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Books on the topic 'New York Dolls (Musical group)'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Consult the top 29 books for your research on the topic 'New York Dolls (Musical group).'

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1

Too much too soon: The New York Dolls. London: Omnibus Press, 2005.

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2

I, doll: Life and death with the New York Dolls. Chicago: Chicago Review Press, 2009.

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3

1950-, Johansen David, and Sylvain Sylvain, eds. New York Dolls: The photographs of Bob Gruen. New York: Abrams Image, 2008.

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4

Antonia, Nina. Johnny Thunders-: In cold blood : the official biography. London: Jungle, 1987.

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5

The Velvet Underground: New York art. New York: Rizzoli, 2009.

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6

Don't rhyme for the sake of riddlin': The authorized story of Public Enemy. New York: Canongate Books, 2008.

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7

Valentine, Gary. New York rocker: My life in the blank generation, with Blondie, Iggy Pop, and others, 1974-1981. London: Sidgwick & Jackson, 2002.

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8

Joe, Layden, ed. No regrets: A rock 'n' roll memoir. New York, NY: Gallery Books, 2011.

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9

Music from Big Pink: A novella. New York, NY: Continuum, 2006.

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10

1945-, Dalton David, ed. Does the noise in my head bother you?: A rock 'n' roll memoir. London: HarperCollins, 2011.

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11

Tyler, Steven. Does the noise in my head bother you?: A rock 'n' roll memoir. New York: Ecco Press, 2011.

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12

Tyler, Steven. Does the noise in my head bother you?: A rock 'n' roll memoir. New York: Ecco Press, 2011.

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13

1945-, Dalton David, ed. Does the noise in my head bother you?: The autobiography of Aerosmith's legendary frontman. London: HarperCollins, 2009.

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14

Too Much, Too Soon: The Makeup & Breakup of the New York Dolls. Omnibus Pr, 1998.

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15

Antonia, Nina. Johnny Thunders: In Cold Blood. Cherry Red Books, 2003.

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16

Contemporary musicians: Profiles of the people in music, volume 51. Detroit, MI: Thomson Gale, 2005.

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17

Jake, Austen, ed. Playground: Growing up in the New York underground. 2014.

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18

(Vocalist), Vega Alan, and Rev Martin, eds. Dream baby dream: Suicide : a New York story. Overlook-Omnibus, 2017.

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19

Stranded in the Jungle: Jerry Nolan's Wild Ride - a Tale of Drugs, Fashion, the New York Dolls, and Punk Rock. Rowman & Littlefield Publishers, Incorporated, 2017.

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20

Marcadé, Philippe. Punk avenue: Inside the New York City underground, 1972-1982. 2017.

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21

Valentine, Gary. New York Rocker: My Life in the Blank Generation with Blondie, Iggy Pop, and Others, 1974-1981. Thunder's Mouth Press, 2006.

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22

A Spy in the House of Loud. USA: University of Texas Press, 2018.

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23

No Regrets: A Rock 'n' Roll Memoir. Simon & Schuster, 2011.

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24

Humor: [The KLF, Harald "Sack" Ziegler, Anti Folk New York, él Records, Sexton Ming, Naiv-Pop, Helge Schneider, Thomas Kapielski, Stand up-comedy, Queer Humor, Emocore? Humor?, Humor-Architektur ... Rezensionen. Mainz: Ventil, 2002.

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25

Tyler, Steven. Does the Noise in My Head Bother You?: A Rock 'n' Roll Memoir. HarperCollins Publishers, 2011.

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26

Does the Noise in My Head Bother You? Ecco, 2010.

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27

author, Tillman Lynne, and Shore Stephen 1947-, eds. Factory: Andy Warhol. 2016.

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28

Debbie, Harry, O'Brien Glenn, and Fairey Shepard, eds. Chris Stein/negative: Me, Blondie, and the advent of punk. 2014.

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29

Greenland, Thomas H. Making the Scene. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0005.

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Abstract:

This chapter examines how intimate social correspondence between active participants in New York City's avant-jazz scene engenders individual and group identities—a sense of who we are, where we go, what we love, and how we live. It first considers how fellowship, and particularly camaraderie, develops among fans during and after jazz performances. It then looks at how jazz fans interface with “club/houses” and the people that run them and goes on to discuss social determinants of musical taste. It also explores one of the occupational hazards associated with jazz fandom in New York City, what Steve Dalachinsky called “divided nights.” The chapter shows that active concertgoers, particularly avant-jazz fans, collectively identify and express themselves through improvised music, and describes gregarious yet self-contained, intimate jazz communities as an example of both an extended family and “a group of separates.”

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