Academic literature on the topic 'New York Graphic Society'

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Journal articles on the topic "New York Graphic Society"

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Stahl, Joan. "LEE FRIEDLANDER PORTRAITS (New York Graphic Society Books). R. B. Kitaj." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (October 1986): 142. http://dx.doi.org/10.1086/adx.5.3.27947646.

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Klos, Sheila. "WOMEN ARTISTS AND THE SURREALIST MOVEMENT (New York Graphic Society Book). Whitney Chadwick." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (October 1986): 140–41. http://dx.doi.org/10.1086/adx.5.3.27947642.

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Rhein, Donna. "THE PRE-RAPHAELITE CAMERA: ASPECTS OF VICTORIAN PHOTOGRAPHY (New York Graphic Society Book). Michael Bartram." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (October 1986): 142. http://dx.doi.org/10.1086/adx.5.3.27947645.

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Stahl, Joan. "DEGAS BY HIMSELF. (A New York Graphic Society Book). Richard KendallDEGAS: THE NUDES. Richard Thomson." Art Documentation: Journal of the Art Libraries Society of North America 7, no. 4 (December 1988): 168–69. http://dx.doi.org/10.1086/adx.7.4.27947979.

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Rabinowitz, Richard. "Eavesdropping at the Well." Public Historian 35, no. 3 (August 1, 2013): 8–45. http://dx.doi.org/10.1525/tph.2013.35.3.8.

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Tracing the history of northern slavery in a narrative exhibition at the New-York Historical Society required overcoming the silence of archival and museum collections. Despite the centrality of slavery to the colonial city, the first two centuries of black lives left few traces. In the archival record, African voices were unheard and never registered. A careful deployment of interpretive media—display techniques, audio-visual programs, graphic annotations, commissioned art objects, and architectural design—aimed to bring visitors physically and emotionally ever closer to the experience of New York blacks, while staying rooted in primary sources. The sequence of media elements thus itself paralleled the historical narrative.
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Margolin, Victor. "Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978: Americas Society, New York, February 11, 2015–May 16, 2015 (exhibition review)." Design Issues 32, no. 2 (April 2016): 98–100. http://dx.doi.org/10.1162/desi_r_00387.

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Powell, Justin J. W. "Designing Disability: Symbols, Space and Society by Elizabeth Guffey, (New York: Bloomsbury Academic, 2018), ISBN 978-1-3500-0428-3, 240 pages, illustrated, black and white, paperback ($26.95)." Design Issues 36, no. 1 (January 2020): 100–101. http://dx.doi.org/10.1162/desi_r_00582.

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&NA;. "New York Pathological Society." American Journal of Surgical Pathology 19, no. 9 (September 1995): 1100. http://dx.doi.org/10.1097/00000478-199509000-00024.

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D, Henry. "New York Pathological Society." American Journal of Surgical Pathology 19, no. 12 (December 1995): 1450. http://dx.doi.org/10.1097/00000478-199512000-00018.

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Fordyce, J. A. "NEW YORK DERMATOLOGICAL SOCIETY." Archives of Dermatology 133, no. 3 (March 1, 1997): 293. http://dx.doi.org/10.1001/archderm.1997.03890390031003.

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Dissertations / Theses on the topic "New York Graphic Society"

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Gluibizzi, Amanda. ""The Entire Visual World": Art, Design, and 1960s New York." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342617358.

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Glynn, Thomas Peter. "Books in the public sphere New York libraries and the culture-building enterprise, 1754-1904 /." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/doctoral/GLYNN_THOMAS_49.pdf.

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Bibby, Emily Katherine. "Making the American Aristocracy: Women, Cultural Capital, and High Society in New York City, 1870-1900." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/33733.

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For over three decades, during the height of Gilded Age economic extravagance, the women of New York High Society maintained an elite social identity by possessing, displaying, and cultivating cultural capital. Particularly, High Society women sought to exclude the Nouveaux Riches who, after amassing vast fortunes in industry or trade, came to New York City in search of social position. High Society women distinguished themselves from these social climbers by obeying restrictive codes of speech, body language, and dress that were the manifestations of their cultural capital. However, in a country founded upon an ethos of egalitarianism, exclusivity could not be maintained for long. Mass-circulated media, visual artwork, and etiquette manuals celebrated the Society womanâ s cultural capital, but simultaneously popularized it, making it accessible to the upwardly mobile. By imitating the representations of High Society life that they saw in newspapers, magazines, and the sketches of Charles Dana Gibson, Nouveau Riche social climbers and even aspirant middle and working class women bridged many of the barriers that Society women sought to impose.
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Ellis, Bret Easton Kalka Joachim. "Glamorama Roman." Köln Kiepenheuer & Witsch, 2010. http://deposit.d-nb.de/cgi-bin/dokserv?id=3379087&prov=M&dok_var=1&dok_ext=htm.

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Thorén, Anna. "I'm an Alien in New York : How Capitalism Creates Alienation in Dos Passos’ Manhattan Transfer." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49256.

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This essay investigates how capitalism affects the characters in John Dos Passos’ novel Manhattan Transfer. It argues how capitalism in many instances leads to alienation in various ways. In order to understand the historical context of the novel and to perform this character study, the concepts of modernism, modernity, Marxism, capitalism and alienation are put forward in the theoretical framework as the foundation of the essay. The main theories used are Georg Lukács’ definition of heaviness, Ferdinand Tönnies’ discussion on community and society and Melvin Seeman’s presentation of the ways in which the term alienation has been used and explained over the years.
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Kerret, Gwenaëlle de. "Identité visuelle de musées à Paris et New York : approche croisée en sociosémiotique et en recherche-action." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080029.

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Université Paris 8 Gwenaëlle de KerretRÉSUMÉThéorisée dans un premier temps par les sciences de gestion et le marketing, la notion d’identité visuellecommence à être utilisée dans les institutions muséales. Mais pour un musée, elle recouvre des pratiques plusvariées que pour une marque commerciale : l’identité visuelle d’un musée comprend son design graphique(notamment le logotype), mais aussi son architecture et la mise en espace des collections, donnés à voircomme des images emblématiques. Au regard des sciences de l’information et de la communication, l’identitévisuelle peut être considérée comme un dispositif médiatique : elle consiste en une interface organisée etproduite par un groupe social, à destination d’un public. Mais plus qu’un dispositif médiatique, peut-elle êtreconsidérée comme un outil de management de la « marque » muséale ?Cette thèse interroge l’identité visuelle de plusieurs musées d’art en France et aux États-Unis, au regard dumodèle de la marque et de la théorie de l’esthétique des organisations, à partir d’une approchesociosémiotique. Se fondant sur l’histoire des institutions, sur des entretiens auprès d’acteurs et sur uneanalyse des productions visuelles actuelles, elle envisage comment les images construisent un système visuelidiosyncrasique et une forme de récit sur le musée. Une recherche-action dans le cadre des études de publicpermet par ailleurs d’explorer la question de la réception des signes visuels et de leur rôle dans la constructionde « l’imaginaire » du musée chez les publics. À la lumière de cette expérience et des entretiens, la thèsedébouche sur un ensemble de propositions pour améliorer la création et le pilotage des systèmes visuels dansles musées
First theorized by management science and marketing, the notion of visual identity is now starting to be usedby museums. But for a museum, visual identity includes a wider spectrum of practices than for a commercialbrand: in addition to graphic design (notably the logotype), there is the museum’s architecture and the layoutof the collection, which position emblematic images. In the field of Information and Communication Sciences,visual identity can be considered as a media device: it consists of an organized interface, produced by a socialgroup and addressed to a public. But more than a media device, can it be considered as a tool to manage themuseum “brand”?This dissertation analyzes the visual identity of several art museums in France and the United States, in regardto the brand model and the theory of organizational aesthetics, from a socio-semiotic approach. Based onmuseums’ history, stakeholder interviews and analysis of current visual materials, it considers how imagesbuild an idiosyncratic visual system and the start of a narrative about the museum. Action-research done bymeans of a public survey also allows an exploration of the question of how visual signs are received and theirrole in the construction of a museum’s “collective imagination” in the eyes of the public. In light of thisexperience and these interviews, the dissertation finally suggests a method to help museums create andmanage their visual systems
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Seiner, Lizárraga Lizardo. "Carey, Mark. In the Shadow of Melting Glaciers. Climate Change and Andean Society. New York: Oxford University Press, 2010, 273 pp." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/121552.

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McGrory, Sean. "The influence social problems have with violent crime and its impact on society: An investigation on the five boroughs of New York." Thesis, Umeå universitet, Kulturgeografi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-150006.

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The purpose of this study is to show how violent crime and social problems have an impact on society. This study particularly concentrates on the five boroughs of New York. The problems associated with the five boroughs of New York are violent crime and social problems. The violent crime for the study involves; felony assaults and robberies. Whereas, the social problems for the study involves; population below the poverty line and male population who are 18-24 years with less than high school graduation. These problems were expressed through the usage of ArcGIS Pro. Using ArcGIS Pro provided an efficient way that displays spatial data. The results from this study show that felony assaults and robberies occurred in the Bronx, Manhattan, Brooklyn and the Queens. Whereas, it was also discovered that the Bronx, Manhattan and Brooklyn experienced social problems related to poverty and education. The spatial coincidence between violent crime and social problems were expressed using overlay analysis. The findings show that the violent crimes and social problems spatially coincide within the Bronx, Manhattan and Brooklyn. This study provides a way in which society can be better managed in dealing with these problems.
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Mattmann, Philippe. "Le défi moral et médical des témoins de Jéhovah." Nantes, 1986. http://www.theses.fr/1986NANT3573.

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DeLuca, Lorraine Susanna. "Adult education and the ambivalence of the Catholic Church towards modern American society, in the Archdiocese of New York: 1860-1911/by Lorraine Susanna DeLuca." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11586825.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1994.
Typescript; issued also on microfilm. Sponsor: Douglas M. Sloan. Dissertation Committee: William B. Kennedy. Includes bibliographical references (leaves 308-323).
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Books on the topic "New York Graphic Society"

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New York graphic. New York: Anchor Books, 2000.

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Graphiscape - New York. Crans-Près-Céligny: RotoVision, 2003.

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New York City Mission Society., ed. New York City Mission Society. Portsmouth, NH: Arcadia, 2003.

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Romita, Paul. New York City Mission Society. Portsmouth, NH: Arcadia, 2003.

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Wood, Brian. The New York five. New York: DC Comics, 2011.

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Symmes, Marilyn F. Impressions of New York: Prints from the New-York Historical Society. New York, NY: Princeton Architectural Press : New-York Historical Society, 2004.

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Society, New-York Historical, ed. Impressions of New York: Prints from the New-York Historical Society. New York: Princeton Architectural Press in collaboration with the New-York Historical Society, 2005.

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Edith Wharton's old New York society. Lanham, Md: University Press of America, 2002.

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Cecil & Jordan in New York: Stories. Montreal, Quebec: Drawn & Quarterly, 2009.

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Lennon: The New York years. San Diego, California: IDW Publishing, 2017.

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Book chapters on the topic "New York Graphic Society"

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Petersen, Martin. "A society in crisis? From The Arduous March to a new deal." In North Korean Graphic Novels, 119–50. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Media, culture and social change in Asia ; 57: Routledge, 2018. http://dx.doi.org/10.4324/9781315162430-5.

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Cramer, Peter A. "Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New York City Print Journalists." In Outrage: Art, Controversy, and Society, 66–98. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283542_4.

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LeBesco, Kathleen, and Peter Naccarato. "Distinction, Disdain, and Gentrification: Hipsters, Food People, and the Ethnic Other in Brooklyn, New York." In A Place-Based Perspective of Food in Society, 121–39. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137408372_7.

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Shimizu, Mika, and Allen L. Clark. "Nexus of Resilience and Public Policy: Case of Hurricane Sandy in New York." In Nexus of Resilience and Public Policy in a Modern Risk Society, 71–91. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-10-7362-5_5.

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Nielsen, Steffen Bohni, Nicolaj Ejler, and Maryanne Schretzman. "Exploring Big (Data) Opportunities: The Case of the Center for Innovation through Data Intelligence (CIDI), New York City." In Cyber Society, Big Data, and Evaluation, 147–70. New Brunswick: Transaction Publishers, [2017] | Series:: Routledge, 2017. http://dx.doi.org/10.4324/9780203793909-9.

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Laclau, Ernesto. "1990. ‘The Impossibility of Society.’ In New Reflections on the Revolution of Our Time, 89–92. London, New York: Verso." In The Discourse Studies Reader, 123–26. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/z.184.213lac.

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Kim, Hayin. "Managing the Growth of Community Schools." In Community Schools in Action. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195169591.003.0023.

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Essential to a community school’s success is a committed partnership among the school and school district, community organizations, and parents—a partnership that makes students’ academic success a shared responsibility and a shared goal. These partners come together to provide three key sets of supports and opportunities: (1) a strong, coherent core instructional program during the regular school day; (2) supports and services that address and seek to remove barriers to learning; and (3) enrichment opportunities during nonschool hours that build students’ motivation and capacity to succeed in school. Table 11.1 illustrates this concept through a graphic representation of supports and opportunities offered by New York community schools. After the early success of the work at Intermediate School (IS) 218 and Primary School (PS) 5 in Washington Heights, The Children’s Aid Society (CAS) received scores of requests from principals around New York City who wanted their schools to become CAS community schools. Deciding how to respond to these requests became a major issue for CAS, because our intention from the beginning was to enter into a long-term partnership with each school—which meant that the agency was committing itself to sustaining each partnership for multiple years, if not forever. The financial implications of each decision were clear: we needed to build slowly and carefully, with a view toward long-term sustainability. In our strategic plans and discussions with CAS trustees and funders, managing the growth of community schools was an explicit goal. Furthermore, we recognized that implementation of the CAS community school model must focus on adaptation, not replication. This meant that, as we added schools (at the rate of roughly one per year), we would conduct a local needs and resource assessment and make a plan that was responsive to the unique assets and needs of each school and its surrounding community. From March 1992 through June 2003, CAS worked in close partnership with the New York City public schools to develop ten community schools—five in the Washington Heights neighborhood of northern Manhattan, two in East Harlem (also in Manhattan), and three in the South Bronx.
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"The New York Society Library:." In Reading Publics, 17–42. Fordham University Press, 2015. http://dx.doi.org/10.2307/j.ctt1287fsn.5.

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Johnson, Steven P. "New York Zoological Society Library." In Sci-Tech Libraries Serving Zoological Gardens, 21–32. Routledge, 2019. http://dx.doi.org/10.4324/9780429345500-4.

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Frisken, Amanda. "“A First-Class Attraction on Any Stage”." In Graphic News, 85–122. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.003.0004.

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This chapter examines the 1890 Ghost Dance, a nonviolent religious practice among the Lakota Sioux. In covering the Ghost Dance, daily newspaper editors Joseph Pulitzer (the New York World) and William Randolph Hearst (the San Francisco Examiner), along with the New York Herald and ChicagoTribune, experimented with the limits of news illustration. Their images mischaracterized the dance as a declaration of war, contributing to events leading to the massacre at Wounded Knee. Their quest for illustrations that were both “authentic” (photograph-based) and dramatic led editors to appropriate images from the entertainment marketplace (photographs of Sitting Bull, and Buffalo Bill’s Wild West show), for political and commercial benefit. The Lakota’s efforts had limited power to correct misrepresentations of the dance and its aftermath.
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Conference papers on the topic "New York Graphic Society"

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Antes, Robert P., Eric R. Ober, and Greggrey G. Cohen. "Preserving the Past as Society Evolves." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2427.

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<p>In urban environments, historic and significant structures are often altered or adapted multiple times for new uses to meet the needs of society. These modifications may occur years apart over the life of the structure, resulting in a combination of different materials and structural systems. Modern-day designers need to fully understand not only the original archaic construction but also the changes imposed during the prior modifications. Drawings for the original building, and subsequent modifications, oftentimes are lacking or incomplete and an investigation is needed to identify the configuration of the existing structure and the various material properties. When considering restoration and strengthening, the information obtained from a well-planned investigation and evaluation can maximize retention of the historic fabric of the structure.</p><p>In this paper/presentation we discuss the importance of performing an investigation prior to modifying the existing structure, the components of an investigation for historic or significant structures, and the challenges that can arise during the investigation process.</p>
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Järvenpää, Esko, and Arne Jutila. "Ultimate spans and optimal rise relations of steel arches." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0990.

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<p>Arched structures have been in use more than three thousand years. The span length of the arch in bridge construction has already exceeded 550 meters. Even longer arch bridges have been designed. The development of arch structures has not been as fast as in cable-stayed bridges during the resent 30 years, when cable-stayed bridges have reached spans more than 1100 m. However, arch structures are becoming more common, especially in bridges.</p><p>The purpose of this paper is to arouse interest in arch structures as well as to open up basic issues related to optimal arch design. The paper discusses the parabolic arch, the catenary arch, and the constant stress arch. The optimum heights, which produce the minimum amount of material, are solved. The importance of form- finding design is emphasized.</p><p>The optimum heights are solved mathematically. In addition, a non-linear iteration procedure, based on vector algebra solution, is used in finding the optimum shape of the moment-less arch. The applications of traditional graphic static and the usage of vector algebra are useful practical tools for designers, especially during the preliminary design stages.</p><p>The maximum theoretical arch spans are remarkably long. At a stress level of 500 MPa, the ultimate span of a steel arch is 19 635 m. The optimal heights of the arches are bigger than traditionally expected. For example, for a parabolic arch, the optimum span to height relation l/h is 2.309. It can also be mentioned that the optimum height ratio of 2.962, derived for the catenary arch, has so far been an unknown figure for designers.</p><p>The theoretical maximal dimensions resolved in the paper indicate that the dimensions of arches can be increased further.</p>
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Langdon, Jonathan H., and Stephen A. McAleavey. "Real-time single track location ultrasound elasticity imaging using graphic processing units." In 2014 IEEE Western New York Image and Signal Processing Workshop (WNYISPW). IEEE, 2014. http://dx.doi.org/10.1109/wnyipw.2014.6999483.

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"Floorplan [New York Marriott Marquis]." In Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.4461659.

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Miller, Nicholas W., and Gary A. Jordan. "Evaluating wind capacity value in New York and California." In Energy Society General Meeting. IEEE, 2008. http://dx.doi.org/10.1109/pes.2008.4596714.

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de Mello, R. W. "Locational marginal pricing in practice, the New York experience." In 2006 IEEE Power Engineering Society General Meeting. IEEE, 2006. http://dx.doi.org/10.1109/pes.2006.1709484.

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Bell, Michelle L., and G. Brooke Anderson. "The Mortality Of A Major Power Outage: Case Study Of The 2003 Blackout In New York, New York, USA." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a6058.

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Devarajan, A., A. Martin Menjivar, and O. Epelbaum. "Pulmonary Blastomycosis: Now Endemic to New York State?" In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a6880.

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Zheng, Kai, Qinggang Sun, Yi Jiang, and Lei Miao. "New algorithm on merging graphic elements of ENC." In 2015 54th Annual Conference of the Society of Instrument and Control Engineers of Japan (SICE). IEEE, 2015. http://dx.doi.org/10.1109/sice.2015.7285403.

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Sachwald, Benjamin. "New York City: The (E) Designation and Restrictive Declaration." In 159th Meeting Acoustical Society of America/NOISE-CON 2010. ASA, 2010. http://dx.doi.org/10.1121/1.3418732.

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Reports on the topic "New York Graphic Society"

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Turner, Christopher W. Interactions between Neurophysiology and Psychoacoustics: Meeting of the Acoustical Society of America (117th) Held in Syracuse, New York on 22 May 1989. Fort Belvoir, VA: Defense Technical Information Center, June 1989. http://dx.doi.org/10.21236/ada236763.

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Melnyk, Andriy. «INTELLECTUAL DARK WEB» AND PECULIARITIES OF PUBLIC DEBATE IN THE UNITED STATES. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11113.

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The article focuses on the «Intellectual Dark Web», an informal group of scholars, publicists, and activists who openly opposed the identity politics, political correctness, and the dominance of leftist ideas in American intellectual life. The author examines the reasons for the emergence of this group, names the main representatives and finds that the existence of «dark intellectuals» is the evidence of important problems in US public discourse. The term «Intellectual Dark Web» was coined by businessman Eric Weinstein to describe those who openly opposed restrictions on freedom of speech by the state or certain groups on the grounds of avoiding discrimination and hate speech. Extensive discussion of the phenomenon of «dark intellectuals» began after the publication of Barry Weiss’s article «Meet the renegades from the «Intellectual Dark Web» in The New York Times in 2018. The author writes of «dark intellectuals» as an informal group of «rebellious thinkers, academic apostates, and media personalities» who felt isolated from traditional channels of communication and therefore built their own alternative platforms to discuss awkward topics that were often taboo in the mainstream media. One of the most prominent members of this group, Canadian clinical psychologist Jordan Peterson, publicly opposed the C-16 Act in September 2016, which the Canadian government aimed to implement initiatives that would prevent discrimination against transgender people. Peterson called it a direct interference with the right to freedom of speech and the introduction of state censorship. Other members of the group had a similar experience that their views were not accepted in the scientific or media sphere. The existence of the «Intellectual Dark Web» indicates the problem of political polarization and the reduction of the ability to find a compromise in the American intellectual sphere and in American society as a whole.
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Health hazard evaluation report: HETA-99-0139-2769, The Society of Glass Beadmakers, Corning, New York. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, December 1999. http://dx.doi.org/10.26616/nioshheta9801392769.

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