, London, and New York shaped global history. Nashville: Thomas Nelson, 2009.

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Worlds within worlds: The structures of life in sixteenth-century London. Cambridge: Cambridge University Press, 1989.

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Suspended worlds: Historic theater scenery in northern New England. Boston: David R. Godine, Publisher, 2015.

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A mind of winter: A novel. New York: Akashic Books, 2012.

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Great War modernisms and The new age magazine: Historicizing modernism. London: Continuum International Pub. Group, 2012.

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How the new stock exchange works. 2nd ed. London: Hutchinson Business, 1987.

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How the new stock exchange works. London: Hutchinson Business, 1986.

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Pennington, Robert R. Stock exchange listing: The new requirements. London: Butterworths, 1985.

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Book chapters on the topic "New worlds (London, England)"

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McJannet, Linda. "“Oranges and lemons say the Bells of St. Clement’s”: Domesticating Eastern Commodities in London Comedies." In Early Modern England and Islamic Worlds, 215–37. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119826_12.

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Kolb, Justin. "“A Turk’s mustachio”: Anglo-Islamic Traffic and Exotic London in Ben Jonson’s Every Man out of His Humour and Entertainment at Britain’s Burse." In Early Modern England and Islamic Worlds, 197–214. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119826_11.

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McInnis, David. "Old Genres, New Worlds: Behn Domesticates the Exotic." In Mind-Travelling and Voyage Drama in Early Modern England, 182–209. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137035363_7.

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Bell, James B. "A Financial Alliance with London." In Anglicans, Dissenters and Radical Change in Early New England, 1686–1786, 77–104. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55630-7_5.

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Boffey, Julia. "Robert Fabyan’s Two Hats: Compiling The Great Chronicle of London and The New Chronicles of England and France." In Editing and Interpretation of Middle English Texts, 173–88. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.tt-eb.5.114039.

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Di Sciacca, Claudia. "Glossing in Late Anglo-Saxon England: A Sample Study of the Glosses in Cambridge, Corpus Christi College 448 and London, British Library, Harley 110." In Rethinking and Recontextualizing Glosses : New Perspectives in the Study of Late Anglo-Saxon Glossography, 299–336. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.tema-eb.4.00844.

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"New England." In Converging Worlds, 107–34. Routledge, 2013. http://dx.doi.org/10.4324/9780203436042-10.

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"New England." In Converging Worlds, 157–84. Routledge, 2013. http://dx.doi.org/10.4324/9780203336472-12.

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Wheeler, Michael. "‘The secret power of England’." In The Athenaeum, 243–69. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300246773.003.0011.

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This chapter, which considers the Second World War and its aftermath, reveals how the clubhouse provided a meeting place for those members whose contribution to the war effort kept them in London in 1939, as it had in 1914, and for those engaged in new debates on economic and moral reconstruction which arose before war broke out, continued throughout hostilities, and shaped the national agenda in 1945. In the case of Arthur Bryant's and Sir Charles Waldstein's own club, the 'secret power of England' was to be found in the lives and work not only of its leading politicians and serving officers who ran the war and became household names, but also its moralists, theologians, and economists who applied their minds to the demands of a future peace. Crucial to the war effort were those less well-known civil servants and intelligence officers, scientists, and engineers who used the clubhouse. While valiant efforts were made to maintain the usual services during the war, many aspects of club life were adversely affected. In its domestic economy, the Athenæum's responses to the exigencies of war were often reminiscent of those recorded in 1914–1918; shortages led to all kinds of restrictions.
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Praz, Mario. "“Baroque in England” (1960)." In Baroque New Worlds, 119–35. Duke University Press, 2010. http://dx.doi.org/10.1215/9780822392521-007.

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Conference papers on the topic "New worlds (London, England)"

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Turner-Wilson, J., S. Smith, and S. Channon. "S59 Reduction in fatalities following introduction of an initial home oxygen risk mitigation form (IHORM) for all new patients on home oxygen in england and wales." In British Thoracic Society Winter Meeting 2019, QEII Centre, Broad Sanctuary, Westminster, London SW1P 3EE, 4 to 6 December 2019, Programme and Abstracts. BMJ Publishing Group Ltd and British Thoracic Society, 2019. http://dx.doi.org/10.1136/thorax-2019-btsabstracts2019.65.

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Beade-Pereda, Héctor, Bogdan Barbulescu, and John McElhinney. "St. Philips Footbridge in Bristol." In Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2021. http://dx.doi.org/10.24904/footbridge2022.193.

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Abstract:
<p>In 1840, the inauguration of the Great Western Railway in South England connecting London and Bristol, changed part of the outskirts of Bristol to a major railway hub and home of many rail-related activities. An area behind the station in between the railway, the River Avon and the Bath road, known as Temple Island, became restricted to rail use (workshops, depots or sheds) for more than 150 years, making it inaccessible and unattractive as the railway use decreased. The transformation of this area into a new centrally located neighbourhood is one of the most important urban development projects currently planned in Bristol. The new St Philips footbridge spans the River Avon, contributing to accessibility to the site and increasing the sustainable transport network of the city. The bridge, a 50m-span and 4-m wide steel beam with a forked geometry, seamlessly hosts a ramp for disabled and cyclists and a staircase to maximise functionality. The design approach to generate its shape was at the same time structural, aesthetical, and functional, innovatively solving a complex crossing problem.</p>
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