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Journal articles on the topic 'New York Graphic Society'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Stahl, Joan. "LEE FRIEDLANDER PORTRAITS (New York Graphic Society Books). R. B. Kitaj." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (1986): 142. http://dx.doi.org/10.1086/adx.5.3.27947646.

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2

Klos, Sheila. "WOMEN ARTISTS AND THE SURREALIST MOVEMENT (New York Graphic Society Book). Whitney Chadwick." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (1986): 140–41. http://dx.doi.org/10.1086/adx.5.3.27947642.

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3

Rabinowitz, Richard. "Eavesdropping at the Well." Public Historian 35, no. 3 (2013): 8–45. http://dx.doi.org/10.1525/tph.2013.35.3.8.

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Tracing the history of northern slavery in a narrative exhibition at the New-York Historical Society required overcoming the silence of archival and museum collections. Despite the centrality of slavery to the colonial city, the first two centuries of black lives left few traces. In the archival record, African voices were unheard and never registered. A careful deployment of interpretive media—display techniques, audio-visual programs, graphic annotations, commissioned art objects, and architectural design—aimed to bring visitors physically and emotionally ever closer to the experience of New

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4

Rhein, Donna. "THE PRE-RAPHAELITE CAMERA: ASPECTS OF VICTORIAN PHOTOGRAPHY (New York Graphic Society Book). Michael Bartram." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 3 (1986): 142. http://dx.doi.org/10.1086/adx.5.3.27947645.

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5

Stahl, Joan. "DEGAS BY HIMSELF. (A New York Graphic Society Book). Richard KendallDEGAS: THE NUDES. Richard Thomson." Art Documentation: Journal of the Art Libraries Society of North America 7, no. 4 (1988): 168–69. http://dx.doi.org/10.1086/adx.7.4.27947979.

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6

Rudek-Śmiechowska, Anna. "New York, the Mecca of the Art World. Initial Study on Polish Migrant Artists who Left for the United States, 1986–1995." Studia Migracyjne – Przegląd Polonijny 47, no. 3 (181) (2021): 101–18. http://dx.doi.org/10.4467/25444972smpp.21.034.14454.

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The paper strives to characterize the circle of Polish visual artists who left for the United States in the late 20th century and settled in New York City, where they continued their careers. For the purposes of the paper, the subject matter has been focused on an excerpt from an ample research problem i.e. the analysis of the history of the Polish American Artists Society (PAAS,) operating in New York from 1986 through 1995. Their activities form the basis for the analysis and constitute a database to construct a more profound picture of the organization. Therefore, the years in which PAAS op

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7

Lichenko, Anna. "Treemap as a type of data visualization in the media." Synopsis: Text Context Media 28, no. 3 (2022): 156–63. http://dx.doi.org/10.28925/2311-259x.2022.3.8.

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The relevance of the study was determined by a tendency to diversify the graphic forms of data presentation, with new complex data visualizations being used more and more often alongside the usual sector or column charts in journalistic articles. In this regard, issues related to the study of the functional and perceptual characteristics of various types of diagrams are becoming actualized in the theoretical plane of social communications. The article outlines the specifics of displaying hierarchical structures using treemaps (tree maps, hierarchical maps) taking into account the features of m

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8

Margolin, Victor. "Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978: Americas Society, New York, February 11, 2015–May 16, 2015 (exhibition review)." Design Issues 32, no. 2 (2016): 98–100. http://dx.doi.org/10.1162/desi_r_00387.

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9

Powell, Justin J. W. "Designing Disability: Symbols, Space and Society by Elizabeth Guffey, (New York: Bloomsbury Academic, 2018), ISBN 978-1-3500-0428-3, 240 pages, illustrated, black and white, paperback ($26.95)." Design Issues 36, no. 1 (2020): 100–101. http://dx.doi.org/10.1162/desi_r_00582.

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10

&NA;. "New York Pathological Society." American Journal of Surgical Pathology 19, no. 9 (1995): 1100. http://dx.doi.org/10.1097/00000478-199509000-00024.

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11

D, Henry. "New York Pathological Society." American Journal of Surgical Pathology 19, no. 12 (1995): 1450. http://dx.doi.org/10.1097/00000478-199512000-00018.

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12

Whalen, Joseph P. "New York Roentgen Society." Clinical Imaging 36, no. 6 (2012): 657. http://dx.doi.org/10.1016/j.clinimag.2012.09.009.

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13

Fordyce, J. A. "NEW YORK DERMATOLOGICAL SOCIETY." Archives of Dermatology 133, no. 3 (1997): 293. http://dx.doi.org/10.1001/archderm.1997.03890390031003.

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14

Wang, Ruo Hong. "Professional Software Analysis and Comparison for Graphic Design." Applied Mechanics and Materials 644-650 (September 2014): 3170–73. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.3170.

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Contacting with the development of the society, the world is increasingly close, the Internet has become an inseparable part of modern society, and the new century must rely on the powerful computer information technology to better development. The continuous renewal of network, the rapid development of computer technology, computer graphic design industries widely used. Application in the field of generalized naturally shows the importance of computer graphic design, further shows the importance of studying graphic design knowledge. Present and future society requires high-quality high-cultur

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15

Johnson, Steven P. "New York Zoological Society Library." Science & Technology Libraries 8, no. 4 (1988): 21–31. http://dx.doi.org/10.1300/j122v08n04_03.

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16

Osborne, Michael P., and Arthur Cooper. "The New York Surgical Society." International Journal of Surgery 25 (January 2016): 7–8. http://dx.doi.org/10.1016/j.ijsu.2015.11.004.

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17

Duran Fernandez, Jose. "La muralla de Nueva York." VLC arquitectura. Research Journal 3, no. 2 (2016): 1. http://dx.doi.org/10.4995/vlc.2016.4297.

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The urban history of New York City, its birth and decline, is linked with one basic element: water. Water was the reason for its foundation and it could be the cause of its disappearance… Water is fundamental to the urban life of this city; it is the element that has fed its growth during its four hundred year existence. Only for this reason does it deserve the upmost attention and an exhaustive study. Water as a limit, wall or barrier, or as an extreme place of opportunity, it is without a doubt a place where the urban future of New York City rests. Although it deals with an uncertain and dys

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18

Bowen, Zack. "The New York James Joyce Society." Joyce Studies Annual 12 (July 2001): 74–80. http://dx.doi.org/10.1353/joy.2001.0001.

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19

&NA;. "New York Society of Forensic Sciences." American Journal of Forensic Medicine and Pathology 7, no. 3 (1986): 270. http://dx.doi.org/10.1097/00000433-198607030-00024.

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20

&NA;. "New York Society of Forensic Sciences." American Journal of Forensic Medicine and Pathology 8, no. 1 (1987): 92. http://dx.doi.org/10.1097/00000433-198703000-00028.

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21

&NA;. "New York Society of Forensic Sciences." American Journal of Forensic Medicine and Pathology 9, no. 3 (1988): 275. http://dx.doi.org/10.1097/00000433-198809000-00028.

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22

&NA;. "New York Society of Forensic Sciences." American Journal of Forensic Medicine and Pathology 10, no. 3 (1989): 273. http://dx.doi.org/10.1097/00000433-198909000-00049.

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23

Moltrup, Megan. "Herstory of Graphic Design: Elaine Lustig Cohen." Collections: A Journal for Museum and Archives Professionals 15, no. 2-3 (2019): 167–77. http://dx.doi.org/10.1177/1550190619866179.

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The Cary Graphic Arts Collection in Rochester, New York, manages the Graphic Design Archive of the Rochester Institute of Technology which features more than 35 collections documenting the work of many 20th-century Modernist graphic designers. Among these is the work of Elaine Lustig Cohen (1927–2016), a relatively unknown designer from New York City. Upon her marriage to the well-known designer Alvin Lustig, Elaine unknowingly started out on her path as a designer. She seamlessly transitioned from office manager to artist, but it took decades for her to receive recognition for her work. In an

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24

Gomes, Ivan Lima. "HAGUE, Ian. Comics and the senses: a multisensory approach to comics and graphic novels. New York: Routledge, 2014. 214p." História, histórias 4, no. 7 (2016): 223–26. http://dx.doi.org/10.26512/hh.v4i7.10936.

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25

PİLİCİ, Elanur. "POSTMODERN REKLAM AFİŞİ TASARIMI." IEDSR Association 6, no. 11 (2021): 329–42. http://dx.doi.org/10.46872/pj.245.

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The history of the art of graphic design and posters goes back to cave drawings during the Stone Age. Graphic design and posters are based on social needs and change in different stages of social development. They are now enjoying one of the apexes of their development. The art of graphic and poster design which developed and evolved in the historical and social development process, has taken on new dimensions during the transition from the modern to the postmodern period in accordance with the needs of our society of consumption and by using the technical/technological tools and methods withi

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26

Durán Fernández, José. "Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city." ZARCH, no. 8 (October 2, 2017): 90. http://dx.doi.org/10.26754/ojs_zarch/zarch.201782148.

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La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos

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27

McDaniel, Shawn. "Breaking the Graphic-Sonic Barrier: Abril Lamarque's Intermedial Lines in Cuban New York." Cuban Studies 53, no. 1 (2024): 91–109. http://dx.doi.org/10.1353/cub.2024.a930639.

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ABSTRACT: This article surveys the early intermedial work of Abril Lamarque, a Cuban illustrator, graphic designer, and art director in New York, who created the first comic strip in Spanish for newspapers in Latin America ( Monguito , 1925–1933) and the first caricature broadcast over the radio, a genre he called the "radio-cature" (1926). The article tracks the inter-American routes of the young artist between Santiago de Cuba and New York, examines the development of his caricature in print cultures and on airwaves in Cuba and the United States, and highlights the transnational networks and

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28

Davie, Grace. "HealthySecularisedDenmark - Phil Zuckermann, Society without God (New York, New York University Press, 2010)." European Journal of Sociology 51, no. 3 (2010): 532–34. http://dx.doi.org/10.1017/s0003975610000457.

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29

Loughery, John. "New York Society of Women Artists, 1925." Woman's Art Journal 9, no. 1 (1988): 54. http://dx.doi.org/10.2307/1358374.

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30

Wolf, Ellen L. "History of the New York Roentgen Society." Clinical Imaging 36, no. 6 (2012): 658–59. http://dx.doi.org/10.1016/j.clinimag.2012.09.008.

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31

Buckley, Peter. "Meeting of the New York Psychoanalytic Society." Psychoanalytic Quarterly 54, no. 1 (1985): 143–53. http://dx.doi.org/10.1080/21674086.1985.11927099.

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32

Buckley, Peter, John B. Mcdevitt, and John Munder Ross. "Meeting of the New York Psychoanalytic Society." Psychoanalytic Quarterly 54, no. 4 (1985): 684–90. http://dx.doi.org/10.1080/21674086.1985.11927127.

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33

Waldron, Sherwood. "Meetings of the New York Psychoanalytic Society." Psychoanalytic Quarterly 56, no. 2 (1987): 426–30. http://dx.doi.org/10.1080/21674086.1987.11927181.

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34

Klapper, Gilbert, and William T. Kirchgasser. "Frasnian Late Devonian conodont biostratigraphy in New York: graphic correlation and taxonomy." Journal of Paleontology 90, no. 3 (2016): 525–54. http://dx.doi.org/10.1017/jpa.2015.70.

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AbstractTwo regional composite sections in the Frasnian, Upper Devonian, of New York State result from graphic correlation of conodont species. The first extends from Frasnian conodont zones 3 to 7, the second from Frasnian zones 11 to 13c (we prefer this terminology to “Montagne Noire” or “MN” zonation as the zone-defining species occur throughout the Devonian tropics). Key beds, widely traceable bases of prominent black shales, have been used with only a few exceptions to position the lines of correlation (LOC) in the graphs. Other key beds, not used for positioning, fall exactly on the LOC

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35

Vari, Silvia. "Immigrants and Comics: Graphic Spaces of Remembrance, Transaction, and Mimesis, Nhora Lucía Serrano (ed.) (2021)." Studies in Comics 13, no. 1 (2022): 179–85. http://dx.doi.org/10.1386/stic_00083_5.

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36

LI, Gongzhong. "From Society to Shehui: The Early Configuration of a Basic Concept in Modern China." Cultura 17, no. 2 (2020): 11–28. http://dx.doi.org/10.3726/cul022020.0002.

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Abstract: As a traditional term used in ancient Chinese, shiehwui <graphic href="CUL2020k_11_fig0001.jpg"/><graphic href="CUL2020k_11_fig0002.jpg"/> mainly implied the gatherings and meetings related to folk festivals for the worship of and making offerings to shie <graphic href="CUL2020k_11_fig0003.jpg"/>, the gods of soil. The manifestation of shiehwui frequently was the target of condescension or outright condemnation from the government or Confucian elites. During the early dissemination of the western concept of society into China, one factor that facilitated its entry w

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37

Precup, Mihaela. "Comic Books, Graphic Novels and the Holocaust: Beyond Maus, Ewa Stańczyk (ed.) (2019)." Studies in Comics 11, no. 2 (2020): 443–47. http://dx.doi.org/10.1386/stic_00040_5.

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38

Meesters, Gert, David Miranda-Barreiro, and Jakob Dittmar. "Book Reviews." European Comic Art 15, no. 2 (2022): 132–40. http://dx.doi.org/10.3167/eca.2022.150207.

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Philippe Delisle and Benoît Glaude, Jijé: L’Autre père de la BD francobelge (Montrouge, France: PLG, 2019). 180 pp. ISBN: 97829178Nhora Lucía Serrano, ed., Immigrants and Comics: Graphic Spaces of Remembrance, Transaction, and Mimesis (New York: Routledge, 2021). 268 pp. ISBN: 9781138186156 (Hardback: £120; e-book: £27.74)Johannes C. P. Schmid, Frames and Framing in Documentary Comics (London: Palgrave Studies in Comics and Graphic Novels, 2021). 292 pp. ISBN: 9783030633035 (e-book: £43.99)

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39

Jackson, Debra. "Tattooed New York at The New-York Historical Society: Exhibition on view Spring 2017." New York History 98, no. 2 (2017): 305–7. http://dx.doi.org/10.1353/nyh.2017.0032.

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40

Louwagie, Fransiska, and Benoît Crucifix. "Book Reviews." European Comic Art 14, no. 1 (2021): 89–95. http://dx.doi.org/10.3167/eca.2020.140106.

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Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)

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41

Louwagie, Fransiska, and Benoît Crucifix. "Book Reviews." European Comic Art 14, no. 1 (2021): 89–95. http://dx.doi.org/10.3167/eca.2021.140106.

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Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)

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42

Franklin, John. "Graphically Contrasting Cultures: A Review of Jerry Craft's New Kid." Kansas English 104 (June 30, 2023): 80–81. http://dx.doi.org/10.62704/ems7w551.

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Jerry Craft's 2019 Coretta Scott King and Newbery Medal-winning novel New Kid is a thought-provoking, aesthetically pleasing study in comparison-and-contrast between protagonist Jordan Bank's home life in his neighborhood (Washington Heights, near the George Washington Bridge in New York City) and his school life where he is a new 7th grader (Riverdale Academy, an elite and exclusive prep school) that benefits from the medium: graphic literature.

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43

Ferry, Andrew P. "125th Anniversary of the New York Ophthalmological Society." American Journal of Ophthalmology 108, no. 1 (1989): 97–99. http://dx.doi.org/10.1016/s0002-9394(14)73282-9.

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44

Parrinello, Alice. "Queer unmaking: Monstrosity and dancing liberation in Percy Bertolini’s Da sola (2021)." Studies in Comics 15, no. 1 (2025): 73–94. https://doi.org/10.1386/stic_00119_1.

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Percy Bertolini’s Da sola (‘alone’) (2021) depicts a non-conforming, pink-furred, fluorescent-jumpsuit-wearing protagonist roaming the streets of a dystopian brutalist city in the course of a night. The narrative starts with the main character’s escape from a mental health facility, and it continues by depicting their constant attempt to avoid being institutionalized. Alongside the powerful images created by Bertolini, the graphic novel intermixes the panels with quotes from Vaslav Nijinsky’s diaries about his own mental health struggles. The article investigates how the graphic novel depicts

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45

Vereshchagin, Oleg. "Graphic Design in the Context of Taste Culture: Educational and Upbringing Potential." Filosofiya osvity. Philosophy of Education 29, no. 2 (2024): 175–85. http://dx.doi.org/10.31874/2309-1606-2023-29-2-11.

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The article examines the place of graphic design in modern post-industrial society, extending beyond purely applied art and aspiring to play the role of an expert in the interiors of human existence, determining the social and cultural status of an individual. It is argued that graphic design, organically integrating into contexts and actively responding to the challenges of such a social-decorative phenomenon as fashion, plays a significant role in shaping taste culture. This attests to the multiplicity of ambivalent cultural manifestations of graphic design. Special attention is given to ide

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46

BOUTWELL, BRETT. "Morton Feldman's Graphic Notation: Projections and Trajectories." Journal of the Society for American Music 6, no. 4 (2012): 457–82. http://dx.doi.org/10.1017/s1752196312000363.

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AbstractIn the winter of 1950–51 Morton Feldman composed a series of pieces titled Projections in a new notation of his own invention. The first-known graphically scored works of the postwar era, the Projections were immediately championed by Feldman's friend John Cage in the language of his budding philosophy of non-intention, a framework of thought largely alien to Feldman. In later years, Feldman instead explained the Projections through the discourse of abstract-expressionist painting, substituting its model of willful creative action for Cage's Zen-inspired doctrine of aesthetic indiffere

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47

Møllegaard, Kirsten. "Comic Art Propaganda: A Graphic History FredrikStrömberg. New York: St. Martin's Griffin, 2010." Journal of American Culture 35, no. 2 (2012): 192. http://dx.doi.org/10.1111/j.1542-734x.2012.00807_2.x.

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48

Noonan, Ellen. "Review: Center for Women’s History, New-York Historical Society Museum & Library, New York, NY." Public Historian 39, no. 4 (2017): 163–67. http://dx.doi.org/10.1525/tph.2017.39.4.163.

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49

Harnoko, Irwan, and Dria Setiautami. "Pengaruh Tipografi pada Era Massimo Vignelli terhadap Tipografi Michael Bierut." Humaniora 2, no. 2 (2011): 1368. http://dx.doi.org/10.21512/humaniora.v2i2.3201.

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Massimo Vignelli is a senior graphic designer lived in New York, as a vocal modernism against post-modernism. His statement firmly opposing post-modernism in several occasions: interview in Helvetica the movie, typeradio, talkshow, and some articles in Looking Closer or AIGA Journal. Graphic design works of Massimo Vignelli reflected his characteristic, which is firmly choosing typeface. Typefaces of Vignelly are around 5 typefaces: Bodoni, Helvetica, Times Roman, Century, and Futura. The article uses formal analysis method. The writers collected materials about Michael Bierut, Massimo VIgnell

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50

Holman, E. Alison, Dana Rose Garfin, Pauline Lubens, and Roxane Cohen Silver. "Media Exposure to Collective Trauma, Mental Health, and Functioning: Does It Matter What You See?" Clinical Psychological Science 8, no. 1 (2019): 111–24. http://dx.doi.org/10.1177/2167702619858300.

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Media exposure to collective trauma is associated with acute stress (AS) and posttraumatic stress symptoms (PTSS). Qualities of media exposure (e.g., amount, graphic features) contributing to this distress are poorly understood. A representative national sample (with New York and Boston oversamples; N = 4,675) completed anonymous, online surveys 2 to 4 weeks after the Boston Marathon bombings (BMB; Wave 1, or W1) and again 6 months later (Wave 2, or W2; N = 3,598). W1 assessed BMB-related AS and media exposure (i.e., hours of media consumption, graphic image content) 1 week post-BMB; W2 assess

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